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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E7B21 it is the complementary color #B184DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E7B21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E7B21 shade: #537B1C, #648D2F, #759F42, #86B155 and #97C368

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E7B21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E7B21 shade: #4E7B21, #3D690E, #2C5700, #1B4500 and #0A3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E7B21 shade: #4F7D21, #687D21, #7D7921, #7D6121 and #7D4821

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E7B21 shade: #4F7D21, #367D21, #217D25, #217D3E and #217D56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E7B21 shade matches the following richer shades: #4F7D21, #4F8A14 and #4F9608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E7B21 shade: #4F7D21, #4F702E, #4F633B, #4F5748 and #4F4A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E7B21 shade: #7D7A21, #687D21, #4F7D21, #377D21 and #217D24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E7B21 shade: #263C10, #3A5C19, #4F7D21, #649D2A and #78BE33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E7B21 shade: #4E7B21, #217D61 and #7D2174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E7B21 shade: #4E7B21, #214F7D and #7D214F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E7B21 shade: #4E7B21, #217D61, #4F217D and #7D213D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E7B21 shade: #4E7B21, #217D7D, #4F217D and #7D2121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 73 / 52

HEX #4E7B21

RGB 78 123 33

HSL 90, 0.58%, 0.31%

LAB 46.84, -30.94, 42.11

 

Complementary color

CMYK 20 / 41 / 0 / 13

HEX #B184DE

RGB 177 132 222

HSL 270, 0.58%, 0.69%

LAB 62.61, 34.5, -39.53

 

CMYK 33 / 0 / 77 / 52

HEX #537B1C

RGB 83 123 28

HSL 85.26, 0.63%, 0.3%

LAB 47.09, -29.32, 44.4

 

CMYK 29 / 0 / 67 / 45

HEX #648D2F

RGB 100 141 47

HSL 86.17, 0.5%, 0.37%

LAB 53.99, -29.72, 44.05

 

CMYK 26 / 0 / 58 / 38

HEX #759F42

RGB 117 159 66

HSL 87.1, 0.41%, 0.44%

LAB 60.76, -29.94, 43.16

 

CMYK 24 / 0 / 52 / 31

HEX #86B155

RGB 134 177 85

HSL 88.04, 0.37%, 0.51%

LAB 67.4, -30.03, 42.05

 

CMYK 23 / 0 / 47 / 24

HEX #97C368

RGB 151 195 104

HSL 89.01, 0.43%, 0.59%

LAB 73.94, -30.05, 40.89

 

CMYK 37 / 0 / 73 / 52

HEX #4E7B21

RGB 78 123 33

HSL 90, 0.58%, 0.31%

LAB 46.84, -30.94, 42.11

 

CMYK 42 / 0 / 87 / 59

HEX #3D690E

RGB 61 105 14

HSL 89.01, 0.76%, 0.23%

LAB 39.79, -30.36, 41.79

 

CMYK 49 / 0 / 100 / 66

HEX #2C5700

RGB 44 87 0

HSL 89.66, 1%, 0.17%

LAB 32.59, -29.29, 39.47

 

CMYK 61 / 0 / 100 / 73

HEX #1B4500

RGB 27 69 0

HSL 96.52, 1%, 0.14%

LAB 25.23, -27.43, 33.05

 

CMYK 80 / 0 / 100 / 80

HEX #0A3300

RGB 10 51 0

HSL 108.24, 1%, 0.1%

LAB 17.61, -25.02, 24.63

 

CMYK 37 / 0 / 74 / 51

HEX #4F7D21

RGB 79 125 33

HSL 90, 0.58%, 0.31%

LAB 47.55, -31.48, 42.85

 

CMYK 17 / 0 / 74 / 51

HEX #687D21

RGB 104 125 33

HSL 73.7, 0.58%, 0.31%

LAB 49.15, -21.15, 44.99

 

CMYK 0 / 3 / 74 / 51

HEX #7D7921

RGB 125 121 33

HSL 57.39, 0.58%, 0.31%

LAB 49.67, -9.49, 46.08

 

CMYK 0 / 22 / 74 / 51

HEX #7D6121

RGB 125 97 33

HSL 41.74, 0.58%, 0.31%

LAB 42.79, 4.24, 39.22

 

CMYK 0 / 42 / 74 / 51

HEX #7D4821

RGB 125 72 33

HSL 25.43, 0.58%, 0.31%

LAB 36.18, 19.09, 32.28

 

CMYK 37 / 0 / 74 / 51

HEX #4F7D21

RGB 79 125 33

HSL 90, 0.58%, 0.31%

LAB 47.55, -31.48, 42.85

 

CMYK 57 / 0 / 74 / 51

HEX #367D21

RGB 54 125 33

HSL 106.3, 0.58%, 0.31%

LAB 46.39, -39.95, 41.3

 

CMYK 74 / 0 / 70 / 51

HEX #217D25

RGB 33 125 37

HSL 122.61, 0.58%, 0.31%

LAB 45.8, -44.61, 38.81

 

CMYK 74 / 0 / 50 / 51

HEX #217D3E

RGB 33 125 62

HSL 138.91, 0.58%, 0.31%

LAB 46.09, -41.19, 26.74

 

CMYK 74 / 0 / 31 / 51

HEX #217D56

RGB 33 125 86

HSL 154.57, 0.58%, 0.31%

LAB 46.53, -36.34, 13.77

 

CMYK 37 / 0 / 74 / 51

HEX #4F7D21

RGB 79 125 33

HSL 90, 0.58%, 0.31%

LAB 47.55, -31.48, 42.85

 

CMYK 43 / 0 / 86 / 46

HEX #4F8A14

RGB 79 138 20

HSL 90, 0.75%, 0.31%

LAB 51.71, -38.01, 51.13

 

CMYK 47 / 0 / 95 / 41

HEX #4F9608

RGB 79 150 8

HSL 90, 0.9%, 0.31%

LAB 55.58, -43.37, 56.83

 

CMYK 37 / 0 / 74 / 51

HEX #4F7D21

RGB 79 125 33

HSL 90, 0.58%, 0.31%

LAB 47.55, -31.48, 42.85

 

CMYK 29 / 0 / 59 / 56

HEX #4F702E

RGB 79 112 46

HSL 90, 0.42%, 0.31%

LAB 43.43, -24.03, 32.41

 

CMYK 20 / 0 / 40 / 61

HEX #4F633B

RGB 79 99 59

HSL 90, 0.25%, 0.31%

LAB 39.41, -15.47, 20.31

 

CMYK 9 / 0 / 17 / 66

HEX #4F5748

RGB 79 87 72

HSL 92, 0.09%, 0.31%

LAB 35.88, -6.32, 7.66

 

CMYK 6 / 12 / 0 / 67

HEX #4F4A54

RGB 79 74 84

HSL 270, 0.06%, 0.31%

LAB 32.26, 4.27, -5.17

 

CMYK 0 / 2 / 74 / 51

HEX #7D7A21

RGB 125 122 33

HSL 58.04, 0.58%, 0.31%

LAB 49.96, -10.04, 46.36

 

CMYK 17 / 0 / 74 / 51

HEX #687D21

RGB 104 125 33

HSL 73.7, 0.58%, 0.31%

LAB 49.15, -21.15, 44.99

 

CMYK 37 / 0 / 74 / 51

HEX #4F7D21

RGB 79 125 33

HSL 90, 0.58%, 0.31%

LAB 47.55, -31.48, 42.85

 

CMYK 56 / 0 / 74 / 51

HEX #377D21

RGB 55 125 33

HSL 105.65, 0.58%, 0.31%

LAB 46.43, -39.66, 41.35

 

CMYK 74 / 0 / 71 / 51

HEX #217D24

RGB 33 125 36

HSL 121.96, 0.58%, 0.31%

LAB 45.8, -44.72, 39.23

 

CMYK 37 / 0 / 73 / 76

HEX #263C10

RGB 38 60 16

HSL 90, 0.58%, 0.15%

LAB 22.59, -17.46, 23.71

 

CMYK 37 / 0 / 73 / 64

HEX #3A5C19

RGB 58 92 25

HSL 90.45, 0.57%, 0.23%

LAB 35.25, -24.65, 33.23

 

CMYK 37 / 0 / 74 / 51

HEX #4F7D21

RGB 79 125 33

HSL 90, 0.58%, 0.31%

LAB 47.55, -31.48, 42.85

 

CMYK 36 / 0 / 73 / 38

HEX #649D2A

RGB 100 157 42

HSL 89.74, 0.58%, 0.39%

LAB 58.97, -37.44, 51.22

 

CMYK 37 / 0 / 73 / 25

HEX #78BE33

RGB 120 190 51

HSL 90.22, 0.58%, 0.47%

LAB 70.22, -43.93, 59.49

 

CMYK 37 / 0 / 73 / 52

HEX #4E7B21

RGB 78 123 33

HSL 90, 0.58%, 0.31%

LAB 46.84, -30.94, 42.11

 

CMYK 74 / 0 / 22 / 51

HEX #217D61

RGB 33 125 97

HSL 161.74, 0.58%, 0.31%

LAB 46.78, -33.64, 7.7

 

CMYK 0 / 74 / 7 / 51

HEX #7D2174

RGB 125 33 116

HSL 305.87, 0.58%, 0.31%

LAB 31.13, 48.73, -26.8

 

CMYK 37 / 0 / 73 / 52

HEX #4E7B21

RGB 78 123 33

HSL 90, 0.58%, 0.31%

LAB 46.84, -30.94, 42.11

 

CMYK 74 / 37 / 0 / 51

HEX #214F7D

RGB 33 79 125

HSL 210, 0.58%, 0.31%

LAB 32.69, 0.94, -30.59

 

CMYK 0 / 74 / 37 / 51

HEX #7D214F

RGB 125 33 79

HSL 330, 0.58%, 0.31%

LAB 29.44, 43.37, -5.45

 

CMYK 37 / 0 / 73 / 52

HEX #4E7B21

RGB 78 123 33

HSL 90, 0.58%, 0.31%

LAB 46.84, -30.94, 42.11

 

CMYK 74 / 0 / 22 / 51

HEX #217D61

RGB 33 125 97

HSL 161.74, 0.58%, 0.31%

LAB 46.78, -33.64, 7.7

 

CMYK 37 / 74 / 0 / 51

HEX #4F217D

RGB 79 33 125

HSL 270, 0.58%, 0.31%

LAB 24.42, 39.95, -43.67

 

CMYK 0 / 74 / 51 / 51

HEX #7D213D

RGB 125 33 61

HSL 341.74, 0.58%, 0.31%

LAB 28.86, 41.43, 5.67

 

CMYK 37 / 0 / 73 / 52

HEX #4E7B21

RGB 78 123 33

HSL 90, 0.58%, 0.31%

LAB 46.84, -30.94, 42.11

 

CMYK 74 / 0 / 0 / 51

HEX #217D7D

RGB 33 125 125

HSL 180, 0.58%, 0.31%

LAB 47.59, -25.62, -7.67

 

CMYK 37 / 74 / 0 / 51

HEX #4F217D

RGB 79 33 125

HSL 270, 0.58%, 0.31%

LAB 24.42, 39.95, -43.67

 

CMYK 0 / 74 / 74 / 51

HEX #7D2121

RGB 125 33 33

HSL 0, 0.58%, 0.31%

LAB 28.27, 39.39, 23.35

 

Description

Color code: HEX #4E7B21 | qconv.com Color code: HEX #4E7B21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 123 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 123 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 73 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 73% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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