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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E2164 it is the complementary color #B1DE9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E2164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E2164 shade: #53215F, #643372, #754585, #865798 and #9769AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E2164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E2164 shade: #4E2164, #3D0F51, #2C003E, #1B002B and #0A0018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E2164 shade: #4E2163, #602163, #632155, #632144 and #632132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E2164 shade: #4E2163, #3C2163, #2A2163 and #212163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E2164 shade matches the following richer shades: #4E2163, #51166E, #550C79 and #590184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E2164 shade: #4E2163, #4A2C59, #46374E, #434143 and #3F4C39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E2164 shade: #2A2163, #3C2163, #4D2163, #5F2163 and #632156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E2164 shade: #1D0D26, #361745, #4E2163, #662B82 and #7E36A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E2164 shade: #4E2164, #63212A and #216333

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E2164 shade: #4E2164, #634D21 and #21634D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E2164 shade: #4E2164, #63212A, #376321 and #21635B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E2164 shade: #4E2164, #632C21, #376321 and #215863

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 67 / 0 / 61

HEX #4E2164

RGB 78 33 100

HSL 280.3, 0.5%, 0.26%

LAB 22.4, 33.42, -30.84

 

Complementary color

CMYK 20 / 0 / 30 / 13

HEX #B1DE9B

RGB 177 222 155

HSL 100.3, 0.5%, 0.74%

LAB 83.94, -26.71, 28.23

 

CMYK 13 / 65 / 0 / 63

HEX #53215F

RGB 83 33 95

HSL 288.39, 0.48%, 0.25%

LAB 22.84, 33.62, -26.82

 

CMYK 12 / 55 / 0 / 55

HEX #643372

RGB 100 51 114

HSL 286.67, 0.38%, 0.32%

LAB 30.14, 32.98, -27.37

 

CMYK 12 / 48 / 0 / 48

HEX #754585

RGB 117 69 133

HSL 285, 0.32%, 0.4%

LAB 37.36, 32.16, -27.71

 

CMYK 12 / 43 / 0 / 40

HEX #865798

RGB 134 87 152

HSL 283.38, 0.27%, 0.47%

LAB 44.45, 31.32, -27.97

 

CMYK 12 / 39 / 0 / 33

HEX #9769AB

RGB 151 105 171

HSL 281.82, 0.28%, 0.54%

LAB 51.41, 30.51, -28.19

 

CMYK 22 / 67 / 0 / 61

HEX #4E2164

RGB 78 33 100

HSL 280.3, 0.5%, 0.26%

LAB 22.4, 33.42, -30.84

 

CMYK 25 / 81 / 0 / 68

HEX #3D0F51

RGB 61 15 81

HSL 281.82, 0.69%, 0.19%

LAB 15.1, 33.54, -30.03

 

CMYK 29 / 100 / 0 / 76

HEX #2C003E

RGB 44 0 62

HSL 282.58, 1%, 0.12%

LAB 7.98, 32.54, -28.45

 

CMYK 37 / 100 / 0 / 83

HEX #1B002B

RGB 27 0 43

HSL 277.67, 1%, 0.08%

LAB 3.68, 20.48, -21.49

 

CMYK 58 / 100 / 0 / 91

HEX #0A0018

RGB 10 0 24

HSL 265, 1%, 0.05%

LAB 1.18, 6.8, -10.47

 

CMYK 21 / 67 / 0 / 61

HEX #4E2163

RGB 78 33 99

HSL 280.91, 0.5%, 0.26%

LAB 22.33, 33.17, -30.3

 

CMYK 3 / 67 / 0 / 61

HEX #602163

RGB 96 33 99

HSL 297.27, 0.5%, 0.26%

LAB 25.18, 38.08, -25.59

 

CMYK 0 / 67 / 14 / 61

HEX #632155

RGB 99 33 85

HSL 312.73, 0.5%, 0.26%

LAB 24.94, 36.35, -16.72

 

CMYK 0 / 67 / 31 / 61

HEX #632144

RGB 99 33 68

HSL 328.18, 0.5%, 0.26%

LAB 24.19, 33.67, -6.47

 

CMYK 0 / 67 / 49 / 61

HEX #632132

RGB 99 33 50

HSL 344.55, 0.5%, 0.26%

LAB 23.57, 31.4, 4.92

 

CMYK 21 / 67 / 0 / 61

HEX #4E2163

RGB 78 33 99

HSL 280.91, 0.5%, 0.26%

LAB 22.33, 33.17, -30.3

 

CMYK 39 / 67 / 0 / 61

HEX #3C2163

RGB 60 33 99

HSL 264.55, 0.5%, 0.26%

LAB 19.84, 28.51, -34.44

 

CMYK 58 / 67 / 0 / 61

HEX #2A2163

RGB 42 33 99

HSL 248.18, 0.5%, 0.26%

LAB 17.83, 24.4, -37.79

 

CMYK 67 / 67 / 0 / 61

HEX #212163

RGB 33 33 99

HSL 240, 0.5%, 0.26%

LAB 17.05, 22.68, -39.1

 

CMYK 21 / 67 / 0 / 61

HEX #4E2163

RGB 78 33 99

HSL 280.91, 0.5%, 0.26%

LAB 22.33, 33.17, -30.3

 

CMYK 26 / 80 / 0 / 57

HEX #51166E

RGB 81 22 110

HSL 280.23, 0.67%, 0.26%

LAB 21.76, 41.66, -38.36

 

CMYK 30 / 90 / 0 / 53

HEX #550C79

RGB 85 12 121

HSL 280.18, 0.82%, 0.26%

LAB 22.21, 48.11, -44.68

 

CMYK 33 / 99 / 0 / 48

HEX #590184

RGB 89 1 132

HSL 280.31, 0.98%, 0.26%

LAB 23.04, 53.52, -50.28

 

CMYK 21 / 67 / 0 / 61

HEX #4E2163

RGB 78 33 99

HSL 280.91, 0.5%, 0.26%

LAB 22.33, 33.17, -30.3

 

CMYK 17 / 51 / 0 / 65

HEX #4A2C59

RGB 74 44 89

HSL 280, 0.34%, 0.26%

LAB 23.6, 23.03, -21.74

 

CMYK 10 / 29 / 0 / 69

HEX #46374E

RGB 70 55 78

HSL 279.13, 0.17%, 0.26%

LAB 25.52, 11.67, -11.54

 

CMYK 0 / 3 / 0 / 74

HEX #434143

RGB 67 65 67

HSL 300, 0.02%, 0.26%

LAB 27.79, 1.29, -0.92

 

CMYK 17 / 0 / 25 / 70

HEX #3F4C39

RGB 63 76 57

HSL 101.05, 0.14%, 0.26%

LAB 30.69, -9.36, 9.62

 

CMYK 58 / 67 / 0 / 61

HEX #2A2163

RGB 42 33 99

HSL 248.18, 0.5%, 0.26%

LAB 17.83, 24.4, -37.79

 

CMYK 39 / 67 / 0 / 61

HEX #3C2163

RGB 60 33 99

HSL 264.55, 0.5%, 0.26%

LAB 19.84, 28.51, -34.44

 

CMYK 22 / 67 / 0 / 61

HEX #4D2163

RGB 77 33 99

HSL 280, 0.5%, 0.26%

LAB 22.18, 32.91, -30.55

 

CMYK 4 / 67 / 0 / 61

HEX #5F2163

RGB 95 33 99

HSL 296.36, 0.5%, 0.26%

LAB 25.02, 37.8, -25.86

 

CMYK 0 / 67 / 13 / 61

HEX #632156

RGB 99 33 86

HSL 311.82, 0.5%, 0.26%

LAB 24.99, 36.52, -17.3

 

CMYK 24 / 66 / 0 / 85

HEX #1D0D26

RGB 29 13 38

HSL 278.4, 0.49%, 0.1%

LAB 6.22, 13.79, -13.69

 

CMYK 22 / 67 / 0 / 73

HEX #361745

RGB 54 23 69

HSL 280.43, 0.5%, 0.18%

LAB 14.55, 24.59, -22.71

 

CMYK 21 / 67 / 0 / 61

HEX #4E2163

RGB 78 33 99

HSL 280.91, 0.5%, 0.26%

LAB 22.33, 33.17, -30.3

 

CMYK 22 / 67 / 0 / 49

HEX #662B82

RGB 102 43 130

HSL 280.69, 0.5%, 0.34%

LAB 29.82, 41.43, -37.93

 

CMYK 22 / 66 / 0 / 37

HEX #7E36A1

RGB 126 54 161

HSL 280.37, 0.5%, 0.42%

LAB 37.2, 48.79, -44.91

 

CMYK 22 / 67 / 0 / 61

HEX #4E2164

RGB 78 33 100

HSL 280.3, 0.5%, 0.26%

LAB 22.4, 33.42, -30.84

 

CMYK 0 / 67 / 58 / 61

HEX #63212A

RGB 99 33 42

HSL 351.82, 0.5%, 0.26%

LAB 23.36, 30.6, 10.11

 

CMYK 67 / 0 / 48 / 61

HEX #216333

RGB 33 99 51

HSL 136.36, 0.5%, 0.26%

LAB 36.9, -32.48, 21.24

 

CMYK 22 / 67 / 0 / 61

HEX #4E2164

RGB 78 33 100

HSL 280.3, 0.5%, 0.26%

LAB 22.4, 33.42, -30.84

 

CMYK 0 / 22 / 67 / 61

HEX #634D21

RGB 99 77 33

HSL 40, 0.5%, 0.26%

LAB 34.13, 3.72, 29.05

 

CMYK 67 / 0 / 22 / 61

HEX #21634D

RGB 33 99 77

HSL 160, 0.5%, 0.26%

LAB 37.45, -26.67, 6.44

 

CMYK 22 / 67 / 0 / 61

HEX #4E2164

RGB 78 33 100

HSL 280.3, 0.5%, 0.26%

LAB 22.4, 33.42, -30.84

 

CMYK 0 / 67 / 58 / 61

HEX #63212A

RGB 99 33 42

HSL 351.82, 0.5%, 0.26%

LAB 23.36, 30.6, 10.11

 

CMYK 44 / 0 / 67 / 61

HEX #376321

RGB 55 99 33

HSL 100, 0.5%, 0.26%

LAB 37.56, -28.4, 31.9

 

CMYK 67 / 0 / 8 / 61

HEX #21635B

RGB 33 99 91

HSL 172.73, 0.5%, 0.26%

LAB 37.85, -22.74, -1.59

 

CMYK 22 / 67 / 0 / 61

HEX #4E2164

RGB 78 33 100

HSL 280.3, 0.5%, 0.26%

LAB 22.4, 33.42, -30.84

 

CMYK 0 / 56 / 67 / 61

HEX #632C21

RGB 99 44 33

HSL 10, 0.5%, 0.26%

LAB 25.45, 23.89, 18.82

 

CMYK 44 / 0 / 67 / 61

HEX #376321

RGB 55 99 33

HSL 100, 0.5%, 0.26%

LAB 37.56, -28.4, 31.9

 

CMYK 67 / 11 / 0 / 61

HEX #215863

RGB 33 88 99

HSL 190, 0.5%, 0.26%

LAB 34.4, -14.17, -11.71

 

Description

Color code: HEX #4E2164 | qconv.com Color code: HEX #4E2164 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 33 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 33 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 67 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 67% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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