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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB009 it is the complementary color #B14FF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB009. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB009 shade: #53B004, #64C217, #75D42A, #86E63D and #97F850

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB009. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB009 shade: #4EB009, #3D9E00, #2C8C00, #1B7A00 and #0A6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB009 shade: #4DAE09, #7AAE09, #A7AE09, #AE8A09 and #AE5D09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB009 shade: #4DAE09, #21AE09, #09AE1E, #09AE4B and #09AE77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB009 shade matches the following richer shades: #4DAE09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB009 shade: #4DAE09, #50A018, #539127, #558236 and #587345

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB009 shade: #A6AE09, #7AAE09, #4EAE09, #22AE09 and #09AE1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB009 shade: #2B6005, #3C8707, #4DAE09, #5FD60B and #72F317

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB009 shade: #4EB009, #09AE8B and #AE0990

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB009 shade: #4EB009, #094EAE and #AE094E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB009 shade: #4EB009, #09AE8B, #6A09AE and #AE092D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB009 shade: #4EB009, #09A1AE, #6A09AE and #AE1709

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 95 / 31

HEX #4EB009

RGB 78 176 9

HSL 95.21, 0.9%, 0.36%

LAB 63.91, -53.54, 63.48

 

Complementary color

CMYK 28 / 68 / 0 / 4

HEX #B14FF6

RGB 177 79 246

HSL 275.21, 0.9%, 0.64%

LAB 53.59, 66.95, -67.28

 

CMYK 53 / 0 / 98 / 31

HEX #53B004

RGB 83 176 4

HSL 92.44, 0.96%, 0.35%

LAB 64.08, -52.23, 64.33

 

CMYK 48 / 0 / 88 / 24

HEX #64C217

RGB 100 194 23

HSL 92.98, 0.79%, 0.43%

LAB 70.42, -53.44, 67.06

 

CMYK 45 / 0 / 80 / 17

HEX #75D42A

RGB 117 212 42

HSL 93.53, 0.67%, 0.5%

LAB 76.7, -54.3, 68.43

 

CMYK 42 / 0 / 73 / 10

HEX #86E63D

RGB 134 230 61

HSL 94.08, 0.77%, 0.57%

LAB 82.91, -54.9, 68.81

 

CMYK 39 / 0 / 68 / 3

HEX #97F850

RGB 151 248 80

HSL 94.64, 0.92%, 0.64%

LAB 89.06, -55.29, 68.58

 

CMYK 56 / 0 / 95 / 31

HEX #4EB009

RGB 78 176 9

HSL 95.21, 0.9%, 0.36%

LAB 63.91, -53.54, 63.48

 

CMYK 61 / 0 / 100 / 38

HEX #3D9E00

RGB 61 158 0

HSL 96.84, 1%, 0.31%

LAB 57.51, -51.84, 59.35

 

CMYK 69 / 0 / 100 / 45

HEX #2C8C00

RGB 44 140 0

HSL 101.14, 1%, 0.27%

LAB 51.03, -49.63, 54.01

 

CMYK 78 / 0 / 100 / 52

HEX #1B7A00

RGB 27 122 0

HSL 106.72, 1%, 0.24%

LAB 44.45, -46.95, 48.61

 

CMYK 90 / 0 / 100 / 59

HEX #0A6800

RGB 10 104 0

HSL 114.23, 1%, 0.2%

LAB 37.78, -43.52, 43.17

 

CMYK 56 / 0 / 95 / 32

HEX #4DAE09

RGB 77 174 9

HSL 95.27, 0.9%, 0.36%

LAB 63.23, -53.1, 62.91

 

CMYK 30 / 0 / 95 / 32

HEX #7AAE09

RGB 122 174 9

HSL 78.91, 0.9%, 0.36%

LAB 65.3, -37.91, 65.44

 

CMYK 4 / 0 / 95 / 32

HEX #A7AE09

RGB 167 174 9

HSL 62.55, 0.9%, 0.36%

LAB 68.39, -19.14, 69.18

 

CMYK 0 / 21 / 95 / 32

HEX #AE8A09

RGB 174 138 9

HSL 46.91, 0.9%, 0.36%

LAB 59.15, 3.08, 62.51

 

CMYK 0 / 47 / 95 / 32

HEX #AE5D09

RGB 174 93 9

HSL 30.55, 0.9%, 0.36%

LAB 48.07, 28.12, 54.53

 

CMYK 56 / 0 / 95 / 32

HEX #4DAE09

RGB 77 174 9

HSL 95.27, 0.9%, 0.36%

LAB 63.23, -53.1, 62.91

 

CMYK 81 / 0 / 95 / 32

HEX #21AE09

RGB 33 174 9

HSL 111.27, 0.9%, 0.36%

LAB 62.18, -61.99, 61.61

 

CMYK 95 / 0 / 83 / 32

HEX #09AE1E

RGB 9 174 30

HSL 127.64, 0.9%, 0.36%

LAB 62.02, -63.21, 57.22

 

CMYK 95 / 0 / 57 / 32

HEX #09AE4B

RGB 9 174 75

HSL 144, 0.9%, 0.36%

LAB 62.37, -58.78, 39.93

 

CMYK 95 / 0 / 32 / 32

HEX #09AE77

RGB 9 174 119

HSL 160, 0.9%, 0.36%

LAB 63.06, -50.61, 17.92

 

CMYK 56 / 0 / 95 / 32

HEX #4DAE09

RGB 77 174 9

HSL 95.27, 0.9%, 0.36%

LAB 63.23, -53.1, 62.91

 

CMYK 56 / 0 / 95 / 32

HEX #4DAE09

RGB 77 174 9

HSL 95.27, 0.9%, 0.36%

LAB 63.23, -53.1, 62.91

 

CMYK 50 / 0 / 85 / 37

HEX #50A018

RGB 80 160 24

HSL 95.29, 0.74%, 0.36%

LAB 58.89, -46.49, 56.5

 

CMYK 43 / 0 / 73 / 43

HEX #539127

RGB 83 145 39

HSL 95.09, 0.58%, 0.36%

LAB 54.28, -38.49, 47.37

 

CMYK 35 / 0 / 58 / 49

HEX #558236

RGB 85 130 54

HSL 95.53, 0.41%, 0.36%

LAB 49.69, -29.61, 35.73

 

CMYK 23 / 0 / 40 / 55

HEX #587345

RGB 88 115 69

HSL 95.22, 0.25%, 0.36%

LAB 45.31, -18.93, 22.33

 

CMYK 5 / 0 / 95 / 32

HEX #A6AE09

RGB 166 174 9

HSL 62.91, 0.9%, 0.36%

LAB 68.31, -19.58, 69.09

 

CMYK 30 / 0 / 95 / 32

HEX #7AAE09

RGB 122 174 9

HSL 78.91, 0.9%, 0.36%

LAB 65.3, -37.91, 65.44

 

CMYK 55 / 0 / 95 / 32

HEX #4EAE09

RGB 78 174 9

HSL 94.91, 0.9%, 0.36%

LAB 63.27, -52.82, 62.96

 

CMYK 80 / 0 / 95 / 32

HEX #22AE09

RGB 34 174 9

HSL 110.91, 0.9%, 0.36%

LAB 62.2, -61.87, 61.63

 

CMYK 95 / 0 / 84 / 32

HEX #09AE1C

RGB 9 174 28

HSL 126.91, 0.9%, 0.36%

LAB 62.01, -63.32, 57.75

 

CMYK 55 / 0 / 95 / 62

HEX #2B6005

RGB 43 96 5

HSL 94.95, 0.9%, 0.2%

LAB 35.77, -33.26, 40.43

 

CMYK 56 / 0 / 95 / 47

HEX #3C8707

RGB 60 135 7

HSL 95.16, 0.9%, 0.28%

LAB 49.86, -43.48, 51.98

 

CMYK 56 / 0 / 95 / 32

HEX #4DAE09

RGB 77 174 9

HSL 95.27, 0.9%, 0.36%

LAB 63.23, -53.1, 62.91

 

CMYK 56 / 0 / 95 / 16

HEX #5FD60B

RGB 95 214 11

HSL 95.17, 0.9%, 0.44%

LAB 76.41, -62.37, 73.66

 

CMYK 53 / 0 / 91 / 5

HEX #72F317

RGB 114 243 23

HSL 95.18, 0.9%, 0.52%

LAB 85.88, -67.12, 80.23

 

CMYK 56 / 0 / 95 / 31

HEX #4EB009

RGB 78 176 9

HSL 95.21, 0.9%, 0.36%

LAB 63.91, -53.54, 63.48

 

CMYK 95 / 0 / 20 / 32

HEX #09AE8B

RGB 9 174 139

HSL 167.27, 0.9%, 0.36%

LAB 63.5, -45.74, 7.53

 

CMYK 0 / 95 / 17 / 32

HEX #AE0990

RGB 174 9 144

HSL 310.91, 0.9%, 0.36%

LAB 39.93, 68.63, -29.78

 

CMYK 56 / 0 / 95 / 31

HEX #4EB009

RGB 78 176 9

HSL 95.21, 0.9%, 0.36%

LAB 63.91, -53.54, 63.48

 

CMYK 95 / 55 / 0 / 32

HEX #094EAE

RGB 9 78 174

HSL 214.91, 0.9%, 0.36%

LAB 35.13, 19.36, -56.44

 

CMYK 0 / 95 / 55 / 32

HEX #AE094E

RGB 174 9 78

HSL 334.91, 0.9%, 0.36%

LAB 37.38, 61.9, 7.95

 

CMYK 56 / 0 / 95 / 31

HEX #4EB009

RGB 78 176 9

HSL 95.21, 0.9%, 0.36%

LAB 63.91, -53.54, 63.48

 

CMYK 95 / 0 / 20 / 32

HEX #09AE8B

RGB 9 174 139

HSL 167.27, 0.9%, 0.36%

LAB 63.5, -45.74, 7.53

 

CMYK 39 / 95 / 0 / 32

HEX #6A09AE

RGB 106 9 174

HSL 275.27, 0.9%, 0.36%

LAB 30.19, 62.92, -64.24

 

CMYK 0 / 95 / 74 / 32

HEX #AE092D

RGB 174 9 45

HSL 346.91, 0.9%, 0.36%

LAB 36.71, 60.07, 28.25

 

CMYK 56 / 0 / 95 / 31

HEX #4EB009

RGB 78 176 9

HSL 95.21, 0.9%, 0.36%

LAB 63.91, -53.54, 63.48

 

CMYK 95 / 7 / 0 / 32

HEX #09A1AE

RGB 9 161 174

HSL 184.73, 0.9%, 0.36%

LAB 60.43, -29.6, -16.63

 

CMYK 39 / 95 / 0 / 32

HEX #6A09AE

RGB 106 9 174

HSL 275.27, 0.9%, 0.36%

LAB 30.19, 62.92, -64.24

 

CMYK 0 / 87 / 95 / 32

HEX #AE1709

RGB 174 23 9

HSL 5.09, 0.9%, 0.36%

LAB 37.17, 56.93, 47.43

 

Description

Color code: HEX #4EB009 | qconv.com Color code: HEX #4EB009 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 176 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 176 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 95 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 95% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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