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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E6CEACE it is the complementary color #B19315CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E6CEACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E6CEACE shade: #536CE5CE, #647EF8CE, #7590FFCE, #86A2FFCE and #97B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E6CEACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E6CEACE shade: #4E6CEACE, #3D5AD7CE, #2C48C4CE, #1B36B1CE and #0A249ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E6CEACE shade: #4D6BEA, #594DEA, #844DEA, #AE4DEA and #D84DEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E6CEACE shade: #4D6BEA and #4D4DEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E6CEACE shade matches the following richer shades: #4D6BEA and #3D61FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E6CEACE shade: #4D6BEA, #5D75DA, #6D7FCA, #7D89BA and #8D93AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E6CEACE shade: #4DC0EA, #4D96EA, #4D6CEA, #574DEA and #814DEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E6CEACE shade: #183BCD, #284DE6, #4D6BEA, #728AEE and #97A9F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E6CEACE shade: #4E6CEA, #EA4DEA and #ABEA4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E6CEACE shade: #4E6CEA, #EA4D6C and #6CEA4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E6CEACE shade: #4E6CEA, #EA4DEA, #EACB4D and #4DEA4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E6CEACE shade: #4E6CEA, #EA4DBB, #EACB4D and #4DEA7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 44 / 0 / 7

HEX #4E6CEACE

RGBA 78 108 234 0.81

HSLA 228.46, 0.79%, 0.61%, 0.81

LABA 49.84, 29.38, -67.06, 0.81

 

Complementary color

CMYK 0 / 14 / 71 / 25

HEX #B19315CE

RGBA 177 147 21 0.81

HSLA 48.46, 0.79%, 0.39%, 0.81

LABA 61.89, -0.27, 62.48, 0.81

 

CMYK 52 / 43 / 0 / 8

HEX #536CE5CE

RGBA 83 108 229 0.81

HSLA 229.73, 0.74%, 0.61%, 0.81

LABA 49.76, 28.44, -64.36, 0.81

 

CMYK 48 / 40 / 0 / 2

HEX #647EF8CE

RGBA 100 126 248 0.81

HSLA 229.46, 0.91%, 0.68%, 0.81

LABA 56.49, 26.66, -64.06, 0.81

 

CMYK 44 / 35 / 0 / 0

HEX #7590FFCE

RGBA 117 144 255 0.81

HSLA 228.26, 1%, 0.73%, 0.81

LABA 62.46, 21.4, -58.29, 0.81

 

CMYK 38 / 30 / 0 / 0

HEX #86A2FFCE

RGBA 134 162 255 0.81

HSLA 226.12, 1%, 0.76%, 0.81

LABA 68.12, 14.61, -49.26, 0.81

 

CMYK 33 / 24 / 0 / 0

HEX #97B4FFCE

RGBA 151 180 255 0.81

HSLA 223.27, 1%, 0.8%, 0.81

LABA 73.83, 8.56, -40.23, 0.81

 

CMYK 54 / 44 / 0 / 7

HEX #4E6CEACE

RGBA 78 108 234 0.81

HSLA 228.46, 0.79%, 0.61%, 0.81

LABA 49.84, 29.38, -67.06, 0.81

 

CMYK 58 / 47 / 0 / 13

HEX #3D5AD7CE

RGBA 61 90 215 0.81

HSLA 228.7, 0.66%, 0.54%, 0.81

LABA 43.08, 31.66, -67.31, 0.81

 

CMYK 63 / 51 / 0 / 19

HEX #2C48C4CE

RGBA 44 72 196 0.81

HSLA 228.95, 0.63%, 0.47%, 0.81

LABA 36.28, 34.36, -67.47, 0.81

 

CMYK 69 / 56 / 0 / 25

HEX #1B36B1CE

RGBA 27 54 177 0.81

HSLA 229.2, 0.74%, 0.4%, 0.81

LABA 29.53, 37.48, -67.38, 0.81

 

CMYK 76 / 63 / 0 / 31

HEX #0A249ECE

RGBA 10 36 158 0.81

HSLA 229.46, 0.88%, 0.33%, 0.81

LABA 22.98, 40.83, -66.75, 0.81

 

CMYK 67 / 54 / 0 / 8

HEX #4D6BEA

RGB 77 107 234

HSL 228.54, 0.79%, 0.61%

LAB 49.54, 29.85, -67.55

 

CMYK 62 / 67 / 0 / 8

HEX #594DEA

RGB 89 77 234

HSL 244.59, 0.79%, 0.61%

LAB 43.32, 49.56, -77.66

 

CMYK 44 / 67 / 0 / 8

HEX #844DEA

RGB 132 77 234

HSL 261.02, 0.79%, 0.61%

LAB 47.18, 56.46, -71.2

 

CMYK 26 / 67 / 0 / 8

HEX #AE4DEA

RGB 174 77 234

HSL 277.07, 0.79%, 0.61%

LAB 52.12, 64.65, -62.96

 

CMYK 8 / 67 / 0 / 8

HEX #D84DEA

RGB 216 77 234

HSL 293.12, 0.79%, 0.61%

LAB 57.89, 73.56, -53.38

 

CMYK 67 / 54 / 0 / 8

HEX #4D6BEA

RGB 77 107 234

HSL 228.54, 0.79%, 0.61%

LAB 49.54, 29.85, -67.55

 

CMYK 67 / 67 / 0 / 8

HEX #4D4DEA

RGB 77 77 234

HSL 240, 0.79%, 0.61%

LAB 42.5, 48.02, -79.03

 

CMYK 67 / 54 / 0 / 8

HEX #4D6BEA

RGB 77 107 234

HSL 228.54, 0.79%, 0.61%

LAB 49.54, 29.85, -67.55

 

CMYK 76 / 61 / 0 / 2

HEX #3D61FA

RGB 61 97 250

HSL 228.57, 0.95%, 0.61%

LAB 47.55, 39.69, -79.77

 

CMYK 67 / 54 / 0 / 8

HEX #4D6BEA

RGB 77 107 234

HSL 228.54, 0.79%, 0.61%

LAB 49.54, 29.85, -67.55

 

CMYK 57 / 46 / 0 / 15

HEX #5D75DA

RGB 93 117 218

HSL 228.48, 0.63%, 0.61%

LAB 51.96, 21.01, -54.59

 

CMYK 46 / 37 / 0 / 21

HEX #6D7FCA

RGB 109 127 202

HSL 228.39, 0.47%, 0.61%

LAB 54.76, 13.47, -41.03

 

CMYK 33 / 26 / 0 / 27

HEX #7D89BA

RGB 125 137 186

HSL 228.2, 0.31%, 0.61%

LAB 57.84, 7.39, -27.03

 

CMYK 17 / 14 / 0 / 33

HEX #8D93AA

RGB 141 147 170

HSL 227.59, 0.15%, 0.61%

LAB 61.16, 2.75, -12.78

 

CMYK 67 / 18 / 0 / 8

HEX #4DC0EA

RGB 77 192 234

HSL 196.05, 0.79%, 0.61%

LAB 73.03, -19.47, -30.38

 

CMYK 67 / 36 / 0 / 8

HEX #4D96EA

RGB 77 150 234

HSL 212.1, 0.79%, 0.61%

LAB 61.07, 3.69, -49.07

 

CMYK 67 / 54 / 0 / 8

HEX #4D6CEA

RGB 77 108 234

HSL 228.15, 0.79%, 0.61%

LAB 49.79, 29.23, -67.14

 

CMYK 63 / 67 / 0 / 8

HEX #574DEA

RGB 87 77 234

HSL 243.82, 0.79%, 0.61%

LAB 43.17, 49.29, -77.9

 

CMYK 45 / 67 / 0 / 8

HEX #814DEA

RGB 129 77 234

HSL 259.87, 0.79%, 0.61%

LAB 46.86, 55.92, -71.72

 

CMYK 88 / 71 / 0 / 20

HEX #183BCD

RGB 24 59 205

HSL 228.4, 0.79%, 0.45%

LAB 33.41, 44.36, -77.46

 

CMYK 83 / 67 / 0 / 10

HEX #284DE6

RGB 40 77 230

HSL 228.32, 0.79%, 0.53%

LAB 40.36, 43.18, -80.34

 

CMYK 67 / 54 / 0 / 8

HEX #4D6BEA

RGB 77 107 234

HSL 228.54, 0.79%, 0.61%

LAB 49.54, 29.85, -67.55

 

CMYK 52 / 42 / 0 / 7

HEX #728AEE

RGB 114 138 238

HSL 228.39, 0.78%, 0.69%

LAB 59.82, 19.05, -53.15

 

CMYK 38 / 30 / 0 / 5

HEX #97A9F3

RGB 151 169 243

HSL 228.26, 0.79%, 0.77%

LAB 70.47, 11.49, -38.96

 

CMYK 67 / 54 / 0 / 8

HEX #4E6CEA

RGB 78 108 234

HSL 228.46, 0.79%, 0.61%

LAB 49.84, 29.38, -67.06

 

CMYK 0 / 67 / 0 / 8

HEX #EA4DEA

RGB 234 77 234

HSL 300, 0.79%, 0.61%

LAB 60.55, 77.49, -48.99

 

CMYK 27 / 0 / 67 / 8

HEX #ABEA4D

RGB 171 234 77

HSL 84.08, 0.79%, 0.61%

LAB 86.03, -42.82, 66.86

 

CMYK 67 / 54 / 0 / 8

HEX #4E6CEA

RGB 78 108 234

HSL 228.46, 0.79%, 0.61%

LAB 49.84, 29.38, -67.06

 

CMYK 0 / 67 / 54 / 8

HEX #EA4D6C

RGB 234 77 108

HSL 348.15, 0.79%, 0.61%

LAB 55.97, 62.25, 16.97

 

CMYK 54 / 0 / 67 / 8

HEX #6CEA4D

RGB 108 234 77

HSL 108.15, 0.79%, 0.61%

LAB 83.22, -62.75, 63.05

 

CMYK 67 / 54 / 0 / 8

HEX #4E6CEA

RGB 78 108 234

HSL 228.46, 0.79%, 0.61%

LAB 49.84, 29.38, -67.06

 

CMYK 0 / 67 / 0 / 8

HEX #EA4DEA

RGB 234 77 234

HSL 300, 0.79%, 0.61%

LAB 60.55, 77.49, -48.99

 

CMYK 0 / 13 / 67 / 8

HEX #EACB4D

RGB 234 203 77

HSL 48.15, 0.79%, 0.61%

LAB 82.24, -2.72, 64.37

 

CMYK 67 / 0 / 67 / 8

HEX #4DEA4D

RGB 77 234 77

HSL 120, 0.79%, 0.61%

LAB 82.36, -69.63, 61.88

 

CMYK 67 / 54 / 0 / 8

HEX #4E6CEA

RGB 78 108 234

HSL 228.46, 0.79%, 0.61%

LAB 49.84, 29.38, -67.06

 

CMYK 0 / 67 / 20 / 8

HEX #EA4DBB

RGB 234 77 187

HSL 317.96, 0.79%, 0.61%

LAB 58.4, 70.59, -25.72

 

CMYK 0 / 13 / 67 / 8

HEX #EACB4D

RGB 234 203 77

HSL 48.15, 0.79%, 0.61%

LAB 82.24, -2.72, 64.37

 

CMYK 67 / 0 / 47 / 8

HEX #4DEA7C

RGB 77 234 124

HSL 137.96, 0.79%, 0.61%

LAB 82.85, -63.9, 41.59

 

Description

Color code: HEX #4E6CEACE | qconv.com Color code: HEX #4E6CEACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 108 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 108 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 44 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 44% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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