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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E9ECE it is the complementary color #B16131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E9ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E9ECE shade: #539EC9, #64B0DC, #75C2EF, #86D4FF and #97E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E9ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E9ECE shade: #4E9ECE, #3D8CBB, #2C7AA8, #1B6895 and #0A5682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E9ECE shade: #4E9ECE, #4E7CCE, #4E59CE, #664ECE and #884ECE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E9ECE shade: #4E9ECE, #4E7CCE, #4E59CE and #4E4ECE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E9ECE shade matches the following richer shades: #4E9ECE, #3CA3E0 and #2AA7F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E9ECE shade: #4E9ECE, #609ABC, #7395AA, #859198 and #978C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E9ECE shade: #4ECEB9, #4EC1CE, #4E9FCE, #4E7DCE and #4E5BCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E9ECE shade: #2B749F, #348BBF, #4E9ECE, #6FB0D7 and #8FC2E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E9ECE shade: #4E9ECE, #974ECE and #CECA4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E9ECE shade: #4E9ECE, #CE4E9F and #9FCE4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E9ECE shade: #4E9ECE, #974ECE, #CE7D4E and #86CE4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E9ECE shade: #4E9ECE, #BD4ECE, #CE7D4E and #5FCE4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

Complementary color

CMYK 0 / 45 / 72 / 31

HEX #B16131

RGB 177 97 49

HSL 22.5, 0.57%, 0.44%

LAB 49.64, 28.47, 40.64

 

CMYK 59 / 21 / 0 / 21

HEX #539EC9

RGB 83 158 201

HSL 201.86, 0.52%, 0.56%

LAB 62.09, -10.63, -29.11

 

CMYK 55 / 20 / 0 / 14

HEX #64B0DC

RGB 100 176 220

HSL 202, 0.63%, 0.63%

LAB 68.7, -11.19, -29.37

 

CMYK 51 / 19 / 0 / 6

HEX #75C2EF

RGB 117 194 239

HSL 202.13, 0.79%, 0.7%

LAB 75.2, -11.64, -29.63

 

CMYK 47 / 17 / 0 / 0

HEX #86D4FF

RGB 134 212 255

HSL 201.32, 1%, 0.76%

LAB 81.5, -12.82, -28.46

 

CMYK 41 / 10 / 0 / 0

HEX #97E6FF

RGB 151 230 255

HSL 194.42, 1%, 0.8%

LAB 87.19, -18, -19.73

 

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

CMYK 67 / 25 / 0 / 27

HEX #3D8CBB

RGB 61 140 187

HSL 202.38, 0.51%, 0.49%

LAB 55.42, -9.09, -31.63

 

CMYK 74 / 27 / 0 / 34

HEX #2C7AA8

RGB 44 122 168

HSL 202.26, 0.58%, 0.42%

LAB 48.61, -7.91, -31.34

 

CMYK 82 / 30 / 0 / 42

HEX #1B6895

RGB 27 104 149

HSL 202.13, 0.69%, 0.35%

LAB 41.69, -6.3, -31.01

 

CMYK 92 / 34 / 0 / 49

HEX #0A5682

RGB 10 86 130

HSL 202, 0.86%, 0.27%

LAB 34.66, -4.09, -30.6

 

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

CMYK 62 / 40 / 0 / 19

HEX #4E7CCE

RGB 78 124 206

HSL 218.44, 0.57%, 0.56%

LAB 52.39, 9.83, -47.16

 

CMYK 62 / 57 / 0 / 19

HEX #4E59CE

RGB 78 89 206

HSL 234.84, 0.57%, 0.56%

LAB 43.09, 31.64, -62.09

 

CMYK 50 / 62 / 0 / 19

HEX #664ECE

RGB 102 78 206

HSL 251.25, 0.57%, 0.56%

LAB 42.35, 42.59, -63.2

 

CMYK 34 / 62 / 0 / 19

HEX #884ECE

RGB 136 78 206

HSL 267.19, 0.57%, 0.56%

LAB 45.82, 49.63, -57.42

 

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

CMYK 62 / 40 / 0 / 19

HEX #4E7CCE

RGB 78 124 206

HSL 218.44, 0.57%, 0.56%

LAB 52.39, 9.83, -47.16

 

CMYK 62 / 57 / 0 / 19

HEX #4E59CE

RGB 78 89 206

HSL 234.84, 0.57%, 0.56%

LAB 43.09, 31.64, -62.09

 

CMYK 62 / 62 / 0 / 19

HEX #4E4ECE

RGB 78 78 206

HSL 240, 0.57%, 0.56%

LAB 40.45, 38.43, -66.39

 

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

CMYK 73 / 27 / 0 / 12

HEX #3CA3E0

RGB 60 163 224

HSL 202.32, 0.73%, 0.56%

LAB 63.78, -9.57, -39.31

 

CMYK 83 / 31 / 0 / 5

HEX #2AA7F3

RGB 42 167 243

HSL 202.69, 0.89%, 0.56%

LAB 65.44, -7.03, -47.18

 

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

CMYK 49 / 18 / 0 / 26

HEX #609ABC

RGB 96 154 188

HSL 202.17, 0.41%, 0.56%

LAB 60.98, -9.53, -23.48

 

CMYK 32 / 12 / 0 / 33

HEX #7395AA

RGB 115 149 170

HSL 202.91, 0.24%, 0.56%

LAB 59.93, -6.6, -14.82

 

CMYK 13 / 5 / 0 / 40

HEX #859198

RGB 133 145 152

HSL 202.11, 0.08%, 0.56%

LAB 59.44, -2.83, -5.18

 

CMYK 0 / 7 / 11 / 41

HEX #978C86

RGB 151 140 134

HSL 21.18, 0.08%, 0.56%

LAB 59.03, 3.02, 4.67

 

CMYK 62 / 0 / 10 / 19

HEX #4ECEB9

RGB 78 206 185

HSL 170.16, 0.57%, 0.56%

LAB 75.62, -40.06, 0.02

 

CMYK 62 / 6 / 0 / 19

HEX #4EC1CE

RGB 78 193 206

HSL 186.09, 0.57%, 0.56%

LAB 72.37, -28.25, -16.18

 

CMYK 62 / 23 / 0 / 19

HEX #4E9FCE

RGB 78 159 206

HSL 202.03, 0.57%, 0.56%

LAB 62.4, -10.55, -31.44

 

CMYK 62 / 39 / 0 / 19

HEX #4E7DCE

RGB 78 125 206

HSL 217.97, 0.57%, 0.56%

LAB 52.67, 9.22, -46.71

 

CMYK 62 / 56 / 0 / 19

HEX #4E5BCE

RGB 78 91 206

HSL 233.91, 0.57%, 0.56%

LAB 43.59, 30.39, -61.28

 

CMYK 73 / 27 / 0 / 38

HEX #2B749F

RGB 43 116 159

HSL 202.24, 0.57%, 0.4%

LAB 46.32, -7.75, -29.66

 

CMYK 73 / 27 / 0 / 25

HEX #348BBF

RGB 52 139 191

HSL 202.45, 0.57%, 0.48%

LAB 55.03, -8.5, -34.53

 

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

CMYK 48 / 18 / 0 / 16

HEX #6FB0D7

RGB 111 176 215

HSL 202.5, 0.57%, 0.64%

LAB 68.99, -10.22, -26.13

 

CMYK 36 / 13 / 0 / 12

HEX #8FC2E0

RGB 143 194 224

HSL 202.22, 0.57%, 0.72%

LAB 75.95, -9.33, -20.28

 

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

CMYK 27 / 62 / 0 / 19

HEX #974ECE

RGB 151 78 206

HSL 274.22, 0.57%, 0.56%

LAB 47.6, 53.01, -54.46

 

CMYK 0 / 2 / 62 / 19

HEX #CECA4E

RGB 206 202 78

HSL 58.13, 0.57%, 0.56%

LAB 79.56, -13.88, 60.4

 

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

CMYK 0 / 62 / 23 / 19

HEX #CE4E9F

RGB 206 78 159

HSL 322.03, 0.57%, 0.56%

LAB 53.03, 58.9, -18.06

 

CMYK 23 / 0 / 62 / 19

HEX #9FCE4E

RGB 159 206 78

HSL 82.03, 0.57%, 0.56%

LAB 77.32, -34.72, 56.99

 

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

CMYK 27 / 62 / 0 / 19

HEX #974ECE

RGB 151 78 206

HSL 274.22, 0.57%, 0.56%

LAB 47.6, 53.01, -54.46

 

CMYK 0 / 39 / 62 / 19

HEX #CE7D4E

RGB 206 125 78

HSL 22.03, 0.57%, 0.56%

LAB 60.19, 27.08, 38.57

 

CMYK 35 / 0 / 62 / 19

HEX #86CE4E

RGB 134 206 78

HSL 93.75, 0.57%, 0.56%

LAB 75.92, -43.81, 55.06

 

CMYK 62 / 23 / 0 / 19

HEX #4E9ECE

RGB 78 158 206

HSL 202.5, 0.57%, 0.56%

LAB 62.11, -9.99, -31.89

 

CMYK 8 / 62 / 0 / 19

HEX #BD4ECE

RGB 189 78 206

HSL 292.03, 0.57%, 0.56%

LAB 52.65, 61.99, -46.12

 

CMYK 0 / 39 / 62 / 19

HEX #CE7D4E

RGB 206 125 78

HSL 22.03, 0.57%, 0.56%

LAB 60.19, 27.08, 38.57

 

CMYK 54 / 0 / 62 / 19

HEX #5FCE4E

RGB 95 206 78

HSL 112.03, 0.57%, 0.56%

LAB 74.27, -55.75, 52.76

 

Description

Color code: HEX #4E9ECE | qconv.com Color code: HEX #4E9ECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 158 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 158 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 23 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 23% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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