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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB6F6 it is the complementary color #B14909. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB6F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB6F6 shade: #53B6F1, #64C8FF, #75DAFF, #86ECFF and #97FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB6F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB6F6 shade: #4EB6F6, #3DA4E3, #2C92D0, #1B80BD and #0A6EAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB6F6 shade: #51B7F6, #518AF6, #515EF6, #7051F6 and #9D51F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB6F6 shade: #51B7F6, #518AF6, #515EF6 and #5151F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB6F6 shade matches the following richer shades: #51B7F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB6F6 shade: #51B7F6, #5FB3E7, #6EB0D8, #7DACC9 and #8CA9BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB6F6 shade: #51F6DA, #51E5F6, #51B9F6, #518DF6 and #5161F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB6F6 shade: #0C94E8, #29A7F4, #51B7F6, #78C7F8 and #9FD7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB6F6 shade: #4EB6F6, #AE51F6 and #F6F051

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB6F6 shade: #4EB6F6, #F651B9 and #B9F651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB6F6 shade: #4EB6F6, #AE51F6, #F68D51 and #98F651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB6F6 shade: #4EB6F6, #E051F6, #F68D51 and #67F651

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 26 / 0 / 4

HEX #4EB6F6

RGB 78 182 246

HSL 202.86, 0.9%, 0.64%

LAB 70.68, -10.19, -40.52

 

Complementary color

CMYK 0 / 59 / 95 / 31

HEX #B14909

RGB 177 73 9

HSL 22.86, 0.9%, 0.36%

LAB 44.42, 39.72, 52.28

 

CMYK 66 / 24 / 0 / 5

HEX #53B6F1

RGB 83 182 241

HSL 202.41, 0.85%, 0.64%

LAB 70.63, -11.05, -37.89

 

CMYK 61 / 22 / 0 / 0

HEX #64C8FF

RGB 100 200 255

HSL 201.29, 1%, 0.7%

LAB 76.82, -13.43, -35.77

 

CMYK 54 / 15 / 0 / 0

HEX #75DAFF

RGB 117 218 255

HSL 196.09, 1%, 0.73%

LAB 82.46, -19.53, -27.05

 

CMYK 47 / 7 / 0 / 0

HEX #86ECFF

RGB 134 236 255

HSL 189.42, 1%, 0.76%

LAB 88.1, -24.92, -18.42

 

CMYK 41 / 0 / 0 / 0

HEX #97FEFF

RGB 151 254 255

HSL 180.58, 1%, 0.8%

LAB 93.75, -29.71, -9.91

 

CMYK 68 / 26 / 0 / 4

HEX #4EB6F6

RGB 78 182 246

HSL 202.86, 0.9%, 0.64%

LAB 70.68, -10.19, -40.52

 

CMYK 73 / 28 / 0 / 11

HEX #3DA4E3

RGB 61 164 227

HSL 202.77, 0.75%, 0.56%

LAB 64.23, -8.97, -40.26

 

CMYK 79 / 30 / 0 / 18

HEX #2C92D0

RGB 44 146 208

HSL 202.68, 0.65%, 0.49%

LAB 57.7, -7.45, -39.96

 

CMYK 86 / 32 / 0 / 26

HEX #1B80BD

RGB 27 128 189

HSL 202.59, 0.75%, 0.42%

LAB 51.09, -5.51, -39.61

 

CMYK 94 / 35 / 0 / 33

HEX #0A6EAA

RGB 10 110 170

HSL 202.5, 0.89%, 0.35%

LAB 44.4, -3.03, -39.18

 

CMYK 67 / 26 / 0 / 4

HEX #51B7F6

RGB 81 183 246

HSL 202.91, 0.9%, 0.64%

LAB 71.06, -10.29, -39.93

 

CMYK 67 / 44 / 0 / 4

HEX #518AF6

RGB 81 138 246

HSL 219.27, 0.9%, 0.64%

LAB 58.58, 15.58, -59.65

 

CMYK 67 / 62 / 0 / 4

HEX #515EF6

RGB 81 94 246

HSL 235.27, 0.9%, 0.64%

LAB 47.51, 42.43, -77.57

 

CMYK 54 / 67 / 0 / 4

HEX #7051F6

RGB 112 81 246

HSL 251.27, 0.9%, 0.64%

LAB 46.95, 54.3, -78.38

 

CMYK 36 / 67 / 0 / 4

HEX #9D51F6

RGB 157 81 246

HSL 267.64, 0.9%, 0.64%

LAB 51.5, 62.16, -70.77

 

CMYK 67 / 26 / 0 / 4

HEX #51B7F6

RGB 81 183 246

HSL 202.91, 0.9%, 0.64%

LAB 71.06, -10.29, -39.93

 

CMYK 67 / 44 / 0 / 4

HEX #518AF6

RGB 81 138 246

HSL 219.27, 0.9%, 0.64%

LAB 58.58, 15.58, -59.65

 

CMYK 67 / 62 / 0 / 4

HEX #515EF6

RGB 81 94 246

HSL 235.27, 0.9%, 0.64%

LAB 47.51, 42.43, -77.57

 

CMYK 67 / 67 / 0 / 4

HEX #5151F6

RGB 81 81 246

HSL 240, 0.9%, 0.64%

LAB 44.64, 50.05, -82.26

 

CMYK 67 / 26 / 0 / 4

HEX #51B7F6

RGB 81 183 246

HSL 202.91, 0.9%, 0.64%

LAB 71.06, -10.29, -39.93

 

CMYK 67 / 26 / 0 / 4

HEX #51B7F6

RGB 81 183 246

HSL 202.91, 0.9%, 0.64%

LAB 71.06, -10.29, -39.93

 

CMYK 59 / 23 / 0 / 9

HEX #5FB3E7

RGB 95 179 231

HSL 202.94, 0.74%, 0.64%

LAB 69.78, -10.48, -33.73

 

CMYK 49 / 19 / 0 / 15

HEX #6EB0D8

RGB 110 176 216

HSL 202.64, 0.58%, 0.64%

LAB 68.98, -10.16, -26.7

 

CMYK 38 / 14 / 0 / 21

HEX #7DACC9

RGB 125 172 201

HSL 202.89, 0.41%, 0.64%

LAB 68.08, -8.35, -19.75

 

CMYK 25 / 9 / 0 / 27

HEX #8CA9BA

RGB 140 169 186

HSL 202.17, 0.25%, 0.64%

LAB 67.65, -6.08, -12.02

 

CMYK 67 / 0 / 11 / 4

HEX #51F6DA

RGB 81 246 218

HSL 169.82, 0.9%, 0.64%

LAB 88.32, -48.71, 1.07

 

CMYK 67 / 7 / 0 / 4

HEX #51E5F6

RGB 81 229 246

HSL 186.18, 0.9%, 0.64%

LAB 84.2, -33.57, -19.75

 

CMYK 67 / 25 / 0 / 4

HEX #51B9F6

RGB 81 185 246

HSL 202.18, 0.9%, 0.64%

LAB 71.62, -11.37, -39.05

 

CMYK 67 / 43 / 0 / 4

HEX #518DF6

RGB 81 141 246

HSL 218.18, 0.9%, 0.64%

LAB 59.39, 13.77, -58.36

 

CMYK 67 / 61 / 0 / 4

HEX #5161F6

RGB 81 97 246

HSL 234.18, 0.9%, 0.64%

LAB 48.2, 40.63, -76.44

 

CMYK 95 / 36 / 0 / 9

HEX #0C94E8

RGB 12 148 232

HSL 202.91, 0.9%, 0.48%

LAB 59.05, -1.84, -51.25

 

CMYK 83 / 32 / 0 / 4

HEX #29A7F4

RGB 41 167 244

HSL 202.76, 0.9%, 0.56%

LAB 65.47, -6.75, -47.68

 

CMYK 67 / 26 / 0 / 4

HEX #51B7F6

RGB 81 183 246

HSL 202.91, 0.9%, 0.64%

LAB 71.06, -10.29, -39.93

 

CMYK 52 / 20 / 0 / 3

HEX #78C7F8

RGB 120 199 248

HSL 202.97, 0.9%, 0.72%

LAB 77.05, -11.06, -31.61

 

CMYK 36 / 14 / 0 / 2

HEX #9FD7FA

RGB 159 215 250

HSL 203.08, 0.9%, 0.8%

LAB 83.38, -9.54, -22.83

 

CMYK 68 / 26 / 0 / 4

HEX #4EB6F6

RGB 78 182 246

HSL 202.86, 0.9%, 0.64%

LAB 70.68, -10.19, -40.52

 

CMYK 29 / 67 / 0 / 4

HEX #AE51F6

RGB 174 81 246

HSL 273.82, 0.9%, 0.64%

LAB 53.53, 65.48, -67.39

 

CMYK 0 / 2 / 67 / 4

HEX #F6F051

RGB 246 240 81

HSL 57.82, 0.9%, 0.64%

LAB 92.8, -16.03, 73.92

 

CMYK 68 / 26 / 0 / 4

HEX #4EB6F6

RGB 78 182 246

HSL 202.86, 0.9%, 0.64%

LAB 70.68, -10.19, -40.52

 

CMYK 0 / 67 / 25 / 4

HEX #F651B9

RGB 246 81 185

HSL 322.18, 0.9%, 0.64%

LAB 60.76, 71.95, -20.78

 

CMYK 25 / 0 / 67 / 4

HEX #B9F651

RGB 185 246 81

HSL 82.18, 0.9%, 0.64%

LAB 90.24, -42.67, 69.97

 

CMYK 68 / 26 / 0 / 4

HEX #4EB6F6

RGB 78 182 246

HSL 202.86, 0.9%, 0.64%

LAB 70.68, -10.19, -40.52

 

CMYK 29 / 67 / 0 / 4

HEX #AE51F6

RGB 174 81 246

HSL 273.82, 0.9%, 0.64%

LAB 53.53, 65.48, -67.39

 

CMYK 0 / 43 / 67 / 4

HEX #F68D51

RGB 246 141 81

HSL 21.82, 0.9%, 0.64%

LAB 68.92, 34.92, 48.51

 

CMYK 38 / 0 / 67 / 4

HEX #98F651

RGB 152 246 81

HSL 94.18, 0.9%, 0.64%

LAB 88.53, -54.1, 67.67

 

CMYK 68 / 26 / 0 / 4

HEX #4EB6F6

RGB 78 182 246

HSL 202.86, 0.9%, 0.64%

LAB 70.68, -10.19, -40.52

 

CMYK 9 / 67 / 0 / 4

HEX #E051F6

RGB 224 81 246

HSL 292, 0.9%, 0.64%

LAB 60.24, 75.88, -56.27

 

CMYK 0 / 43 / 67 / 4

HEX #F68D51

RGB 246 141 81

HSL 21.82, 0.9%, 0.64%

LAB 68.92, 34.92, 48.51

 

CMYK 58 / 0 / 67 / 4

HEX #67F651

RGB 103 246 81

HSL 112, 0.9%, 0.64%

LAB 86.7, -67.85, 65.17

 

Description

Color code: HEX #4EB6F6 | qconv.com Color code: HEX #4EB6F6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 182 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 182 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 26 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 26% 0% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

69% - Wakanow Travel: Flig...
Link: http://www.wakanow.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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