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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB2F6 it is the complementary color #B14D09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB2F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB2F6 shade: #53B2F1, #64C4FF, #75D6FF, #86E8FF and #97FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB2F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB2F6 shade: #4EB2F6, #3DA0E3, #2C8ED0, #1B7CBD and #0A6AAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB2F6 shade: #51B3F6, #5186F6, #515AF6, #7451F6 and #A051F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB2F6 shade: #51B3F6, #5186F6, #515AF6 and #5151F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB2F6 shade matches the following richer shades: #51B3F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB2F6 shade: #51B3F6, #5FB0E7, #6EADD8, #7DAAC9 and #8CA8BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB2F6 shade: #51F6E0, #51E0F6, #51B4F6, #5188F6 and #515CF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB2F6 shade: #0C8FE8, #29A2F4, #51B3F6, #78C4F8 and #9FD5FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB2F6 shade: #4EB2F6, #B451F6 and #F6F651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB2F6 shade: #4EB2F6, #F651B4 and #B4F651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB2F6 shade: #4EB2F6, #B451F6, #F69351 and #93F651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB2F6 shade: #4EB2F6, #E551F6, #F69351 and #61F651

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 28 / 0 / 4

HEX #4EB2F6

RGB 78 178 246

HSL 204.29, 0.9%, 0.64%

LAB 69.55, -8.01, -42.29

 

Complementary color

CMYK 0 / 56 / 95 / 31

HEX #B14D09

RGB 177 77 9

HSL 24.29, 0.9%, 0.36%

LAB 45.19, 37.75, 52.79

 

CMYK 66 / 26 / 0 / 5

HEX #53B2F1

RGB 83 178 241

HSL 203.92, 0.85%, 0.64%

LAB 69.49, -8.87, -39.66

 

CMYK 61 / 23 / 0 / 0

HEX #64C4FF

RGB 100 196 255

HSL 202.84, 1%, 0.7%

LAB 75.71, -11.31, -37.5

 

CMYK 54 / 16 / 0 / 0

HEX #75D6FF

RGB 117 214 255

HSL 197.83, 1%, 0.73%

LAB 81.34, -17.49, -28.76

 

CMYK 47 / 9 / 0 / 0

HEX #86E8FF

RGB 134 232 255

HSL 191.4, 1%, 0.76%

LAB 87, -22.96, -20.09

 

CMYK 41 / 2 / 0 / 0

HEX #97FAFF

RGB 151 250 255

HSL 182.88, 1%, 0.8%

LAB 92.65, -27.81, -11.54

 

CMYK 68 / 28 / 0 / 4

HEX #4EB2F6

RGB 78 178 246

HSL 204.29, 0.9%, 0.64%

LAB 69.55, -8.01, -42.29

 

CMYK 73 / 30 / 0 / 11

HEX #3DA0E3

RGB 61 160 227

HSL 204.22, 0.75%, 0.56%

LAB 63.08, -6.74, -42.07

 

CMYK 79 / 32 / 0 / 18

HEX #2C8ED0

RGB 44 142 208

HSL 204.15, 0.65%, 0.49%

LAB 56.52, -5.15, -41.82

 

CMYK 86 / 34 / 0 / 26

HEX #1B7CBD

RGB 27 124 189

HSL 204.07, 0.75%, 0.42%

LAB 49.88, -3.13, -41.52

 

CMYK 94 / 38 / 0 / 33

HEX #0A6AAA

RGB 10 106 170

HSL 204, 0.89%, 0.35%

LAB 43.17, -0.56, -41.13

 

CMYK 67 / 27 / 0 / 4

HEX #51B3F6

RGB 81 179 246

HSL 204.36, 0.9%, 0.64%

LAB 69.93, -8.11, -41.7

 

CMYK 67 / 46 / 0 / 4

HEX #5186F6

RGB 81 134 246

HSL 220.73, 0.9%, 0.64%

LAB 57.51, 18, -61.36

 

CMYK 67 / 63 / 0 / 4

HEX #515AF6

RGB 81 90 246

HSL 236.73, 0.9%, 0.64%

LAB 46.6, 44.81, -79.05

 

CMYK 53 / 67 / 0 / 4

HEX #7451F6

RGB 116 81 246

HSL 252.73, 0.9%, 0.64%

LAB 47.3, 54.93, -77.8

 

CMYK 35 / 67 / 0 / 4

HEX #A051F6

RGB 160 81 246

HSL 268.73, 0.9%, 0.64%

LAB 51.85, 62.73, -70.19

 

CMYK 67 / 27 / 0 / 4

HEX #51B3F6

RGB 81 179 246

HSL 204.36, 0.9%, 0.64%

LAB 69.93, -8.11, -41.7

 

CMYK 67 / 46 / 0 / 4

HEX #5186F6

RGB 81 134 246

HSL 220.73, 0.9%, 0.64%

LAB 57.51, 18, -61.36

 

CMYK 67 / 63 / 0 / 4

HEX #515AF6

RGB 81 90 246

HSL 236.73, 0.9%, 0.64%

LAB 46.6, 44.81, -79.05

 

CMYK 67 / 67 / 0 / 4

HEX #5151F6

RGB 81 81 246

HSL 240, 0.9%, 0.64%

LAB 44.64, 50.05, -82.26

 

CMYK 67 / 27 / 0 / 4

HEX #51B3F6

RGB 81 179 246

HSL 204.36, 0.9%, 0.64%

LAB 69.93, -8.11, -41.7

 

CMYK 67 / 27 / 0 / 4

HEX #51B3F6

RGB 81 179 246

HSL 204.36, 0.9%, 0.64%

LAB 69.93, -8.11, -41.7

 

CMYK 59 / 24 / 0 / 9

HEX #5FB0E7

RGB 95 176 231

HSL 204.26, 0.74%, 0.64%

LAB 68.93, -8.85, -35.04

 

CMYK 49 / 20 / 0 / 15

HEX #6EADD8

RGB 110 173 216

HSL 204.34, 0.58%, 0.64%

LAB 68.14, -8.54, -28

 

CMYK 38 / 15 / 0 / 21

HEX #7DAAC9

RGB 125 170 201

HSL 204.47, 0.41%, 0.64%

LAB 67.52, -7.26, -20.61

 

CMYK 25 / 10 / 0 / 27

HEX #8CA8BA

RGB 140 168 186

HSL 203.48, 0.25%, 0.64%

LAB 67.37, -5.54, -12.43

 

CMYK 67 / 0 / 9 / 4

HEX #51F6E0

RGB 81 246 224

HSL 172, 0.9%, 0.64%

LAB 88.47, -47.2, -1.84

 

CMYK 67 / 9 / 0 / 4

HEX #51E0F6

RGB 81 224 246

HSL 188, 0.9%, 0.64%

LAB 82.76, -31.2, -21.93

 

CMYK 67 / 27 / 0 / 4

HEX #51B4F6

RGB 81 180 246

HSL 204, 0.9%, 0.64%

LAB 70.21, -8.66, -41.26

 

CMYK 67 / 45 / 0 / 4

HEX #5188F6

RGB 81 136 246

HSL 220, 0.9%, 0.64%

LAB 58.05, 16.78, -60.51

 

CMYK 67 / 63 / 0 / 4

HEX #515CF6

RGB 81 92 246

HSL 236, 0.9%, 0.64%

LAB 47.05, 43.63, -78.31

 

CMYK 95 / 38 / 0 / 9

HEX #0C8FE8

RGB 12 143 232

HSL 204.27, 0.9%, 0.48%

LAB 57.61, 1.11, -53.55

 

CMYK 83 / 34 / 0 / 4

HEX #29A2F4

RGB 41 162 244

HSL 204.24, 0.9%, 0.56%

LAB 64.03, -3.92, -49.94

 

CMYK 67 / 27 / 0 / 4

HEX #51B3F6

RGB 81 179 246

HSL 204.36, 0.9%, 0.64%

LAB 69.93, -8.11, -41.7

 

CMYK 52 / 21 / 0 / 3

HEX #78C4F8

RGB 120 196 248

HSL 204.38, 0.9%, 0.72%

LAB 76.22, -9.47, -32.88

 

CMYK 36 / 15 / 0 / 2

HEX #9FD5FA

RGB 159 213 250

HSL 204.4, 0.9%, 0.8%

LAB 82.84, -8.5, -23.65

 

CMYK 68 / 28 / 0 / 4

HEX #4EB2F6

RGB 78 178 246

HSL 204.29, 0.9%, 0.64%

LAB 69.55, -8.01, -42.29

 

CMYK 27 / 67 / 0 / 4

HEX #B451F6

RGB 180 81 246

HSL 276, 0.9%, 0.64%

LAB 54.28, 66.69, -66.14

 

CMYK 0 / 0 / 67 / 4

HEX #F6F651

RGB 246 246 81

HSL 60, 0.9%, 0.64%

LAB 94.35, -18.93, 75.48

 

CMYK 68 / 28 / 0 / 4

HEX #4EB2F6

RGB 78 178 246

HSL 204.29, 0.9%, 0.64%

LAB 69.55, -8.01, -42.29

 

CMYK 0 / 67 / 27 / 4

HEX #F651B4

RGB 246 81 180

HSL 324, 0.9%, 0.64%

LAB 60.58, 71.34, -18.19

 

CMYK 27 / 0 / 67 / 4

HEX #B4F651

RGB 180 246 81

HSL 84, 0.9%, 0.64%

LAB 89.96, -44.48, 69.59

 

CMYK 68 / 28 / 0 / 4

HEX #4EB2F6

RGB 78 178 246

HSL 204.29, 0.9%, 0.64%

LAB 69.55, -8.01, -42.29

 

CMYK 27 / 67 / 0 / 4

HEX #B451F6

RGB 180 81 246

HSL 276, 0.9%, 0.64%

LAB 54.28, 66.69, -66.14

 

CMYK 0 / 40 / 67 / 4

HEX #F69351

RGB 246 147 81

HSL 24, 0.9%, 0.64%

LAB 70.21, 31.81, 49.97

 

CMYK 40 / 0 / 67 / 4

HEX #93F651

RGB 147 246 81

HSL 96, 0.9%, 0.64%

LAB 88.31, -55.7, 67.36

 

CMYK 68 / 28 / 0 / 4

HEX #4EB2F6

RGB 78 178 246

HSL 204.29, 0.9%, 0.64%

LAB 69.55, -8.01, -42.29

 

CMYK 7 / 67 / 0 / 4

HEX #E551F6

RGB 229 81 246

HSL 293.82, 0.9%, 0.64%

LAB 60.95, 76.95, -55.08

 

CMYK 0 / 40 / 67 / 4

HEX #F69351

RGB 246 147 81

HSL 24, 0.9%, 0.64%

LAB 70.21, 31.81, 49.97

 

CMYK 61 / 0 / 67 / 4

HEX #61F651

RGB 97 246 81

HSL 114.18, 0.9%, 0.64%

LAB 86.53, -69.21, 64.94

 

Description

Color code: HEX #4EB2F6 | qconv.com Color code: HEX #4EB2F6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 178 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 178 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 28 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 28% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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