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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DFB2C it is the complementary color #B204D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DFB2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DFB2C shade: #52FB27, #63FF3A, #74FF4D, #85FF60 and #96FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DFB2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DFB2C shade: #4DFB2C, #3CE919, #2BD706, #1AC500 and #09B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DFB2C shade: #4EFB2D, #85FB2D, #BDFB2D, #F4FB2D and #FBCA2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DFB2C shade: #4EFB2D, #2DFB44, #2DFB7B, #2DFBB3 and #2DFBEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DFB2C shade matches the following richer shades: #4EFB2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DFB2C shade: #4EFB2D, #5AE93E, #65D850, #71C761 and #7DB572

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DFB2C shade: #BDFB2D, #86FB2D, #4FFB2D, #2DFB42 and #2DFB78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DFB2C shade: #25D104, #2CF905, #4EFB2D, #70FC56 and #92FC7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DFB2C shade: #4DFB2C, #2DF4FB and #FB2DA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DFB2C shade: #4DFB2C, #2D4FFB and #FB2D4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DFB2C shade: #4DFB2C, #2DF4FB, #D82DFB and #FB342D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DFB2C shade: #4DFB2C, #2DB6FB, #D82DFB and #FB722D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 82 / 2

HEX #4DFB2C

RGB 77 251 44

HSL 110.43, 0.96%, 0.58%

LAB 87.37, -77.16, 77.18

 

Complementary color

CMYK 16 / 98 / 0 / 17

HEX #B204D3

RGB 178 4 211

HSL 290.43, 0.96%, 0.42%

LAB 44.6, 79.85, -61.99

 

CMYK 67 / 0 / 84 / 2

HEX #52FB27

RGB 82 251 39

HSL 107.83, 0.96%, 0.57%

LAB 87.45, -76.47, 78.42

 

CMYK 61 / 0 / 77 / 0

HEX #63FF3A

RGB 99 255 58

HSL 107.51, 1%, 0.61%

LAB 89.15, -73.39, 75.35

 

CMYK 55 / 0 / 70 / 0

HEX #74FF4D

RGB 116 255 77

HSL 106.85, 1%, 0.65%

LAB 89.75, -68.15, 69.96

 

CMYK 48 / 0 / 62 / 0

HEX #85FF60

RGB 133 255 96

HSL 106.04, 1%, 0.69%

LAB 90.48, -62.07, 63.64

 

CMYK 41 / 0 / 55 / 0

HEX #96FF73

RGB 150 255 115

HSL 105, 1%, 0.73%

LAB 91.34, -55.24, 56.69

 

CMYK 69 / 0 / 82 / 2

HEX #4DFB2C

RGB 77 251 44

HSL 110.43, 0.96%, 0.58%

LAB 87.37, -77.16, 77.18

 

CMYK 74 / 0 / 89 / 9

HEX #3CE919

RGB 60 233 25

HSL 109.9, 0.83%, 0.51%

LAB 81.46, -75.26, 75.67

 

CMYK 80 / 0 / 97 / 16

HEX #2BD706

RGB 43 215 6

HSL 109.38, 0.95%, 0.43%

LAB 75.53, -72.77, 72.94

 

CMYK 87 / 0 / 100 / 23

HEX #1AC500

RGB 26 197 0

HSL 112.08, 1%, 0.39%

LAB 69.58, -69.54, 68.69

 

CMYK 95 / 0 / 100 / 30

HEX #09B300

RGB 9 179 0

HSL 116.98, 1%, 0.35%

LAB 63.59, -65.65, 63.84

 

CMYK 69 / 0 / 82 / 2

HEX #4EFB2D

RGB 78 251 45

HSL 110.39, 0.96%, 0.58%

LAB 87.39, -76.94, 76.98

 

CMYK 47 / 0 / 82 / 2

HEX #85FB2D

RGB 133 251 45

HSL 94.37, 0.96%, 0.58%

LAB 89, -63.93, 79.03

 

CMYK 25 / 0 / 82 / 2

HEX #BDFB2D

RGB 189 251 45

HSL 78.06, 0.96%, 0.58%

LAB 91.69, -45.1, 82.43

 

CMYK 3 / 0 / 82 / 2

HEX #F4FB2D

RGB 244 251 45

HSL 62.04, 0.96%, 0.58%

LAB 95.34, -23.52, 87

 

CMYK 0 / 20 / 82 / 2

HEX #FBCA2D

RGB 251 202 45

HSL 45.73, 0.96%, 0.58%

LAB 83.41, 3.68, 77.14

 

CMYK 69 / 0 / 82 / 2

HEX #4EFB2D

RGB 78 251 45

HSL 110.39, 0.96%, 0.58%

LAB 87.39, -76.94, 76.98

 

CMYK 82 / 0 / 73 / 2

HEX #2DFB44

RGB 45 251 68

HSL 126.7, 0.96%, 0.58%

LAB 86.98, -80.05, 69.77

 

CMYK 82 / 0 / 51 / 2

HEX #2DFB7B

RGB 45 251 123

HSL 142.72, 0.96%, 0.58%

LAB 87.48, -73.98, 47.72

 

CMYK 82 / 0 / 29 / 2

HEX #2DFBB3

RGB 45 251 179

HSL 159.03, 0.96%, 0.58%

LAB 88.36, -63.85, 21.23

 

CMYK 82 / 0 / 7 / 2

HEX #2DFBEA

RGB 45 251 234

HSL 175.05, 0.96%, 0.58%

LAB 89.62, -50.49, -5.42

 

CMYK 69 / 0 / 82 / 2

HEX #4EFB2D

RGB 78 251 45

HSL 110.39, 0.96%, 0.58%

LAB 87.39, -76.94, 76.98

 

CMYK 69 / 0 / 82 / 2

HEX #4EFB2D

RGB 78 251 45

HSL 110.39, 0.96%, 0.58%

LAB 87.39, -76.94, 76.98

 

CMYK 61 / 0 / 73 / 9

HEX #5AE93E

RGB 90 233 62

HSL 110.18, 0.8%, 0.58%

LAB 82.27, -67.86, 67.33

 

CMYK 53 / 0 / 63 / 15

HEX #65D850

RGB 101 216 80

HSL 110.74, 0.64%, 0.58%

LAB 77.55, -57.71, 55.62

 

CMYK 43 / 0 / 51 / 22

HEX #71C761

RGB 113 199 97

HSL 110.59, 0.48%, 0.58%

LAB 73.04, -45.67, 42.76

 

CMYK 31 / 0 / 37 / 29

HEX #7DB572

RGB 125 181 114

HSL 110.15, 0.31%, 0.58%

LAB 68.48, -31.36, 28.47

 

CMYK 25 / 0 / 82 / 2

HEX #BDFB2D

RGB 189 251 45

HSL 78.06, 0.96%, 0.58%

LAB 91.69, -45.1, 82.43

 

CMYK 47 / 0 / 82 / 2

HEX #86FB2D

RGB 134 251 45

HSL 94.08, 0.96%, 0.58%

LAB 89.04, -63.64, 79.08

 

CMYK 69 / 0 / 82 / 2

HEX #4FFB2D

RGB 79 251 45

HSL 110.1, 0.96%, 0.58%

LAB 87.41, -76.76, 77

 

CMYK 82 / 0 / 74 / 2

HEX #2DFB42

RGB 45 251 66

HSL 126.12, 0.96%, 0.58%

LAB 86.97, -80.2, 70.42

 

CMYK 82 / 0 / 52 / 2

HEX #2DFB78

RGB 45 251 120

HSL 141.84, 0.96%, 0.58%

LAB 87.44, -74.42, 49.07

 

CMYK 82 / 0 / 98 / 18

HEX #25D104

RGB 37 209 4

HSL 110.34, 0.96%, 0.42%

LAB 73.55, -71.78, 71.5

 

CMYK 82 / 0 / 98 / 2

HEX #2CF905

RGB 44 249 5

HSL 110.41, 0.96%, 0.5%

LAB 86.16, -82.14, 81.63

 

CMYK 69 / 0 / 82 / 2

HEX #4EFB2D

RGB 78 251 45

HSL 110.39, 0.96%, 0.58%

LAB 87.39, -76.94, 76.98

 

CMYK 56 / 0 / 66 / 1

HEX #70FC56

RGB 112 252 86

HSL 110.6, 0.97%, 0.66%

LAB 88.8, -67.37, 65.57

 

CMYK 42 / 0 / 50 / 1

HEX #92FC7E

RGB 146 252 126

HSL 110.48, 0.95%, 0.74%

LAB 90.43, -53.97, 50.55

 

CMYK 69 / 0 / 82 / 2

HEX #4DFB2C

RGB 77 251 44

HSL 110.43, 0.96%, 0.58%

LAB 87.37, -77.16, 77.18

 

CMYK 82 / 3 / 0 / 2

HEX #2DF4FB

RGB 45 244 251

HSL 182.04, 0.96%, 0.58%

LAB 88.08, -42.72, -16.59

 

CMYK 0 / 82 / 35 / 2

HEX #FB2DA2

RGB 251 45 162

HSL 325.92, 0.96%, 0.58%

LAB 57.07, 81.11, -12.97

 

CMYK 69 / 0 / 82 / 2

HEX #4DFB2C

RGB 77 251 44

HSL 110.43, 0.96%, 0.58%

LAB 87.37, -77.16, 77.18

 

CMYK 82 / 69 / 0 / 2

HEX #2D4FFB

RGB 45 79 251

HSL 230.1, 0.96%, 0.58%

LAB 42.94, 49.63, -87.93

 

CMYK 0 / 82 / 69 / 2

HEX #FB2D4F

RGB 251 45 79

HSL 350.1, 0.96%, 0.58%

LAB 55.02, 75.11, 33.42

 

CMYK 69 / 0 / 82 / 2

HEX #4DFB2C

RGB 77 251 44

HSL 110.43, 0.96%, 0.58%

LAB 87.37, -77.16, 77.18

 

CMYK 82 / 3 / 0 / 2

HEX #2DF4FB

RGB 45 244 251

HSL 182.04, 0.96%, 0.58%

LAB 88.08, -42.72, -16.59

 

CMYK 14 / 82 / 0 / 2

HEX #D82DFB

RGB 216 45 251

HSL 289.81, 0.96%, 0.58%

LAB 55.52, 86.17, -66.67

 

CMYK 0 / 79 / 82 / 2

HEX #FB342D

RGB 251 52 45

HSL 2.04, 0.96%, 0.58%

LAB 55.23, 72.24, 52.33

 

CMYK 69 / 0 / 82 / 2

HEX #4DFB2C

RGB 77 251 44

HSL 110.43, 0.96%, 0.58%

LAB 87.37, -77.16, 77.18

 

CMYK 82 / 27 / 0 / 2

HEX #2DB6FB

RGB 45 182 251

HSL 200.1, 0.96%, 0.58%

LAB 70.16, -12.24, -44.1

 

CMYK 14 / 82 / 0 / 2

HEX #D82DFB

RGB 216 45 251

HSL 289.81, 0.96%, 0.58%

LAB 55.52, 86.17, -66.67

 

CMYK 0 / 55 / 82 / 2

HEX #FB722D

RGB 251 114 45

HSL 20.1, 0.96%, 0.58%

LAB 63.94, 48.76, 60.23

 

Description

Color code: HEX #4DFB2C | qconv.com Color code: HEX #4DFB2C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 251 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 251 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 82 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 82% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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