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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EA811 it is the complementary color #B157EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EA811. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EA811 shade: #53A80C, #64BA1F, #75CC32, #86DE45 and #97F058

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EA811. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EA811 shade: #4EA811, #3D9600, #2C8400, #1B7200 and #0A6000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EA811 shade: #4DA711, #76A711, #9FA711, #A78711 and #A75E11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EA811 shade: #4DA711, #25A711, #11A725, #11A74D and #11A776

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EA811 shade matches the following richer shades: #4DA711 and #4AB602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EA811 shade: #4DA711, #50981F, #53892E, #567B3D and #596C4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EA811 shade: #A0A711, #77A711, #4FA711, #27A711 and #11A722

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EA811 shade: #2B5C09, #3C820D, #4DA711, #5FCD14 and #72E921

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EA811 shade: #4EA811, #11A786 and #A7118B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EA811 shade: #4EA811, #114FA7 and #A7114F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EA811 shade: #4EA811, #11A786, #6811A7 and #A71131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EA811 shade: #4EA811, #119BA7, #6811A7 and #A71D11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 90 / 34

HEX #4EA811

RGB 78 168 17

HSL 95.76, 0.82%, 0.36%

LAB 61.36, -50.4, 60.15

 

Complementary color

CMYK 26 / 63 / 0 / 7

HEX #B157EE

RGB 177 87 238

HSL 275.76, 0.82%, 0.64%

LAB 54.38, 61.62, -61.53

 

CMYK 51 / 0 / 93 / 34

HEX #53A80C

RGB 83 168 12

HSL 92.69, 0.87%, 0.35%

LAB 61.54, -49.05, 61.21

 

CMYK 46 / 0 / 83 / 27

HEX #64BA1F

RGB 100 186 31

HSL 93.29, 0.71%, 0.43%

LAB 67.97, -50.07, 63.15

 

CMYK 43 / 0 / 75 / 20

HEX #75CC32

RGB 117 204 50

HSL 93.9, 0.61%, 0.5%

LAB 74.32, -50.75, 63.79

 

CMYK 40 / 0 / 69 / 13

HEX #86DE45

RGB 134 222 69

HSL 94.51, 0.7%, 0.57%

LAB 80.59, -51.18, 63.65

 

CMYK 37 / 0 / 63 / 6

HEX #97F058

RGB 151 240 88

HSL 95.13, 0.84%, 0.64%

LAB 86.8, -51.45, 63.07

 

CMYK 54 / 0 / 90 / 34

HEX #4EA811

RGB 78 168 17

HSL 95.76, 0.82%, 0.36%

LAB 61.36, -50.4, 60.15

 

CMYK 59 / 0 / 100 / 41

HEX #3D9600

RGB 61 150 0

HSL 95.6, 1%, 0.29%

LAB 54.87, -48.98, 57.26

 

CMYK 67 / 0 / 100 / 48

HEX #2C8400

RGB 44 132 0

HSL 100, 1%, 0.26%

LAB 48.31, -46.87, 51.85

 

CMYK 76 / 0 / 100 / 55

HEX #1B7200

RGB 27 114 0

HSL 105.79, 1%, 0.22%

LAB 41.64, -44.29, 46.37

 

CMYK 90 / 0 / 100 / 62

HEX #0A6000

RGB 10 96 0

HSL 113.75, 1%, 0.19%

LAB 34.86, -40.97, 40.84

 

CMYK 54 / 0 / 90 / 35

HEX #4DA711

RGB 77 167 17

HSL 96, 0.82%, 0.36%

LAB 61.01, -50.32, 59.83

 

CMYK 29 / 0 / 90 / 35

HEX #76A711

RGB 118 167 17

HSL 79.6, 0.82%, 0.36%

LAB 62.95, -36.17, 62.24

 

CMYK 5 / 0 / 90 / 35

HEX #9FA711

RGB 159 167 17

HSL 63.2, 0.82%, 0.36%

LAB 65.79, -18.98, 65.72

 

CMYK 0 / 19 / 90 / 35

HEX #A78711

RGB 167 135 17

HSL 47.2, 0.82%, 0.36%

LAB 57.64, 1.67, 59.57

 

CMYK 0 / 44 / 90 / 35

HEX #A75E11

RGB 167 94 17

HSL 30.8, 0.82%, 0.36%

LAB 47.32, 24.68, 51.48

 

CMYK 54 / 0 / 90 / 35

HEX #4DA711

RGB 77 167 17

HSL 96, 0.82%, 0.36%

LAB 61.01, -50.32, 59.83

 

CMYK 78 / 0 / 90 / 35

HEX #25A711

RGB 37 167 17

HSL 112, 0.82%, 0.36%

LAB 59.95, -59.1, 58.51

 

CMYK 90 / 0 / 78 / 35

HEX #11A725

RGB 17 167 37

HSL 128, 0.82%, 0.36%

LAB 59.79, -60.23, 53.01

 

CMYK 90 / 0 / 54 / 35

HEX #11A74D

RGB 17 167 77

HSL 144, 0.82%, 0.36%

LAB 60.15, -55.72, 36.29

 

CMYK 90 / 0 / 29 / 35

HEX #11A776

RGB 17 167 118

HSL 160.4, 0.82%, 0.36%

LAB 60.84, -47.73, 15.41

 

CMYK 54 / 0 / 90 / 35

HEX #4DA711

RGB 77 167 17

HSL 96, 0.82%, 0.36%

LAB 61.01, -50.32, 59.83

 

CMYK 59 / 0 / 99 / 29

HEX #4AB602

RGB 74 182 2

HSL 96, 0.98%, 0.36%

LAB 65.68, -56.87, 65.73

 

CMYK 54 / 0 / 90 / 35

HEX #4DA711

RGB 77 167 17

HSL 96, 0.82%, 0.36%

LAB 61.01, -50.32, 59.83

 

CMYK 47 / 0 / 80 / 40

HEX #50981F

RGB 80 152 31

HSL 95.7, 0.66%, 0.36%

LAB 56.35, -42.95, 52.18

 

CMYK 39 / 0 / 66 / 46

HEX #53892E

RGB 83 137 46

HSL 95.6, 0.5%, 0.36%

LAB 51.76, -34.39, 41.8

 

CMYK 30 / 0 / 50 / 52

HEX #567B3D

RGB 86 123 61

HSL 95.81, 0.34%, 0.36%

LAB 47.6, -24.97, 29.63

 

CMYK 18 / 0 / 30 / 58

HEX #596C4C

RGB 89 108 76

HSL 95.63, 0.17%, 0.36%

LAB 43.32, -13.6, 15.64

 

CMYK 4 / 0 / 90 / 35

HEX #A0A711

RGB 160 167 17

HSL 62.8, 0.82%, 0.36%

LAB 65.87, -18.54, 65.82

 

CMYK 29 / 0 / 90 / 35

HEX #77A711

RGB 119 167 17

HSL 79.2, 0.82%, 0.36%

LAB 63.01, -35.78, 62.32

 

CMYK 53 / 0 / 90 / 35

HEX #4FA711

RGB 79 167 17

HSL 95.2, 0.82%, 0.36%

LAB 61.08, -49.74, 59.92

 

CMYK 77 / 0 / 90 / 35

HEX #27A711

RGB 39 167 17

HSL 111.2, 0.82%, 0.36%

LAB 59.99, -58.8, 58.55

 

CMYK 90 / 0 / 80 / 35

HEX #11A722

RGB 17 167 34

HSL 126.8, 0.82%, 0.36%

LAB 59.77, -60.44, 53.96

 

CMYK 53 / 0 / 90 / 64

HEX #2B5C09

RGB 43 92 9

HSL 95.42, 0.82%, 0.2%

LAB 34.37, -31.37, 38.04

 

CMYK 54 / 0 / 90 / 49

HEX #3C820D

RGB 60 130 13

HSL 95.9, 0.82%, 0.28%

LAB 48.2, -41.34, 49.42

 

CMYK 54 / 0 / 90 / 35

HEX #4DA711

RGB 77 167 17

HSL 96, 0.82%, 0.36%

LAB 61.01, -50.32, 59.83

 

CMYK 54 / 0 / 90 / 20

HEX #5FCD14

RGB 95 205 20

HSL 95.68, 0.82%, 0.44%

LAB 73.64, -59.01, 70.22

 

CMYK 51 / 0 / 86 / 9

HEX #72E921

RGB 114 233 33

HSL 95.7, 0.82%, 0.52%

LAB 82.89, -63.33, 76.02

 

CMYK 54 / 0 / 90 / 34

HEX #4EA811

RGB 78 168 17

HSL 95.76, 0.82%, 0.36%

LAB 61.36, -50.4, 60.15

 

CMYK 90 / 0 / 20 / 35

HEX #11A786

RGB 17 167 134

HSL 166.8, 0.82%, 0.36%

LAB 61.2, -43.77, 7.03

 

CMYK 0 / 90 / 17 / 35

HEX #A7118B

RGB 167 17 139

HSL 311.2, 0.82%, 0.36%

LAB 38.69, 65.56, -28.75

 

CMYK 54 / 0 / 90 / 34

HEX #4EA811

RGB 78 168 17

HSL 95.76, 0.82%, 0.36%

LAB 61.36, -50.4, 60.15

 

CMYK 90 / 53 / 0 / 35

HEX #114FA7

RGB 17 79 167

HSL 215.2, 0.82%, 0.36%

LAB 35.01, 16.21, -52.47

 

CMYK 0 / 90 / 53 / 35

HEX #A7114F

RGB 167 17 79

HSL 335.2, 0.82%, 0.36%

LAB 36.33, 59.15, 5.61

 

CMYK 54 / 0 / 90 / 34

HEX #4EA811

RGB 78 168 17

HSL 95.76, 0.82%, 0.36%

LAB 61.36, -50.4, 60.15

 

CMYK 90 / 0 / 20 / 35

HEX #11A786

RGB 17 167 134

HSL 166.8, 0.82%, 0.36%

LAB 61.2, -43.77, 7.03

 

CMYK 38 / 90 / 0 / 35

HEX #6811A7

RGB 104 17 167

HSL 274.8, 0.82%, 0.36%

LAB 29.75, 59.66, -60.77

 

CMYK 0 / 90 / 71 / 35

HEX #A71131

RGB 167 17 49

HSL 347.2, 0.82%, 0.36%

LAB 35.67, 57.28, 24.12

 

CMYK 54 / 0 / 90 / 34

HEX #4EA811

RGB 78 168 17

HSL 95.76, 0.82%, 0.36%

LAB 61.36, -50.4, 60.15

 

CMYK 90 / 7 / 0 / 35

HEX #119BA7

RGB 17 155 167

HSL 184.8, 0.82%, 0.36%

LAB 58.37, -28.58, -15.79

 

CMYK 38 / 90 / 0 / 35

HEX #6811A7

RGB 104 17 167

HSL 274.8, 0.82%, 0.36%

LAB 29.75, 59.66, -60.77

 

CMYK 0 / 83 / 90 / 35

HEX #A71D11

RGB 167 29 17

HSL 4.8, 0.82%, 0.36%

LAB 36.24, 53.61, 42.94

 

Description

Color code: HEX #4EA811 | qconv.com Color code: HEX #4EA811 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 168 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 168 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 90 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 90% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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