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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DF754 it is the complementary color #B208AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DF754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DF754 shade: #52F74F, #63FF62, #74FF75, #85FF88 and #96FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DF754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DF754 shade: #4DF754, #3CE541, #2BD32E, #1AC11B and #09AF08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DF754 shade: #50F757, #76F750, #A3F750, #D0F750 and #F7F050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DF754 shade: #50F757, #50F784, #50F7B1, #50F7DE and #50E3F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DF754 shade matches the following richer shades: #50F757

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DF754 shade: #50F757, #5FE864, #6DD972, #7CCA7F and #8BBB8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DF754 shade: #A3F750, #77F750, #50F755, #50F782 and #50F7AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DF754 shade: #0BE914, #28F531, #50F757, #77F97C and #9EFAA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DF754 shade: #4DF754, #50D0F7 and #F7508D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DF754 shade: #4DF754, #5550F7 and #F75550

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DF754 shade: #4DF754, #50D0F7, #F750F1 and #F77750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DF754 shade: #4DF754, #509EF7, #F750F1 and #F7A950

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 66 / 3

HEX #4DF754

RGB 77 247 84

HSL 122.47, 0.91%, 0.64%

LAB 86.37, -73.18, 63.47

 

Complementary color

CMYK 0 / 96 / 4 / 30

HEX #B208AB

RGB 178 8 171

HSL 302.47, 0.91%, 0.36%

LAB 42.12, 73.21, -42.55

 

CMYK 67 / 0 / 68 / 3

HEX #52F74F

RGB 82 247 79

HSL 118.93, 0.91%, 0.64%

LAB 86.44, -72.74, 65.49

 

CMYK 61 / 0 / 62 / 0

HEX #63FF62

RGB 99 255 98

HSL 119.62, 1%, 0.69%

LAB 89.42, -70.23, 61.33

 

CMYK 55 / 0 / 54 / 0

HEX #74FF75

RGB 116 255 117

HSL 120.43, 1%, 0.73%

LAB 90.1, -64.27, 54.01

 

CMYK 48 / 0 / 47 / 0

HEX #85FF88

RGB 133 255 136

HSL 121.48, 1%, 0.76%

LAB 90.91, -57.52, 46.32

 

CMYK 41 / 0 / 39 / 0

HEX #96FF9B

RGB 150 255 155

HSL 122.86, 1%, 0.79%

LAB 91.85, -50.11, 38.46

 

CMYK 69 / 0 / 66 / 3

HEX #4DF754

RGB 77 247 84

HSL 122.47, 0.91%, 0.64%

LAB 86.37, -73.18, 63.47

 

CMYK 74 / 0 / 72 / 10

HEX #3CE541

RGB 60 229 65

HSL 121.78, 0.76%, 0.57%

LAB 80.39, -71.92, 64.18

 

CMYK 80 / 0 / 78 / 17

HEX #2BD32E

RGB 43 211 46

HSL 121.07, 0.66%, 0.5%

LAB 74.38, -70.14, 64.38

 

CMYK 87 / 0 / 86 / 24

HEX #1AC11B

RGB 26 193 27

HSL 120.36, 0.76%, 0.43%

LAB 68.34, -67.68, 63.73

 

CMYK 95 / 0 / 95 / 31

HEX #09AF08

RGB 9 175 8

HSL 119.64, 0.91%, 0.36%

LAB 62.28, -64.34, 61.74

 

CMYK 68 / 0 / 65 / 3

HEX #50F757

RGB 80 247 87

HSL 122.51, 0.91%, 0.64%

LAB 86.46, -72.37, 62.4

 

CMYK 52 / 0 / 68 / 3

HEX #76F750

RGB 118 247 80

HSL 106.35, 0.91%, 0.64%

LAB 87.46, -64.57, 66.5

 

CMYK 34 / 0 / 68 / 3

HEX #A3F750

RGB 163 247 80

HSL 90.18, 0.91%, 0.64%

LAB 89.34, -50.93, 69.04

 

CMYK 16 / 0 / 68 / 3

HEX #D0F750

RGB 208 247 80

HSL 74.01, 0.91%, 0.64%

LAB 91.91, -34.51, 72.5

 

CMYK 0 / 3 / 68 / 3

HEX #F7F050

RGB 247 240 80

HSL 57.49, 0.91%, 0.64%

LAB 92.87, -15.67, 74.39

 

CMYK 68 / 0 / 65 / 3

HEX #50F757

RGB 80 247 87

HSL 122.51, 0.91%, 0.64%

LAB 86.46, -72.37, 62.4

 

CMYK 68 / 0 / 47 / 3

HEX #50F784

RGB 80 247 132

HSL 138.68, 0.91%, 0.64%

LAB 86.94, -66.75, 42.91

 

CMYK 68 / 0 / 28 / 3

HEX #50F7B1

RGB 80 247 177

HSL 154.85, 0.91%, 0.64%

LAB 87.68, -58.63, 21.4

 

CMYK 68 / 0 / 10 / 3

HEX #50F7DE

RGB 80 247 222

HSL 171.02, 0.91%, 0.64%

LAB 88.69, -48.27, -0.48

 

CMYK 68 / 8 / 0 / 3

HEX #50E3F7

RGB 80 227 247

HSL 187.19, 0.91%, 0.64%

LAB 83.63, -32.48, -21.14

 

CMYK 68 / 0 / 65 / 3

HEX #50F757

RGB 80 247 87

HSL 122.51, 0.91%, 0.64%

LAB 86.46, -72.37, 62.4

 

CMYK 68 / 0 / 65 / 3

HEX #50F757

RGB 80 247 87

HSL 122.51, 0.91%, 0.64%

LAB 86.46, -72.37, 62.4

 

CMYK 59 / 0 / 57 / 9

HEX #5FE864

RGB 95 232 100

HSL 122.19, 0.75%, 0.64%

LAB 82.41, -62.85, 52.4

 

CMYK 50 / 0 / 47 / 15

HEX #6DD972

RGB 109 217 114

HSL 122.78, 0.59%, 0.64%

LAB 78.52, -51.91, 41.21

 

CMYK 39 / 0 / 37 / 21

HEX #7CCA7F

RGB 124 202 127

HSL 122.31, 0.42%, 0.64%

LAB 74.86, -39.29, 30.08

 

CMYK 26 / 0 / 25 / 27

HEX #8BBB8D

RGB 139 187 141

HSL 122.5, 0.26%, 0.64%

LAB 71.52, -25.03, 18.29

 

CMYK 34 / 0 / 68 / 3

HEX #A3F750

RGB 163 247 80

HSL 90.18, 0.91%, 0.64%

LAB 89.34, -50.93, 69.04

 

CMYK 52 / 0 / 68 / 3

HEX #77F750

RGB 119 247 80

HSL 105.99, 0.91%, 0.64%

LAB 87.5, -64.31, 66.55

 

CMYK 68 / 0 / 66 / 3

HEX #50F755

RGB 80 247 85

HSL 121.8, 0.91%, 0.64%

LAB 86.45, -72.56, 63.18

 

CMYK 68 / 0 / 47 / 3

HEX #50F782

RGB 80 247 130

HSL 137.96, 0.91%, 0.64%

LAB 86.92, -67.06, 43.84

 

CMYK 68 / 0 / 30 / 3

HEX #50F7AE

RGB 80 247 174

HSL 153.77, 0.91%, 0.64%

LAB 87.62, -59.25, 22.86

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 84 / 0 / 80 / 4

HEX #28F531

RGB 40 245 49

HSL 122.63, 0.91%, 0.56%

LAB 84.99, -80.06, 73.54

 

CMYK 68 / 0 / 65 / 3

HEX #50F757

RGB 80 247 87

HSL 122.51, 0.91%, 0.64%

LAB 86.46, -72.37, 62.4

 

CMYK 52 / 0 / 50 / 2

HEX #77F97C

RGB 119 249 124

HSL 122.31, 0.92%, 0.72%

LAB 88.51, -60.42, 48.89

 

CMYK 37 / 0 / 35 / 2

HEX #9EFAA2

RGB 158 250 162

HSL 122.61, 0.9%, 0.8%

LAB 90.89, -44.58, 33.8

 

CMYK 69 / 0 / 66 / 3

HEX #4DF754

RGB 77 247 84

HSL 122.47, 0.91%, 0.64%

LAB 86.37, -73.18, 63.47

 

CMYK 68 / 16 / 0 / 3

HEX #50D0F7

RGB 80 208 247

HSL 194.01, 0.91%, 0.64%

LAB 78.19, -23.18, -29.44

 

CMYK 0 / 68 / 43 / 3

HEX #F7508D

RGB 247 80 141

HSL 338.08, 0.91%, 0.64%

LAB 59.37, 67.77, 2.67

 

CMYK 69 / 0 / 66 / 3

HEX #4DF754

RGB 77 247 84

HSL 122.47, 0.91%, 0.64%

LAB 86.37, -73.18, 63.47

 

CMYK 66 / 68 / 0 / 3

HEX #5550F7

RGB 85 80 247

HSL 241.8, 0.91%, 0.64%

LAB 44.78, 51.41, -82.58

 

CMYK 0 / 66 / 68 / 3

HEX #F75550

RGB 247 85 80

HSL 1.8, 0.91%, 0.64%

LAB 58.84, 61.43, 37.3

 

CMYK 69 / 0 / 66 / 3

HEX #4DF754

RGB 77 247 84

HSL 122.47, 0.91%, 0.64%

LAB 86.37, -73.18, 63.47

 

CMYK 68 / 16 / 0 / 3

HEX #50D0F7

RGB 80 208 247

HSL 194.01, 0.91%, 0.64%

LAB 78.19, -23.18, -29.44

 

CMYK 0 / 68 / 2 / 3

HEX #F750F1

RGB 247 80 241

HSL 302.16, 0.91%, 0.64%

LAB 63.23, 80.4, -48.53

 

CMYK 0 / 52 / 68 / 3

HEX #F77750

RGB 247 119 80

HSL 14.01, 0.91%, 0.64%

LAB 64.6, 46.29, 44.1

 

CMYK 69 / 0 / 66 / 3

HEX #4DF754

RGB 77 247 84

HSL 122.47, 0.91%, 0.64%

LAB 86.37, -73.18, 63.47

 

CMYK 68 / 36 / 0 / 3

HEX #509EF7

RGB 80 158 247

HSL 211.98, 0.91%, 0.64%

LAB 64.06, 3.92, -51.48

 

CMYK 0 / 68 / 2 / 3

HEX #F750F1

RGB 247 80 241

HSL 302.16, 0.91%, 0.64%

LAB 63.23, 80.4, -48.53

 

CMYK 0 / 32 / 68 / 3

HEX #F7A950

RGB 247 169 80

HSL 31.98, 0.91%, 0.64%

LAB 75.28, 20.64, 56.08

 

Description

Color code: HEX #4DF754 | qconv.com Color code: HEX #4DF754 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 247 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 247 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 66 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 66% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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