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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E4FBA it is the complementary color #B1B045. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E4FBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E4FBA shade: #534FB5, #6461C8, #7573DB, #8685EE and #9797FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E4FBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E4FBA shade: #4E4FBA, #3D3DA7, #2C2B94, #1B1981 and #0A076E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E4FBA shade: #4E4FBA, #6A4EBA, #874EBA, #A44EBA and #BA4EB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E4FBA shade: #4E4FBA and #4E4EBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E4FBA shade matches the following richer shades: #4E4FBA, #3A3CCE, #2728E2 and #1315F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E4FBA shade: #4E4FBA, #6263A6, #767692, #8A8A7F and #9D9D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E4FBA shade: #4E89BA, #4E6DBA, #4E50BA, #694EBA and #864EBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E4FBA shade: #333383, #3E3FA1, #4E4FBA, #6C6DC6 and #8A8AD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E4FBA shade: #4E4FBA, #BA4EA6 and #7BBA4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E4FBA shade: #4E4FBA, #BA4E50 and #50BA4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E4FBA shade: #4E4FBA, #BA4EA6, #BAB84E and #4EBA62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E4FBA shade: #4E4FBA, #BA4E86, #BAB84E and #4EBA82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

Complementary color

CMYK 0 / 1 / 61 / 31

HEX #B1B045

RGB 177 176 69

HSL 59.44, 0.44%, 0.48%

LAB 70.05, -13.46, 53.34

 

CMYK 54 / 56 / 0 / 29

HEX #534FB5

RGB 83 79 181

HSL 242.35, 0.41%, 0.51%

LAB 39.19, 30.54, -53.85

 

CMYK 50 / 52 / 0 / 22

HEX #6461C8

RGB 100 97 200

HSL 241.75, 0.48%, 0.58%

LAB 46.22, 29, -53.51

 

CMYK 47 / 47 / 0 / 14

HEX #7573DB

RGB 117 115 219

HSL 241.15, 0.59%, 0.65%

LAB 53.12, 27.69, -53.21

 

CMYK 44 / 44 / 0 / 7

HEX #8685EE

RGB 134 133 238

HSL 240.57, 0.76%, 0.73%

LAB 59.9, 26.55, -52.94

 

CMYK 41 / 41 / 0 / 0

HEX #9797FF

RGB 151 151 255

HSL 240, 1%, 0.8%

LAB 66.47, 25.01, -51.79

 

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

CMYK 63 / 63 / 0 / 35

HEX #3D3DA7

RGB 61 61 167

HSL 240, 0.46%, 0.45%

LAB 32.08, 33.2, -57.14

 

CMYK 70 / 71 / 0 / 42

HEX #2C2B94

RGB 44 43 148

HSL 240.57, 0.55%, 0.37%

LAB 24.96, 35.49, -57.3

 

CMYK 79 / 81 / 0 / 49

HEX #1B1981

RGB 27 25 129

HSL 241.15, 0.68%, 0.3%

LAB 17.98, 37.87, -56.98

 

CMYK 91 / 94 / 0 / 57

HEX #0A076E

RGB 10 7 110

HSL 241.75, 0.88%, 0.23%

LAB 11.57, 39.46, -55.42

 

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

CMYK 43 / 58 / 0 / 27

HEX #6A4EBA

RGB 106 78 186

HSL 255.56, 0.44%, 0.52%

LAB 41.31, 37.6, -53.26

 

CMYK 27 / 58 / 0 / 27

HEX #874EBA

RGB 135 78 186

HSL 271.67, 0.44%, 0.52%

LAB 44.44, 44.51, -48.06

 

CMYK 12 / 58 / 0 / 27

HEX #A44EBA

RGB 164 78 186

HSL 287.78, 0.44%, 0.52%

LAB 48.12, 51.9, -41.98

 

CMYK 0 / 58 / 4 / 27

HEX #BA4EB2

RGB 186 78 178

HSL 304.44, 0.44%, 0.52%

LAB 50.81, 56.25, -32.87

 

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

CMYK 58 / 58 / 0 / 27

HEX #4E4EBA

RGB 78 78 186

HSL 240, 0.44%, 0.52%

LAB 38.92, 31.83, -57.23

 

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

CMYK 72 / 71 / 0 / 19

HEX #3A3CCE

RGB 58 60 206

HSL 239.19, 0.6%, 0.52%

LAB 35.18, 46.58, -75.08

 

CMYK 83 / 82 / 0 / 11

HEX #2728E2

RGB 39 40 226

HSL 239.68, 0.76%, 0.52%

LAB 32.79, 61.83, -90.59

 

CMYK 92 / 91 / 0 / 4

HEX #1315F5

RGB 19 21 245

HSL 239.47, 0.92%, 0.52%

LAB 32.41, 73.16, -102.05

 

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

CMYK 41 / 40 / 0 / 35

HEX #6263A6

RGB 98 99 166

HSL 239.12, 0.28%, 0.52%

LAB 44.62, 16.95, -36.25

 

CMYK 19 / 19 / 0 / 43

HEX #767692

RGB 118 118 146

HSL 240, 0.11%, 0.52%

LAB 50.55, 6.2, -15.15

 

CMYK 0 / 0 / 8 / 46

HEX #8A8A7F

RGB 138 138 127

HSL 60, 0.04%, 0.52%

LAB 57.18, -2.08, 5.89

 

CMYK 0 / 0 / 32 / 38

HEX #9D9D6B

RGB 157 157 107

HSL 60, 0.2%, 0.52%

LAB 63.63, -8.1, 26.22

 

CMYK 58 / 26 / 0 / 27

HEX #4E89BA

RGB 78 137 186

HSL 207.22, 0.44%, 0.52%

LAB 55.13, -4.56, -31.46

 

CMYK 58 / 41 / 0 / 27

HEX #4E6DBA

RGB 78 109 186

HSL 222.78, 0.44%, 0.52%

LAB 47.11, 12.29, -44.08

 

CMYK 58 / 57 / 0 / 27

HEX #4E50BA

RGB 78 80 186

HSL 238.89, 0.44%, 0.52%

LAB 39.42, 30.58, -56.43

 

CMYK 44 / 58 / 0 / 27

HEX #694EBA

RGB 105 78 186

HSL 255, 0.44%, 0.52%

LAB 41.21, 37.37, -53.42

 

CMYK 28 / 58 / 0 / 27

HEX #864EBA

RGB 134 78 186

HSL 271.11, 0.44%, 0.52%

LAB 44.32, 44.26, -48.25

 

CMYK 61 / 61 / 0 / 49

HEX #333383

RGB 51 51 131

HSL 240, 0.44%, 0.36%

LAB 25.89, 25.42, -45.19

 

CMYK 61 / 61 / 0 / 37

HEX #3E3FA1

RGB 62 63 161

HSL 239.39, 0.44%, 0.44%

LAB 32.15, 30.04, -53.41

 

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

CMYK 45 / 45 / 0 / 22

HEX #6C6DC6

RGB 108 109 198

HSL 239.33, 0.44%, 0.6%

LAB 49.74, 22.91, -46.69

 

CMYK 34 / 34 / 0 / 18

HEX #8A8AD1

RGB 138 138 209

HSL 240, 0.44%, 0.68%

LAB 60.05, 16.64, -36.51

 

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

CMYK 0 / 58 / 11 / 27

HEX #BA4EA6

RGB 186 78 166

HSL 311.11, 0.44%, 0.52%

LAB 50.26, 54.27, -26.69

 

CMYK 34 / 0 / 58 / 27

HEX #7BBA4E

RGB 123 186 78

HSL 95, 0.44%, 0.52%

LAB 69.38, -38.93, 47.54

 

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

CMYK 0 / 58 / 57 / 27

HEX #BA4E50

RGB 186 78 80

HSL 358.89, 0.44%, 0.52%

LAB 47.58, 43.81, 20.98

 

CMYK 57 / 0 / 58 / 27

HEX #50BA4E

RGB 80 186 78

HSL 118.89, 0.44%, 0.52%

LAB 67.56, -52.04, 44.95

 

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

CMYK 0 / 58 / 11 / 27

HEX #BA4EA6

RGB 186 78 166

HSL 311.11, 0.44%, 0.52%

LAB 50.26, 54.27, -26.69

 

CMYK 0 / 1 / 58 / 27

HEX #BAB84E

RGB 186 184 78

HSL 58.89, 0.44%, 0.52%

LAB 73.07, -13.12, 52.86

 

CMYK 58 / 0 / 47 / 27

HEX #4EBA62

RGB 78 186 98

HSL 131.11, 0.44%, 0.52%

LAB 67.74, -49.79, 35.41

 

CMYK 58 / 58 / 0 / 27

HEX #4E4FBA

RGB 78 79 186

HSL 239.44, 0.44%, 0.52%

LAB 39.17, 31.21, -56.83

 

CMYK 0 / 58 / 28 / 27

HEX #BA4E86

RGB 186 78 134

HSL 328.89, 0.44%, 0.52%

LAB 49.02, 49.55, -9.57

 

CMYK 0 / 1 / 58 / 27

HEX #BAB84E

RGB 186 184 78

HSL 58.89, 0.44%, 0.52%

LAB 73.07, -13.12, 52.86

 

CMYK 58 / 0 / 30 / 27

HEX #4EBA82

RGB 78 186 130

HSL 148.89, 0.44%, 0.52%

LAB 68.28, -44.06, 19.32

 

Description

Color code: HEX #4E4FBA | qconv.com Color code: HEX #4E4FBA | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 79 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 79 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 58 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 58% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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