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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB726 it is the complementary color #B148D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB726. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB726 shade: #53B721, #64C934, #75DB47, #86ED5A and #97FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB726. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB726 shade: #4EB726, #3DA513, #2C9300, #1B8100 and #0A6F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB726 shade: #4DB625, #74B625, #9BB625, #B6AA25 and #B68325

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB726 shade: #4DB625, #26B625, #25B64B, #25B672 and #25B699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB726 shade matches the following richer shades: #4DB625, #45C814 and #3DDA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB726 shade: #4DB625, #55A437, #5D9349, #65815B and #6D6F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB726 shade: #9BB625, #75B625, #4EB625, #28B625 and #25B649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB726 shade: #307217, #3F941E, #4DB625, #5DD530 and #78DC52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB726 shade: #4EB726, #25B6AA and #B62588

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB726 shade: #4EB726, #254EB6 and #B6254E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB726 shade: #4EB726, #25B6AA, #8D25B6 and #B62531

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB726 shade: #4EB726, #2597B6, #8D25B6 and #B64525

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 79 / 28

HEX #4EB726

RGB 78 183 38

HSL 103.45, 0.66%, 0.43%

LAB 66.23, -54.97, 59.31

 

Complementary color

CMYK 18 / 67 / 0 / 15

HEX #B148D9

RGB 177 72 217

HSL 283.45, 0.66%, 0.57%

LAB 50.68, 63.92, -55.63

 

CMYK 55 / 0 / 82 / 28

HEX #53B721

RGB 83 183 33

HSL 100, 0.69%, 0.42%

LAB 66.38, -53.89, 60.94

 

CMYK 50 / 0 / 74 / 21

HEX #64C934

RGB 100 201 52

HSL 100.67, 0.59%, 0.5%

LAB 72.71, -54.67, 61.32

 

CMYK 47 / 0 / 68 / 14

HEX #75DB47

RGB 117 219 71

HSL 101.35, 0.67%, 0.57%

LAB 78.98, -55.16, 60.99

 

CMYK 43 / 0 / 62 / 7

HEX #86ED5A

RGB 134 237 90

HSL 102.04, 0.8%, 0.64%

LAB 85.19, -55.43, 60.26

 

CMYK 41 / 0 / 57 / 0

HEX #97FF6D

RGB 151 255 109

HSL 102.74, 1%, 0.71%

LAB 91.33, -55.56, 59.31

 

CMYK 57 / 0 / 79 / 28

HEX #4EB726

RGB 78 183 38

HSL 103.45, 0.66%, 0.43%

LAB 66.23, -54.97, 59.31

 

CMYK 63 / 0 / 88 / 35

HEX #3DA513

RGB 61 165 19

HSL 102.74, 0.79%, 0.36%

LAB 59.84, -53.76, 58.23

 

CMYK 70 / 0 / 100 / 42

HEX #2C9300

RGB 44 147 0

HSL 102.04, 1%, 0.29%

LAB 53.39, -51.98, 55.88

 

CMYK 79 / 0 / 100 / 49

HEX #1B8100

RGB 27 129 0

HSL 107.44, 1%, 0.25%

LAB 46.89, -49.22, 50.55

 

CMYK 91 / 0 / 100 / 56

HEX #0A6F00

RGB 10 111 0

HSL 114.59, 1%, 0.22%

LAB 40.3, -45.72, 45.19

 

CMYK 58 / 0 / 80 / 29

HEX #4DB625

RGB 77 182 37

HSL 103.45, 0.66%, 0.43%

LAB 65.88, -54.92, 59.27

 

CMYK 36 / 0 / 80 / 29

HEX #74B625

RGB 116 182 37

HSL 87.31, 0.66%, 0.43%

LAB 67.5, -42.74, 61.37

 

CMYK 15 / 0 / 80 / 29

HEX #9BB625

RGB 155 182 37

HSL 71.17, 0.66%, 0.43%

LAB 69.87, -27.5, 64.39

 

CMYK 0 / 7 / 80 / 29

HEX #B6AA25

RGB 182 170 37

HSL 55.03, 0.66%, 0.43%

LAB 68.63, -9.83, 64.1

 

CMYK 0 / 28 / 80 / 29

HEX #B68325

RGB 182 131 37

HSL 38.9, 0.66%, 0.43%

LAB 58.33, 11.27, 54.83

 

CMYK 58 / 0 / 80 / 29

HEX #4DB625

RGB 77 182 37

HSL 103.45, 0.66%, 0.43%

LAB 65.88, -54.92, 59.27

 

CMYK 79 / 0 / 80 / 29

HEX #26B625

RGB 38 182 37

HSL 119.59, 0.66%, 0.43%

LAB 64.96, -62.59, 58.08

 

CMYK 80 / 0 / 59 / 29

HEX #25B64B

RGB 37 182 75

HSL 135.72, 0.66%, 0.43%

LAB 65.25, -59.07, 43.4

 

CMYK 80 / 0 / 37 / 29

HEX #25B672

RGB 37 182 114

HSL 151.86, 0.66%, 0.43%

LAB 65.8, -52.59, 24.38

 

CMYK 80 / 0 / 16 / 29

HEX #25B699

RGB 37 182 153

HSL 168, 0.66%, 0.43%

LAB 66.63, -43.52, 4.32

 

CMYK 58 / 0 / 80 / 29

HEX #4DB625

RGB 77 182 37

HSL 103.45, 0.66%, 0.43%

LAB 65.88, -54.92, 59.27

 

CMYK 66 / 0 / 90 / 22

HEX #45C814

RGB 69 200 20

HSL 103.67, 0.82%, 0.43%

LAB 71.3, -63.66, 67.94

 

CMYK 72 / 0 / 99 / 15

HEX #3DDA02

RGB 61 218 2

HSL 103.61, 0.98%, 0.43%

LAB 76.76, -71.13, 74.44

 

CMYK 58 / 0 / 80 / 29

HEX #4DB625

RGB 77 182 37

HSL 103.45, 0.66%, 0.43%

LAB 65.88, -54.92, 59.27

 

CMYK 48 / 0 / 66 / 36

HEX #55A437

RGB 85 164 55

HSL 103.49, 0.5%, 0.43%

LAB 60.57, -44.44, 47.44

 

CMYK 37 / 0 / 50 / 42

HEX #5D9349

RGB 93 147 73

HSL 103.78, 0.34%, 0.43%

LAB 55.76, -32.38, 33.43

 

CMYK 22 / 0 / 29 / 49

HEX #65815B

RGB 101 129 91

HSL 104.21, 0.17%, 0.43%

LAB 50.95, -17.73, 17.42

 

CMYK 2 / 0 / 3 / 56

HEX #6D6F6C

RGB 109 111 108

HSL 100, 0.01%, 0.43%

LAB 46.58, -1.38, 1.39

 

CMYK 15 / 0 / 80 / 29

HEX #9BB625

RGB 155 182 37

HSL 71.17, 0.66%, 0.43%

LAB 69.87, -27.5, 64.39

 

CMYK 36 / 0 / 80 / 29

HEX #75B625

RGB 117 182 37

HSL 86.9, 0.66%, 0.43%

LAB 67.55, -42.38, 61.43

 

CMYK 57 / 0 / 80 / 29

HEX #4EB625

RGB 78 182 37

HSL 103.03, 0.66%, 0.43%

LAB 65.91, -54.66, 59.31

 

CMYK 78 / 0 / 80 / 29

HEX #28B625

RGB 40 182 37

HSL 118.76, 0.66%, 0.43%

LAB 64.99, -62.32, 58.12

 

CMYK 80 / 0 / 60 / 29

HEX #25B649

RGB 37 182 73

HSL 134.9, 0.66%, 0.43%

LAB 65.22, -59.33, 44.3

 

CMYK 58 / 0 / 80 / 55

HEX #307217

RGB 48 114 23

HSL 103.52, 0.66%, 0.27%

LAB 42.35, -38.08, 41.03

 

CMYK 57 / 0 / 80 / 42

HEX #3F941E

RGB 63 148 30

HSL 103.22, 0.66%, 0.35%

LAB 54.38, -46.56, 50.39

 

CMYK 58 / 0 / 80 / 29

HEX #4DB625

RGB 77 182 37

HSL 103.45, 0.66%, 0.43%

LAB 65.88, -54.92, 59.27

 

CMYK 56 / 0 / 77 / 16

HEX #5DD530

RGB 93 213 48

HSL 103.64, 0.66%, 0.51%

LAB 76.15, -61.2, 65.86

 

CMYK 45 / 0 / 63 / 14

HEX #78DC52

RGB 120 220 82

HSL 103.48, 0.66%, 0.59%

LAB 79.49, -53.7, 57.13

 

CMYK 57 / 0 / 79 / 28

HEX #4EB726

RGB 78 183 38

HSL 103.45, 0.66%, 0.43%

LAB 66.23, -54.97, 59.31

 

CMYK 80 / 0 / 7 / 29

HEX #25B6AA

RGB 37 182 170

HSL 175.03, 0.66%, 0.43%

LAB 67.09, -38.87, -4.4

 

CMYK 0 / 80 / 25 / 29

HEX #B62588

RGB 182 37 136

HSL 319.03, 0.66%, 0.43%

LAB 42.83, 64.18, -20.25

 

CMYK 57 / 0 / 79 / 28

HEX #4EB726

RGB 78 183 38

HSL 103.45, 0.66%, 0.43%

LAB 66.23, -54.97, 59.31

 

CMYK 80 / 57 / 0 / 29

HEX #254EB6

RGB 37 78 182

HSL 223.03, 0.66%, 0.43%

LAB 36.4, 24.47, -59.07

 

CMYK 0 / 80 / 57 / 29

HEX #B6254E

RGB 182 37 78

HSL 343.03, 0.66%, 0.43%

LAB 40.93, 58.47, 13.13

 

CMYK 57 / 0 / 79 / 28

HEX #4EB726

RGB 78 183 38

HSL 103.45, 0.66%, 0.43%

LAB 66.23, -54.97, 59.31

 

CMYK 80 / 0 / 7 / 29

HEX #25B6AA

RGB 37 182 170

HSL 175.03, 0.66%, 0.43%

LAB 67.09, -38.87, -4.4

 

CMYK 23 / 80 / 0 / 29

HEX #8D25B6

RGB 141 37 182

HSL 283.03, 0.66%, 0.43%

LAB 38.49, 62.98, -55.25

 

CMYK 0 / 80 / 73 / 29

HEX #B62531

RGB 182 37 49

HSL 355.03, 0.66%, 0.43%

LAB 40.39, 56.81, 30.51

 

CMYK 57 / 0 / 79 / 28

HEX #4EB726

RGB 78 183 38

HSL 103.45, 0.66%, 0.43%

LAB 66.23, -54.97, 59.31

 

CMYK 80 / 17 / 0 / 29

HEX #2597B6

RGB 37 151 182

HSL 192.83, 0.66%, 0.43%

LAB 57.95, -19.99, -24.92

 

CMYK 23 / 80 / 0 / 29

HEX #8D25B6

RGB 141 37 182

HSL 283.03, 0.66%, 0.43%

LAB 38.49, 62.98, -55.25

 

CMYK 0 / 62 / 80 / 29

HEX #B64525

RGB 182 69 37

HSL 13.24, 0.66%, 0.43%

LAB 44.71, 44.17, 41.87

 

Description

Color code: HEX #4EB726 | qconv.com Color code: HEX #4EB726 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 183 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 183 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 79 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 79% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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