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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB47D it is the complementary color #B14B82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB47D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB47D shade: #53B478, #64C68B, #75D89E, #86EAB1 and #97FCC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB47D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB47D shade: #4EB47D, #3DA26A, #2C9057, #1B7E44 and #0A6C31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB47D shade: #50B47E, #50B463, #58B450, #73B450 and #8EB450

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB47D shade: #50B47E, #50B499, #50B4B4, #5099B4 and #507EB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB47D shade matches the following richer shades: #50B47E, #3CC87D, #28DC7B and #13F179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB47D shade: #50B47E, #64A080, #798C81, #8D7783 and #A16384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB47D shade: #58B450, #50B462, #50B47D, #50B498 and #50B4B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB47D shade: #357C56, #42996A, #50B47E, #6DC093 and #8ACDA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB47D shade: #4EB47D, #5073B4 and #B45550

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB47D shade: #4EB47D, #7D50B4 and #B47D50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB47D shade: #4EB47D, #5073B4, #B45087 and #B49150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB47D shade: #4EB47D, #5055B4, #B45087 and #B4AF50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 31 / 29

HEX #4EB47D

RGB 78 180 125

HSL 147.65, 0.4%, 0.51%

LAB 66.32, -42.52, 19.34

 

Complementary color

CMYK 0 / 58 / 27 / 31

HEX #B14B82

RGB 177 75 130

HSL 327.65, 0.4%, 0.49%

LAB 46.96, 47.58, -10.39

 

CMYK 54 / 0 / 33 / 29

HEX #53B478

RGB 83 180 120

HSL 142.89, 0.39%, 0.52%

LAB 66.4, -42.32, 22.16

 

CMYK 49 / 0 / 30 / 22

HEX #64C68B

RGB 100 198 139

HSL 143.88, 0.46%, 0.58%

LAB 72.87, -42.2, 20.92

 

CMYK 46 / 0 / 27 / 15

HEX #75D89E

RGB 117 216 158

HSL 144.85, 0.56%, 0.65%

LAB 79.25, -42.01, 19.77

 

CMYK 43 / 0 / 24 / 8

HEX #86EAB1

RGB 134 234 177

HSL 145.8, 0.7%, 0.72%

LAB 85.55, -41.79, 18.7

 

CMYK 40 / 0 / 22 / 1

HEX #97FCC4

RGB 151 252 196

HSL 146.73, 0.94%, 0.79%

LAB 91.77, -41.55, 17.69

 

CMYK 57 / 0 / 31 / 29

HEX #4EB47D

RGB 78 180 125

HSL 147.65, 0.4%, 0.51%

LAB 66.32, -42.52, 19.34

 

CMYK 62 / 0 / 35 / 36

HEX #3DA26A

RGB 61 162 106

HSL 146.73, 0.45%, 0.44%

LAB 59.77, -42.46, 20.68

 

CMYK 69 / 0 / 40 / 44

HEX #2C9057

RGB 44 144 87

HSL 145.8, 0.53%, 0.37%

LAB 53.14, -42.16, 22.17

 

CMYK 79 / 0 / 46 / 51

HEX #1B7E44

RGB 27 126 68

HSL 144.85, 0.65%, 0.3%

LAB 46.41, -41.47, 23.82

 

CMYK 91 / 0 / 55 / 58

HEX #0A6C31

RGB 10 108 49

HSL 143.88, 0.83%, 0.23%

LAB 39.6, -40.1, 25.64

 

CMYK 56 / 0 / 30 / 29

HEX #50B47E

RGB 80 180 126

HSL 147.6, 0.4%, 0.51%

LAB 66.41, -41.86, 18.92

 

CMYK 56 / 0 / 45 / 29

HEX #50B463

RGB 80 180 99

HSL 131.4, 0.4%, 0.51%

LAB 65.94, -46.75, 32.63

 

CMYK 51 / 0 / 56 / 29

HEX #58B450

RGB 88 180 80

HSL 115.2, 0.4%, 0.51%

LAB 65.98, -47.32, 42.22

 

CMYK 36 / 0 / 56 / 29

HEX #73B450

RGB 115 180 80

HSL 99, 0.4%, 0.51%

LAB 67.18, -38.85, 43.94

 

CMYK 21 / 0 / 56 / 29

HEX #8EB450

RGB 142 180 80

HSL 82.8, 0.4%, 0.51%

LAB 68.73, -28.91, 46.14

 

CMYK 56 / 0 / 30 / 29

HEX #50B47E

RGB 80 180 126

HSL 147.6, 0.4%, 0.51%

LAB 66.41, -41.86, 18.92

 

CMYK 56 / 0 / 15 / 29

HEX #50B499

RGB 80 180 153

HSL 163.8, 0.4%, 0.51%

LAB 67.01, -35.84, 4.99

 

CMYK 56 / 0 / 0 / 29

HEX #50B4B4

RGB 80 180 180

HSL 180, 0.4%, 0.51%

LAB 67.76, -28.85, -8.83

 

CMYK 56 / 15 / 0 / 29

HEX #5099B4

RGB 80 153 180

HSL 196.2, 0.4%, 0.51%

LAB 59.69, -14.96, -21

 

CMYK 56 / 30 / 0 / 29

HEX #507EB4

RGB 80 126 180

HSL 212.4, 0.4%, 0.51%

LAB 51.75, 0.37, -33.29

 

CMYK 56 / 0 / 30 / 29

HEX #50B47E

RGB 80 180 126

HSL 147.6, 0.4%, 0.51%

LAB 66.41, -41.86, 18.92

 

CMYK 70 / 0 / 38 / 22

HEX #3CC87D

RGB 60 200 125

HSL 147.86, 0.56%, 0.51%

LAB 72.06, -54.09, 27.01

 

CMYK 82 / 0 / 44 / 14

HEX #28DC7B

RGB 40 220 123

HSL 147.67, 0.72%, 0.51%

LAB 77.91, -64.21, 35.66

 

CMYK 92 / 0 / 50 / 5

HEX #13F179

RGB 19 241 121

HSL 147.57, 0.89%, 0.51%

LAB 84.19, -72.87, 44.55

 

CMYK 56 / 0 / 30 / 29

HEX #50B47E

RGB 80 180 126

HSL 147.6, 0.4%, 0.51%

LAB 66.41, -41.86, 18.92

 

CMYK 38 / 0 / 20 / 37

HEX #64A080

RGB 100 160 128

HSL 148, 0.24%, 0.51%

LAB 61.14, -26.81, 10.61

 

CMYK 14 / 0 / 8 / 45

HEX #798C81

RGB 121 140 129

HSL 145.26, 0.08%, 0.51%

LAB 56.49, -9.12, 3.57

 

CMYK 0 / 16 / 7 / 45

HEX #8D7783

RGB 141 119 131

HSL 327.27, 0.09%, 0.51%

LAB 52.39, 10.7, -3.37

 

CMYK 0 / 39 / 18 / 37

HEX #A16384

RGB 161 99 132

HSL 328.06, 0.25%, 0.51%

LAB 49.7, 29.86, -7.72

 

CMYK 51 / 0 / 56 / 29

HEX #58B450

RGB 88 180 80

HSL 115.2, 0.4%, 0.51%

LAB 65.98, -47.32, 42.22

 

CMYK 56 / 0 / 46 / 29

HEX #50B462

RGB 80 180 98

HSL 130.8, 0.4%, 0.51%

LAB 65.93, -46.91, 33.13

 

CMYK 56 / 0 / 31 / 29

HEX #50B47D

RGB 80 180 125

HSL 147, 0.4%, 0.51%

LAB 66.39, -42.06, 19.44

 

CMYK 56 / 0 / 16 / 29

HEX #50B498

RGB 80 180 152

HSL 163.2, 0.4%, 0.51%

LAB 66.99, -36.08, 5.51

 

CMYK 56 / 0 / 1 / 29

HEX #50B4B2

RGB 80 180 178

HSL 178.8, 0.4%, 0.51%

LAB 67.7, -29.4, -7.82

 

CMYK 57 / 0 / 31 / 51

HEX #357C56

RGB 53 124 86

HSL 147.89, 0.4%, 0.35%

LAB 46.77, -31.75, 14.19

 

CMYK 57 / 0 / 31 / 40

HEX #42996A

RGB 66 153 106

HSL 147.59, 0.4%, 0.43%

LAB 57.06, -37.45, 17.01

 

CMYK 56 / 0 / 30 / 29

HEX #50B47E

RGB 80 180 126

HSL 147.6, 0.4%, 0.51%

LAB 66.41, -41.86, 18.92

 

CMYK 43 / 0 / 23 / 25

HEX #6DC093

RGB 109 192 147

HSL 147.47, 0.4%, 0.59%

LAB 71.59, -35.53, 14.92

 

CMYK 33 / 0 / 18 / 20

HEX #8ACDA9

RGB 138 205 169

HSL 147.76, 0.4%, 0.67%

LAB 77.24, -28.85, 11.26

 

CMYK 57 / 0 / 31 / 29

HEX #4EB47D

RGB 78 180 125

HSL 147.65, 0.4%, 0.51%

LAB 66.32, -42.52, 19.34

 

CMYK 56 / 36 / 0 / 29

HEX #5073B4

RGB 80 115 180

HSL 219, 0.4%, 0.51%

LAB 48.59, 7.01, -38.25

 

CMYK 0 / 53 / 56 / 29

HEX #B45550

RGB 180 85 80

HSL 3, 0.4%, 0.51%

LAB 47.98, 38.12, 21.33

 

CMYK 57 / 0 / 31 / 29

HEX #4EB47D

RGB 78 180 125

HSL 147.65, 0.4%, 0.51%

LAB 66.32, -42.52, 19.34

 

CMYK 31 / 56 / 0 / 29

HEX #7D50B4

RGB 125 80 180

HSL 267, 0.4%, 0.51%

LAB 43.35, 39.41, -46.36

 

CMYK 0 / 31 / 56 / 29

HEX #B47D50

RGB 180 125 80

HSL 27, 0.4%, 0.51%

LAB 57.03, 16.35, 32.9

 

CMYK 57 / 0 / 31 / 29

HEX #4EB47D

RGB 78 180 125

HSL 147.65, 0.4%, 0.51%

LAB 66.32, -42.52, 19.34

 

CMYK 56 / 36 / 0 / 29

HEX #5073B4

RGB 80 115 180

HSL 219, 0.4%, 0.51%

LAB 48.59, 7.01, -38.25

 

CMYK 0 / 56 / 25 / 29

HEX #B45087

RGB 180 80 135

HSL 327, 0.4%, 0.51%

LAB 48.5, 46.83, -11.04

 

CMYK 0 / 19 / 56 / 29

HEX #B49150

RGB 180 145 80

HSL 39, 0.4%, 0.51%

LAB 62.11, 5.23, 39.1

 

CMYK 57 / 0 / 31 / 29

HEX #4EB47D

RGB 78 180 125

HSL 147.65, 0.4%, 0.51%

LAB 66.32, -42.52, 19.34

 

CMYK 56 / 53 / 0 / 29

HEX #5055B4

RGB 80 85 180

HSL 237, 0.4%, 0.51%

LAB 40.41, 25.83, -51.3

 

CMYK 0 / 56 / 25 / 29

HEX #B45087

RGB 180 80 135

HSL 327, 0.4%, 0.51%

LAB 48.5, 46.83, -11.04

 

CMYK 0 / 3 / 56 / 29

HEX #B4AF50

RGB 180 175 80

HSL 57, 0.4%, 0.51%

LAB 70.14, -10.85, 48.5

 

Description

Color code: HEX #4EB47D | qconv.com Color code: HEX #4EB47D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 180 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 180 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 31 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 31% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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