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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E3176 it is the complementary color #B1CE89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E3176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E3176 shade: #533171, #644384, #755597, #8667AA and #9779BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E3176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E3176 shade: #4E3176, #3D1F63, #2C0D50, #1B003D and #0A002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E3176 shade: #4F3277, #613277, #743277, #773267 and #773254

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E3176 shade: #4F3277, #3C3277 and #323277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E3176 shade matches the following richer shades: #4F3277, #4C2484, #4A1692 and #48099F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E3176 shade: #4F3277, #513F69, #534D5B, #555A4E and #576840

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E3176 shade: #323A77, #3C3277, #4E3277, #613277 and #733277

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E3176 shade: #28193C, #3B255A, #4F3277, #623E94 and #754AB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E3176 shade: #4E3176, #77324C and #327733

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E3176 shade: #4E3176, #774E32 and #32774E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E3176 shade: #4E3176, #77324C, #5A7732 and #32775C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E3176 shade: #4E3176, #773237, #5A7732 and #327771

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 58 / 0 / 54

HEX #4E3176

RGB 78 49 118

HSL 265.22, 0.41%, 0.33%

LAB 27.09, 28.84, -34.93

 

Complementary color

CMYK 14 / 0 / 33 / 19

HEX #B1CE89

RGB 177 206 137

HSL 85.22, 0.41%, 0.67%

LAB 79.21, -21.51, 31.21

 

CMYK 27 / 57 / 0 / 56

HEX #533171

RGB 83 49 113

HSL 271.88, 0.4%, 0.32%

LAB 27.37, 28.89, -31.26

 

CMYK 24 / 49 / 0 / 48

HEX #644384

RGB 100 67 132

HSL 270.46, 0.33%, 0.39%

LAB 34.78, 27.89, -31.29

 

CMYK 23 / 44 / 0 / 41

HEX #755597

RGB 117 85 151

HSL 269.09, 0.28%, 0.46%

LAB 42.02, 26.97, -31.31

 

CMYK 21 / 39 / 0 / 33

HEX #8667AA

RGB 134 103 170

HSL 267.76, 0.28%, 0.54%

LAB 49.09, 26.12, -31.35

 

CMYK 20 / 36 / 0 / 26

HEX #9779BD

RGB 151 121 189

HSL 266.47, 0.34%, 0.61%

LAB 56.02, 25.36, -31.41

 

CMYK 34 / 58 / 0 / 54

HEX #4E3176

RGB 78 49 118

HSL 265.22, 0.41%, 0.33%

LAB 27.09, 28.84, -34.93

 

CMYK 38 / 69 / 0 / 61

HEX #3D1F63

RGB 61 31 99

HSL 266.47, 0.52%, 0.25%

LAB 19.53, 29.95, -34.93

 

CMYK 45 / 84 / 0 / 69

HEX #2C0D50

RGB 44 13 80

HSL 267.76, 0.72%, 0.18%

LAB 11.97, 30.66, -34.55

 

CMYK 56 / 100 / 0 / 76

HEX #1B003D

RGB 27 0 61

HSL 266.56, 1%, 0.12%

LAB 5.15, 28.24, -32.46

 

CMYK 76 / 100 / 0 / 84

HEX #0A002A

RGB 10 0 42

HSL 254.29, 1%, 0.08%

LAB 2.09, 13.23, -23.33

 

CMYK 34 / 58 / 0 / 53

HEX #4F3277

RGB 79 50 119

HSL 265.22, 0.41%, 0.33%

LAB 27.51, 28.78, -34.89

 

CMYK 18 / 58 / 0 / 53

HEX #613277

RGB 97 50 119

HSL 280.87, 0.41%, 0.33%

LAB 29.8, 33.82, -31.1

 

CMYK 3 / 58 / 0 / 53

HEX #743277

RGB 116 50 119

HSL 297.39, 0.41%, 0.33%

LAB 32.54, 39.32, -26.59

 

CMYK 0 / 58 / 13 / 53

HEX #773267

RGB 119 50 103

HSL 313.91, 0.41%, 0.33%

LAB 32.22, 37.27, -16.91

 

CMYK 0 / 58 / 29 / 53

HEX #773254

RGB 119 50 84

HSL 330.43, 0.41%, 0.33%

LAB 31.45, 34.24, -5.84

 

CMYK 34 / 58 / 0 / 53

HEX #4F3277

RGB 79 50 119

HSL 265.22, 0.41%, 0.33%

LAB 27.51, 28.78, -34.89

 

CMYK 50 / 58 / 0 / 53

HEX #3C3277

RGB 60 50 119

HSL 248.7, 0.41%, 0.33%

LAB 25.48, 23.9, -38.24

 

CMYK 58 / 58 / 0 / 53

HEX #323277

RGB 50 50 119

HSL 240, 0.41%, 0.33%

LAB 24.61, 21.64, -39.7

 

CMYK 34 / 58 / 0 / 53

HEX #4F3277

RGB 79 50 119

HSL 265.22, 0.41%, 0.33%

LAB 27.51, 28.78, -34.89

 

CMYK 42 / 73 / 0 / 48

HEX #4C2484

RGB 76 36 132

HSL 265, 0.57%, 0.33%

LAB 25.15, 39.69, -46.91

 

CMYK 49 / 85 / 0 / 43

HEX #4A1692

RGB 74 22 146

HSL 265.16, 0.74%, 0.33%

LAB 24.02, 49.34, -57.5

 

CMYK 55 / 94 / 0 / 38

HEX #48099F

RGB 72 9 159

HSL 265.2, 0.89%, 0.33%

LAB 23.92, 56.06, -65.66

 

CMYK 34 / 58 / 0 / 53

HEX #4F3277

RGB 79 50 119

HSL 265.22, 0.41%, 0.33%

LAB 27.51, 28.78, -34.89

 

CMYK 23 / 40 / 0 / 59

HEX #513F69

RGB 81 63 105

HSL 265.71, 0.25%, 0.33%

LAB 30.22, 17.33, -21.69

 

CMYK 9 / 15 / 0 / 64

HEX #534D5B

RGB 83 77 91

HSL 265.71, 0.08%, 0.33%

LAB 33.78, 5.56, -7.31

 

CMYK 6 / 0 / 13 / 65

HEX #555A4E

RGB 85 90 78

HSL 85, 0.07%, 0.33%

LAB 37.47, -4.47, 6.26

 

CMYK 16 / 0 / 38 / 59

HEX #576840

RGB 87 104 64

HSL 85.5, 0.24%, 0.33%

LAB 41.68, -14.13, 20.47

 

CMYK 58 / 51 / 0 / 53

HEX #323A77

RGB 50 58 119

HSL 233.04, 0.41%, 0.33%

LAB 26.84, 16.18, -36.11

 

CMYK 50 / 58 / 0 / 53

HEX #3C3277

RGB 60 50 119

HSL 248.7, 0.41%, 0.33%

LAB 25.48, 23.9, -38.24

 

CMYK 34 / 58 / 0 / 53

HEX #4E3277

RGB 78 50 119

HSL 264.35, 0.41%, 0.33%

LAB 27.39, 28.51, -35.08

 

CMYK 18 / 58 / 0 / 53

HEX #613277

RGB 97 50 119

HSL 280.87, 0.41%, 0.33%

LAB 29.8, 33.82, -31.1

 

CMYK 3 / 58 / 0 / 53

HEX #733277

RGB 115 50 119

HSL 296.52, 0.41%, 0.33%

LAB 32.39, 39.03, -26.84

 

CMYK 33 / 58 / 0 / 76

HEX #28193C

RGB 40 25 60

HSL 265.71, 0.41%, 0.17%

LAB 12.43, 16.36, -19.88

 

CMYK 34 / 59 / 0 / 65

HEX #3B255A

RGB 59 37 90

HSL 264.91, 0.42%, 0.25%

LAB 20.01, 23.1, -28.22

 

CMYK 34 / 58 / 0 / 53

HEX #4F3277

RGB 79 50 119

HSL 265.22, 0.41%, 0.33%

LAB 27.51, 28.78, -34.89

 

CMYK 34 / 58 / 0 / 42

HEX #623E94

RGB 98 62 148

HSL 265.12, 0.41%, 0.41%

LAB 34.36, 34.51, -41.8

 

CMYK 34 / 58 / 0 / 31

HEX #754AB1

RGB 117 74 177

HSL 265.05, 0.41%, 0.49%

LAB 40.98, 40.02, -48.43

 

CMYK 34 / 58 / 0 / 54

HEX #4E3176

RGB 78 49 118

HSL 265.22, 0.41%, 0.33%

LAB 27.09, 28.84, -34.93

 

CMYK 0 / 58 / 36 / 53

HEX #77324C

RGB 119 50 76

HSL 337.39, 0.41%, 0.33%

LAB 31.17, 33.13, -1.04

 

CMYK 58 / 0 / 57 / 53

HEX #327733

RGB 50 119 51

HSL 120.87, 0.41%, 0.33%

LAB 44.39, -36.63, 30.61

 

CMYK 34 / 58 / 0 / 54

HEX #4E3176

RGB 78 49 118

HSL 265.22, 0.41%, 0.33%

LAB 27.09, 28.84, -34.93

 

CMYK 0 / 34 / 58 / 53

HEX #774E32

RGB 119 78 50

HSL 24.35, 0.41%, 0.33%

LAB 37.12, 14.03, 23.49

 

CMYK 58 / 0 / 34 / 53

HEX #32774E

RGB 50 119 78

HSL 144.35, 0.41%, 0.33%

LAB 44.83, -31.91, 16.17

 

CMYK 34 / 58 / 0 / 54

HEX #4E3176

RGB 78 49 118

HSL 265.22, 0.41%, 0.33%

LAB 27.09, 28.84, -34.93

 

CMYK 0 / 58 / 36 / 53

HEX #77324C

RGB 119 50 76

HSL 337.39, 0.41%, 0.33%

LAB 31.17, 33.13, -1.04

 

CMYK 24 / 0 / 58 / 53

HEX #5A7732

RGB 90 119 50

HSL 85.22, 0.41%, 0.33%

LAB 46.44, -22.65, 34.05

 

CMYK 58 / 0 / 23 / 53

HEX #32775C

RGB 50 119 92

HSL 156.52, 0.41%, 0.33%

LAB 45.14, -28.74, 8.39

 

CMYK 34 / 58 / 0 / 54

HEX #4E3176

RGB 78 49 118

HSL 265.22, 0.41%, 0.33%

LAB 27.09, 28.84, -34.93

 

CMYK 0 / 58 / 54 / 53

HEX #773237

RGB 119 50 55

HSL 355.65, 0.41%, 0.33%

LAB 30.59, 30.72, 11.86

 

CMYK 24 / 0 / 58 / 53

HEX #5A7732

RGB 90 119 50

HSL 85.22, 0.41%, 0.33%

LAB 46.44, -22.65, 34.05

 

CMYK 58 / 0 / 5 / 53

HEX #327771

RGB 50 119 113

HSL 174.78, 0.41%, 0.33%

LAB 45.72, -23.17, -3.26

 

Description

Color code: HEX #4E3176 | qconv.com Color code: HEX #4E3176 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 49 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 49 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 58 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 58% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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