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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DF974 it is the complementary color #B2068B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DF974. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DF974 shade: #52F96F, #63FF82, #74FF95, #85FFA8 and #96FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DF974. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DF974 shade: #4DF974, #3CE761, #2BD54E, #1AC33B and #09B128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DF974 shade: #4DF874, #55F84D, #83F84D, #B1F84D and #DFF84D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DF974 shade: #4DF874, #4DF8A2, #4DF8D0, #4DF2F8 and #4DC4F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DF974 shade matches the following richer shades: #4DF874

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DF974 shade: #4DF874, #5CE97C, #6BDA84, #7ACC8C and #89BD95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DF974 shade: #83F84D, #56F84D, #4DF872, #4DF8A0 and #4DF8CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DF974 shade: #08EB3B, #26F755, #4DF874, #75FA93 and #9DFBB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DF974 shade: #4DF974, #4DB1F8 and #F84D6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DF974 shade: #4DF974, #724DF8 and #F8724D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DF974 shade: #4DF974, #4DB1F8, #F84DD3 and #F8944D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DF974 shade: #4DF974, #4D7EF8, #F84DD3 and #F8C84D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 53 / 2

HEX #4DF974

RGB 77 249 116

HSL 133.6, 0.93%, 0.64%

LAB 87.29, -70.23, 50.84

 

Complementary color

CMYK 0 / 97 / 22 / 30

HEX #B2068B

RGB 178 6 139

HSL 313.6, 0.93%, 0.36%

LAB 40.34, 69.1, -26.01

 

CMYK 67 / 0 / 55 / 2

HEX #52F96F

RGB 82 249 111

HSL 130.42, 0.93%, 0.65%

LAB 87.34, -70.02, 53.19

 

CMYK 61 / 0 / 49 / 0

HEX #63FF82

RGB 99 255 130

HSL 131.92, 1%, 0.69%

LAB 89.76, -66.35, 47.49

 

CMYK 55 / 0 / 42 / 0

HEX #74FF95

RGB 116 255 149

HSL 134.24, 1%, 0.73%

LAB 90.51, -59.84, 39.42

 

CMYK 48 / 0 / 34 / 0

HEX #85FFA8

RGB 133 255 168

HSL 137.21, 1%, 0.76%

LAB 91.39, -52.62, 31.27

 

CMYK 41 / 0 / 27 / 0

HEX #96FFBB

RGB 150 255 187

HSL 141.14, 1%, 0.79%

LAB 92.39, -44.81, 23.15

 

CMYK 69 / 0 / 53 / 2

HEX #4DF974

RGB 77 249 116

HSL 133.6, 0.93%, 0.64%

LAB 87.29, -70.23, 50.84

 

CMYK 74 / 0 / 58 / 9

HEX #3CE761

RGB 60 231 97

HSL 132.98, 0.78%, 0.57%

LAB 81.28, -69.32, 52.21

 

CMYK 80 / 0 / 63 / 16

HEX #2BD54E

RGB 43 213 78

HSL 132.35, 0.67%, 0.5%

LAB 75.23, -67.99, 53.51

 

CMYK 87 / 0 / 70 / 24

HEX #1AC33B

RGB 26 195 59

HSL 131.72, 0.76%, 0.43%

LAB 69.16, -66.09, 54.58

 

CMYK 95 / 0 / 77 / 31

HEX #09B128

RGB 9 177 40

HSL 131.07, 0.9%, 0.36%

LAB 63.06, -63.44, 55.19

 

CMYK 69 / 0 / 53 / 3

HEX #4DF874

RGB 77 248 116

HSL 133.68, 0.92%, 0.64%

LAB 86.98, -69.89, 50.48

 

CMYK 66 / 0 / 69 / 3

HEX #55F84D

RGB 85 248 77

HSL 117.19, 0.92%, 0.64%

LAB 86.8, -72.67, 66.63

 

CMYK 47 / 0 / 69 / 3

HEX #83F84D

RGB 131 248 77

HSL 101.05, 0.92%, 0.64%

LAB 88.21, -61.6, 68.53

 

CMYK 29 / 0 / 69 / 3

HEX #B1F84D

RGB 177 248 77

HSL 84.91, 0.92%, 0.64%

LAB 90.33, -46.68, 71.39

 

CMYK 10 / 0 / 69 / 3

HEX #DFF84D

RGB 223 248 77

HSL 68.77, 0.92%, 0.64%

LAB 93.17, -29.29, 75.17

 

CMYK 69 / 0 / 53 / 3

HEX #4DF874

RGB 77 248 116

HSL 133.68, 0.92%, 0.64%

LAB 86.98, -69.89, 50.48

 

CMYK 69 / 0 / 35 / 3

HEX #4DF8A2

RGB 77 248 162

HSL 149.82, 0.92%, 0.64%

LAB 87.64, -62.45, 28.98

 

CMYK 69 / 0 / 16 / 3

HEX #4DF8D0

RGB 77 248 208

HSL 165.96, 0.92%, 0.64%

LAB 88.57, -52.54, 6.64

 

CMYK 69 / 2 / 0 / 3

HEX #4DF2F8

RGB 77 242 248

HSL 182.11, 0.92%, 0.64%

LAB 87.9, -39.55, -15.23

 

CMYK 69 / 21 / 0 / 3

HEX #4DC4F8

RGB 77 196 248

HSL 198.25, 0.92%, 0.64%

LAB 74.72, -17.14, -35.33

 

CMYK 69 / 0 / 53 / 3

HEX #4DF874

RGB 77 248 116

HSL 133.68, 0.92%, 0.64%

LAB 86.98, -69.89, 50.48

 

CMYK 69 / 0 / 53 / 3

HEX #4DF874

RGB 77 248 116

HSL 133.68, 0.92%, 0.64%

LAB 86.98, -69.89, 50.48

 

CMYK 61 / 0 / 47 / 9

HEX #5CE97C

RGB 92 233 124

HSL 133.62, 0.76%, 0.64%

LAB 82.92, -60.66, 41.75

 

CMYK 51 / 0 / 39 / 15

HEX #6BDA84

RGB 107 218 132

HSL 133.51, 0.6%, 0.64%

LAB 79, -50.1, 32.83

 

CMYK 40 / 0 / 31 / 20

HEX #7ACC8C

RGB 122 204 140

HSL 133.17, 0.45%, 0.64%

LAB 75.59, -38.61, 24.25

 

CMYK 28 / 0 / 21 / 26

HEX #89BD95

RGB 137 189 149

HSL 133.85, 0.28%, 0.64%

LAB 72.15, -25.24, 14.83

 

CMYK 47 / 0 / 69 / 3

HEX #83F84D

RGB 131 248 77

HSL 101.05, 0.92%, 0.64%

LAB 88.21, -61.6, 68.53

 

CMYK 65 / 0 / 69 / 3

HEX #56F84D

RGB 86 248 77

HSL 116.84, 0.92%, 0.64%

LAB 86.82, -72.48, 66.66

 

CMYK 69 / 0 / 54 / 3

HEX #4DF872

RGB 77 248 114

HSL 132.98, 0.92%, 0.64%

LAB 86.96, -70.15, 51.36

 

CMYK 69 / 0 / 35 / 3

HEX #4DF8A0

RGB 77 248 160

HSL 149.12, 0.92%, 0.64%

LAB 87.61, -62.82, 29.94

 

CMYK 69 / 0 / 17 / 3

HEX #4DF8CD

RGB 77 248 205

HSL 164.91, 0.92%, 0.64%

LAB 88.51, -53.26, 8.09

 

CMYK 97 / 0 / 75 / 8

HEX #08EB3B

RGB 8 235 59

HSL 133.48, 0.93%, 0.48%

LAB 81.72, -78.53, 67.38

 

CMYK 85 / 0 / 66 / 3

HEX #26F755

RGB 38 247 85

HSL 133.49, 0.93%, 0.56%

LAB 85.8, -78.04, 62.29

 

CMYK 69 / 0 / 53 / 3

HEX #4DF874

RGB 77 248 116

HSL 133.68, 0.92%, 0.64%

LAB 86.98, -69.89, 50.48

 

CMYK 53 / 0 / 41 / 2

HEX #75FA93

RGB 117 250 147

HSL 133.53, 0.93%, 0.72%

LAB 89.05, -57.99, 38.51

 

CMYK 37 / 0 / 29 / 2

HEX #9DFBB2

RGB 157 251 178

HSL 133.4, 0.92%, 0.8%

LAB 91.4, -42.69, 26.42

 

CMYK 69 / 0 / 53 / 2

HEX #4DF974

RGB 77 249 116

HSL 133.6, 0.93%, 0.64%

LAB 87.29, -70.23, 50.84

 

CMYK 69 / 29 / 0 / 3

HEX #4DB1F8

RGB 77 177 248

HSL 204.91, 0.92%, 0.64%

LAB 69.33, -6.94, -43.73

 

CMYK 0 / 69 / 56 / 3

HEX #F84D6D

RGB 248 77 109

HSL 348.77, 0.92%, 0.64%

LAB 58.39, 66.53, 20.07

 

CMYK 69 / 0 / 53 / 2

HEX #4DF974

RGB 77 249 116

HSL 133.6, 0.93%, 0.64%

LAB 87.29, -70.23, 50.84

 

CMYK 54 / 69 / 0 / 3

HEX #724DF8

RGB 114 77 248

HSL 252.98, 0.92%, 0.64%

LAB 46.53, 57.27, -80.19

 

CMYK 0 / 54 / 69 / 3

HEX #F8724D

RGB 248 114 77

HSL 12.98, 0.92%, 0.64%

LAB 63.78, 48.9, 44.76

 

CMYK 69 / 0 / 53 / 2

HEX #4DF974

RGB 77 249 116

HSL 133.6, 0.93%, 0.64%

LAB 87.29, -70.23, 50.84

 

CMYK 69 / 29 / 0 / 3

HEX #4DB1F8

RGB 77 177 248

HSL 204.91, 0.92%, 0.64%

LAB 69.33, -6.94, -43.73

 

CMYK 0 / 69 / 15 / 3

HEX #F84DD3

RGB 248 77 211

HSL 312.98, 0.92%, 0.64%

LAB 61.63, 77.27, -34.23

 

CMYK 0 / 40 / 69 / 3

HEX #F8944D

RGB 248 148 77

HSL 24.91, 0.92%, 0.64%

LAB 70.64, 31.88, 52.45

 

CMYK 69 / 0 / 53 / 2

HEX #4DF974

RGB 77 249 116

HSL 133.6, 0.93%, 0.64%

LAB 87.29, -70.23, 50.84

 

CMYK 69 / 49 / 0 / 3

HEX #4D7EF8

RGB 77 126 248

HSL 222.81, 0.92%, 0.64%

LAB 55.36, 22.99, -65.95

 

CMYK 0 / 69 / 15 / 3

HEX #F84DD3

RGB 248 77 211

HSL 312.98, 0.92%, 0.64%

LAB 61.63, 77.27, -34.23

 

CMYK 0 / 19 / 69 / 3

HEX #F8C84D

RGB 248 200 77

HSL 43.16, 0.92%, 0.64%

LAB 82.81, 4.7, 65.37

 

Description

Color code: HEX #4DF974 | qconv.com Color code: HEX #4DF974 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 249 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 249 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 53 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 53% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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