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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E0175 it is the complementary color #B1FE8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E0175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E0175 shade: #530170, #641383, #752596, #8637A9 and #9749BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E0175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E0175 shade: #4E0175, #3D0062, #2C004F, #1B003C and #0A0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E0175 shade: #4D0174, #6C0174, #74015D, #74013E and #74011F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E0175 shade: #4D0174, #2E0174, #0F0174 and #010174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E0175 shade matches the following richer shades: #4D0174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E0175 shade: #4D0174, #4A0B6B, #471461, #441E58 and #41274E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E0175 shade: #0F0174, #2D0174, #4C0174, #6B0174 and #74015F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E0175 shade: #170022, #32014B, #4D0174, #69029D and #8402C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E0175 shade: #4E0175, #740112 and #01741E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E0175 shade: #4E0175, #744C01 and #01744C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E0175 shade: #4E0175, #740112, #297401 and #017463

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E0175 shade: #4E0175, #741201, #297401 and #016374

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 99 / 0 / 54

HEX #4E0175

RGB 78 1 117

HSL 279.83, 0.98%, 0.23%

LAB 19.74, 48.96, -46.19

 

Complementary color

CMYK 30 / 0 / 46 / 0

HEX #B1FE8A

RGB 177 254 138

HSL 99.83, 0.98%, 0.77%

LAB 92.6, -43.63, 47.91

 

CMYK 26 / 99 / 0 / 56

HEX #530170

RGB 83 1 112

HSL 284.32, 0.98%, 0.22%

LAB 20.17, 48.61, -42.23

 

CMYK 24 / 85 / 0 / 49

HEX #641383

RGB 100 19 131

HSL 283.39, 0.75%, 0.29%

LAB 26.2, 50.85, -44.42

 

CMYK 22 / 75 / 0 / 41

HEX #752596

RGB 117 37 150

HSL 282.48, 0.6%, 0.37%

LAB 32.5, 51.86, -45.88

 

CMYK 21 / 67 / 0 / 34

HEX #8637A9

RGB 134 55 169

HSL 281.58, 0.51%, 0.44%

LAB 39.01, 51.91, -46.74

 

CMYK 20 / 61 / 0 / 26

HEX #9749BC

RGB 151 73 188

HSL 280.7, 0.46%, 0.51%

LAB 45.6, 51.48, -47.26

 

CMYK 33 / 99 / 0 / 54

HEX #4E0175

RGB 78 1 117

HSL 279.83, 0.98%, 0.23%

LAB 19.74, 48.96, -46.19

 

CMYK 38 / 100 / 0 / 62

HEX #3D0062

RGB 61 0 98

HSL 277.35, 1%, 0.19%

LAB 14.81, 42.96, -41.96

 

CMYK 44 / 100 / 0 / 69

HEX #2C004F

RGB 44 0 79

HSL 273.42, 1%, 0.15%

LAB 9.8, 36.5, -37.43

 

CMYK 55 / 100 / 0 / 76

HEX #1B003C

RGB 27 0 60

HSL 267, 1%, 0.12%

LAB 5.05, 27.83, -31.9

 

CMYK 76 / 100 / 0 / 84

HEX #0A0029

RGB 10 0 41

HSL 254.63, 1%, 0.08%

LAB 2.03, 12.78, -22.67

 

CMYK 34 / 99 / 0 / 55

HEX #4D0174

RGB 77 1 116

HSL 279.65, 0.98%, 0.23%

LAB 19.48, 48.62, -45.99

 

CMYK 7 / 99 / 0 / 55

HEX #6C0174

RGB 108 1 116

HSL 295.83, 0.98%, 0.23%

LAB 25.17, 53.33, -36.48

 

CMYK 0 / 99 / 20 / 55

HEX #74015D

RGB 116 1 93

HSL 312, 0.98%, 0.23%

LAB 25.34, 51.31, -21.15

 

CMYK 0 / 99 / 47 / 55

HEX #74013E

RGB 116 1 62

HSL 328.17, 0.98%, 0.23%

LAB 23.94, 47.71, -2.37

 

CMYK 0 / 99 / 73 / 55

HEX #74011F

RGB 116 1 31

HSL 344.35, 0.98%, 0.23%

LAB 23.11, 45.49, 18.01

 

CMYK 34 / 99 / 0 / 55

HEX #4D0174

RGB 77 1 116

HSL 279.65, 0.98%, 0.23%

LAB 19.48, 48.62, -45.99

 

CMYK 60 / 99 / 0 / 55

HEX #2E0174

RGB 46 1 116

HSL 263.48, 0.98%, 0.23%

LAB 14.75, 45.46, -53.94

 

CMYK 87 / 99 / 0 / 55

HEX #0F0174

RGB 15 1 116

HSL 247.3, 0.98%, 0.23%

LAB 11.85, 44.05, -58.85

 

CMYK 99 / 99 / 0 / 55

HEX #010174

RGB 1 1 116

HSL 240, 0.98%, 0.23%

LAB 11.2, 43.8, -59.96

 

CMYK 34 / 99 / 0 / 55

HEX #4D0174

RGB 77 1 116

HSL 279.65, 0.98%, 0.23%

LAB 19.48, 48.62, -45.99

 

CMYK 34 / 99 / 0 / 55

HEX #4D0174

RGB 77 1 116

HSL 279.65, 0.98%, 0.23%

LAB 19.48, 48.62, -45.99

 

CMYK 31 / 90 / 0 / 58

HEX #4A0B6B

RGB 74 11 107

HSL 279.38, 0.81%, 0.23%

LAB 19.04, 43.49, -40.88

 

CMYK 27 / 79 / 0 / 62

HEX #471461

RGB 71 20 97

HSL 279.74, 0.66%, 0.23%

LAB 18.81, 37.37, -34.7

 

CMYK 23 / 66 / 0 / 65

HEX #441E58

RGB 68 30 88

HSL 279.31, 0.49%, 0.23%

LAB 19.48, 29.4, -27.66

 

CMYK 17 / 50 / 0 / 69

HEX #41274E

RGB 65 39 78

HSL 280, 0.33%, 0.23%

LAB 20.54, 20.4, -19.3

 

CMYK 87 / 99 / 0 / 55

HEX #0F0174

RGB 15 1 116

HSL 247.3, 0.98%, 0.23%

LAB 11.85, 44.05, -58.85

 

CMYK 61 / 99 / 0 / 55

HEX #2D0174

RGB 45 1 116

HSL 262.96, 0.98%, 0.23%

LAB 14.63, 45.39, -54.15

 

CMYK 34 / 99 / 0 / 55

HEX #4C0174

RGB 76 1 116

HSL 279.13, 0.98%, 0.23%

LAB 19.3, 48.49, -46.28

 

CMYK 8 / 99 / 0 / 55

HEX #6B0174

RGB 107 1 116

HSL 295.3, 0.98%, 0.23%

LAB 24.98, 53.16, -36.8

 

CMYK 0 / 99 / 18 / 55

HEX #74015F

RGB 116 1 95

HSL 310.96, 0.98%, 0.23%

LAB 25.45, 51.58, -22.3

 

CMYK 32 / 100 / 0 / 87

HEX #170022

RGB 23 0 34

HSL 280.59, 1%, 0.07%

LAB 2.69, 14.71, -16.11

 

CMYK 33 / 99 / 0 / 71

HEX #32014B

RGB 50 1 75

HSL 279.73, 0.97%, 0.15%

LAB 10.61, 35.86, -33.28

 

CMYK 34 / 99 / 0 / 55

HEX #4D0174

RGB 77 1 116

HSL 279.65, 0.98%, 0.23%

LAB 19.48, 48.62, -45.99

 

CMYK 33 / 99 / 0 / 38

HEX #69029D

RGB 105 2 157

HSL 279.87, 0.97%, 0.31%

LAB 28.06, 60.44, -57.45

 

CMYK 33 / 99 / 0 / 22

HEX #8402C6

RGB 132 2 198

HSL 279.8, 0.98%, 0.39%

LAB 36.03, 71.77, -68.72

 

CMYK 33 / 99 / 0 / 54

HEX #4E0175

RGB 78 1 117

HSL 279.83, 0.98%, 0.23%

LAB 19.74, 48.96, -46.19

 

CMYK 0 / 99 / 84 / 55

HEX #740112

RGB 116 1 18

HSL 351.13, 0.98%, 0.23%

LAB 22.92, 44.97, 26.43

 

CMYK 99 / 0 / 74 / 55

HEX #01741E

RGB 1 116 30

HSL 135.13, 0.98%, 0.23%

LAB 42.14, -46.22, 37.78

 

CMYK 33 / 99 / 0 / 54

HEX #4E0175

RGB 78 1 117

HSL 279.83, 0.98%, 0.23%

LAB 19.74, 48.96, -46.19

 

CMYK 0 / 34 / 99 / 55

HEX #744C01

RGB 116 76 1

HSL 39.13, 0.98%, 0.23%

LAB 35.76, 11.29, 44.4

 

CMYK 99 / 0 / 34 / 55

HEX #01744C

RGB 1 116 76

HSL 159.13, 0.98%, 0.23%

LAB 42.79, -38.36, 14.4

 

CMYK 33 / 99 / 0 / 54

HEX #4E0175

RGB 78 1 117

HSL 279.83, 0.98%, 0.23%

LAB 19.74, 48.96, -46.19

 

CMYK 0 / 99 / 84 / 55

HEX #740112

RGB 116 1 18

HSL 351.13, 0.98%, 0.23%

LAB 22.92, 44.97, 26.43

 

CMYK 65 / 0 / 99 / 55

HEX #297401

RGB 41 116 1

HSL 99.13, 0.98%, 0.23%

LAB 42.71, -41.84, 47.14

 

CMYK 99 / 0 / 15 / 55

HEX #017463

RGB 1 116 99

HSL 171.13, 0.98%, 0.23%

LAB 43.36, -32.17, 1.53

 

CMYK 33 / 99 / 0 / 54

HEX #4E0175

RGB 78 1 117

HSL 279.83, 0.98%, 0.23%

LAB 19.74, 48.96, -46.19

 

CMYK 0 / 84 / 99 / 55

HEX #741201

RGB 116 18 1

HSL 8.87, 0.98%, 0.23%

LAB 24.15, 40.66, 35.38

 

CMYK 65 / 0 / 99 / 55

HEX #297401

RGB 41 116 1

HSL 99.13, 0.98%, 0.23%

LAB 42.71, -41.84, 47.14

 

CMYK 99 / 15 / 0 / 55

HEX #016374

RGB 1 99 116

HSL 188.87, 0.98%, 0.23%

LAB 38.18, -17.89, -16.53

 

Description

Color code: HEX #4E0175 | qconv.com Color code: HEX #4E0175 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 1 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 1 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 99 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 99% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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