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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E6CFACE it is the complementary color #B19305CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E6CFACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E6CFACE shade: #536CF5CE, #647EFFCE, #7590FFCE, #86A2FFCE and #97B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E6CFACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E6CFACE shade: #4E6CFACE, #3D5AE7CE, #2C48D4CE, #1B36C1CE and #0A24AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E6CFACE shade: #4C6AFA, #5D4CFA, #8C4CFA, #BB4CFA and #EA4CFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E6CFACE shade: #4C6AFA and #4C4CFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E6CFACE shade matches the following richer shades: #4C6AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E6CFACE shade: #4C6AFA, #5B74EC, #6A7EDD, #7987CE and #8791BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E6CFACE shade: #4CC9FA, #4C9AFA, #4C6CFA, #5B4CFA and #894CFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E6CFACE shade: #062FEE, #2449F9, #4C6AFA, #748CFB and #9CADFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E6CFACE shade: #4E6CFA, #FA4CF8 and #B2FA4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E6CFACE shade: #4E6CFA, #FA4C6C and #6CFA4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E6CFACE shade: #4E6CFA, #FA4CF8, #FADA4C and #4CFA4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E6CFACE shade: #4E6CFA, #FA4CC3, #FADA4C and #4CFA83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 46 / 0 / 2

HEX #4E6CFACE

RGBA 78 108 250 0.81

HSLA 229.53, 0.95%, 0.64%, 0.81

LABA 50.97, 34.89, -74.15, 0.81

 

Complementary color

CMYK 0 / 14 / 79 / 25

HEX #B19305CE

RGBA 177 147 5 0.81

HSLA 49.53, 0.95%, 0.36%, 0.81

LABA 61.85, -0.53, 65.22, 0.81

 

CMYK 54 / 45 / 0 / 3

HEX #536CF5CE

RGBA 83 108 245 0.81

HSLA 230.74, 0.89%, 0.64%, 0.81

LABA 50.87, 33.87, -71.53, 0.81

 

CMYK 49 / 41 / 0 / 0

HEX #647EFFCE

RGBA 100 126 255 0.81

HSLA 229.94, 1%, 0.7%, 0.81

LABA 56.93, 28.95, -67.22, 0.81

 

CMYK 44 / 35 / 0 / 0

HEX #7590FFCE

RGBA 117 144 255 0.81

HSLA 228.26, 1%, 0.73%, 0.81

LABA 62.46, 21.4, -58.29, 0.81

 

CMYK 38 / 30 / 0 / 0

HEX #86A2FFCE

RGBA 134 162 255 0.81

HSLA 226.12, 1%, 0.76%, 0.81

LABA 68.12, 14.61, -49.26, 0.81

 

CMYK 33 / 24 / 0 / 0

HEX #97B4FFCE

RGBA 151 180 255 0.81

HSLA 223.27, 1%, 0.8%, 0.81

LABA 73.83, 8.56, -40.23, 0.81

 

CMYK 56 / 46 / 0 / 2

HEX #4E6CFACE

RGBA 78 108 250 0.81

HSLA 229.53, 0.95%, 0.64%, 0.81

LABA 50.97, 34.89, -74.15, 0.81

 

CMYK 60 / 49 / 0 / 8

HEX #3D5AE7CE

RGBA 61 90 231 0.81

HSLA 229.76, 0.78%, 0.57%, 0.81

LABA 44.34, 37.34, -74.36, 0.81

 

CMYK 64 / 53 / 0 / 14

HEX #2C48D4CE

RGBA 44 72 212 0.81

HSLA 230, 0.66%, 0.5%, 0.81

LABA 37.71, 40.15, -74.41, 0.81

 

CMYK 70 / 58 / 0 / 20

HEX #1B36C1CE

RGBA 27 54 193 0.81

HSLA 230.24, 0.75%, 0.43%, 0.81

LABA 31.16, 43.26, -74.15, 0.81

 

CMYK 76 / 64 / 0 / 26

HEX #0A24AECE

RGBA 10 36 174 0.81

HSLA 230.49, 0.89%, 0.36%, 0.81

LABA 24.9, 46.4, -73.26, 0.81

 

CMYK 70 / 58 / 0 / 2

HEX #4C6AFA

RGB 76 106 250

HSL 229.66, 0.95%, 0.64%

LAB 50.39, 35.85, -75.11

 

CMYK 63 / 70 / 0 / 2

HEX #5D4CFA

RGB 93 76 250

HSL 245.86, 0.95%, 0.64%

LAB 44.8, 55.51, -84.21

 

CMYK 44 / 70 / 0 / 2

HEX #8C4CFA

RGB 140 76 250

HSL 262.07, 0.95%, 0.64%

LAB 49.06, 62.44, -77.06

 

CMYK 25 / 70 / 0 / 2

HEX #BB4CFA

RGB 187 76 250

HSL 278.28, 0.95%, 0.64%

LAB 54.7, 71.01, -67.66

 

CMYK 6 / 70 / 0 / 2

HEX #EA4CFA

RGB 234 76 250

HSL 294.48, 0.95%, 0.64%

LAB 61.28, 80.45, -56.74

 

CMYK 70 / 58 / 0 / 2

HEX #4C6AFA

RGB 76 106 250

HSL 229.66, 0.95%, 0.64%

LAB 50.39, 35.85, -75.11

 

CMYK 70 / 70 / 0 / 2

HEX #4C4CFA

RGB 76 76 250

HSL 240, 0.95%, 0.64%

LAB 43.66, 53.59, -86.12

 

CMYK 70 / 58 / 0 / 2

HEX #4C6AFA

RGB 76 106 250

HSL 229.66, 0.95%, 0.64%

LAB 50.39, 35.85, -75.11

 

CMYK 70 / 58 / 0 / 2

HEX #4C6AFA

RGB 76 106 250

HSL 229.66, 0.95%, 0.64%

LAB 50.39, 35.85, -75.11

 

CMYK 61 / 51 / 0 / 7

HEX #5B74EC

RGB 91 116 236

HSL 229.66, 0.79%, 0.64%

LAB 52.7, 27.21, -63.53

 

CMYK 52 / 43 / 0 / 13

HEX #6A7EDD

RGB 106 126 221

HSL 229.57, 0.63%, 0.64%

LAB 55.28, 19.2, -50.93

 

CMYK 41 / 34 / 0 / 19

HEX #7987CE

RGB 121 135 206

HSL 230.12, 0.46%, 0.64%

LAB 57.89, 12.95, -38.3

 

CMYK 29 / 24 / 0 / 25

HEX #8791BF

RGB 135 145 191

HSL 229.29, 0.3%, 0.64%

LAB 60.93, 7.04, -25.06

 

CMYK 70 / 20 / 0 / 2

HEX #4CC9FA

RGB 76 201 250

HSL 196.9, 0.95%, 0.64%

LAB 76.2, -19.24, -34.12

 

CMYK 70 / 38 / 0 / 2

HEX #4C9AFA

RGB 76 154 250

HSL 213.1, 0.95%, 0.64%

LAB 62.97, 6.69, -54.86

 

CMYK 70 / 57 / 0 / 2

HEX #4C6CFA

RGB 76 108 250

HSL 228.97, 0.95%, 0.64%

LAB 50.88, 34.63, -74.31

 

CMYK 64 / 70 / 0 / 2

HEX #5B4CFA

RGB 91 76 250

HSL 245.17, 0.95%, 0.64%

LAB 44.65, 55.27, -84.45

 

CMYK 45 / 70 / 0 / 2

HEX #894CFA

RGB 137 76 250

HSL 261.03, 0.95%, 0.64%

LAB 48.75, 61.94, -77.59

 

CMYK 97 / 80 / 0 / 7

HEX #062FEE

RGB 6 47 238

HSL 229.4, 0.95%, 0.48%

LAB 34.49, 61.44, -94.63

 

CMYK 86 / 71 / 0 / 2

HEX #2449F9

RGB 36 73 249

HSL 229.58, 0.95%, 0.56%

LAB 41.18, 51.95, -89.71

 

CMYK 70 / 58 / 0 / 2

HEX #4C6AFA

RGB 76 106 250

HSL 229.66, 0.95%, 0.64%

LAB 50.39, 35.85, -75.11

 

CMYK 54 / 44 / 0 / 2

HEX #748CFB

RGB 116 140 251

HSL 229.33, 0.94%, 0.72%

LAB 61.16, 22.31, -58.18

 

CMYK 38 / 31 / 0 / 1

HEX #9CADFC

RGB 156 173 252

HSL 229.38, 0.94%, 0.8%

LAB 72.22, 12.95, -41.1

 

CMYK 69 / 57 / 0 / 2

HEX #4E6CFA

RGB 78 108 250

HSL 229.53, 0.95%, 0.64%

LAB 50.97, 34.89, -74.15

 

CMYK 0 / 70 / 1 / 2

HEX #FA4CF8

RGB 250 76 248

HSL 300.69, 0.95%, 0.64%

LAB 63.57, 83.45, -51.85

 

CMYK 29 / 0 / 70 / 2

HEX #B2FA4C

RGB 178 250 76

HSL 84.83, 0.95%, 0.64%

LAB 90.94, -47.23, 72.38

 

CMYK 69 / 57 / 0 / 2

HEX #4E6CFA

RGB 78 108 250

HSL 229.53, 0.95%, 0.64%

LAB 50.97, 34.89, -74.15

 

CMYK 0 / 70 / 57 / 2

HEX #FA4C6C

RGB 250 76 108

HSL 348.97, 0.95%, 0.64%

LAB 58.58, 67.41, 20.97

 

CMYK 57 / 0 / 70 / 2

HEX #6CFA4C

RGB 108 250 76

HSL 108.97, 0.95%, 0.64%

LAB 88.01, -68.46, 68.44

 

CMYK 69 / 57 / 0 / 2

HEX #4E6CFA

RGB 78 108 250

HSL 229.53, 0.95%, 0.64%

LAB 50.97, 34.89, -74.15

 

CMYK 0 / 70 / 1 / 2

HEX #FA4CF8

RGB 250 76 248

HSL 300.69, 0.95%, 0.64%

LAB 63.57, 83.45, -51.85

 

CMYK 0 / 13 / 70 / 2

HEX #FADA4C

RGB 250 218 76

HSL 48.97, 0.95%, 0.64%

LAB 87.48, -3.72, 70.57

 

CMYK 70 / 0 / 68 / 2

HEX #4CFA4F

RGB 76 250 79

HSL 121.03, 0.95%, 0.64%

LAB 87.23, -74.75, 66.28

 

CMYK 69 / 57 / 0 / 2

HEX #4E6CFA

RGB 78 108 250

HSL 229.53, 0.95%, 0.64%

LAB 50.97, 34.89, -74.15

 

CMYK 0 / 70 / 22 / 2

HEX #FA4CC3

RGB 250 76 195

HSL 318.97, 0.95%, 0.64%

LAB 61.16, 75.97, -25.83

 

CMYK 0 / 13 / 70 / 2

HEX #FADA4C

RGB 250 218 76

HSL 48.97, 0.95%, 0.64%

LAB 87.48, -3.72, 70.57

 

CMYK 70 / 0 / 48 / 2

HEX #4CFA83

RGB 76 250 131

HSL 138.97, 0.95%, 0.64%

LAB 87.75, -68.6, 44.39

 

Description

Color code: HEX #4E6CFACE | qconv.com Color code: HEX #4E6CFACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 108 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 108 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 46 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 46% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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