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Color name
HEX #4EAD21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EAD21 it is the complementary color #B152DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EAD21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EAD21 shade: #53AD1C, #64BF2F, #75D142, #86E355 and #97F568

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EAD21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EAD21 shade: #4EAD21, #3D9B0E, #2C8900, #1B7700 and #0A6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EAD21 shade: #4DAB21, #73AB21, #98AB21, #AB9921 and #AB7421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EAD21 shade: #4DAB21, #28AB21, #21AB3F, #21AB64 and #21AB8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EAD21 shade matches the following richer shades: #4DAB21 and #47BC10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EAD21 shade: #4DAB21, #539B31, #598A42, #5F7A52 and #656963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EAD21 shade: #99AB21, #74AB21, #4FAB21, #2AAB21 and #21AB3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EAD21 shade: #2E6613, #3E891A, #4DAB21, #5DCE27 and #74DB43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EAD21 shade: #4EAD21, #21AB99 and #AB2186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EAD21 shade: #4EAD21, #214FAB and #AB214F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EAD21 shade: #4EAD21, #21AB99, #7D21AB and #AB2133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EAD21 shade: #4EAD21, #2194AB, #7D21AB and #AB3821

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 81 / 32

HEX #4EAD21

RGB 78 173 33

HSL 100.71, 0.68%, 0.4%

LAB 63.02, -51.59, 57.79

 

Complementary color

CMYK 20 / 63 / 0 / 13

HEX #B152DE

RGB 177 82 222

HSL 280.71, 0.68%, 0.6%

LAB 52.57, 60.53, -55.44

 

CMYK 52 / 0 / 84 / 32

HEX #53AD1C

RGB 83 173 28

HSL 97.24, 0.72%, 0.39%

LAB 63.19, -50.4, 59.37

 

CMYK 48 / 0 / 75 / 25

HEX #64BF2F

RGB 100 191 47

HSL 97.92, 0.61%, 0.47%

LAB 69.59, -51.17, 59.95

 

CMYK 44 / 0 / 68 / 18

HEX #75D142

RGB 117 209 66

HSL 98.6, 0.61%, 0.54%

LAB 75.93, -51.64, 59.71

 

CMYK 41 / 0 / 63 / 11

HEX #86E355

RGB 134 227 85

HSL 99.3, 0.72%, 0.61%

LAB 82.2, -51.91, 59.03

 

CMYK 38 / 0 / 58 / 4

HEX #97F568

RGB 151 245 104

HSL 100, 0.88%, 0.68%

LAB 88.39, -52.03, 58.11

 

CMYK 55 / 0 / 81 / 32

HEX #4EAD21

RGB 78 173 33

HSL 100.71, 0.68%, 0.4%

LAB 63.02, -51.59, 57.79

 

CMYK 61 / 0 / 91 / 39

HEX #3D9B0E

RGB 61 155 14

HSL 100, 0.83%, 0.33%

LAB 56.55, -50.41, 56.38

 

CMYK 68 / 0 / 100 / 46

HEX #2C8900

RGB 44 137 0

HSL 100.73, 1%, 0.27%

LAB 50.01, -48.61, 53.2

 

CMYK 77 / 0 / 100 / 53

HEX #1B7700

RGB 27 119 0

HSL 106.39, 1%, 0.23%

LAB 43.4, -45.96, 47.77

 

CMYK 90 / 0 / 100 / 60

HEX #0A6500

RGB 10 101 0

HSL 114.06, 1%, 0.2%

LAB 36.69, -42.57, 42.3

 

CMYK 55 / 0 / 81 / 33

HEX #4DAB21

RGB 77 171 33

HSL 100.87, 0.68%, 0.4%

LAB 62.35, -51.13, 57.15

 

CMYK 33 / 0 / 81 / 33

HEX #73AB21

RGB 115 171 33

HSL 84.35, 0.68%, 0.4%

LAB 64.06, -38.54, 59.36

 

CMYK 11 / 0 / 81 / 33

HEX #98AB21

RGB 152 171 33

HSL 68.26, 0.68%, 0.4%

LAB 66.45, -23.55, 62.4

 

CMYK 0 / 11 / 81 / 33

HEX #AB9921

RGB 171 153 33

HSL 52.17, 0.68%, 0.4%

LAB 62.97, -5.88, 59.93

 

CMYK 0 / 32 / 81 / 33

HEX #AB7421

RGB 171 116 33

HSL 36.09, 0.68%, 0.4%

LAB 53.23, 14.58, 51.19

 

CMYK 55 / 0 / 81 / 33

HEX #4DAB21

RGB 77 171 33

HSL 100.87, 0.68%, 0.4%

LAB 62.35, -51.13, 57.15

 

CMYK 77 / 0 / 81 / 33

HEX #28AB21

RGB 40 171 33

HSL 116.96, 0.68%, 0.4%

LAB 61.38, -59.13, 55.9

 

CMYK 81 / 0 / 63 / 33

HEX #21AB3F

RGB 33 171 63

HSL 133.04, 0.68%, 0.4%

LAB 61.49, -57.42, 44.56

 

CMYK 81 / 0 / 42 / 33

HEX #21AB64

RGB 33 171 100

HSL 149.13, 0.68%, 0.4%

LAB 61.97, -51.69, 26.75

 

CMYK 81 / 0 / 19 / 33

HEX #21AB8A

RGB 33 171 138

HSL 165.65, 0.68%, 0.4%

LAB 62.75, -43.14, 7.03

 

CMYK 55 / 0 / 81 / 33

HEX #4DAB21

RGB 77 171 33

HSL 100.87, 0.68%, 0.4%

LAB 62.35, -51.13, 57.15

 

CMYK 62 / 0 / 91 / 26

HEX #47BC10

RGB 71 188 16

HSL 100.81, 0.84%, 0.4%

LAB 67.53, -59.35, 65.43

 

CMYK 55 / 0 / 81 / 33

HEX #4DAB21

RGB 77 171 33

HSL 100.87, 0.68%, 0.4%

LAB 62.35, -51.13, 57.15

 

CMYK 46 / 0 / 68 / 39

HEX #539B31

RGB 83 155 49

HSL 100.75, 0.52%, 0.4%

LAB 57.56, -41.91, 46.74

 

CMYK 36 / 0 / 52 / 46

HEX #598A42

RGB 89 138 66

HSL 100.83, 0.35%, 0.4%

LAB 52.61, -30.49, 33.16

 

CMYK 22 / 0 / 33 / 52

HEX #5F7A52

RGB 95 122 82

HSL 100.5, 0.2%, 0.4%

LAB 48.21, -17.83, 18.82

 

CMYK 4 / 0 / 6 / 59

HEX #656963

RGB 101 105 99

HSL 100, 0.03%, 0.4%

LAB 43.9, -2.78, 2.83

 

CMYK 11 / 0 / 81 / 33

HEX #99AB21

RGB 153 171 33

HSL 67.83, 0.68%, 0.4%

LAB 66.53, -23.12, 62.49

 

CMYK 32 / 0 / 81 / 33

HEX #74AB21

RGB 116 171 33

HSL 83.91, 0.68%, 0.4%

LAB 64.12, -38.16, 59.43

 

CMYK 54 / 0 / 81 / 33

HEX #4FAB21

RGB 79 171 33

HSL 100, 0.68%, 0.4%

LAB 62.42, -50.56, 57.24

 

CMYK 75 / 0 / 81 / 33

HEX #2AAB21

RGB 42 171 33

HSL 116.09, 0.68%, 0.4%

LAB 61.42, -58.82, 55.94

 

CMYK 81 / 0 / 65 / 33

HEX #21AB3C

RGB 33 171 60

HSL 131.74, 0.68%, 0.4%

LAB 61.46, -57.77, 45.86

 

CMYK 55 / 0 / 81 / 60

HEX #2E6613

RGB 46 102 19

HSL 100.48, 0.69%, 0.24%

LAB 38.08, -34.05, 38.31

 

CMYK 55 / 0 / 81 / 46

HEX #3E891A

RGB 62 137 26

HSL 100.54, 0.68%, 0.32%

LAB 50.68, -42.86, 48.16

 

CMYK 55 / 0 / 81 / 33

HEX #4DAB21

RGB 77 171 33

HSL 100.87, 0.68%, 0.4%

LAB 62.35, -51.13, 57.15

 

CMYK 55 / 0 / 81 / 19

HEX #5DCE27

RGB 93 206 39

HSL 100.6, 0.68%, 0.48%

LAB 73.94, -59.2, 66.38

 

CMYK 47 / 0 / 69 / 14

HEX #74DB43

RGB 116 219 67

HSL 100.66, 0.68%, 0.56%

LAB 78.92, -55.76, 62.42

 

CMYK 55 / 0 / 81 / 32

HEX #4EAD21

RGB 78 173 33

HSL 100.71, 0.68%, 0.4%

LAB 63.02, -51.59, 57.79

 

CMYK 81 / 0 / 11 / 33

HEX #21AB99

RGB 33 171 153

HSL 172.17, 0.68%, 0.4%

LAB 63.13, -39.12, -0.77

 

CMYK 0 / 81 / 22 / 33

HEX #AB2186

RGB 171 33 134

HSL 316.09, 0.68%, 0.4%

LAB 40.36, 62.41, -23.02

 

CMYK 55 / 0 / 81 / 32

HEX #4EAD21

RGB 78 173 33

HSL 100.71, 0.68%, 0.4%

LAB 63.02, -51.59, 57.79

 

CMYK 81 / 54 / 0 / 33

HEX #214FAB

RGB 33 79 171

HSL 220, 0.68%, 0.4%

LAB 35.7, 19.12, -53.7

 

CMYK 0 / 81 / 54 / 33

HEX #AB214F

RGB 171 33 79

HSL 340, 0.68%, 0.4%

LAB 38.39, 56.61, 8.64

 

CMYK 55 / 0 / 81 / 32

HEX #4EAD21

RGB 78 173 33

HSL 100.71, 0.68%, 0.4%

LAB 63.02, -51.59, 57.79

 

CMYK 81 / 0 / 11 / 33

HEX #21AB99

RGB 33 171 153

HSL 172.17, 0.68%, 0.4%

LAB 63.13, -39.12, -0.77

 

CMYK 27 / 81 / 0 / 33

HEX #7D21AB

RGB 125 33 171

HSL 280, 0.68%, 0.4%

LAB 34.78, 59.22, -54.83

 

CMYK 0 / 81 / 70 / 33

HEX #AB2133

RGB 171 33 51

HSL 352.17, 0.68%, 0.4%

LAB 37.81, 54.83, 25.67

 

CMYK 55 / 0 / 81 / 32

HEX #4EAD21

RGB 78 173 33

HSL 100.71, 0.68%, 0.4%

LAB 63.02, -51.59, 57.79

 

CMYK 81 / 13 / 0 / 33

HEX #2194AB

RGB 33 148 171

HSL 190, 0.68%, 0.4%

LAB 56.53, -22.51, -20.85

 

CMYK 27 / 81 / 0 / 33

HEX #7D21AB

RGB 125 33 171

HSL 280, 0.68%, 0.4%

LAB 34.78, 59.22, -54.83

 

CMYK 0 / 67 / 81 / 33

HEX #AB3821

RGB 171 56 33

HSL 10, 0.68%, 0.4%

LAB 40.57, 45.86, 39.19

 

Description

Color code: HEX #4EAD21 | qconv.com Color code: HEX #4EAD21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 173 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 173 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 81 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 81% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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