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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E5E82 it is the complementary color #B1A17D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E5E82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E5E82 shade: #535E7D, #647090, #7582A3, #8694B6 and #97A6C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E5E82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E5E82 shade: #4E5E82, #3D4C6F, #2C3A5C, #1B2849 and #0A1636

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E5E82 shade: #4E5E83, #4E5083, #5B4E83, #694E83 and #774E83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E5E82 shade: #4E5E83, #4E5083 and #4E4E83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E5E82 shade matches the following richer shades: #4E5E83, #3D5894, #2D51A5, #1C4BB5 and #0B44C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E5E82 shade: #4E5E83, #5F6572, #706C61, #817250 and #92793F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E5E82 shade: #4E7B83, #4E6D83, #4E5F83, #4E5183 and #5A4E83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E5E82 shade: #2F394F, #3F4C69, #4E5E83, #5E719C and #7787AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E5E82 shade: #4E5E82, #7D4E83 and #74834E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E5E82 shade: #4E5E82, #834E5F and #5F834E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E5E82 shade: #4E5E82, #7D4E83, #83724E and #55834E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E5E82 shade: #4E5E82, #834E79, #83724E and #4E8358

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 28 / 0 / 49

HEX #4E5E82

RGB 78 94 130

HSL 221.54, 0.25%, 0.41%

LAB 39.98, 3.66, -22.08

 

Complementary color

CMYK 0 / 9 / 29 / 31

HEX #B1A17D

RGB 177 161 125

HSL 41.54, 0.25%, 0.59%

LAB 66.76, 0.2, 20.9

 

CMYK 34 / 25 / 0 / 51

HEX #535E7D

RGB 83 94 125

HSL 224.29, 0.2%, 0.41%

LAB 40.12, 3.74, -18.78

 

CMYK 31 / 22 / 0 / 44

HEX #647090

RGB 100 112 144

HSL 223.64, 0.18%, 0.48%

LAB 47.38, 3.37, -18.94

 

CMYK 28 / 20 / 0 / 36

HEX #7582A3

RGB 117 130 163

HSL 223.04, 0.2%, 0.55%

LAB 54.44, 3.05, -19.14

 

CMYK 26 / 19 / 0 / 29

HEX #8694B6

RGB 134 148 182

HSL 222.5, 0.25%, 0.62%

LAB 61.33, 2.77, -19.36

 

CMYK 25 / 17 / 0 / 21

HEX #97A6C9

RGB 151 166 201

HSL 222, 0.32%, 0.69%

LAB 68.07, 2.51, -19.62

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E82

RGB 78 94 130

HSL 221.54, 0.25%, 0.41%

LAB 39.98, 3.66, -22.08

 

CMYK 45 / 32 / 0 / 56

HEX #3D4C6F

RGB 61 76 111

HSL 222, 0.29%, 0.34%

LAB 32.5, 4.24, -22.05

 

CMYK 52 / 37 / 0 / 64

HEX #2C3A5C

RGB 44 58 92

HSL 222.5, 0.35%, 0.27%

LAB 24.75, 5.03, -22.11

 

CMYK 63 / 45 / 0 / 71

HEX #1B2849

RGB 27 40 73

HSL 223.04, 0.46%, 0.2%

LAB 16.66, 6.19, -22.28

 

CMYK 81 / 59 / 0 / 79

HEX #0A1636

RGB 10 22 54

HSL 223.64, 0.69%, 0.13%

LAB 8.17, 8.15, -22.56

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E83

RGB 78 94 131

HSL 221.89, 0.25%, 0.41%

LAB 40.02, 3.96, -22.62

 

CMYK 40 / 39 / 0 / 49

HEX #4E5083

RGB 78 80 131

HSL 237.74, 0.25%, 0.41%

LAB 35.98, 12.85, -28.94

 

CMYK 31 / 40 / 0 / 49

HEX #5B4E83

RGB 91 78 131

HSL 254.72, 0.25%, 0.41%

LAB 36.58, 18.03, -27.91

 

CMYK 20 / 40 / 0 / 49

HEX #694E83

RGB 105 78 131

HSL 270.57, 0.25%, 0.41%

LAB 38, 22.48, -25.57

 

CMYK 9 / 40 / 0 / 49

HEX #774E83

RGB 119 78 131

HSL 286.42, 0.25%, 0.41%

LAB 39.6, 27.09, -22.97

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E83

RGB 78 94 131

HSL 221.89, 0.25%, 0.41%

LAB 40.02, 3.96, -22.62

 

CMYK 40 / 39 / 0 / 49

HEX #4E5083

RGB 78 80 131

HSL 237.74, 0.25%, 0.41%

LAB 35.98, 12.85, -28.94

 

CMYK 40 / 40 / 0 / 49

HEX #4E4E83

RGB 78 78 131

HSL 240, 0.25%, 0.41%

LAB 35.41, 14.14, -29.82

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E83

RGB 78 94 131

HSL 221.89, 0.25%, 0.41%

LAB 40.02, 3.96, -22.62

 

CMYK 59 / 41 / 0 / 42

HEX #3D5894

RGB 61 88 148

HSL 221.38, 0.42%, 0.41%

LAB 38.04, 8.95, -36.1

 

CMYK 73 / 51 / 0 / 35

HEX #2D51A5

RGB 45 81 165

HSL 222, 0.57%, 0.41%

LAB 36.29, 16.91, -49.15

 

CMYK 85 / 59 / 0 / 29

HEX #1C4BB5

RGB 28 75 181

HSL 221.57, 0.73%, 0.41%

LAB 35.23, 25.28, -60.4

 

CMYK 94 / 66 / 0 / 22

HEX #0B44C6

RGB 11 68 198

HSL 221.71, 0.89%, 0.41%

LAB 34.56, 35.63, -71.49

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E83

RGB 78 94 131

HSL 221.89, 0.25%, 0.41%

LAB 40.02, 3.96, -22.62

 

CMYK 17 / 11 / 0 / 55

HEX #5F6572

RGB 95 101 114

HSL 221.05, 0.09%, 0.41%

LAB 42.7, 0.66, -8.09

 

CMYK 0 / 4 / 13 / 56

HEX #706C61

RGB 112 108 97

HSL 44, 0.07%, 0.41%

LAB 45.68, -0.53, 6.71

 

CMYK 0 / 12 / 38 / 49

HEX #817250

RGB 129 114 80

HSL 41.63, 0.23%, 0.41%

LAB 48.61, 0.53, 21

 

CMYK 0 / 17 / 57 / 43

HEX #92793F

RGB 146 121 63

HSL 41.93, 0.4%, 0.41%

LAB 52, 2.24, 35.05

 

CMYK 40 / 6 / 0 / 49

HEX #4E7B83

RGB 78 123 131

HSL 189.06, 0.25%, 0.41%

LAB 48.79, -13.2, -9.24

 

CMYK 40 / 17 / 0 / 49

HEX #4E6D83

RGB 78 109 131

HSL 204.91, 0.25%, 0.41%

LAB 44.51, -5.16, -15.71

 

CMYK 40 / 27 / 0 / 49

HEX #4E5F83

RGB 78 95 131

HSL 220.75, 0.25%, 0.41%

LAB 40.32, 3.34, -22.16

 

CMYK 40 / 38 / 0 / 49

HEX #4E5183

RGB 78 81 131

HSL 236.6, 0.25%, 0.41%

LAB 36.26, 12.21, -28.49

 

CMYK 31 / 40 / 0 / 49

HEX #5A4E83

RGB 90 78 131

HSL 253.58, 0.25%, 0.41%

LAB 36.48, 17.72, -28.07

 

CMYK 41 / 28 / 0 / 69

HEX #2F394F

RGB 47 57 79

HSL 221.25, 0.25%, 0.25%

LAB 23.98, 2.25, -14.74

 

CMYK 40 / 28 / 0 / 59

HEX #3F4C69

RGB 63 76 105

HSL 221.43, 0.25%, 0.33%

LAB 32.36, 2.96, -18.48

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E83

RGB 78 94 131

HSL 221.89, 0.25%, 0.41%

LAB 40.02, 3.96, -22.62

 

CMYK 40 / 28 / 0 / 39

HEX #5E719C

RGB 94 113 156

HSL 221.61, 0.25%, 0.49%

LAB 47.74, 4.31, -25.5

 

CMYK 31 / 22 / 0 / 32

HEX #7787AD

RGB 119 135 173

HSL 222.22, 0.25%, 0.57%

LAB 56.35, 3.34, -21.95

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E82

RGB 78 94 130

HSL 221.54, 0.25%, 0.41%

LAB 39.98, 3.66, -22.08

 

CMYK 5 / 40 / 0 / 49

HEX #7D4E83

RGB 125 78 131

HSL 293.21, 0.25%, 0.41%

LAB 40.32, 29.09, -21.79

 

CMYK 11 / 0 / 40 / 49

HEX #74834E

RGB 116 131 78

HSL 76.98, 0.25%, 0.41%

LAB 52.39, -14.79, 26.84

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E82

RGB 78 94 130

HSL 221.54, 0.25%, 0.41%

LAB 39.98, 3.66, -22.08

 

CMYK 0 / 40 / 27 / 49

HEX #834E5F

RGB 131 78 95

HSL 340.75, 0.25%, 0.41%

LAB 39.75, 24.7, -0.36

 

CMYK 27 / 0 / 40 / 49

HEX #5F834E

RGB 95 131 78

HSL 100.75, 0.25%, 0.41%

LAB 50.94, -23.15, 24.67

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E82

RGB 78 94 130

HSL 221.54, 0.25%, 0.41%

LAB 39.98, 3.66, -22.08

 

CMYK 5 / 40 / 0 / 49

HEX #7D4E83

RGB 125 78 131

HSL 293.21, 0.25%, 0.41%

LAB 40.32, 29.09, -21.79

 

CMYK 0 / 13 / 40 / 49

HEX #83724E

RGB 131 114 78

HSL 40.75, 0.25%, 0.41%

LAB 48.77, 1.15, 22.4

 

CMYK 35 / 0 / 40 / 49

HEX #55834E

RGB 85 131 78

HSL 112.08, 0.25%, 0.41%

LAB 50.35, -26.82, 23.8

 

CMYK 40 / 28 / 0 / 49

HEX #4E5E82

RGB 78 94 130

HSL 221.54, 0.25%, 0.41%

LAB 39.98, 3.66, -22.08

 

CMYK 0 / 40 / 8 / 49

HEX #834E79

RGB 131 78 121

HSL 311.32, 0.25%, 0.41%

LAB 40.66, 29.15, -15.08

 

CMYK 0 / 13 / 40 / 49

HEX #83724E

RGB 131 114 78

HSL 40.75, 0.25%, 0.41%

LAB 48.77, 1.15, 22.4

 

CMYK 40 / 0 / 33 / 49

HEX #4E8358

RGB 78 131 88

HSL 131.32, 0.25%, 0.41%

LAB 50.16, -27.45, 17.85

 

Description

Color code: HEX #4E5E82 | qconv.com Color code: HEX #4E5E82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 94 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 94 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 28 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 28% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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