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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E5965 it is the complementary color #B1A69A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E5965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E5965 shade: #535960, #646B73, #757D86, #868F99 and #97A1AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E5965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E5965 shade: #4E5965, #3D4752, #2C353F, #1B232C and #0A1119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E5965 shade: #4E5965, #4E5265, #4F4E65, #554E65 and #5C4E65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E5965 shade: #4E5965, #4E5265 and #4E4E65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E5965 shade matches the following richer shades: #4E5965, #3F5873, #315782, #225790 and #14569F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E5965 shade: #4E5965, #5C5956, #6B5A48, #795B3A and #875B2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E5965 shade: #4E6564, #4E5F65, #4E5965, #4E5365 and #4F4E65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E5965 shade: #2A3036, #3C444E, #4E5965, #606D7C and #728293

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E5965 shade: #4E5965, #5E4E65 and #62654E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E5965 shade: #4E5965, #654E59 and #59654E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E5965 shade: #4E5965, #5E4E65, #655A4E and #54654E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E5965 shade: #4E5965, #654E64, #655A4E and #4E654E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

Complementary color

CMYK 0 / 6 / 13 / 31

HEX #B1A69A

RGB 177 166 154

HSL 31.3, 0.13%, 0.65%

LAB 68.72, 1.89, 7.63

 

CMYK 14 / 7 / 0 / 62

HEX #535960

RGB 83 89 96

HSL 212.31, 0.07%, 0.35%

LAB 37.53, -0.75, -4.84

 

CMYK 13 / 7 / 0 / 55

HEX #646B73

RGB 100 107 115

HSL 212, 0.07%, 0.42%

LAB 44.89, -0.88, -5.38

 

CMYK 13 / 7 / 0 / 47

HEX #757D86

RGB 117 125 134

HSL 211.76, 0.07%, 0.49%

LAB 52.03, -1.02, -5.9

 

CMYK 12 / 7 / 0 / 40

HEX #868F99

RGB 134 143 153

HSL 211.58, 0.09%, 0.56%

LAB 58.99, -1.14, -6.42

 

CMYK 12 / 6 / 0 / 33

HEX #97A1AC

RGB 151 161 172

HSL 211.43, 0.11%, 0.63%

LAB 65.79, -1.27, -6.92

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 26 / 13 / 0 / 68

HEX #3D4752

RGB 61 71 82

HSL 211.43, 0.15%, 0.28%

LAB 29.68, -1.19, -7.91

 

CMYK 30 / 16 / 0 / 75

HEX #2C353F

RGB 44 53 63

HSL 211.58, 0.18%, 0.21%

LAB 21.73, -1.02, -7.5

 

CMYK 39 / 20 / 0 / 83

HEX #1B232C

RGB 27 35 44

HSL 211.76, 0.24%, 0.14%

LAB 13.33, -0.81, -7.13

 

CMYK 60 / 32 / 0 / 90

HEX #0A1119

RGB 10 17 25

HSL 212, 0.43%, 0.07%

LAB 4.84, -0.33, -5.91

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 23 / 19 / 0 / 60

HEX #4E5265

RGB 78 82 101

HSL 229.57, 0.13%, 0.35%

LAB 35.19, 3.02, -11.52

 

CMYK 22 / 23 / 0 / 60

HEX #4F4E65

RGB 79 78 101

HSL 242.61, 0.13%, 0.35%

LAB 34.09, 5.91, -13.19

 

CMYK 16 / 23 / 0 / 60

HEX #554E65

RGB 85 78 101

HSL 258.26, 0.13%, 0.35%

LAB 34.64, 8.09, -12.3

 

CMYK 9 / 23 / 0 / 60

HEX #5C4E65

RGB 92 78 101

HSL 276.52, 0.13%, 0.35%

LAB 35.33, 10.69, -11.19

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 23 / 19 / 0 / 60

HEX #4E5265

RGB 78 82 101

HSL 229.57, 0.13%, 0.35%

LAB 35.19, 3.02, -11.52

 

CMYK 23 / 23 / 0 / 60

HEX #4E4E65

RGB 78 78 101

HSL 240, 0.13%, 0.35%

LAB 34, 5.55, -13.34

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 45 / 23 / 0 / 55

HEX #3F5873

RGB 63 88 115

HSL 211.15, 0.29%, 0.35%

LAB 36.51, -1.56, -18.32

 

CMYK 62 / 33 / 0 / 49

HEX #315782

RGB 49 87 130

HSL 211.85, 0.45%, 0.35%

LAB 36.14, 0.63, -28.19

 

CMYK 76 / 40 / 0 / 44

HEX #225790

RGB 34 87 144

HSL 211.09, 0.62%, 0.35%

LAB 36.31, 3.28, -36.5

 

CMYK 87 / 46 / 0 / 38

HEX #14569F

RGB 20 86 159

HSL 211.51, 0.78%, 0.35%

LAB 36.57, 8.46, -45.15

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 0 / 3 / 7 / 64

HEX #5C5956

RGB 92 89 86

HSL 30, 0.03%, 0.35%

LAB 38.01, 0.59, 2.16

 

CMYK 0 / 16 / 33 / 58

HEX #6B5A48

RGB 107 90 72

HSL 30.86, 0.2%, 0.35%

LAB 39.42, 3.96, 12.98

 

CMYK 0 / 25 / 52 / 53

HEX #795B3A

RGB 121 91 58

HSL 31.43, 0.35%, 0.35%

LAB 40.98, 7.91, 23.7

 

CMYK 0 / 33 / 68 / 47

HEX #875B2B

RGB 135 91 43

HSL 31.3, 0.52%, 0.35%

LAB 42.47, 13.08, 34.27

 

CMYK 23 / 0 / 1 / 60

HEX #4E6564

RGB 78 101 100

HSL 177.39, 0.13%, 0.35%

LAB 40.97, -8.78, -2.26

 

CMYK 23 / 6 / 0 / 60

HEX #4E5F65

RGB 78 95 101

HSL 195.65, 0.13%, 0.35%

LAB 39.15, -4.98, -5.58

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 23 / 18 / 0 / 60

HEX #4E5365

RGB 78 83 101

HSL 226.96, 0.13%, 0.35%

LAB 35.49, 2.39, -11.07

 

CMYK 22 / 23 / 0 / 60

HEX #4F4E65

RGB 79 78 101

HSL 242.61, 0.13%, 0.35%

LAB 34.09, 5.91, -13.19

 

CMYK 22 / 11 / 0 / 79

HEX #2A3036

RGB 42 48 54

HSL 210, 0.13%, 0.19%

LAB 19.53, -0.99, -4.69

 

CMYK 23 / 13 / 0 / 69

HEX #3C444E

RGB 60 68 78

HSL 213.33, 0.13%, 0.27%

LAB 28.5, -0.71, -7.11

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 23 / 12 / 0 / 51

HEX #606D7C

RGB 96 109 124

HSL 212.14, 0.13%, 0.43%

LAB 45.47, -1.33, -9.95

 

CMYK 22 / 12 / 0 / 42

HEX #728293

RGB 114 130 147

HSL 210.91, 0.13%, 0.51%

LAB 53.65, -1.9, -11.08

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 7 / 23 / 0 / 60

HEX #5E4E65

RGB 94 78 101

HSL 281.74, 0.13%, 0.35%

LAB 35.53, 11.44, -10.86

 

CMYK 3 / 0 / 23 / 60

HEX #62654E

RGB 98 101 78

HSL 67.83, 0.13%, 0.35%

LAB 41.93, -5.55, 12.66

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 0 / 23 / 12 / 60

HEX #654E59

RGB 101 78 89

HSL 331.3, 0.13%, 0.35%

LAB 35.86, 11.66, -2.75

 

CMYK 12 / 0 / 23 / 60

HEX #59654E

RGB 89 101 78

HSL 91.3, 0.13%, 0.35%

LAB 41.19, -9.29, 11.52

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 7 / 23 / 0 / 60

HEX #5E4E65

RGB 94 78 101

HSL 281.74, 0.13%, 0.35%

LAB 35.53, 11.44, -10.86

 

CMYK 0 / 11 / 23 / 60

HEX #655A4E

RGB 101 90 78

HSL 31.3, 0.13%, 0.35%

LAB 38.95, 2.29, 8.56

 

CMYK 17 / 0 / 23 / 60

HEX #54654E

RGB 84 101 78

HSL 104.35, 0.13%, 0.35%

LAB 40.8, -11.3, 10.93

 

CMYK 23 / 12 / 0 / 60

HEX #4E5965

RGB 78 89 101

HSL 211.3, 0.13%, 0.35%

LAB 37.31, -1.34, -8.33

 

CMYK 0 / 23 / 1 / 60

HEX #654E64

RGB 101 78 100

HSL 302.61, 0.13%, 0.35%

LAB 36.24, 13.89, -9.09

 

CMYK 0 / 11 / 23 / 60

HEX #655A4E

RGB 101 90 78

HSL 31.3, 0.13%, 0.35%

LAB 38.95, 2.29, 8.56

 

CMYK 23 / 0 / 23 / 60

HEX #4E654E

RGB 78 101 78

HSL 120, 0.13%, 0.35%

LAB 40.37, -13.66, 10.27

 

Description

Color code: HEX #4E5965 | qconv.com Color code: HEX #4E5965 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 89 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 89 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 12 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 12% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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