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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB110 it is the complementary color #B14EEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB110 shade: #53B10B, #64C31E, #75D531, #86E744 and #97F957

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB110 shade: #4EB110, #3D9F00, #2C8D00, #1B7B00 and #0A6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB110 shade: #4EB110, #7AB110, #A5B110, #B19210 and #B16710

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB110 shade: #4EB110, #23B110, #10B129, #10B155 and #10B180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB110 shade matches the following richer shades: #4EB110 and #4BC101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB110 shade: #4EB110, #52A220, #569230, #598240 and #5D734F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB110 shade: #A7B110, #7CB110, #51B110, #26B110 and #10B126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB110 shade: #2D6609, #3E8C0D, #4EB110, #5FD714 and #74EB29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB110 shade: #4EB110, #10B191 and #B11091

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB110 shade: #4EB110, #1051B1 and #B11051

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB110 shade: #4EB110, #10B191, #7110B1 and #B11031

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB110 shade: #4EB110, #10A1B1, #7110B1 and #B12110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

Complementary color

CMYK 26 / 67 / 0 / 6

HEX #B14EEF

RGB 177 78 239

HSL 276.89, 0.83%, 0.62%

LAB 52.98, 65.89, -64.35

 

CMYK 53 / 0 / 94 / 31

HEX #53B10B

RGB 83 177 11

HSL 93.98, 0.88%, 0.37%

LAB 64.41, -52.45, 63.71

 

CMYK 49 / 0 / 85 / 24

HEX #64C31E

RGB 100 195 30

HSL 94.55, 0.73%, 0.44%

LAB 70.76, -53.57, 65.86

 

CMYK 45 / 0 / 77 / 16

HEX #75D531

RGB 117 213 49

HSL 95.12, 0.66%, 0.51%

LAB 77.04, -54.33, 66.71

 

CMYK 42 / 0 / 71 / 9

HEX #86E744

RGB 134 231 68

HSL 95.71, 0.77%, 0.59%

LAB 83.25, -54.84, 66.74

 

CMYK 39 / 0 / 65 / 2

HEX #97F957

RGB 151 249 87

HSL 96.3, 0.93%, 0.66%

LAB 89.4, -55.16, 66.27

 

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

CMYK 62 / 0 / 100 / 38

HEX #3D9F00

RGB 61 159 0

HSL 96.98, 1%, 0.31%

LAB 57.84, -52.19, 59.6

 

CMYK 69 / 0 / 100 / 45

HEX #2C8D00

RGB 44 141 0

HSL 101.28, 1%, 0.28%

LAB 51.36, -49.97, 54.28

 

CMYK 78 / 0 / 100 / 52

HEX #1B7B00

RGB 27 123 0

HSL 106.83, 1%, 0.24%

LAB 44.8, -47.28, 48.89

 

CMYK 90 / 0 / 100 / 59

HEX #0A6900

RGB 10 105 0

HSL 114.29, 1%, 0.21%

LAB 38.14, -43.84, 43.46

 

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

CMYK 31 / 0 / 91 / 31

HEX #7AB110

RGB 122 177 16

HSL 80.5, 0.83%, 0.38%

LAB 66.23, -39.1, 65.21

 

CMYK 7 / 0 / 91 / 31

HEX #A5B110

RGB 165 177 16

HSL 64.47, 0.83%, 0.38%

LAB 69.1, -21.4, 68.72

 

CMYK 0 / 18 / 91 / 31

HEX #B19210

RGB 177 146 16

HSL 48.45, 0.83%, 0.38%

LAB 61.6, 0.17, 63.31

 

CMYK 0 / 42 / 91 / 31

HEX #B16710

RGB 177 103 16

HSL 32.42, 0.83%, 0.38%

LAB 50.79, 24.04, 55.03

 

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

CMYK 80 / 0 / 91 / 31

HEX #23B110

RGB 35 177 16

HSL 112.92, 0.83%, 0.38%

LAB 63.21, -62.45, 61.46

 

CMYK 91 / 0 / 77 / 31

HEX #10B129

RGB 16 177 41

HSL 129.32, 0.83%, 0.38%

LAB 63.11, -62.98, 54.93

 

CMYK 91 / 0 / 52 / 31

HEX #10B155

RGB 16 177 85

HSL 145.71, 0.83%, 0.38%

LAB 63.52, -57.89, 36.43

 

CMYK 91 / 0 / 28 / 31

HEX #10B180

RGB 16 177 128

HSL 161.74, 0.83%, 0.38%

LAB 64.25, -49.35, 14.66

 

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

CMYK 61 / 0 / 99 / 24

HEX #4BC101

RGB 75 193 1

HSL 96.88, 0.99%, 0.38%

LAB 69.21, -60.4, 68.66

 

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

CMYK 49 / 0 / 80 / 36

HEX #52A220

RGB 82 162 32

HSL 96.92, 0.67%, 0.38%

LAB 59.65, -46.26, 55

 

CMYK 41 / 0 / 67 / 43

HEX #569230

RGB 86 146 48

HSL 96.73, 0.51%, 0.38%

LAB 54.81, -37.15, 44.27

 

CMYK 32 / 0 / 51 / 49

HEX #598240

RGB 89 130 64

HSL 97.27, 0.34%, 0.38%

LAB 50.05, -26.89, 31.07

 

CMYK 19 / 0 / 31 / 55

HEX #5D734F

RGB 93 115 79

HSL 96.67, 0.19%, 0.38%

LAB 45.84, -15.34, 17.34

 

CMYK 6 / 0 / 91 / 31

HEX #A7B110

RGB 167 177 16

HSL 63.73, 0.83%, 0.38%

LAB 69.25, -20.54, 68.91

 

CMYK 30 / 0 / 91 / 31

HEX #7CB110

RGB 124 177 16

HSL 79.75, 0.83%, 0.38%

LAB 66.34, -38.33, 65.35

 

CMYK 54 / 0 / 91 / 31

HEX #51B110

RGB 81 177 16

HSL 95.78, 0.83%, 0.38%

LAB 64.35, -52.9, 62.88

 

CMYK 79 / 0 / 91 / 31

HEX #26B110

RGB 38 177 16

HSL 111.8, 0.83%, 0.38%

LAB 63.25, -62.05, 61.52

 

CMYK 91 / 0 / 79 / 31

HEX #10B126

RGB 16 177 38

HSL 128.2, 0.83%, 0.38%

LAB 63.09, -63.19, 55.89

 

CMYK 56 / 0 / 91 / 60

HEX #2D6609

RGB 45 102 9

HSL 96.77, 0.84%, 0.22%

LAB 37.99, -34.92, 41.26

 

CMYK 56 / 0 / 91 / 45

HEX #3E8C0D

RGB 62 140 13

HSL 96.85, 0.83%, 0.3%

LAB 51.62, -44.62, 52.39

 

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

CMYK 56 / 0 / 91 / 16

HEX #5FD714

RGB 95 215 20

HSL 96.92, 0.83%, 0.46%

LAB 76.73, -62.53, 72.8

 

CMYK 51 / 0 / 83 / 8

HEX #74EB29

RGB 116 235 41

HSL 96.8, 0.83%, 0.54%

LAB 83.59, -63.18, 74.91

 

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

CMYK 91 / 0 / 18 / 31

HEX #10B191

RGB 16 177 145

HSL 168.07, 0.83%, 0.38%

LAB 64.64, -45.1, 5.84

 

CMYK 0 / 91 / 18 / 31

HEX #B11091

RGB 177 16 145

HSL 311.93, 0.83%, 0.38%

LAB 40.84, 68.52, -28.92

 

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

CMYK 91 / 54 / 0 / 31

HEX #1051B1

RGB 16 81 177

HSL 215.78, 0.83%, 0.38%

LAB 36.31, 18.87, -56.3

 

CMYK 0 / 91 / 54 / 31

HEX #B11051

RGB 177 16 81

HSL 335.78, 0.83%, 0.38%

LAB 38.4, 61.94, 7.54

 

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

CMYK 91 / 0 / 18 / 31

HEX #10B191

RGB 16 177 145

HSL 168.07, 0.83%, 0.38%

LAB 64.64, -45.1, 5.84

 

CMYK 36 / 91 / 0 / 31

HEX #7110B1

RGB 113 16 177

HSL 276.15, 0.83%, 0.38%

LAB 31.93, 63.18, -63.14

 

CMYK 0 / 91 / 72 / 31

HEX #B11031

RGB 177 16 49

HSL 347.7, 0.83%, 0.38%

LAB 37.73, 60.08, 27.12

 

CMYK 56 / 0 / 91 / 31

HEX #4EB110

RGB 78 177 16

HSL 96.89, 0.83%, 0.38%

LAB 64.24, -53.74, 62.75

 

CMYK 91 / 9 / 0 / 31

HEX #10A1B1

RGB 16 161 177

HSL 185.96, 0.83%, 0.38%

LAB 60.58, -28.33, -18.08

 

CMYK 36 / 91 / 0 / 31

HEX #7110B1

RGB 113 16 177

HSL 276.15, 0.83%, 0.38%

LAB 31.93, 63.18, -63.14

 

CMYK 0 / 81 / 91 / 31

HEX #B12110

RGB 177 33 16

HSL 6.34, 0.83%, 0.38%

LAB 38.68, 55.49, 46.09

 

Description

Color code: HEX #4EB110 | qconv.com Color code: HEX #4EB110 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 177 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 177 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 91 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 91% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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