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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E78EE it is the complementary color #B18711. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E78EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E78EE shade: #5378E9, #648AFC, #759CFF, #86AEFF and #97C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E78EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E78EE shade: #4E78EE, #3D66DB, #2C54C8, #1B42B5 and #0A30A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E78EE shade: #4F78EE, #504FEE, #7B4FEE, #A54FEE and #D04FEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E78EE shade: #4F78EE and #4F4FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E78EE shade matches the following richer shades: #4F78EE and #3F71FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E78EE shade: #4F78EE, #5E80DE, #6E87CE, #7E8FBF and #8D96AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E78EE shade: #4FCEEE, #4FA3EE, #4F79EE, #4F4FEE and #794FEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E78EE shade: #1547D5, #295CEA, #4F78EE, #7495F1 and #9AB2F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E78EE shade: #4E78EE, #E34FEE and #B9EE4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E78EE shade: #4E78EE, #EE4F79 and #79EE4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E78EE shade: #4E78EE, #E34FEE, #EEC34F and #59EE4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E78EE shade: #4E78EE, #EE4FC8, #EEC34F and #4FEE74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 50 / 0 / 7

HEX #4E78EE

RGB 78 120 238

HSL 224.25, 0.82%, 0.62%

LAB 53.2, 23.34, -63.87

 

Complementary color

CMYK 0 / 24 / 90 / 31

HEX #B18711

RGB 177 135 17

HSL 44.25, 0.82%, 0.38%

LAB 58.71, 6.24, 60.86

 

CMYK 64 / 48 / 0 / 9

HEX #5378E9

RGB 83 120 233

HSL 225.2, 0.77%, 0.62%

LAB 53.12, 22.4, -61.19

 

CMYK 60 / 45 / 0 / 1

HEX #648AFC

RGB 100 138 252

HSL 225, 0.96%, 0.69%

LAB 59.81, 20.75, -60.94

 

CMYK 54 / 39 / 0 / 0

HEX #759CFF

RGB 117 156 255

HSL 223.04, 1%, 0.73%

LAB 65.58, 14.36, -53.34

 

CMYK 47 / 32 / 0 / 0

HEX #86AEFF

RGB 134 174 255

HSL 220.17, 1%, 0.76%

LAB 71.26, 7.79, -44.32

 

CMYK 41 / 25 / 0 / 0

HEX #97C0FF

RGB 151 192 255

HSL 216.35, 1%, 0.8%

LAB 76.98, 1.94, -35.34

 

CMYK 67 / 50 / 0 / 7

HEX #4E78EE

RGB 78 120 238

HSL 224.25, 0.82%, 0.62%

LAB 53.2, 23.34, -63.87

 

CMYK 72 / 53 / 0 / 14

HEX #3D66DB

RGB 61 102 219

HSL 224.43, 0.69%, 0.55%

LAB 46.46, 25.49, -64.11

 

CMYK 78 / 58 / 0 / 22

HEX #2C54C8

RGB 44 84 200

HSL 224.62, 0.64%, 0.48%

LAB 39.66, 28.08, -64.28

 

CMYK 85 / 64 / 0 / 29

HEX #1B42B5

RGB 27 66 181

HSL 224.81, 0.74%, 0.41%

LAB 32.84, 31.2, -64.31

 

CMYK 94 / 70 / 0 / 36

HEX #0A30A2

RGB 10 48 162

HSL 225, 0.88%, 0.34%

LAB 26.12, 34.83, -63.99

 

CMYK 67 / 50 / 0 / 7

HEX #4F78EE

RGB 79 120 238

HSL 224.53, 0.82%, 0.62%

LAB 53.24, 23.49, -63.8

 

CMYK 66 / 67 / 0 / 7

HEX #504FEE

RGB 80 79 238

HSL 240.38, 0.82%, 0.62%

LAB 43.46, 48.52, -79.7

 

CMYK 48 / 67 / 0 / 7

HEX #7B4FEE

RGB 123 79 238

HSL 256.6, 0.82%, 0.62%

LAB 46.94, 54.91, -73.87

 

CMYK 31 / 67 / 0 / 7

HEX #A54FEE

RGB 165 79 238

HSL 272.45, 0.82%, 0.62%

LAB 51.57, 62.8, -66.14

 

CMYK 13 / 67 / 0 / 7

HEX #D04FEE

RGB 208 79 238

HSL 288.68, 0.82%, 0.62%

LAB 57.25, 71.78, -56.72

 

CMYK 67 / 50 / 0 / 7

HEX #4F78EE

RGB 79 120 238

HSL 224.53, 0.82%, 0.62%

LAB 53.24, 23.49, -63.8

 

CMYK 67 / 67 / 0 / 7

HEX #4F4FEE

RGB 79 79 238

HSL 240, 0.82%, 0.62%

LAB 43.4, 48.39, -79.81

 

CMYK 67 / 50 / 0 / 7

HEX #4F78EE

RGB 79 120 238

HSL 224.53, 0.82%, 0.62%

LAB 53.24, 23.49, -63.8

 

CMYK 75 / 55 / 0 / 1

HEX #3F71FD

RGB 63 113 253

HSL 224.21, 0.98%, 0.62%

LAB 51.79, 31.06, -74.52

 

CMYK 67 / 50 / 0 / 7

HEX #4F78EE

RGB 79 120 238

HSL 224.53, 0.82%, 0.62%

LAB 53.24, 23.49, -63.8

 

CMYK 58 / 42 / 0 / 13

HEX #5E80DE

RGB 94 128 222

HSL 224.06, 0.66%, 0.62%

LAB 55.17, 15.81, -51.72

 

CMYK 47 / 34 / 0 / 19

HEX #6E87CE

RGB 110 135 206

HSL 224.38, 0.49%, 0.62%

LAB 57.17, 10.15, -39.48

 

CMYK 34 / 25 / 0 / 25

HEX #7E8FBF

RGB 126 143 191

HSL 224.31, 0.34%, 0.62%

LAB 59.75, 5.53, -26.93

 

CMYK 19 / 14 / 0 / 31

HEX #8D96AF

RGB 141 150 175

HSL 224.12, 0.18%, 0.62%

LAB 62.14, 2.2, -14.13

 

CMYK 67 / 13 / 0 / 7

HEX #4FCEEE

RGB 79 206 238

HSL 192.08, 0.82%, 0.62%

LAB 77.27, -25.06, -26.04

 

CMYK 67 / 32 / 0 / 7

HEX #4FA3EE

RGB 79 163 238

HSL 208.3, 0.82%, 0.62%

LAB 64.99, -2.14, -45.09

 

CMYK 67 / 49 / 0 / 7

HEX #4F79EE

RGB 79 121 238

HSL 224.15, 0.82%, 0.62%

LAB 53.5, 22.87, -63.38

 

CMYK 67 / 67 / 0 / 7

HEX #4F4FEE

RGB 79 79 238

HSL 240, 0.82%, 0.62%

LAB 43.4, 48.39, -79.81

 

CMYK 49 / 67 / 0 / 7

HEX #794FEE

RGB 121 79 238

HSL 255.85, 0.82%, 0.62%

LAB 46.75, 54.57, -74.19

 

CMYK 90 / 67 / 0 / 16

HEX #1547D5

RGB 21 71 213

HSL 224.38, 0.82%, 0.46%

LAB 36.87, 39.71, -76.38

 

CMYK 82 / 61 / 0 / 8

HEX #295CEA

RGB 41 92 234

HSL 224.15, 0.82%, 0.54%

LAB 44.33, 35.33, -76.1

 

CMYK 67 / 50 / 0 / 7

HEX #4F78EE

RGB 79 120 238

HSL 224.53, 0.82%, 0.62%

LAB 53.24, 23.49, -63.8

 

CMYK 52 / 38 / 0 / 5

HEX #7495F1

RGB 116 149 241

HSL 224.16, 0.82%, 0.7%

LAB 62.98, 13.92, -49.8

 

CMYK 37 / 27 / 0 / 4

HEX #9AB2F5

RGB 154 178 245

HSL 224.18, 0.82%, 0.78%

LAB 73.09, 7.77, -35.96

 

CMYK 67 / 50 / 0 / 7

HEX #4E78EE

RGB 78 120 238

HSL 224.25, 0.82%, 0.62%

LAB 53.2, 23.34, -63.87

 

CMYK 5 / 67 / 0 / 7

HEX #E34FEE

RGB 227 79 238

HSL 295.85, 0.82%, 0.62%

LAB 59.98, 75.9, -52.21

 

CMYK 22 / 0 / 67 / 7

HEX #B9EE4F

RGB 185 238 79

HSL 80, 0.82%, 0.62%

LAB 87.98, -39.28, 68.39

 

CMYK 67 / 50 / 0 / 7

HEX #4E78EE

RGB 78 120 238

HSL 224.25, 0.82%, 0.62%

LAB 53.2, 23.34, -63.87

 

CMYK 0 / 67 / 49 / 7

HEX #EE4F79

RGB 238 79 121

HSL 344.15, 0.82%, 0.62%

LAB 57.22, 63.74, 11.14

 

CMYK 49 / 0 / 67 / 7

HEX #79EE4F

RGB 121 238 79

HSL 104.15, 0.82%, 0.62%

LAB 84.88, -60.55, 64.19

 

CMYK 67 / 50 / 0 / 7

HEX #4E78EE

RGB 78 120 238

HSL 224.25, 0.82%, 0.62%

LAB 53.2, 23.34, -63.87

 

CMYK 5 / 67 / 0 / 7

HEX #E34FEE

RGB 227 79 238

HSL 295.85, 0.82%, 0.62%

LAB 59.98, 75.9, -52.21

 

CMYK 0 / 18 / 67 / 7

HEX #EEC34F

RGB 238 195 79

HSL 43.77, 0.82%, 0.62%

LAB 80.61, 3.2, 61.95

 

CMYK 63 / 0 / 67 / 7

HEX #59EE4F

RGB 89 238 79

HSL 116.23, 0.82%, 0.62%

LAB 83.88, -68.4, 62.82

 

CMYK 67 / 50 / 0 / 7

HEX #4E78EE

RGB 78 120 238

HSL 224.25, 0.82%, 0.62%

LAB 53.2, 23.34, -63.87

 

CMYK 0 / 67 / 16 / 7

HEX #EE4FC8

RGB 238 79 200

HSL 314.34, 0.82%, 0.62%

LAB 59.83, 72.63, -30.89

 

CMYK 0 / 18 / 67 / 7

HEX #EEC34F

RGB 238 195 79

HSL 43.77, 0.82%, 0.62%

LAB 80.61, 3.2, 61.95

 

CMYK 67 / 0 / 51 / 7

HEX #4FEE74

RGB 79 238 116

HSL 133.96, 0.82%, 0.62%

LAB 84, -66.13, 46.86

 

Description

Color code: HEX #4E78EE | qconv.com Color code: HEX #4E78EE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 120 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 120 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 50 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 50% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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