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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DFFA9 it is the complementary color #B20056. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DFFA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DFFA9 shade: #52FFA4, #63FFB7, #74FFCA, #85FFDD and #96FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DFFA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DFFA9 shade: #4DFFA9, #3CED96, #2BDB83, #1AC970 and #09B75D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DFFA9 shade: #4DFFA9, #4DFF79, #51FF4D, #81FF4D and #B1FF4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DFFA9 shade: #4DFFA9, #4DFFD9, #4DF5FF, #4DC5FF and #4D95FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DFFA9 shade matches the following richer shades: #4DFFA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DFFA9 shade: #4DFFA9, #5BF1A8, #69E2A8, #78D4A7 and #86C5A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DFFA9 shade: #4FFF4D, #4DFF79, #4DFFA9, #4DFFD8 and #4DF6FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DFFA9 shade: #00F981, #23FF95, #4DFFA9, #76FFBD and #9FFFD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DFFA9 shade: #4DFFA9, #4D7FFF and #FF614D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DFFA9 shade: #4DFFA9, #A94DFF and #FFA94D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DFFA9 shade: #4DFFA9, #4D7FFF, #FF4DA3 and #FFCC4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DFFA9 shade: #4DFFA9, #4F4DFF, #FF4DA3 and #FCFF4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

Complementary color

CMYK 0 / 100 / 52 / 30

HEX #B20056

RGB 178 0 86

HSL 331.01, 1%, 0.35%

LAB 38.09, 64.46, 3.92

 

CMYK 68 / 0 / 36 / 0

HEX #52FFA4

RGB 82 255 164

HSL 148.44, 1%, 0.66%

LAB 89.86, -63.88, 30.97

 

CMYK 61 / 0 / 28 / 0

HEX #63FFB7

RGB 99 255 183

HSL 152.31, 1%, 0.69%

LAB 90.59, -57.3, 22.43

 

CMYK 55 / 0 / 21 / 0

HEX #74FFCA

RGB 116 255 202

HSL 157.12, 1%, 0.73%

LAB 91.46, -50.03, 13.99

 

CMYK 48 / 0 / 13 / 0

HEX #85FFDD

RGB 133 255 221

HSL 163.28, 1%, 0.76%

LAB 92.45, -42.2, 5.7

 

CMYK 41 / 0 / 6 / 0

HEX #96FFF0

RGB 150 255 240

HSL 171.43, 1%, 0.79%

LAB 93.58, -33.93, -2.4

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 75 / 0 / 37 / 7

HEX #3CED96

RGB 60 237 150

HSL 150.51, 0.83%, 0.58%

LAB 83.83, -63.07, 29.87

 

CMYK 80 / 0 / 40 / 14

HEX #2BDB83

RGB 43 219 131

HSL 150, 0.71%, 0.51%

LAB 77.77, -62.13, 31.43

 

CMYK 87 / 0 / 44 / 21

HEX #1AC970

RGB 26 201 112

HSL 149.49, 0.77%, 0.45%

LAB 71.67, -60.8, 33.11

 

CMYK 95 / 0 / 49 / 28

HEX #09B75D

RGB 9 183 93

HSL 148.97, 0.91%, 0.38%

LAB 65.53, -58.94, 34.9

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 70 / 0 / 53 / 0

HEX #4DFF79

RGB 77 255 121

HSL 134.83, 1%, 0.65%

LAB 89.15, -71.57, 50.81

 

CMYK 68 / 0 / 70 / 0

HEX #51FF4D

RGB 81 255 77

HSL 118.65, 1%, 0.65%

LAB 88.83, -75.63, 68.72

 

CMYK 49 / 0 / 70 / 0

HEX #81FF4D

RGB 129 255 77

HSL 102.47, 1%, 0.65%

LAB 90.19, -64.73, 70.56

 

CMYK 31 / 0 / 70 / 0

HEX #B1FF4D

RGB 177 255 77

HSL 86.29, 1%, 0.65%

LAB 92.31, -49.62, 73.39

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 70 / 0 / 15 / 0

HEX #4DFFD9

RGB 77 255 217

HSL 167.19, 1%, 0.65%

LAB 90.83, -53.26, 5.22

 

CMYK 70 / 4 / 0 / 0

HEX #4DF5FF

RGB 77 245 255

HSL 183.37, 1%, 0.65%

LAB 88.97, -38.95, -17.28

 

CMYK 70 / 23 / 0 / 0

HEX #4DC5FF

RGB 77 197 255

HSL 199.55, 1%, 0.65%

LAB 75.28, -15.44, -38.21

 

CMYK 70 / 42 / 0 / 0

HEX #4D95FF

RGB 77 149 255

HSL 215.73, 1%, 0.65%

LAB 61.91, 11.52, -59.29

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 62 / 0 / 30 / 5

HEX #5BF1A8

RGB 91 241 168

HSL 150.8, 0.84%, 0.65%

LAB 85.99, -56.25, 23.72

 

CMYK 54 / 0 / 26 / 11

HEX #69E2A8

RGB 105 226 168

HSL 151.24, 0.68%, 0.65%

LAB 81.96, -47.26, 18.22

 

CMYK 43 / 0 / 21 / 17

HEX #78D4A7

RGB 120 212 167

HSL 150.65, 0.52%, 0.65%

LAB 78.39, -37.64, 13.82

 

CMYK 32 / 0 / 15 / 23

HEX #86C5A7

RGB 134 197 167

HSL 151.43, 0.35%, 0.65%

LAB 74.69, -26.58, 8.68

 

CMYK 69 / 0 / 70 / 0

HEX #4FFF4D

RGB 79 255 77

HSL 119.33, 1%, 0.65%

LAB 88.79, -75.97, 68.66

 

CMYK 70 / 0 / 53 / 0

HEX #4DFF79

RGB 77 255 121

HSL 134.83, 1%, 0.65%

LAB 89.15, -71.57, 50.81

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 70 / 0 / 15 / 0

HEX #4DFFD8

RGB 77 255 216

HSL 166.85, 1%, 0.65%

LAB 90.81, -53.5, 5.7

 

CMYK 70 / 4 / 0 / 0

HEX #4DF6FF

RGB 77 246 255

HSL 183.03, 1%, 0.65%

LAB 89.26, -39.41, -16.85

 

CMYK 100 / 0 / 48 / 2

HEX #00F981

RGB 0 249 129

HSL 151.08, 1%, 0.49%

LAB 86.67, -74.73, 43.83

 

CMYK 86 / 0 / 42 / 0

HEX #23FF95

RGB 35 255 149

HSL 151.09, 1%, 0.57%

LAB 88.94, -71.88, 37.08

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 54 / 0 / 26 / 0

HEX #76FFBD

RGB 118 255 189

HSL 151.09, 1%, 0.73%

LAB 91.25, -52.28, 20.37

 

CMYK 38 / 0 / 18 / 0

HEX #9FFFD1

RGB 159 255 209

HSL 151.25, 1%, 0.81%

LAB 93.23, -38.2, 13.13

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 70 / 50 / 0 / 0

HEX #4D7FFF

RGB 77 127 255

HSL 223.15, 1%, 0.65%

LAB 56.06, 24.82, -68.67

 

CMYK 0 / 62 / 70 / 0

HEX #FF614D

RGB 255 97 77

HSL 6.74, 1%, 0.65%

LAB 61.95, 58.98, 42.95

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 34 / 70 / 0 / 0

HEX #A94DFF

RGB 169 77 255

HSL 271.01, 1%, 0.65%

LAB 52.91, 68.28, -73.44

 

CMYK 0 / 34 / 70 / 0

HEX #FFA94D

RGB 255 169 77

HSL 31.01, 1%, 0.65%

LAB 76.17, 23.77, 58.67

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 70 / 50 / 0 / 0

HEX #4D7FFF

RGB 77 127 255

HSL 223.15, 1%, 0.65%

LAB 56.06, 24.82, -68.67

 

CMYK 0 / 70 / 36 / 0

HEX #FF4DA3

RGB 255 77 163

HSL 331.01, 1%, 0.65%

LAB 60.97, 73.22, -7.65

 

CMYK 0 / 20 / 70 / 0

HEX #FFCC4D

RGB 255 204 77

HSL 42.81, 1%, 0.65%

LAB 84.47, 5.56, 67.29

 

CMYK 70 / 0 / 34 / 0

HEX #4DFFA9

RGB 77 255 169

HSL 151.01, 1%, 0.65%

LAB 89.84, -63.7, 28.42

 

CMYK 69 / 70 / 0 / 0

HEX #4F4DFF

RGB 79 77 255

HSL 240.67, 1%, 0.65%

LAB 44.5, 54.92, -87.52

 

CMYK 0 / 70 / 36 / 0

HEX #FF4DA3

RGB 255 77 163

HSL 331.01, 1%, 0.65%

LAB 60.97, 73.22, -7.65

 

CMYK 1 / 0 / 70 / 0

HEX #FCFF4D

RGB 252 255 77

HSL 61.01, 1%, 0.65%

LAB 97.13, -21.01, 79.76

 

Description

Color code: HEX #4DFFA9 | qconv.com Color code: HEX #4DFFA9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 255 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 255 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 34 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 34% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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