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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E294C it is the complementary color #B1D6B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E294C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E294C shade: #532947, #643B5A, #754D6D, #865F80 and #977193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E294C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E294C shade: #4E294C, #3D1739, #2C0526, #1B0013 and #0A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E294C shade: #4D284B, #4D2841, #4D2837, #4D282D and #4D2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E294C shade: #4D284B, #45284D, #3B284D, #31284D and #28284D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E294C shade matches the following richer shades: #4D284B, #561F53, #60155C, #690C64 and #73036D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E294C shade: #4D284B, #433242, #3A3B3A, #304531 and #274E29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E294C shade: #3B284D, #45284D, #4D284B, #4D2841 and #4D2838

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E294C shade: #170C16, #321A31, #4D284B, #683765 and #834580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E294C shade: #4E294C, #4D3228 and #284D40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E294C shade: #4E294C, #4B4D28 and #284B4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E294C shade: #4E294C, #4D3228, #284D2A and #28444D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E294C shade: #4E294C, #4D3C28, #284D2A and #28394D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 3 / 69

HEX #4E294C

RGB 78 41 76

HSL 303.24, 0.31%, 0.23%

LAB 22.75, 23.27, -14.37

 

Complementary color

CMYK 17 / 0 / 16 / 16

HEX #B1D6B3

RGB 177 214 179

HSL 123.24, 0.31%, 0.77%

LAB 82.21, -18.87, 13.29

 

CMYK 0 / 51 / 14 / 67

HEX #532947

RGB 83 41 71

HSL 317.14, 0.34%, 0.24%

LAB 23.27, 24.1, -10.14

 

CMYK 0 / 41 / 10 / 61

HEX #643B5A

RGB 100 59 90

HSL 314.63, 0.26%, 0.31%

LAB 30.82, 23.22, -10.95

 

CMYK 0 / 34 / 7 / 54

HEX #754D6D

RGB 117 77 109

HSL 312, 0.21%, 0.38%

LAB 38.19, 22.39, -11.59

 

CMYK 0 / 29 / 4 / 47

HEX #865F80

RGB 134 95 128

HSL 309.23, 0.17%, 0.45%

LAB 45.37, 21.63, -12.15

 

CMYK 0 / 25 / 3 / 41

HEX #977193

RGB 151 113 147

HSL 306.32, 0.15%, 0.52%

LAB 52.39, 20.94, -12.65

 

CMYK 0 / 47 / 3 / 69

HEX #4E294C

RGB 78 41 76

HSL 303.24, 0.31%, 0.23%

LAB 22.75, 23.27, -14.37

 

CMYK 0 / 62 / 7 / 76

HEX #3D1739

RGB 61 23 57

HSL 306.32, 0.45%, 0.16%

LAB 14.96, 24.05, -13.56

 

CMYK 0 / 89 / 14 / 83

HEX #2C0526

RGB 44 5 38

HSL 309.23, 0.8%, 0.1%

LAB 7.08, 24.31, -12.16

 

CMYK 0 / 100 / 30 / 89

HEX #1B0013

RGB 27 0 19

HSL 317.78, 1%, 0.05%

LAB 2.53, 12.43, -4.79

 

CMYK 0 / 100 / 100 / 96

HEX #0A0000

RGB 10 0 0

HSL 0, 1%, 0.02%

LAB 0.58, 2.62, 0.92

 

CMYK 0 / 48 / 3 / 70

HEX #4D284B

RGB 77 40 75

HSL 303.24, 0.32%, 0.23%

LAB 22.31, 23.31, -14.38

 

CMYK 0 / 48 / 16 / 70

HEX #4D2841

RGB 77 40 65

HSL 319.46, 0.32%, 0.23%

LAB 21.86, 21.28, -8.3

 

CMYK 0 / 48 / 29 / 70

HEX #4D2837

RGB 77 40 55

HSL 335.68, 0.32%, 0.23%

LAB 21.47, 19.48, -2.03

 

CMYK 0 / 48 / 42 / 70

HEX #4D282D

RGB 77 40 45

HSL 351.89, 0.32%, 0.23%

LAB 21.15, 17.93, 4.39

 

CMYK 0 / 48 / 48 / 70

HEX #4D2828

RGB 77 40 40

HSL 0, 0.32%, 0.23%

LAB 21.01, 17.26, 7.64

 

CMYK 0 / 48 / 3 / 70

HEX #4D284B

RGB 77 40 75

HSL 303.24, 0.32%, 0.23%

LAB 22.31, 23.31, -14.38

 

CMYK 10 / 48 / 0 / 70

HEX #45284D

RGB 69 40 77

HSL 287.03, 0.32%, 0.23%

LAB 21.28, 20.91, -17.43

 

CMYK 23 / 48 / 0 / 70

HEX #3B284D

RGB 59 40 77

HSL 270.81, 0.32%, 0.23%

LAB 19.98, 17.41, -19.56

 

CMYK 36 / 48 / 0 / 70

HEX #31284D

RGB 49 40 77

HSL 254.59, 0.32%, 0.23%

LAB 18.83, 14.06, -21.45

 

CMYK 48 / 48 / 0 / 70

HEX #28284D

RGB 40 40 77

HSL 240, 0.32%, 0.23%

LAB 17.94, 11.26, -22.91

 

CMYK 0 / 48 / 3 / 70

HEX #4D284B

RGB 77 40 75

HSL 303.24, 0.32%, 0.23%

LAB 22.31, 23.31, -14.38

 

CMYK 0 / 64 / 3 / 66

HEX #561F53

RGB 86 31 83

HSL 303.27, 0.47%, 0.23%

LAB 22.24, 33.02, -19.76

 

CMYK 0 / 78 / 4 / 62

HEX #60155C

RGB 96 21 92

HSL 303.2, 0.64%, 0.23%

LAB 22.98, 41.78, -24.46

 

CMYK 0 / 89 / 5 / 59

HEX #690C64

RGB 105 12 100

HSL 303.23, 0.79%, 0.23%

LAB 24.28, 47.84, -27.57

 

CMYK 0 / 97 / 5 / 55

HEX #73036D

RGB 115 3 109

HSL 303.21, 0.95%, 0.23%

LAB 26.2, 53.07, -30.26

 

CMYK 0 / 48 / 3 / 70

HEX #4D284B

RGB 77 40 75

HSL 303.24, 0.32%, 0.23%

LAB 22.31, 23.31, -14.38

 

CMYK 0 / 25 / 1 / 74

HEX #433242

RGB 67 50 66

HSL 303.53, 0.15%, 0.23%

LAB 23.23, 10.96, -7.03

 

CMYK 2 / 0 / 2 / 77

HEX #3A3B3A

RGB 58 59 58

HSL 120, 0.01%, 0.23%

LAB 24.74, -0.65, 0.47

 

CMYK 30 / 0 / 29 / 73

HEX #304531

RGB 48 69 49

HSL 122.86, 0.18%, 0.23%

LAB 27.04, -13.02, 9.5

 

CMYK 50 / 0 / 47 / 69

HEX #274E29

RGB 39 78 41

HSL 123.08, 0.33%, 0.23%

LAB 29.51, -22.82, 17.7

 

CMYK 23 / 48 / 0 / 70

HEX #3B284D

RGB 59 40 77

HSL 270.81, 0.32%, 0.23%

LAB 19.98, 17.41, -19.56

 

CMYK 10 / 48 / 0 / 70

HEX #45284D

RGB 69 40 77

HSL 287.03, 0.32%, 0.23%

LAB 21.28, 20.91, -17.43

 

CMYK 0 / 48 / 3 / 70

HEX #4D284B

RGB 77 40 75

HSL 303.24, 0.32%, 0.23%

LAB 22.31, 23.31, -14.38

 

CMYK 0 / 48 / 16 / 70

HEX #4D2841

RGB 77 40 65

HSL 319.46, 0.32%, 0.23%

LAB 21.86, 21.28, -8.3

 

CMYK 0 / 48 / 27 / 70

HEX #4D2838

RGB 77 40 56

HSL 334.05, 0.32%, 0.23%

LAB 21.51, 19.65, -2.66

 

CMYK 0 / 48 / 4 / 91

HEX #170C16

RGB 23 12 22

HSL 305.45, 0.31%, 0.07%

LAB 4.54, 6.21, -3.94

 

CMYK 0 / 48 / 2 / 80

HEX #321A31

RGB 50 26 49

HSL 302.5, 0.32%, 0.15%

LAB 13.46, 16.34, -10.3

 

CMYK 0 / 48 / 3 / 70

HEX #4D284B

RGB 77 40 75

HSL 303.24, 0.32%, 0.23%

LAB 22.31, 23.31, -14.38

 

CMYK 0 / 47 / 3 / 59

HEX #683765

RGB 104 55 101

HSL 303.67, 0.31%, 0.31%

LAB 30.91, 29.21, -17.83

 

CMYK 0 / 47 / 2 / 49

HEX #834580

RGB 131 69 128

HSL 302.9, 0.31%, 0.39%

LAB 38.97, 35.56, -21.99

 

CMYK 0 / 47 / 3 / 69

HEX #4E294C

RGB 78 41 76

HSL 303.24, 0.31%, 0.23%

LAB 22.75, 23.27, -14.37

 

CMYK 0 / 35 / 48 / 70

HEX #4D3228

RGB 77 50 40

HSL 16.22, 0.32%, 0.23%

LAB 23.71, 10.83, 11.32

 

CMYK 48 / 0 / 17 / 70

HEX #284D40

RGB 40 77 64

HSL 158.92, 0.32%, 0.23%

LAB 29.74, -16.87, 3.61

 

CMYK 0 / 47 / 3 / 69

HEX #4E294C

RGB 78 41 76

HSL 303.24, 0.31%, 0.23%

LAB 22.75, 23.27, -14.37

 

CMYK 3 / 0 / 48 / 70

HEX #4B4D28

RGB 75 77 40

HSL 63.24, 0.32%, 0.23%

LAB 31.71, -7.24, 21.6

 

CMYK 48 / 3 / 0 / 70

HEX #284B4D

RGB 40 75 77

HSL 183.24, 0.32%, 0.23%

LAB 29.46, -12.03, -5.15

 

CMYK 0 / 47 / 3 / 69

HEX #4E294C

RGB 78 41 76

HSL 303.24, 0.31%, 0.23%

LAB 22.75, 23.27, -14.37

 

CMYK 0 / 35 / 48 / 70

HEX #4D3228

RGB 77 50 40

HSL 16.22, 0.32%, 0.23%

LAB 23.71, 10.83, 11.32

 

CMYK 48 / 0 / 45 / 70

HEX #284D2A

RGB 40 77 42

HSL 123.24, 0.32%, 0.23%

LAB 29.23, -21.79, 16.73

 

CMYK 48 / 12 / 0 / 70

HEX #28444D

RGB 40 68 77

HSL 194.59, 0.32%, 0.23%

LAB 27.08, -7.77, -8.74

 

CMYK 0 / 47 / 3 / 69

HEX #4E294C

RGB 78 41 76

HSL 303.24, 0.31%, 0.23%

LAB 22.75, 23.27, -14.37

 

CMYK 0 / 22 / 48 / 70

HEX #4D3C28

RGB 77 60 40

HSL 32.43, 0.32%, 0.23%

LAB 26.63, 4.34, 15.18

 

CMYK 48 / 0 / 45 / 70

HEX #284D2A

RGB 40 77 42

HSL 123.24, 0.32%, 0.23%

LAB 29.23, -21.79, 16.73

 

CMYK 48 / 26 / 0 / 70

HEX #28394D

RGB 40 57 77

HSL 212.43, 0.32%, 0.23%

LAB 23.38, -0.64, -14.38

 

Description

Color code: HEX #4E294C | qconv.com Color code: HEX #4E294C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 41 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 41 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 3 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 3% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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