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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E39C2 it is the complementary color #B1C63D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E39C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E39C2 shade: #5339BD, #644BD0, #755DE3, #866FF6 and #9781FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E39C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E39C2 shade: #4E39C2, #3D27AF, #2C159C, #1B0389 and #0A0076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E39C2 shade: #4D38C2, #7238C2, #9738C2, #BC38C2 and #C238A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E39C2 shade: #4D38C2 and #3838C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E39C2 shade matches the following richer shades: #4D38C2, #3F24D6 and #3110EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E39C2 shade: #4D38C2, #5B4CAD, #696199, #777585 and #858971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E39C2 shade: #386DC2, #3848C2, #4D38C2, #7138C2 and #9638C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E39C2 shade: #342682, #412FA2, #4D38C2, #6855CE and #8475D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E39C2 shade: #4E39C2, #C23892 and #5BC238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E39C2 shade: #4E39C2, #C24D38 and #38C24D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E39C2 shade: #4E39C2, #C23892, #ADC238 and #38C268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E39C2 shade: #4E39C2, #C23868, #ADC238 and #38C292

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 71 / 0 / 24

HEX #4E39C2

RGB 78 57 194

HSL 249.2, 0.55%, 0.49%

LAB 34.88, 46.86, -68.51

 

Complementary color

CMYK 11 / 0 / 69 / 22

HEX #B1C63D

RGB 177 198 61

HSL 69.2, 0.55%, 0.51%

LAB 76.11, -24.96, 62.89

 

CMYK 56 / 70 / 0 / 26

HEX #5339BD

RGB 83 57 189

HSL 251.82, 0.54%, 0.48%

LAB 34.88, 46.09, -65.56

 

CMYK 52 / 64 / 0 / 18

HEX #644BD0

RGB 100 75 208

HSL 251.28, 0.59%, 0.55%

LAB 41.68, 44.53, -65.46

 

CMYK 48 / 59 / 0 / 11

HEX #755DE3

RGB 117 93 227

HSL 250.75, 0.71%, 0.63%

LAB 48.46, 43.02, -65.23

 

CMYK 46 / 55 / 0 / 4

HEX #866FF6

RGB 134 111 246

HSL 250.22, 0.88%, 0.7%

LAB 55.17, 41.63, -64.96

 

CMYK 41 / 49 / 0 / 0

HEX #9781FF

RGB 151 129 255

HSL 250.48, 1%, 0.75%

LAB 61.22, 37.63, -60.14

 

CMYK 60 / 71 / 0 / 24

HEX #4E39C2

RGB 78 57 194

HSL 249.2, 0.55%, 0.49%

LAB 34.88, 46.86, -68.51

 

CMYK 65 / 78 / 0 / 31

HEX #3D27AF

RGB 61 39 175

HSL 249.71, 0.64%, 0.42%

LAB 28.22, 48.47, -68.28

 

CMYK 72 / 87 / 0 / 39

HEX #2C159C

RGB 44 21 156

HSL 250.22, 0.76%, 0.35%

LAB 21.84, 49.49, -67.36

 

CMYK 80 / 98 / 0 / 46

HEX #1B0389

RGB 27 3 137

HSL 250.75, 0.96%, 0.27%

LAB 16.03, 49.31, -65.28

 

CMYK 92 / 100 / 0 / 54

HEX #0A0076

RGB 10 0 118

HSL 245.08, 1%, 0.23%

LAB 11.77, 44.96, -60.28

 

CMYK 60 / 71 / 0 / 24

HEX #4D38C2

RGB 77 56 194

HSL 249.13, 0.55%, 0.49%

LAB 34.6, 47.27, -68.98

 

CMYK 41 / 71 / 0 / 24

HEX #7238C2

RGB 114 56 194

HSL 265.22, 0.55%, 0.49%

LAB 38.38, 53.23, -62.65

 

CMYK 22 / 71 / 0 / 24

HEX #9738C2

RGB 151 56 194

HSL 281.3, 0.55%, 0.49%

LAB 43.22, 60.41, -54.58

 

CMYK 3 / 71 / 0 / 24

HEX #BC38C2

RGB 188 56 194

HSL 297.39, 0.55%, 0.49%

LAB 48.78, 68.22, -45.36

 

CMYK 0 / 71 / 16 / 24

HEX #C238A2

RGB 194 56 162

HSL 313.91, 0.55%, 0.49%

LAB 48.14, 64.65, -27.52

 

CMYK 60 / 71 / 0 / 24

HEX #4D38C2

RGB 77 56 194

HSL 249.13, 0.55%, 0.49%

LAB 34.6, 47.27, -68.98

 

CMYK 71 / 71 / 0 / 24

HEX #3838C2

RGB 56 56 194

HSL 240, 0.55%, 0.49%

LAB 33.06, 44.71, -71.57

 

CMYK 60 / 71 / 0 / 24

HEX #4D38C2

RGB 77 56 194

HSL 249.13, 0.55%, 0.49%

LAB 34.6, 47.27, -68.98

 

CMYK 71 / 83 / 0 / 16

HEX #3F24D6

RGB 63 36 214

HSL 249.1, 0.71%, 0.49%

LAB 32.2, 61.35, -84.63

 

CMYK 79 / 93 / 0 / 8

HEX #3110EA

RGB 49 16 234

HSL 249.08, 0.87%, 0.49%

LAB 31.72, 72.1, -96.92

 

CMYK 60 / 71 / 0 / 24

HEX #4D38C2

RGB 77 56 194

HSL 249.13, 0.55%, 0.49%

LAB 34.6, 47.27, -68.98

 

CMYK 47 / 56 / 0 / 32

HEX #5B4CAD

RGB 91 76 173

HSL 249.28, 0.39%, 0.49%

LAB 38.57, 31.6, -50.08

 

CMYK 31 / 37 / 0 / 40

HEX #696199

RGB 105 97 153

HSL 248.57, 0.22%, 0.49%

LAB 44.02, 16.5, -29.45

 

CMYK 11 / 12 / 0 / 48

HEX #777585

RGB 119 117 133

HSL 247.5, 0.06%, 0.49%

LAB 49.9, 4.14, -8.47

 

CMYK 3 / 0 / 18 / 46

HEX #858971

RGB 133 137 113

HSL 70, 0.1%, 0.49%

LAB 56.16, -5.91, 12.39

 

CMYK 71 / 44 / 0 / 24

HEX #386DC2

RGB 56 109 194

HSL 216.96, 0.55%, 0.49%

LAB 46.54, 11.23, -49.67

 

CMYK 71 / 63 / 0 / 24

HEX #3848C2

RGB 56 72 194

HSL 233.04, 0.55%, 0.49%

LAB 36.69, 34.96, -65.62

 

CMYK 60 / 71 / 0 / 24

HEX #4D38C2

RGB 77 56 194

HSL 249.13, 0.55%, 0.49%

LAB 34.6, 47.27, -68.98

 

CMYK 42 / 71 / 0 / 24

HEX #7138C2

RGB 113 56 194

HSL 264.78, 0.55%, 0.49%

LAB 38.26, 53.05, -62.85

 

CMYK 23 / 71 / 0 / 24

HEX #9638C2

RGB 150 56 194

HSL 280.87, 0.55%, 0.49%

LAB 43.07, 60.21, -54.82

 

CMYK 60 / 71 / 0 / 49

HEX #342682

RGB 52 38 130

HSL 249.13, 0.55%, 0.33%

LAB 22.75, 33.58, -49.68

 

CMYK 60 / 71 / 0 / 36

HEX #412FA2

RGB 65 47 162

HSL 249.39, 0.55%, 0.41%

LAB 28.81, 40.64, -59.46

 

CMYK 60 / 71 / 0 / 24

HEX #4D38C2

RGB 77 56 194

HSL 249.13, 0.55%, 0.49%

LAB 34.6, 47.27, -68.98

 

CMYK 50 / 59 / 0 / 19

HEX #6855CE

RGB 104 85 206

HSL 249.42, 0.55%, 0.57%

LAB 44.08, 38.9, -60.39

 

CMYK 39 / 46 / 0 / 16

HEX #8475D7

RGB 132 117 215

HSL 249.18, 0.55%, 0.65%

LAB 54.59, 28.99, -48.54

 

CMYK 60 / 71 / 0 / 24

HEX #4E39C2

RGB 78 57 194

HSL 249.2, 0.55%, 0.49%

LAB 34.88, 46.86, -68.51

 

CMYK 0 / 71 / 25 / 24

HEX #C23892

RGB 194 56 146

HSL 320.87, 0.55%, 0.49%

LAB 47.46, 62.49, -19.02

 

CMYK 53 / 0 / 71 / 24

HEX #5BC238

RGB 91 194 56

HSL 104.78, 0.55%, 0.49%

LAB 70.24, -54.3, 57.29

 

CMYK 60 / 71 / 0 / 24

HEX #4E39C2

RGB 78 57 194

HSL 249.2, 0.55%, 0.49%

LAB 34.88, 46.86, -68.51

 

CMYK 0 / 60 / 71 / 24

HEX #C24D38

RGB 194 77 56

HSL 9.13, 0.55%, 0.49%

LAB 48.34, 45.65, 36.18

 

CMYK 71 / 0 / 60 / 24

HEX #38C24D

RGB 56 194 77

HSL 129.13, 0.55%, 0.49%

LAB 69.44, -60.07, 47.43

 

CMYK 60 / 71 / 0 / 24

HEX #4E39C2

RGB 78 57 194

HSL 249.2, 0.55%, 0.49%

LAB 34.88, 46.86, -68.51

 

CMYK 0 / 71 / 25 / 24

HEX #C23892

RGB 194 56 146

HSL 320.87, 0.55%, 0.49%

LAB 47.46, 62.49, -19.02

 

CMYK 11 / 0 / 71 / 24

HEX #ADC238

RGB 173 194 56

HSL 69.13, 0.55%, 0.49%

LAB 74.67, -24.95, 63.19

 

CMYK 71 / 0 / 46 / 24

HEX #38C268

RGB 56 194 104

HSL 140.87, 0.55%, 0.49%

LAB 69.77, -56.23, 34.83

 

CMYK 60 / 71 / 0 / 24

HEX #4E39C2

RGB 78 57 194

HSL 249.2, 0.55%, 0.49%

LAB 34.88, 46.86, -68.51

 

CMYK 0 / 71 / 46 / 24

HEX #C23868

RGB 194 56 104

HSL 339.13, 0.55%, 0.49%

LAB 46.04, 57.84, 4.43

 

CMYK 11 / 0 / 71 / 24

HEX #ADC238

RGB 173 194 56

HSL 69.13, 0.55%, 0.49%

LAB 74.67, -24.95, 63.19

 

CMYK 71 / 0 / 25 / 24

HEX #38C292

RGB 56 194 146

HSL 159.13, 0.55%, 0.49%

LAB 70.52, -47.91, 13.72

 

Description

Color code: HEX #4E39C2 | qconv.com Color code: HEX #4E39C2 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 57 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 57 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 71 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 71% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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