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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E92B0 it is the complementary color #B16D4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E92B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E92B0 shade: #5392AB, #64A4BE, #75B6D1, #86C8E4 and #97DAF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E92B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E92B0 shade: #4E92B0, #3D809D, #2C6E8A, #1B5C77 and #0A4A64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E92B0 shade: #4E93B1, #4E78B1, #4E5DB1, #594EB1 and #744EB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E92B0 shade: #4E93B1, #4E78B1, #4E5DB1 and #4E4EB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E92B0 shade matches the following richer shades: #4E93B1, #399BC6, #25A3DA and #10ABEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E92B0 shade: #4E93B1, #628B9D, #778388, #8C7B73 and #A0735F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E92B0 shade: #4EB19A, #4EAEB1, #4E93B1, #4E79B1 and #4E5EB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E92B0 shade: #356378, #417B95, #4E93B1, #6AA4BE and #87B6CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E92B0 shade: #4E92B0, #804EB1 and #B1A74E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E92B0 shade: #4E92B0, #B14E93 and #93B14E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E92B0 shade: #4E92B0, #804EB1, #B16C4E and #80B14E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E92B0 shade: #4E92B0, #9D4EB1, #B16C4E and #62B14E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 17 / 0 / 31

HEX #4E92B0

RGB 78 146 176

HSL 198.37, 0.39%, 0.5%

LAB 57.38, -12.78, -22.28

 

Complementary color

CMYK 0 / 38 / 55 / 31

HEX #B16D4F

RGB 177 109 79

HSL 18.37, 0.39%, 0.5%

LAB 52.78, 23.93, 28.05

 

CMYK 51 / 15 / 0 / 33

HEX #5392AB

RGB 83 146 171

HSL 197.05, 0.35%, 0.5%

LAB 57.4, -13.18, -19.38

 

CMYK 47 / 14 / 0 / 25

HEX #64A4BE

RGB 100 164 190

HSL 197.33, 0.41%, 0.57%

LAB 64.14, -13.45, -19.75

 

CMYK 44 / 13 / 0 / 18

HEX #75B6D1

RGB 117 182 209

HSL 197.61, 0.5%, 0.64%

LAB 70.76, -13.64, -20.12

 

CMYK 41 / 12 / 0 / 11

HEX #86C8E4

RGB 134 200 228

HSL 197.87, 0.64%, 0.71%

LAB 77.27, -13.8, -20.48

 

CMYK 39 / 12 / 0 / 3

HEX #97DAF7

RGB 151 218 247

HSL 198.13, 0.86%, 0.78%

LAB 83.67, -13.92, -20.83

 

CMYK 56 / 17 / 0 / 31

HEX #4E92B0

RGB 78 146 176

HSL 198.37, 0.39%, 0.5%

LAB 57.38, -12.78, -22.28

 

CMYK 61 / 18 / 0 / 38

HEX #3D809D

RGB 61 128 157

HSL 198.13, 0.44%, 0.43%

LAB 50.53, -12.25, -21.92

 

CMYK 68 / 20 / 0 / 46

HEX #2C6E8A

RGB 44 110 138

HSL 197.87, 0.52%, 0.36%

LAB 43.54, -11.49, -21.53

 

CMYK 77 / 23 / 0 / 53

HEX #1B5C77

RGB 27 92 119

HSL 197.61, 0.63%, 0.29%

LAB 36.4, -10.38, -21.08

 

CMYK 90 / 26 / 0 / 61

HEX #0A4A64

RGB 10 74 100

HSL 197.33, 0.82%, 0.22%

LAB 29.11, -8.69, -20.54

 

CMYK 56 / 17 / 0 / 31

HEX #4E93B1

RGB 78 147 177

HSL 198.18, 0.39%, 0.5%

LAB 57.71, -13.03, -22.34

 

CMYK 56 / 32 / 0 / 31

HEX #4E78B1

RGB 78 120 177

HSL 214.55, 0.39%, 0.5%

LAB 49.77, 2.54, -34.66

 

CMYK 56 / 47 / 0 / 31

HEX #4E5DB1

RGB 78 93 177

HSL 230.91, 0.39%, 0.5%

LAB 42.19, 19.34, -46.68

 

CMYK 50 / 56 / 0 / 31

HEX #594EB1

RGB 89 78 177

HSL 246.67, 0.39%, 0.5%

LAB 39.15, 31.15, -51.52

 

CMYK 34 / 56 / 0 / 31

HEX #744EB1

RGB 116 78 177

HSL 263.03, 0.39%, 0.5%

LAB 41.75, 37.5, -47.21

 

CMYK 56 / 17 / 0 / 31

HEX #4E93B1

RGB 78 147 177

HSL 198.18, 0.39%, 0.5%

LAB 57.71, -13.03, -22.34

 

CMYK 56 / 32 / 0 / 31

HEX #4E78B1

RGB 78 120 177

HSL 214.55, 0.39%, 0.5%

LAB 49.77, 2.54, -34.66

 

CMYK 56 / 47 / 0 / 31

HEX #4E5DB1

RGB 78 93 177

HSL 230.91, 0.39%, 0.5%

LAB 42.19, 19.34, -46.68

 

CMYK 56 / 56 / 0 / 31

HEX #4E4EB1

RGB 78 78 177

HSL 240, 0.39%, 0.5%

LAB 38.27, 28.87, -52.98

 

CMYK 56 / 17 / 0 / 31

HEX #4E93B1

RGB 78 147 177

HSL 198.18, 0.39%, 0.5%

LAB 57.71, -13.03, -22.34

 

CMYK 71 / 22 / 0 / 22

HEX #399BC6

RGB 57 155 198

HSL 198.3, 0.55%, 0.5%

LAB 60.24, -14.35, -30.36

 

CMYK 83 / 25 / 0 / 15

HEX #25A3DA

RGB 37 163 218

HSL 198.23, 0.71%, 0.5%

LAB 63.05, -14.04, -37.17

 

CMYK 93 / 28 / 0 / 6

HEX #10ABEF

RGB 16 171 239

HSL 198.3, 0.87%, 0.5%

LAB 66.11, -12.15, -43.95

 

CMYK 56 / 17 / 0 / 31

HEX #4E93B1

RGB 78 147 177

HSL 198.18, 0.39%, 0.5%

LAB 57.71, -13.03, -22.34

 

CMYK 38 / 11 / 0 / 38

HEX #628B9D

RGB 98 139 157

HSL 198.31, 0.23%, 0.5%

LAB 55.58, -9.39, -14.06

 

CMYK 13 / 4 / 0 / 47

HEX #778388

RGB 119 131 136

HSL 197.65, 0.07%, 0.5%

LAB 53.95, -3.3, -4.2

 

CMYK 0 / 12 / 18 / 45

HEX #8C7B73

RGB 140 123 115

HSL 19.2, 0.1%, 0.5%

LAB 52.93, 5.14, 6.76

 

CMYK 0 / 28 / 41 / 37

HEX #A0735F

RGB 160 115 95

HSL 18.46, 0.25%, 0.5%

LAB 52.47, 15.08, 18.07

 

CMYK 56 / 0 / 13 / 31

HEX #4EB19A

RGB 78 177 154

HSL 166.06, 0.39%, 0.5%

LAB 66.06, -34.63, 3.05

 

CMYK 56 / 2 / 0 / 31

HEX #4EAEB1

RGB 78 174 177

HSL 181.82, 0.39%, 0.5%

LAB 65.8, -27.12, -10.1

 

CMYK 56 / 17 / 0 / 31

HEX #4E93B1

RGB 78 147 177

HSL 198.18, 0.39%, 0.5%

LAB 57.71, -13.03, -22.34

 

CMYK 56 / 32 / 0 / 31

HEX #4E79B1

RGB 78 121 177

HSL 213.94, 0.39%, 0.5%

LAB 50.06, 1.94, -34.21

 

CMYK 56 / 47 / 0 / 31

HEX #4E5EB1

RGB 78 94 177

HSL 230.3, 0.39%, 0.5%

LAB 42.46, 18.7, -46.25

 

CMYK 56 / 18 / 0 / 53

HEX #356378

RGB 53 99 120

HSL 198.81, 0.39%, 0.34%

LAB 39.64, -9.27, -16.62

 

CMYK 56 / 17 / 0 / 42

HEX #417B95

RGB 65 123 149

HSL 198.57, 0.39%, 0.42%

LAB 48.83, -11.14, -19.83

 

CMYK 56 / 17 / 0 / 31

HEX #4E93B1

RGB 78 147 177

HSL 198.18, 0.39%, 0.5%

LAB 57.71, -13.03, -22.34

 

CMYK 44 / 14 / 0 / 25

HEX #6AA4BE

RGB 106 164 190

HSL 198.57, 0.39%, 0.58%

LAB 64.43, -11.96, -19.29

 

CMYK 33 / 10 / 0 / 21

HEX #87B6CA

RGB 135 182 202

HSL 197.91, 0.39%, 0.66%

LAB 71.47, -10.69, -15.13

 

CMYK 56 / 17 / 0 / 31

HEX #4E92B0

RGB 78 146 176

HSL 198.37, 0.39%, 0.5%

LAB 57.38, -12.78, -22.28

 

CMYK 28 / 56 / 0 / 31

HEX #804EB1

RGB 128 78 177

HSL 270.3, 0.39%, 0.5%

LAB 43.08, 40.55, -45

 

CMYK 0 / 6 / 56 / 31

HEX #B1A74E

RGB 177 167 78

HSL 53.94, 0.39%, 0.5%

LAB 67.68, -8.1, 46.56

 

CMYK 56 / 17 / 0 / 31

HEX #4E92B0

RGB 78 146 176

HSL 198.37, 0.39%, 0.5%

LAB 57.38, -12.78, -22.28

 

CMYK 0 / 56 / 17 / 31

HEX #B14E93

RGB 177 78 147

HSL 318.18, 0.39%, 0.5%

LAB 48.14, 48.63, -18.82

 

CMYK 17 / 0 / 56 / 31

HEX #93B14E

RGB 147 177 78

HSL 78.18, 0.39%, 0.5%

LAB 68.17, -25.67, 46.52

 

CMYK 56 / 17 / 0 / 31

HEX #4E92B0

RGB 78 146 176

HSL 198.37, 0.39%, 0.5%

LAB 57.38, -12.78, -22.28

 

CMYK 28 / 56 / 0 / 31

HEX #804EB1

RGB 128 78 177

HSL 270.3, 0.39%, 0.5%

LAB 43.08, 40.55, -45

 

CMYK 0 / 39 / 56 / 31

HEX #B16C4E

RGB 177 108 78

HSL 18.18, 0.39%, 0.5%

LAB 52.53, 24.4, 28.3

 

CMYK 28 / 0 / 56 / 31

HEX #80B14E

RGB 128 177 78

HSL 89.7, 0.39%, 0.5%

LAB 66.96, -33.03, 44.81

 

CMYK 56 / 17 / 0 / 31

HEX #4E92B0

RGB 78 146 176

HSL 198.37, 0.39%, 0.5%

LAB 57.38, -12.78, -22.28

 

CMYK 11 / 56 / 0 / 31

HEX #9D4EB1

RGB 157 78 177

HSL 287.88, 0.39%, 0.5%

LAB 46.7, 48.23, -39.03

 

CMYK 0 / 39 / 56 / 31

HEX #B16C4E

RGB 177 108 78

HSL 18.18, 0.39%, 0.5%

LAB 52.53, 24.4, 28.3

 

CMYK 45 / 0 / 56 / 31

HEX #62B14E

RGB 98 177 78

HSL 107.88, 0.39%, 0.5%

LAB 65.43, -43.37, 42.63

 

Description

Color code: HEX #4E92B0 | qconv.com Color code: HEX #4E92B0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 146 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 146 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 17 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 17% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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