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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E5AC5 it is the complementary color #B1A53A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E5AC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E5AC5 shade: #535AC0, #646CD3, #757EE6, #8690F9 and #97A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E5AC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E5AC5 shade: #4E5AC5, #3D48B2, #2C369F, #1B248C and #0A1279

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E5AC5 shade: #4E5AC6, #624EC6, #824EC6, #A34EC6 and #C34EC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E5AC5 shade: #4E5AC6 and #4E4EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E5AC5 shade matches the following richer shades: #4E5AC6, #3B4BD9, #283CEB and #152CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E5AC5 shade: #4E5AC6, #6169B3, #7478A0, #87878D and #9A977A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E5AC5 shade: #4E9CC6, #4E7CC6, #4E5CC6, #604EC6 and #804EC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E5AC5 shade: #2F3992, #3945B1, #4E5AC6, #6D77D0 and #8C94DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E5AC5 shade: #4E5AC5, #C64EBC and #8CC64E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E5AC5 shade: #4E5AC5, #C64E5C and #5CC64E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E5AC5 shade: #4E5AC5, #C64EBC, #C6B84E and #4EC658

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E5AC5 shade: #4E5AC5, #C64E98, #C6B84E and #4EC67C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 54 / 0 / 23

HEX #4E5AC5

RGB 78 90 197

HSL 233.95, 0.51%, 0.54%

LAB 42.71, 27.98, -57.51

 

Complementary color

CMYK 0 / 7 / 67 / 31

HEX #B1A53A

RGB 177 165 58

HSL 53.95, 0.51%, 0.46%

LAB 66.95, -8.43, 54.76

 

CMYK 57 / 53 / 0 / 25

HEX #535AC0

RGB 83 90 192

HSL 236.15, 0.46%, 0.54%

LAB 42.7, 27.25, -54.61

 

CMYK 53 / 49 / 0 / 17

HEX #646CD3

RGB 100 108 211

HSL 235.68, 0.56%, 0.61%

LAB 49.66, 25.71, -54.28

 

CMYK 49 / 45 / 0 / 10

HEX #757EE6

RGB 117 126 230

HSL 235.22, 0.69%, 0.68%

LAB 56.5, 24.4, -53.98

 

CMYK 46 / 42 / 0 / 2

HEX #8690F9

RGB 134 144 249

HSL 234.78, 0.91%, 0.75%

LAB 63.22, 23.29, -53.73

 

CMYK 41 / 36 / 0 / 0

HEX #97A2FF

RGB 151 162 255

HSL 233.65, 1%, 0.8%

LAB 69.21, 18.71, -47.46

 

CMYK 60 / 54 / 0 / 23

HEX #4E5AC5

RGB 78 90 197

HSL 233.95, 0.51%, 0.54%

LAB 42.71, 27.98, -57.51

 

CMYK 66 / 60 / 0 / 30

HEX #3D48B2

RGB 61 72 178

HSL 234.36, 0.49%, 0.47%

LAB 35.68, 30.01, -57.84

 

CMYK 72 / 66 / 0 / 38

HEX #2C369F

RGB 44 54 159

HSL 234.78, 0.57%, 0.4%

LAB 28.58, 32.44, -58.07

 

CMYK 81 / 74 / 0 / 45

HEX #1B248C

RGB 27 36 140

HSL 235.22, 0.68%, 0.33%

LAB 21.54, 35.24, -58.01

 

CMYK 92 / 85 / 0 / 53

HEX #0A1279

RGB 10 18 121

HSL 235.68, 0.85%, 0.26%

LAB 14.83, 37.97, -57.12

 

CMYK 61 / 55 / 0 / 22

HEX #4E5AC6

RGB 78 90 198

HSL 234, 0.51%, 0.54%

LAB 42.78, 28.31, -57.98

 

CMYK 51 / 61 / 0 / 22

HEX #624EC6

RGB 98 78 198

HSL 250, 0.51%, 0.54%

LAB 41.41, 39.43, -60.12

 

CMYK 34 / 61 / 0 / 22

HEX #824EC6

RGB 130 78 198

HSL 266, 0.51%, 0.54%

LAB 44.62, 46.27, -54.78

 

CMYK 18 / 61 / 0 / 22

HEX #A34EC6

RGB 163 78 198

HSL 282.5, 0.51%, 0.54%

LAB 48.65, 54.11, -48.09

 

CMYK 2 / 61 / 0 / 22

HEX #C34EC6

RGB 195 78 198

HSL 298.5, 0.51%, 0.54%

LAB 53.09, 62.02, -40.77

 

CMYK 61 / 55 / 0 / 22

HEX #4E5AC6

RGB 78 90 198

HSL 234, 0.51%, 0.54%

LAB 42.78, 28.31, -57.98

 

CMYK 61 / 61 / 0 / 22

HEX #4E4EC6

RGB 78 78 198

HSL 240, 0.51%, 0.54%

LAB 39.82, 35.79, -62.77

 

CMYK 61 / 55 / 0 / 22

HEX #4E5AC6

RGB 78 90 198

HSL 234, 0.51%, 0.54%

LAB 42.78, 28.31, -57.98

 

CMYK 73 / 65 / 0 / 15

HEX #3B4BD9

RGB 59 75 217

HSL 233.92, 0.68%, 0.54%

LAB 39.53, 41.48, -74.26

 

CMYK 83 / 74 / 0 / 8

HEX #283CEB

RGB 40 60 235

HSL 233.85, 0.83%, 0.54%

LAB 37.26, 54.79, -88.29

 

CMYK 92 / 83 / 0 / 0

HEX #152CFE

RGB 21 44 254

HSL 234.08, 0.99%, 0.54%

LAB 36.21, 67.83, -100.77

 

CMYK 61 / 55 / 0 / 22

HEX #4E5AC6

RGB 78 90 198

HSL 234, 0.51%, 0.54%

LAB 42.78, 28.31, -57.98

 

CMYK 46 / 41 / 0 / 30

HEX #6169B3

RGB 97 105 179

HSL 234.15, 0.35%, 0.54%

LAB 46.84, 16.89, -40.36

 

CMYK 28 / 25 / 0 / 37

HEX #7478A0

RGB 116 120 160

HSL 234.55, 0.19%, 0.54%

LAB 51.48, 7.84, -21.94

 

CMYK 4 / 4 / 0 / 45

HEX #87878D

RGB 135 135 141

HSL 240, 0.03%, 0.54%

LAB 56.49, 1.21, -3.21

 

CMYK 0 / 2 / 21 / 40

HEX #9A977A

RGB 154 151 122

HSL 54.38, 0.14%, 0.54%

LAB 62, -3.91, 15.71

 

CMYK 61 / 21 / 0 / 22

HEX #4E9CC6

RGB 78 156 198

HSL 201, 0.51%, 0.54%

LAB 61.2, -11.44, -28.83

 

CMYK 61 / 37 / 0 / 22

HEX #4E7CC6

RGB 78 124 198

HSL 217, 0.51%, 0.54%

LAB 51.96, 7.11, -43.28

 

CMYK 61 / 54 / 0 / 22

HEX #4E5CC6

RGB 78 92 198

HSL 233, 0.51%, 0.54%

LAB 43.29, 27.05, -57.16

 

CMYK 52 / 61 / 0 / 22

HEX #604EC6

RGB 96 78 198

HSL 249, 0.51%, 0.54%

LAB 41.24, 39.04, -60.41

 

CMYK 35 / 61 / 0 / 22

HEX #804EC6

RGB 128 78 198

HSL 265, 0.51%, 0.54%

LAB 44.4, 45.82, -55.15

 

CMYK 68 / 61 / 0 / 43

HEX #2F3992

RGB 47 57 146

HSL 233.94, 0.51%, 0.38%

LAB 28.4, 26.14, -50.43

 

CMYK 68 / 61 / 0 / 31

HEX #3945B1

RGB 57 69 177

HSL 234, 0.51%, 0.46%

LAB 34.6, 30.98, -59.01

 

CMYK 61 / 55 / 0 / 22

HEX #4E5AC6

RGB 78 90 198

HSL 234, 0.51%, 0.54%

LAB 42.78, 28.31, -57.98

 

CMYK 48 / 43 / 0 / 18

HEX #6D77D0

RGB 109 119 208

HSL 233.94, 0.51%, 0.62%

LAB 52.95, 20.1, -47.29

 

CMYK 36 / 32 / 0 / 15

HEX #8C94DA

RGB 140 148 218

HSL 233.85, 0.51%, 0.7%

LAB 63.19, 13.8, -36.63

 

CMYK 60 / 54 / 0 / 23

HEX #4E5AC5

RGB 78 90 197

HSL 233.95, 0.51%, 0.54%

LAB 42.71, 27.98, -57.51

 

CMYK 0 / 61 / 5 / 22

HEX #C64EBC

RGB 198 78 188

HSL 305, 0.51%, 0.54%

LAB 53.04, 61.09, -35.05

 

CMYK 29 / 0 / 61 / 22

HEX #8CC64E

RGB 140 198 78

HSL 89, 0.51%, 0.54%

LAB 73.88, -38.18, 52.88

 

CMYK 60 / 54 / 0 / 23

HEX #4E5AC5

RGB 78 90 197

HSL 233.95, 0.51%, 0.54%

LAB 42.71, 27.98, -57.51

 

CMYK 0 / 61 / 54 / 22

HEX #C64E5C

RGB 198 78 92

HSL 353, 0.51%, 0.54%

LAB 49.77, 48.98, 17.06

 

CMYK 54 / 0 / 61 / 22

HEX #5CC64E

RGB 92 198 78

HSL 113, 0.51%, 0.54%

LAB 71.7, -53.51, 49.83

 

CMYK 60 / 54 / 0 / 23

HEX #4E5AC5

RGB 78 90 197

HSL 233.95, 0.51%, 0.54%

LAB 42.71, 27.98, -57.51

 

CMYK 0 / 61 / 5 / 22

HEX #C64EBC

RGB 198 78 188

HSL 305, 0.51%, 0.54%

LAB 53.04, 61.09, -35.05

 

CMYK 0 / 7 / 61 / 22

HEX #C6B84E

RGB 198 184 78

HSL 53, 0.51%, 0.54%

LAB 74.09, -8.05, 54.27

 

CMYK 61 / 0 / 56 / 22

HEX #4EC658

RGB 78 198 88

HSL 125, 0.51%, 0.54%

LAB 71.36, -55.77, 44.74

 

CMYK 60 / 54 / 0 / 23

HEX #4E5AC5

RGB 78 90 197

HSL 233.95, 0.51%, 0.54%

LAB 42.71, 27.98, -57.51

 

CMYK 0 / 61 / 23 / 22

HEX #C64E98

RGB 198 78 152

HSL 323, 0.51%, 0.54%

LAB 51.52, 55.64, -16.34

 

CMYK 0 / 7 / 61 / 22

HEX #C6B84E

RGB 198 184 78

HSL 53, 0.51%, 0.54%

LAB 74.09, -8.05, 54.27

 

CMYK 61 / 0 / 37 / 22

HEX #4EC67C

RGB 78 198 124

HSL 143, 0.51%, 0.54%

LAB 71.87, -50.16, 27.36

 

Description

Color code: HEX #4E5AC5 | qconv.com Color code: HEX #4E5AC5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 90 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 90 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 54 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 54% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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