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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E2F8C it is the complementary color #B1D073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E2F8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E2F8C shade: #532F87, #64419A, #7553AD, #8665C0 and #9777D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E2F8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E2F8C shade: #4E2F8C, #3D1D79, #2C0B66, #1B0053 and #0A0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E2F8C shade: #4F2F8E, #682F8E, #822F8E, #8E2F80 and #8E2F67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E2F8C shade: #4F2F8E, #352F8E and #2F2F8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E2F8C shade matches the following richer shades: #4F2F8E, #4A209D, #4411AC and #3F01BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E2F8C shade: #4F2F8E, #543E7E, #594E6F, #5E5D60 and #636C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E2F8C shade: #2F428E, #352F8E, #4F2F8E, #682F8E and #812F8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E2F8C shade: #2C1B50, #3D256F, #4F2F8E, #6039AC and #744CC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E2F8C shade: #4E2F8C, #8E2F5B and #358E2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E2F8C shade: #4E2F8C, #8E4F2F and #2F8E4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E2F8C shade: #4E2F8C, #8E2F5B, #6E8E2F and #2F8E61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E2F8C shade: #4E2F8C, #8E2F3F, #6E8E2F and #2F8E7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 66 / 0 / 45

HEX #4E2F8C

RGB 78 47 140

HSL 260, 0.5%, 0.37%

LAB 28.24, 36.3, -46.87

 

Complementary color

CMYK 15 / 0 / 45 / 18

HEX #B1D073

RGB 177 208 115

HSL 80, 0.5%, 0.63%

LAB 79.44, -25.23, 42.64

 

CMYK 39 / 65 / 0 / 47

HEX #532F87

RGB 83 47 135

HSL 264.55, 0.48%, 0.36%

LAB 28.44, 36, -43.41

 

CMYK 35 / 58 / 0 / 40

HEX #64419A

RGB 100 65 154

HSL 263.6, 0.41%, 0.43%

LAB 35.64, 34.88, -43.37

 

CMYK 32 / 52 / 0 / 32

HEX #7553AD

RGB 117 83 173

HSL 262.67, 0.35%, 0.5%

LAB 42.74, 33.79, -43.26

 

CMYK 30 / 47 / 0 / 25

HEX #8665C0

RGB 134 101 192

HSL 261.76, 0.42%, 0.57%

LAB 49.72, 32.77, -43.14

 

CMYK 28 / 44 / 0 / 17

HEX #9777D3

RGB 151 119 211

HSL 260.87, 0.51%, 0.65%

LAB 56.56, 31.84, -43.05

 

CMYK 44 / 66 / 0 / 45

HEX #4E2F8C

RGB 78 47 140

HSL 260, 0.5%, 0.37%

LAB 28.24, 36.3, -46.87

 

CMYK 50 / 76 / 0 / 53

HEX #3D1D79

RGB 61 29 121

HSL 260.87, 0.61%, 0.29%

LAB 21.02, 37.43, -46.76

 

CMYK 57 / 89 / 0 / 60

HEX #2C0B66

RGB 44 11 102

HSL 261.76, 0.81%, 0.22%

LAB 14.03, 37.82, -46

 

CMYK 67 / 100 / 0 / 67

HEX #1B0053

RGB 27 0 83

HSL 259.52, 1%, 0.16%

LAB 7.75, 35.99, -43.67

 

CMYK 84 / 100 / 0 / 75

HEX #0A0040

RGB 10 0 64

HSL 249.38, 1%, 0.13%

LAB 3.93, 25.49, -36.68

 

CMYK 44 / 67 / 0 / 44

HEX #4F2F8E

RGB 79 47 142

HSL 260.21, 0.5%, 0.37%

LAB 28.51, 37.09, -47.66

 

CMYK 27 / 67 / 0 / 44

HEX #682F8E

RGB 104 47 142

HSL 276, 0.5%, 0.37%

LAB 31.64, 42.7, -42.44

 

CMYK 8 / 67 / 0 / 44

HEX #822F8E

RGB 130 47 142

HSL 292.42, 0.5%, 0.37%

LAB 35.46, 49.01, -36.11

 

CMYK 0 / 67 / 10 / 44

HEX #8E2F80

RGB 142 47 128

HSL 308.84, 0.5%, 0.37%

LAB 36.64, 49.59, -25.49

 

CMYK 0 / 67 / 27 / 44

HEX #8E2F67

RGB 142 47 103

HSL 324.63, 0.5%, 0.37%

LAB 35.52, 45.81, -11.51

 

CMYK 44 / 67 / 0 / 44

HEX #4F2F8E

RGB 79 47 142

HSL 260.21, 0.5%, 0.37%

LAB 28.51, 37.09, -47.66

 

CMYK 63 / 67 / 0 / 44

HEX #352F8E

RGB 53 47 142

HSL 243.79, 0.5%, 0.37%

LAB 25.99, 32.2, -51.87

 

CMYK 67 / 67 / 0 / 44

HEX #2F2F8E

RGB 47 47 142

HSL 240, 0.5%, 0.37%

LAB 25.53, 31.27, -52.63

 

CMYK 44 / 67 / 0 / 44

HEX #4F2F8E

RGB 79 47 142

HSL 260.21, 0.5%, 0.37%

LAB 28.51, 37.09, -47.66

 

CMYK 53 / 80 / 0 / 38

HEX #4A209D

RGB 74 32 157

HSL 260.16, 0.66%, 0.37%

LAB 26.51, 48.19, -60.16

 

CMYK 60 / 90 / 0 / 33

HEX #4411AC

RGB 68 17 172

HSL 259.74, 0.82%, 0.37%

LAB 25.59, 57.02, -70.8

 

CMYK 66 / 99 / 0 / 27

HEX #3F01BB

RGB 63 1 187

HSL 260, 0.99%, 0.37%

LAB 25.76, 63.88, -79.5

 

CMYK 44 / 67 / 0 / 44

HEX #4F2F8E

RGB 79 47 142

HSL 260.21, 0.5%, 0.37%

LAB 28.51, 37.09, -47.66

 

CMYK 33 / 51 / 0 / 51

HEX #543E7E

RGB 84 62 126

HSL 260.63, 0.34%, 0.37%

LAB 31.43, 24.66, -32.99

 

CMYK 20 / 30 / 0 / 56

HEX #594E6F

RGB 89 78 111

HSL 260, 0.17%, 0.37%

LAB 35.44, 12.04, -17.31

 

CMYK 2 / 3 / 0 / 62

HEX #5E5D60

RGB 94 93 96

HSL 260, 0.02%, 0.37%

LAB 39.67, 1.03, -1.58

 

CMYK 8 / 0 / 26 / 58

HEX #636C50

RGB 99 108 80

HSL 79.29, 0.15%, 0.37%

LAB 44.17, -8.83, 14.56

 

CMYK 67 / 54 / 0 / 44

HEX #2F428E

RGB 47 66 142

HSL 228, 0.5%, 0.37%

LAB 30.53, 18.59, -44.51

 

CMYK 63 / 67 / 0 / 44

HEX #352F8E

RGB 53 47 142

HSL 243.79, 0.5%, 0.37%

LAB 25.99, 32.2, -51.87

 

CMYK 44 / 67 / 0 / 44

HEX #4F2F8E

RGB 79 47 142

HSL 260.21, 0.5%, 0.37%

LAB 28.51, 37.09, -47.66

 

CMYK 27 / 67 / 0 / 44

HEX #682F8E

RGB 104 47 142

HSL 276, 0.5%, 0.37%

LAB 31.64, 42.7, -42.44

 

CMYK 9 / 67 / 0 / 44

HEX #812F8E

RGB 129 47 142

HSL 291.79, 0.5%, 0.37%

LAB 35.31, 48.76, -36.37

 

CMYK 45 / 66 / 0 / 69

HEX #2C1B50

RGB 44 27 80

HSL 259.25, 0.5%, 0.21%

LAB 14.95, 22.47, -29.72

 

CMYK 45 / 67 / 0 / 56

HEX #3D256F

RGB 61 37 111

HSL 259.46, 0.5%, 0.29%

LAB 21.81, 29.9, -39.06

 

CMYK 44 / 67 / 0 / 44

HEX #4F2F8E

RGB 79 47 142

HSL 260.21, 0.5%, 0.37%

LAB 28.51, 37.09, -47.66

 

CMYK 44 / 67 / 0 / 33

HEX #6039AC

RGB 96 57 172

HSL 260.35, 0.5%, 0.45%

LAB 34.79, 43.47, -55.59

 

CMYK 41 / 61 / 0 / 24

HEX #744CC3

RGB 116 76 195

HSL 260.17, 0.5%, 0.53%

LAB 42.49, 43.46, -56.54

 

CMYK 44 / 66 / 0 / 45

HEX #4E2F8C

RGB 78 47 140

HSL 260, 0.5%, 0.37%

LAB 28.24, 36.3, -46.87

 

CMYK 0 / 67 / 36 / 44

HEX #8E2F5B

RGB 142 47 91

HSL 332.21, 0.5%, 0.37%

LAB 35.08, 44.26, -4.52

 

CMYK 63 / 0 / 67 / 44

HEX #358E2F

RGB 53 142 47

HSL 116.21, 0.5%, 0.37%

LAB 52.18, -45.5, 41.47

 

CMYK 44 / 66 / 0 / 45

HEX #4E2F8C

RGB 78 47 140

HSL 260, 0.5%, 0.37%

LAB 28.24, 36.3, -46.87

 

CMYK 0 / 44 / 67 / 44

HEX #8E4F2F

RGB 142 79 47

HSL 20.21, 0.5%, 0.37%

LAB 40.49, 23.46, 30.05

 

CMYK 67 / 0 / 44 / 44

HEX #2F8E4F

RGB 47 142 79

HSL 140.21, 0.5%, 0.37%

LAB 52.41, -42.28, 25.63

 

CMYK 44 / 66 / 0 / 45

HEX #4E2F8C

RGB 78 47 140

HSL 260, 0.5%, 0.37%

LAB 28.24, 36.3, -46.87

 

CMYK 0 / 67 / 36 / 44

HEX #8E2F5B

RGB 142 47 91

HSL 332.21, 0.5%, 0.37%

LAB 35.08, 44.26, -4.52

 

CMYK 23 / 0 / 67 / 44

HEX #6E8E2F

RGB 110 142 47

HSL 80.21, 0.5%, 0.37%

LAB 54.93, -26.17, 45.24

 

CMYK 67 / 0 / 32 / 44

HEX #2F8E61

RGB 47 142 97

HSL 151.58, 0.5%, 0.37%

LAB 52.74, -38.68, 16.06

 

CMYK 44 / 66 / 0 / 45

HEX #4E2F8C

RGB 78 47 140

HSL 260, 0.5%, 0.37%

LAB 28.24, 36.3, -46.87

 

CMYK 0 / 67 / 56 / 44

HEX #8E2F3F

RGB 142 47 63

HSL 349.89, 0.5%, 0.37%

LAB 34.28, 41.35, 12.37

 

CMYK 23 / 0 / 67 / 44

HEX #6E8E2F

RGB 110 142 47

HSL 80.21, 0.5%, 0.37%

LAB 54.93, -26.17, 45.24

 

CMYK 67 / 0 / 11 / 44

HEX #2F8E7E

RGB 47 142 126

HSL 169.89, 0.5%, 0.37%

LAB 53.45, -31.49, 0.43

 

Description

Color code: HEX #4E2F8C | qconv.com Color code: HEX #4E2F8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 47 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 47 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 66 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 66% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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