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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E7EDB it is the complementary color #B18124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E7EDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E7EDB shade: #537ED6, #6490E9, #75A2FC, #86B4FF and #97C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E7EDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E7EDB shade: #4E7EDB, #3D6CC8, #2C5AB5, #1B48A2 and #0A368F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E7EDB shade: #4D7DDB, #4D57DB, #694DDB, #8F4DDB and #B64DDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E7EDB shade: #4D7DDB, #4D57DB and #4D4DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E7EDB shade matches the following richer shades: #4D7DDB, #3C78EC and #2B72FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E7EDB shade: #4D7DDB, #5F83C9, #7088B8, #818EA7 and #939395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E7EDB shade: #4DCADB, #4DA4DB, #4D7FDB, #4D59DB and #674DDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E7EDB shade: #2454B1, #2B64D3, #4D7DDB, #6F96E2 and #92AFE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E7EDB shade: #4E7EDB, #C54DDB and #B7DB4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E7EDB shade: #4E7EDB, #DB4D7F and #7FDB4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E7EDB shade: #4E7EDB, #C54DDB, #DBA94D and #62DB4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E7EDB shade: #4E7EDB, #DB4DC5, #DBA94D and #4DDB62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 42 / 0 / 14

HEX #4E7EDB

RGB 78 126 219

HSL 219.57, 0.66%, 0.58%

LAB 53.66, 13.07, -52.48

 

Complementary color

CMYK 0 / 27 / 80 / 31

HEX #B18124

RGB 177 129 36

HSL 39.57, 0.66%, 0.42%

LAB 57.25, 10.11, 53.99

 

CMYK 61 / 41 / 0 / 16

HEX #537ED6

RGB 83 126 214

HSL 220.31, 0.62%, 0.58%

LAB 53.62, 12.25, -49.72

 

CMYK 57 / 38 / 0 / 9

HEX #6490E9

RGB 100 144 233

HSL 220.15, 0.75%, 0.65%

LAB 60.37, 11, -49.56

 

CMYK 54 / 36 / 0 / 1

HEX #75A2FC

RGB 117 162 252

HSL 220, 0.96%, 0.72%

LAB 67.01, 9.96, -49.43

 

CMYK 47 / 29 / 0 / 0

HEX #86B4FF

RGB 134 180 255

HSL 217.19, 1%, 0.76%

LAB 72.85, 4.42, -41.84

 

CMYK 41 / 22 / 0 / 0

HEX #97C6FF

RGB 151 198 255

HSL 212.88, 1%, 0.8%

LAB 78.57, -1.32, -32.88

 

CMYK 64 / 42 / 0 / 14

HEX #4E7EDB

RGB 78 126 219

HSL 219.57, 0.66%, 0.58%

LAB 53.66, 13.07, -52.48

 

CMYK 70 / 46 / 0 / 22

HEX #3D6CC8

RGB 61 108 200

HSL 219.71, 0.56%, 0.51%

LAB 46.83, 14.79, -52.66

 

CMYK 76 / 50 / 0 / 29

HEX #2C5AB5

RGB 44 90 181

HSL 219.85, 0.61%, 0.44%

LAB 39.89, 16.95, -52.82

 

CMYK 83 / 56 / 0 / 36

HEX #1B48A2

RGB 27 72 162

HSL 220, 0.71%, 0.37%

LAB 32.87, 19.69, -52.93

 

CMYK 93 / 62 / 0 / 44

HEX #0A368F

RGB 10 54 143

HSL 220.15, 0.87%, 0.3%

LAB 25.82, 23.18, -52.85

 

CMYK 65 / 43 / 0 / 14

HEX #4D7DDB

RGB 77 125 219

HSL 219.72, 0.66%, 0.58%

LAB 53.34, 13.51, -52.99

 

CMYK 65 / 60 / 0 / 14

HEX #4D57DB

RGB 77 87 219

HSL 235.77, 0.66%, 0.58%

LAB 43.52, 37.1, -68.84

 

CMYK 52 / 65 / 0 / 14

HEX #694DDB

RGB 105 77 219

HSL 251.83, 0.66%, 0.58%

LAB 43.4, 47.52, -68.95

 

CMYK 35 / 65 / 0 / 14

HEX #8F4DDB

RGB 143 77 219

HSL 267.89, 0.66%, 0.58%

LAB 47.32, 54.82, -62.41

 

CMYK 17 / 65 / 0 / 14

HEX #B64DDB

RGB 182 77 219

HSL 284.37, 0.66%, 0.58%

LAB 52.25, 63.28, -54.21

 

CMYK 65 / 43 / 0 / 14

HEX #4D7DDB

RGB 77 125 219

HSL 219.72, 0.66%, 0.58%

LAB 53.34, 13.51, -52.99

 

CMYK 65 / 60 / 0 / 14

HEX #4D57DB

RGB 77 87 219

HSL 235.77, 0.66%, 0.58%

LAB 43.52, 37.1, -68.84

 

CMYK 65 / 65 / 0 / 14

HEX #4D4DDB

RGB 77 77 219

HSL 240, 0.66%, 0.58%

LAB 41.22, 43.15, -72.61

 

CMYK 65 / 43 / 0 / 14

HEX #4D7DDB

RGB 77 125 219

HSL 219.72, 0.66%, 0.58%

LAB 53.34, 13.51, -52.99

 

CMYK 75 / 49 / 0 / 7

HEX #3C78EC

RGB 60 120 236

HSL 219.55, 0.82%, 0.58%

LAB 52.34, 20.22, -64.17

 

CMYK 83 / 55 / 0 / 1

HEX #2B72FD

RGB 43 114 253

HSL 219.71, 0.98%, 0.58%

LAB 51.43, 28.62, -75.13

 

CMYK 65 / 43 / 0 / 14

HEX #4D7DDB

RGB 77 125 219

HSL 219.72, 0.66%, 0.58%

LAB 53.34, 13.51, -52.99

 

CMYK 53 / 35 / 0 / 21

HEX #5F83C9

RGB 95 131 201

HSL 219.62, 0.5%, 0.58%

LAB 54.95, 7.45, -40.21

 

CMYK 39 / 26 / 0 / 28

HEX #7088B8

RGB 112 136 184

HSL 220, 0.34%, 0.58%

LAB 56.6, 3.71, -27.89

 

CMYK 23 / 15 / 0 / 35

HEX #818EA7

RGB 129 142 167

HSL 219.47, 0.18%, 0.58%

LAB 58.79, 0.95, -14.74

 

CMYK 1 / 1 / 0 / 42

HEX #939395

RGB 147 147 149

HSL 240, 0.01%, 0.58%

LAB 60.99, 0.39, -1.06

 

CMYK 65 / 8 / 0 / 14

HEX #4DCADB

RGB 77 202 219

HSL 187.18, 0.66%, 0.58%

LAB 75.41, -29.03, -18.64

 

CMYK 65 / 25 / 0 / 14

HEX #4DA4DB

RGB 77 164 219

HSL 203.24, 0.66%, 0.58%

LAB 64.36, -9.29, -35.61

 

CMYK 65 / 42 / 0 / 14

HEX #4D7FDB

RGB 77 127 219

HSL 218.87, 0.66%, 0.58%

LAB 53.89, 12.29, -52.12

 

CMYK 65 / 59 / 0 / 14

HEX #4D59DB

RGB 77 89 219

HSL 234.93, 0.66%, 0.58%

LAB 44, 35.87, -68.06

 

CMYK 53 / 65 / 0 / 14

HEX #674DDB

RGB 103 77 219

HSL 250.99, 0.66%, 0.58%

LAB 43.22, 47.17, -69.25

 

CMYK 80 / 53 / 0 / 31

HEX #2454B1

RGB 36 84 177

HSL 219.57, 0.66%, 0.42%

LAB 37.64, 18.44, -54.11

 

CMYK 80 / 53 / 0 / 17

HEX #2B64D3

RGB 43 100 211

HSL 219.64, 0.66%, 0.5%

LAB 44.7, 21.77, -62.42

 

CMYK 65 / 43 / 0 / 14

HEX #4D7DDB

RGB 77 125 219

HSL 219.72, 0.66%, 0.58%

LAB 53.34, 13.51, -52.99

 

CMYK 51 / 34 / 0 / 11

HEX #6F96E2

RGB 111 150 226

HSL 219.65, 0.66%, 0.66%

LAB 62.24, 7.63, -42.69

 

CMYK 37 / 25 / 0 / 9

HEX #92AFE9

RGB 146 175 233

HSL 220, 0.66%, 0.74%

LAB 71.32, 4.13, -32.23

 

CMYK 64 / 42 / 0 / 14

HEX #4E7EDB

RGB 78 126 219

HSL 219.57, 0.66%, 0.58%

LAB 53.66, 13.07, -52.48

 

CMYK 10 / 65 / 0 / 14

HEX #C54DDB

RGB 197 77 219

HSL 290.7, 0.66%, 0.58%

LAB 54.34, 66.67, -50.76

 

CMYK 16 / 0 / 65 / 14

HEX #B7DB4D

RGB 183 219 77

HSL 75.21, 0.66%, 0.58%

LAB 82.52, -31.53, 63.43

 

CMYK 64 / 42 / 0 / 14

HEX #4E7EDB

RGB 78 126 219

HSL 219.57, 0.66%, 0.58%

LAB 53.66, 13.07, -52.48

 

CMYK 0 / 65 / 42 / 14

HEX #DB4D7F

RGB 219 77 127

HSL 338.87, 0.66%, 0.58%

LAB 53.92, 59.37, 2.44

 

CMYK 42 / 0 / 65 / 14

HEX #7FDB4D

RGB 127 219 77

HSL 98.87, 0.66%, 0.58%

LAB 79.45, -51.6, 59.23

 

CMYK 64 / 42 / 0 / 14

HEX #4E7EDB

RGB 78 126 219

HSL 219.57, 0.66%, 0.58%

LAB 53.66, 13.07, -52.48

 

CMYK 10 / 65 / 0 / 14

HEX #C54DDB

RGB 197 77 219

HSL 290.7, 0.66%, 0.58%

LAB 54.34, 66.67, -50.76

 

CMYK 0 / 23 / 65 / 14

HEX #DBA94D

RGB 219 169 77

HSL 38.87, 0.66%, 0.58%

LAB 72.21, 8.73, 53.22

 

CMYK 55 / 0 / 65 / 14

HEX #62DB4D

RGB 98 219 77

HSL 111.13, 0.66%, 0.58%

LAB 78.34, -59.87, 57.71

 

CMYK 64 / 42 / 0 / 14

HEX #4E7EDB

RGB 78 126 219

HSL 219.57, 0.66%, 0.58%

LAB 53.66, 13.07, -52.48

 

CMYK 0 / 65 / 10 / 14

HEX #DB4DC5

RGB 219 77 197

HSL 309.3, 0.66%, 0.58%

LAB 56.49, 68.24, -34.62

 

CMYK 0 / 23 / 65 / 14

HEX #DBA94D

RGB 219 169 77

HSL 38.87, 0.66%, 0.58%

LAB 72.21, 8.73, 53.22

 

CMYK 65 / 0 / 55 / 14

HEX #4DDB62

RGB 77 219 98

HSL 128.87, 0.66%, 0.58%

LAB 77.95, -62.27, 47.92

 

Description

Color code: HEX #4E7EDB | qconv.com Color code: HEX #4E7EDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 126 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 126 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 42 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 42% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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