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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB3F9CE it is the complementary color #B14C06CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB3F9CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB3F9CE shade: #53B3F4CE, #64C5FFCE, #75D7FFCE, #86E9FFCE and #97FBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB3F9CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB3F9CE shade: #4EB3F9CE, #3DA1E6CE, #2C8FD3CE, #1B7DC0CE and #0A6BADCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB3F9CE shade: #4EB3F9, #4E85F9, #4E57F9, #734EF9 and #A14EF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB3F9CE shade: #4EB3F9, #4E85F9, #4E57F9 and #4E4EF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB3F9CE shade matches the following richer shades: #4EB3F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB3F9CE shade: #4EB3F9, #5DB0EA, #6CADDB, #7AABCC and #89A8BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB3F9CE shade: #4EF9E2, #4EE2F9, #4EB4F9, #4E87F9 and #4E59F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB3F9CE shade: #098FEB, #26A2F7, #4EB3F9, #76C4FA and #9DD5FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB3F9CE shade: #4EB3F9, #B44EF9 and #F9F94E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB3F9CE shade: #4EB3F9, #F94EB4 and #B4F94E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB3F9CE shade: #4EB3F9, #B44EF9, #F9924E and #92F94E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB3F9CE shade: #4EB3F9, #E74EF9, #F9924E and #5FF94E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 23 / 0 / 2

HEX #4EB3F9CE

RGBA 78 179 249 0.81

HSLA 204.56, 0.93%, 0.64%, 0.81

LABA 69.96, -7.57, -43.27, 0.81

 

Complementary color

CMYK 0 / 46 / 78 / 25

HEX #B14C06CE

RGBA 177 76 6 0.81

HSLA 24.56, 0.93%, 0.36%, 0.81

LABA 44.98, 38.21, 53.42, 0.81

 

CMYK 53 / 22 / 0 / 3

HEX #53B3F4CE

RGBA 83 179 244 0.81

HSLA 204.22, 0.88%, 0.64%, 0.81

LABA 69.9, -8.45, -40.65, 0.81

 

CMYK 49 / 18 / 0 / 0

HEX #64C5FFCE

RGBA 100 197 255 0.81

HSLA 202.45, 1%, 0.7%, 0.81

LABA 75.98, -11.84, -37.07, 0.81

 

CMYK 44 / 13 / 0 / 0

HEX #75D7FFCE

RGBA 117 215 255 0.81

HSLA 197.39, 1%, 0.73%, 0.81

LABA 81.62, -18, -28.33, 0.81

 

CMYK 38 / 7 / 0 / 0

HEX #86E9FFCE

RGBA 134 233 255 0.81

HSLA 190.91, 1%, 0.76%, 0.81

LABA 87.27, -23.45, -19.68, 0.81

 

CMYK 33 / 1 / 0 / 0

HEX #97FBFFCE

RGBA 151 251 255 0.81

HSLA 182.31, 1%, 0.8%, 0.81

LABA 92.92, -28.29, -11.13, 0.81

 

CMYK 56 / 23 / 0 / 2

HEX #4EB3F9CE

RGBA 78 179 249 0.81

HSLA 204.56, 0.93%, 0.64%, 0.81

LABA 69.96, -7.57, -43.27, 0.81

 

CMYK 60 / 24 / 0 / 8

HEX #3DA1E6CE

RGBA 61 161 230 0.81

HSLA 204.5, 0.77%, 0.57%, 0.81

LABA 63.5, -6.27, -43.06, 0.81

 

CMYK 64 / 26 / 0 / 14

HEX #2C8FD3CE

RGBA 44 143 211 0.81

HSLA 204.43, 0.65%, 0.5%, 0.81

LABA 56.96, -4.64, -42.81, 0.81

 

CMYK 70 / 28 / 0 / 20

HEX #1B7DC0CE

RGBA 27 125 192 0.81

HSLA 204.36, 0.75%, 0.43%, 0.81

LABA 50.34, -2.59, -42.52, 0.81

 

CMYK 76 / 31 / 0 / 26

HEX #0A6BADCE

RGBA 10 107 173 0.81

HSLA 204.29, 0.89%, 0.36%, 0.81

LABA 43.65, 0.01, -42.14, 0.81

 

CMYK 69 / 28 / 0 / 2

HEX #4EB3F9

RGB 78 179 249

HSL 204.56, 0.93%, 0.64%

LAB 69.96, -7.57, -43.27

 

CMYK 69 / 47 / 0 / 2

HEX #4E85F9

RGB 78 133 249

HSL 220.7, 0.93%, 0.64%

LAB 57.3, 19.2, -63.36

 

CMYK 69 / 65 / 0 / 2

HEX #4E57F9

RGB 78 87 249

HSL 236.84, 0.93%, 0.64%

LAB 46.01, 47.2, -81.7

 

CMYK 54 / 69 / 0 / 2

HEX #734EF9

RGB 115 78 249

HSL 252.98, 0.93%, 0.64%

LAB 46.89, 57.19, -80.16

 

CMYK 35 / 69 / 0 / 2

HEX #A14EF9

RGB 161 78 249

HSL 269.12, 0.93%, 0.64%

LAB 51.68, 65, -72.13

 

CMYK 69 / 28 / 0 / 2

HEX #4EB3F9

RGB 78 179 249

HSL 204.56, 0.93%, 0.64%

LAB 69.96, -7.57, -43.27

 

CMYK 69 / 47 / 0 / 2

HEX #4E85F9

RGB 78 133 249

HSL 220.7, 0.93%, 0.64%

LAB 57.3, 19.2, -63.36

 

CMYK 69 / 65 / 0 / 2

HEX #4E57F9

RGB 78 87 249

HSL 236.84, 0.93%, 0.64%

LAB 46.01, 47.2, -81.7

 

CMYK 69 / 69 / 0 / 2

HEX #4E4EF9

RGB 78 78 249

HSL 240, 0.93%, 0.64%

LAB 44.1, 52.37, -84.83

 

CMYK 69 / 28 / 0 / 2

HEX #4EB3F9

RGB 78 179 249

HSL 204.56, 0.93%, 0.64%

LAB 69.96, -7.57, -43.27

 

CMYK 69 / 28 / 0 / 2

HEX #4EB3F9

RGB 78 179 249

HSL 204.56, 0.93%, 0.64%

LAB 69.96, -7.57, -43.27

 

CMYK 60 / 25 / 0 / 8

HEX #5DB0EA

RGB 93 176 234

HSL 204.68, 0.77%, 0.64%

LAB 68.98, -8.29, -36.61

 

CMYK 51 / 21 / 0 / 14

HEX #6CADDB

RGB 108 173 219

HSL 204.86, 0.61%, 0.64%

LAB 68.16, -8.12, -29.62

 

CMYK 40 / 16 / 0 / 20

HEX #7AABCC

RGB 122 171 204

HSL 204.15, 0.45%, 0.64%

LAB 67.74, -7.81, -21.94

 

CMYK 28 / 11 / 0 / 26

HEX #89A8BD

RGB 137 168 189

HSL 204.23, 0.28%, 0.64%

LAB 67.28, -5.74, -14.26

 

CMYK 69 / 0 / 9 / 2

HEX #4EF9E2

RGB 78 249 226

HSL 171.93, 0.93%, 0.64%

LAB 89.33, -48.38, -1.63

 

CMYK 69 / 9 / 0 / 2

HEX #4EE2F9

RGB 78 226 249

HSL 188.07, 0.93%, 0.64%

LAB 83.36, -31.69, -22.6

 

CMYK 69 / 28 / 0 / 2

HEX #4EB4F9

RGB 78 180 249

HSL 204.21, 0.93%, 0.64%

LAB 70.25, -8.12, -42.83

 

CMYK 69 / 46 / 0 / 2

HEX #4E87F9

RGB 78 135 249

HSL 220, 0.93%, 0.64%

LAB 57.83, 17.99, -62.51

 

CMYK 69 / 64 / 0 / 2

HEX #4E59F9

RGB 78 89 249

HSL 236.14, 0.93%, 0.64%

LAB 46.45, 46.02, -80.98

 

CMYK 96 / 39 / 0 / 8

HEX #098FEB

RGB 9 143 235

HSL 204.42, 0.93%, 0.48%

LAB 57.75, 2.16, -54.98

 

CMYK 85 / 34 / 0 / 3

HEX #26A2F7

RGB 38 162 247

HSL 204.4, 0.93%, 0.56%

LAB 64.14, -3.07, -51.43

 

CMYK 69 / 28 / 0 / 2

HEX #4EB3F9

RGB 78 179 249

HSL 204.56, 0.93%, 0.64%

LAB 69.96, -7.57, -43.27

 

CMYK 53 / 22 / 0 / 2

HEX #76C4FA

RGB 118 196 250

HSL 204.55, 0.93%, 0.72%

LAB 76.21, -9.32, -33.98

 

CMYK 37 / 15 / 0 / 2

HEX #9DD5FB

RGB 157 213 251

HSL 204.26, 0.92%, 0.8%

LAB 82.77, -8.77, -24.3

 

CMYK 69 / 28 / 0 / 2

HEX #4EB3F9

RGB 78 179 249

HSL 204.56, 0.93%, 0.64%

LAB 69.96, -7.57, -43.27

 

CMYK 28 / 69 / 0 / 2

HEX #B44EF9

RGB 180 78 249

HSL 275.79, 0.93%, 0.64%

LAB 54.02, 68.61, -68.24

 

CMYK 0 / 0 / 69 / 2

HEX #F9F94E

RGB 249 249 78

HSL 60, 0.93%, 0.64%

LAB 95.35, -19.31, 77.61

 

CMYK 69 / 28 / 0 / 2

HEX #4EB3F9

RGB 78 179 249

HSL 204.56, 0.93%, 0.64%

LAB 69.96, -7.57, -43.27

 

CMYK 0 / 69 / 28 / 2

HEX #F94EB4

RGB 249 78 180

HSL 324.21, 0.93%, 0.64%

LAB 60.68, 73.19, -17.99

 

CMYK 28 / 0 / 69 / 2

HEX #B4F94E

RGB 180 249 78

HSL 84.21, 0.93%, 0.64%

LAB 90.78, -45.96, 71.54

 

CMYK 69 / 28 / 0 / 2

HEX #4EB3F9

RGB 78 179 249

HSL 204.56, 0.93%, 0.64%

LAB 69.96, -7.57, -43.27

 

CMYK 28 / 69 / 0 / 2

HEX #B44EF9

RGB 180 78 249

HSL 275.79, 0.93%, 0.64%

LAB 54.02, 68.61, -68.24

 

CMYK 0 / 41 / 69 / 2

HEX #F9924E

RGB 249 146 78

HSL 23.86, 0.93%, 0.64%

LAB 70.35, 33.36, 51.68

 

CMYK 41 / 0 / 69 / 2

HEX #92F94E

RGB 146 249 78

HSL 96.14, 0.93%, 0.64%

LAB 89.12, -57.41, 69.3

 

CMYK 69 / 28 / 0 / 2

HEX #4EB3F9

RGB 78 179 249

HSL 204.56, 0.93%, 0.64%

LAB 69.96, -7.57, -43.27

 

CMYK 7 / 69 / 0 / 2

HEX #E74EF9

RGB 231 78 249

HSL 293.68, 0.93%, 0.64%

LAB 61.03, 78.96, -56.61

 

CMYK 0 / 41 / 69 / 2

HEX #F9924E

RGB 249 146 78

HSL 23.86, 0.93%, 0.64%

LAB 70.35, 33.36, 51.68

 

CMYK 62 / 0 / 69 / 2

HEX #5FF94E

RGB 95 249 78

HSL 114.04, 0.93%, 0.64%

LAB 87.36, -70.9, 66.92

 

Description

Color code: HEX #4EB3F9CE | qconv.com Color code: HEX #4EB3F9CE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 179 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 179 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 23 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 23% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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