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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DFF6F it is the complementary color #B20090. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DFF6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DFF6F shade: #52FF6A, #63FF7D, #74FF90, #85FFA3 and #96FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DFF6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DFF6F shade: #4DFF6F, #3CED5C, #2BDB49, #1AC936 and #09B723

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DFF6F shade: #4DFF6F, #5BFF4D, #8BFF4D, #BBFF4D and #EBFF4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DFF6F shade: #4DFF6F, #4DFF9F, #4DFFCF, #4DFFFF and #4DCFFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DFF6F shade matches the following richer shades: #4DFF6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DFF6F shade: #4DFF6F, #5BF178, #69E280, #78D489 and #86C592

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DFF6F shade: #8BFF4D, #5BFF4D, #4DFF6D, #4DFF9D and #4DFFCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DFF6F shade: #00F930, #23FF4D, #4DFF6F, #76FF90 and #9FFFB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DFF6F shade: #4DFF6F, #4DBBFF and #FF4D73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DFF6F shade: #4DFF6F, #6D4DFF and #FF6D4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DFF6F shade: #4DFF6F, #4DBBFF, #FF4DDE and #FF914D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DFF6F shade: #4DFF6F, #4D85FF, #FF4DDE and #FFC64D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

Complementary color

CMYK 0 / 100 / 19 / 30

HEX #B20090

RGB 178 0 144

HSL 311.46, 1%, 0.35%

LAB 40.38, 70.35, -29.02

 

CMYK 68 / 0 / 58 / 0

HEX #52FF6A

RGB 82 255 106

HSL 128.32, 1%, 0.66%

LAB 89.09, -72.62, 57.46

 

CMYK 61 / 0 / 51 / 0

HEX #63FF7D

RGB 99 255 125

HSL 130, 1%, 0.69%

LAB 89.7, -67.03, 49.75

 

CMYK 55 / 0 / 44 / 0

HEX #74FF90

RGB 116 255 144

HSL 132.09, 1%, 0.73%

LAB 90.44, -60.61, 41.76

 

CMYK 48 / 0 / 36 / 0

HEX #85FFA3

RGB 133 255 163

HSL 134.75, 1%, 0.76%

LAB 91.3, -53.46, 33.66

 

CMYK 41 / 0 / 29 / 0

HEX #96FFB6

RGB 150 255 182

HSL 138.29, 1%, 0.79%

LAB 92.3, -45.71, 25.56

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 75 / 0 / 61 / 7

HEX #3CED5C

RGB 60 237 92

HSL 130.85, 0.83%, 0.58%

LAB 83.07, -71.83, 56.46

 

CMYK 80 / 0 / 67 / 14

HEX #2BDB49

RGB 43 219 73

HSL 130.23, 0.71%, 0.51%

LAB 77.08, -70.37, 57.59

 

CMYK 87 / 0 / 73 / 21

HEX #1AC936

RGB 26 201 54

HSL 129.6, 0.77%, 0.45%

LAB 71.05, -68.32, 58.4

 

CMYK 95 / 0 / 81 / 28

HEX #09B723

RGB 9 183 35

HSL 128.97, 0.91%, 0.38%

LAB 65, -65.5, 58.6

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 64 / 0 / 70 / 0

HEX #5BFF4D

RGB 91 255 77

HSL 115.28, 1%, 0.65%

LAB 89.05, -73.76, 69.02

 

CMYK 45 / 0 / 70 / 0

HEX #8BFF4D

RGB 139 255 77

HSL 99.1, 1%, 0.65%

LAB 90.57, -61.89, 71.06

 

CMYK 27 / 0 / 70 / 0

HEX #BBFF4D

RGB 187 255 77

HSL 82.92, 1%, 0.65%

LAB 92.85, -46.07, 74.11

 

CMYK 8 / 0 / 70 / 0

HEX #EBFF4D

RGB 235 255 77

HSL 66.74, 1%, 0.65%

LAB 95.88, -27.8, 78.12

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 70 / 0 / 38 / 0

HEX #4DFF9F

RGB 77 255 159

HSL 147.64, 1%, 0.65%

LAB 89.67, -65.57, 33.2

 

CMYK 70 / 0 / 19 / 0

HEX #4DFFCF

RGB 77 255 207

HSL 163.82, 1%, 0.65%

LAB 90.6, -55.62, 10.06

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 70 / 19 / 0 / 0

HEX #4DCFFF

RGB 77 207 255

HSL 196.18, 1%, 0.65%

LAB 78.12, -20.62, -33.81

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 62 / 0 / 50 / 5

HEX #5BF178

RGB 91 241 120

HSL 131.6, 0.84%, 0.65%

LAB 85.25, -64.35, 46.57

 

CMYK 54 / 0 / 43 / 11

HEX #69E280

RGB 105 226 128

HSL 131.4, 0.68%, 0.65%

LAB 81.27, -54.44, 37.77

 

CMYK 43 / 0 / 35 / 17

HEX #78D489

RGB 120 212 137

HSL 131.09, 0.52%, 0.65%

LAB 77.81, -43.24, 28.78

 

CMYK 32 / 0 / 26 / 23

HEX #86C592

RGB 134 197 146

HSL 131.43, 0.35%, 0.65%

LAB 74.24, -30.62, 19.32

 

CMYK 45 / 0 / 70 / 0

HEX #8BFF4D

RGB 139 255 77

HSL 99.1, 1%, 0.65%

LAB 90.57, -61.89, 71.06

 

CMYK 64 / 0 / 70 / 0

HEX #5BFF4D

RGB 91 255 77

HSL 115.28, 1%, 0.65%

LAB 89.05, -73.76, 69.02

 

CMYK 70 / 0 / 57 / 0

HEX #4DFF6D

RGB 77 255 109

HSL 130.79, 1%, 0.65%

LAB 89.02, -73.1, 56.04

 

CMYK 70 / 0 / 38 / 0

HEX #4DFF9D

RGB 77 255 157

HSL 146.97, 1%, 0.65%

LAB 89.64, -65.92, 34.15

 

CMYK 70 / 0 / 20 / 0

HEX #4DFFCC

RGB 77 255 204

HSL 162.81, 1%, 0.65%

LAB 90.53, -56.32, 11.51

 

CMYK 100 / 0 / 81 / 2

HEX #00F930

RGB 0 249 48

HSL 131.57, 1%, 0.49%

LAB 85.99, -83.25, 74.65

 

CMYK 86 / 0 / 70 / 0

HEX #23FF4D

RGB 35 255 77

HSL 131.45, 1%, 0.57%

LAB 88.17, -81.32, 67.82

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 54 / 0 / 44 / 0

HEX #76FF90

RGB 118 255 144

HSL 131.39, 1%, 0.73%

LAB 90.5, -60.14, 41.85

 

CMYK 38 / 0 / 31 / 0

HEX #9FFFB1

RGB 159 255 177

HSL 131.25, 1%, 0.81%

LAB 92.6, -44.04, 28.57

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 70 / 27 / 0 / 0

HEX #4DBBFF

RGB 77 187 255

HSL 202.92, 1%, 0.65%

LAB 72.45, -10.1, -42.62

 

CMYK 0 / 70 / 55 / 0

HEX #FF4D73

RGB 255 77 115

HSL 347.19, 1%, 0.65%

LAB 59.71, 69.01, 18.56

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 57 / 70 / 0 / 0

HEX #6D4DFF

RGB 109 77 255

HSL 250.79, 1%, 0.65%

LAB 46.68, 58.54, -83.86

 

CMYK 0 / 57 / 70 / 0

HEX #FF6D4D

RGB 255 109 77

HSL 10.79, 1%, 0.65%

LAB 63.94, 53.72, 45.24

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 70 / 27 / 0 / 0

HEX #4DBBFF

RGB 77 187 255

HSL 202.92, 1%, 0.65%

LAB 72.45, -10.1, -42.62

 

CMYK 0 / 70 / 13 / 0

HEX #FF4DDE

RGB 255 77 222

HSL 311.12, 1%, 0.65%

LAB 63.21, 80.41, -37.87

 

CMYK 0 / 43 / 70 / 0

HEX #FF914D

RGB 255 145 77

HSL 22.92, 1%, 0.65%

LAB 70.9, 36.2, 53

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF6F

RGB 77 255 111

HSL 131.46, 1%, 0.65%

LAB 89.04, -72.85, 55.18

 

CMYK 70 / 48 / 0 / 0

HEX #4D85FF

RGB 77 133 255

HSL 221.12, 1%, 0.65%

LAB 57.63, 21.16, -66.15

 

CMYK 0 / 70 / 13 / 0

HEX #FF4DDE

RGB 255 77 222

HSL 311.12, 1%, 0.65%

LAB 63.21, 80.41, -37.87

 

CMYK 0 / 22 / 70 / 0

HEX #FFC64D

RGB 255 198 77

HSL 40.79, 1%, 0.65%

LAB 83.01, 8.66, 65.8

 

Description

Color code: HEX #4DFF6F | qconv.com Color code: HEX #4DFF6F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 255 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 255 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 56 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 56% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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