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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DF751 it is the complementary color #B208AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DF751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DF751 shade: #52F74C, #63FF5F, #74FF72, #85FF85 and #96FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DF751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DF751 shade: #4DF751, #3CE53E, #2BD32B, #1AC118 and #09AF05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DF751 shade: #50F754, #79F750, #A6F750, #D3F750 and #F7EE50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DF751 shade: #50F754, #50F781, #50F7AE, #50F7DB and #50E6F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DF751 shade matches the following richer shades: #50F754

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DF751 shade: #50F754, #5FE862, #6DD970, #7CCA7E and #8BBB8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DF751 shade: #A6F750, #79F750, #50F752, #50F77F and #50F7AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DF751 shade: #0BE910, #28F52D, #50F754, #77F97A and #9EFAA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DF751 shade: #4DF751, #50D3F7 and #F75090

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DF751 shade: #4DF751, #5250F7 and #F75250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DF751 shade: #4DF751, #50D3F7, #F750F4 and #F77450

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DF751 shade: #4DF751, #50A0F7, #F750F4 and #F7A650

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 67 / 3

HEX #4DF751

RGB 77 247 81

HSL 121.41, 0.91%, 0.64%

LAB 86.35, -73.46, 64.61

 

Complementary color

CMYK 0 / 96 / 2 / 30

HEX #B208AE

RGB 178 8 174

HSL 301.41, 0.91%, 0.36%

LAB 42.3, 73.65, -44.05

 

CMYK 67 / 0 / 69 / 3

HEX #52F74C

RGB 82 247 76

HSL 117.89, 0.91%, 0.63%

LAB 86.42, -72.99, 66.58

 

CMYK 61 / 0 / 63 / 0

HEX #63FF5F

RGB 99 255 95

HSL 118.5, 1%, 0.69%

LAB 89.39, -70.53, 62.53

 

CMYK 55 / 0 / 55 / 0

HEX #74FF72

RGB 116 255 114

HSL 119.15, 1%, 0.72%

LAB 90.07, -64.62, 55.31

 

CMYK 48 / 0 / 48 / 0

HEX #85FF85

RGB 133 255 133

HSL 120, 1%, 0.76%

LAB 90.87, -57.92, 47.69

 

CMYK 41 / 0 / 40 / 0

HEX #96FF98

RGB 150 255 152

HSL 121.14, 1%, 0.79%

LAB 91.81, -50.55, 39.88

 

CMYK 69 / 0 / 67 / 3

HEX #4DF751

RGB 77 247 81

HSL 121.41, 0.91%, 0.64%

LAB 86.35, -73.46, 64.61

 

CMYK 74 / 0 / 73 / 10

HEX #3CE53E

RGB 60 229 62

HSL 120.71, 0.76%, 0.57%

LAB 80.37, -72.15, 65.2

 

CMYK 80 / 0 / 80 / 17

HEX #2BD32B

RGB 43 211 43

HSL 120, 0.66%, 0.5%

LAB 74.37, -70.32, 65.25

 

CMYK 87 / 0 / 88 / 24

HEX #1AC118

RGB 26 193 24

HSL 119.29, 0.78%, 0.43%

LAB 68.33, -67.8, 64.36

 

CMYK 95 / 0 / 97 / 31

HEX #09AF05

RGB 9 175 5

HSL 118.59, 0.94%, 0.35%

LAB 62.28, -64.41, 62.12

 

CMYK 68 / 0 / 66 / 3

HEX #50F754

RGB 80 247 84

HSL 121.44, 0.91%, 0.64%

LAB 86.44, -72.66, 63.56

 

CMYK 51 / 0 / 68 / 3

HEX #79F750

RGB 121 247 80

HSL 105.27, 0.91%, 0.64%

LAB 87.57, -63.78, 66.64

 

CMYK 33 / 0 / 68 / 3

HEX #A6F750

RGB 166 247 80

HSL 89.1, 0.91%, 0.64%

LAB 89.49, -49.91, 69.25

 

CMYK 15 / 0 / 68 / 3

HEX #D3F750

RGB 211 247 80

HSL 72.93, 0.91%, 0.64%

LAB 92.11, -33.35, 72.76

 

CMYK 0 / 4 / 68 / 3

HEX #F7EE50

RGB 247 238 80

HSL 56.77, 0.91%, 0.64%

LAB 92.35, -14.7, 73.87

 

CMYK 68 / 0 / 66 / 3

HEX #50F754

RGB 80 247 84

HSL 121.44, 0.91%, 0.64%

LAB 86.44, -72.66, 63.56

 

CMYK 68 / 0 / 48 / 3

HEX #50F781

RGB 80 247 129

HSL 137.6, 0.91%, 0.64%

LAB 86.9, -67.21, 44.3

 

CMYK 68 / 0 / 30 / 3

HEX #50F7AE

RGB 80 247 174

HSL 153.77, 0.91%, 0.64%

LAB 87.62, -59.25, 22.86

 

CMYK 68 / 0 / 11 / 3

HEX #50F7DB

RGB 80 247 219

HSL 169.94, 0.91%, 0.64%

LAB 88.61, -49.02, 0.97

 

CMYK 68 / 7 / 0 / 3

HEX #50E6F7

RGB 80 230 247

HSL 186.11, 0.91%, 0.64%

LAB 84.49, -33.89, -19.84

 

CMYK 68 / 0 / 66 / 3

HEX #50F754

RGB 80 247 84

HSL 121.44, 0.91%, 0.64%

LAB 86.44, -72.66, 63.56

 

CMYK 68 / 0 / 66 / 3

HEX #50F754

RGB 80 247 84

HSL 121.44, 0.91%, 0.64%

LAB 86.44, -72.66, 63.56

 

CMYK 59 / 0 / 58 / 9

HEX #5FE862

RGB 95 232 98

HSL 121.31, 0.75%, 0.64%

LAB 82.39, -63.08, 53.27

 

CMYK 50 / 0 / 48 / 15

HEX #6DD970

RGB 109 217 112

HSL 121.67, 0.59%, 0.64%

LAB 78.49, -52.19, 42.15

 

CMYK 39 / 0 / 38 / 21

HEX #7CCA7E

RGB 124 202 126

HSL 121.54, 0.42%, 0.64%

LAB 74.85, -39.45, 30.58

 

CMYK 26 / 0 / 25 / 27

HEX #8BBB8C

RGB 139 187 140

HSL 121.25, 0.26%, 0.64%

LAB 71.5, -25.21, 18.8

 

CMYK 33 / 0 / 68 / 3

HEX #A6F750

RGB 166 247 80

HSL 89.1, 0.91%, 0.64%

LAB 89.49, -49.91, 69.25

 

CMYK 51 / 0 / 68 / 3

HEX #79F750

RGB 121 247 80

HSL 105.27, 0.91%, 0.64%

LAB 87.57, -63.78, 66.64

 

CMYK 68 / 0 / 67 / 3

HEX #50F752

RGB 80 247 82

HSL 120.72, 0.91%, 0.64%

LAB 86.42, -72.84, 64.32

 

CMYK 68 / 0 / 49 / 3

HEX #50F77F

RGB 80 247 127

HSL 136.89, 0.91%, 0.64%

LAB 86.88, -67.5, 45.22

 

CMYK 68 / 0 / 30 / 3

HEX #50F7AC

RGB 80 247 172

HSL 153.05, 0.91%, 0.64%

LAB 87.58, -59.65, 23.83

 

CMYK 95 / 0 / 93 / 9

HEX #0BE910

RGB 11 233 16

HSL 121.35, 0.91%, 0.48%

LAB 80.95, -79.87, 76.29

 

CMYK 84 / 0 / 82 / 4

HEX #28F52D

RGB 40 245 45

HSL 121.46, 0.91%, 0.56%

LAB 84.97, -80.27, 74.55

 

CMYK 68 / 0 / 66 / 3

HEX #50F754

RGB 80 247 84

HSL 121.44, 0.91%, 0.64%

LAB 86.44, -72.66, 63.56

 

CMYK 52 / 0 / 51 / 2

HEX #77F97A

RGB 119 249 122

HSL 121.38, 0.92%, 0.72%

LAB 88.49, -60.68, 49.79

 

CMYK 37 / 0 / 36 / 2

HEX #9EFAA1

RGB 158 250 161

HSL 121.96, 0.9%, 0.8%

LAB 90.88, -44.73, 34.28

 

CMYK 69 / 0 / 67 / 3

HEX #4DF751

RGB 77 247 81

HSL 121.41, 0.91%, 0.64%

LAB 86.35, -73.46, 64.61

 

CMYK 68 / 15 / 0 / 3

HEX #50D3F7

RGB 80 211 247

HSL 192.93, 0.91%, 0.64%

LAB 79.05, -24.69, -28.12

 

CMYK 0 / 68 / 42 / 3

HEX #F75090

RGB 247 80 144

HSL 337.01, 0.91%, 0.64%

LAB 59.46, 68.06, 1.04

 

CMYK 69 / 0 / 67 / 3

HEX #4DF751

RGB 77 247 81

HSL 121.41, 0.91%, 0.64%

LAB 86.35, -73.46, 64.61

 

CMYK 67 / 68 / 0 / 3

HEX #5250F7

RGB 82 80 247

HSL 240.72, 0.91%, 0.64%

LAB 44.58, 51.05, -82.91

 

CMYK 0 / 67 / 68 / 3

HEX #F75250

RGB 247 82 80

HSL 0.72, 0.91%, 0.64%

LAB 58.4, 62.61, 36.78

 

CMYK 69 / 0 / 67 / 3

HEX #4DF751

RGB 77 247 81

HSL 121.41, 0.91%, 0.64%

LAB 86.35, -73.46, 64.61

 

CMYK 68 / 15 / 0 / 3

HEX #50D3F7

RGB 80 211 247

HSL 192.93, 0.91%, 0.64%

LAB 79.05, -24.69, -28.12

 

CMYK 0 / 68 / 1 / 3

HEX #F750F4

RGB 247 80 244

HSL 301.08, 0.91%, 0.64%

LAB 63.38, 80.86, -49.96

 

CMYK 0 / 53 / 68 / 3

HEX #F77450

RGB 247 116 80

HSL 12.93, 0.91%, 0.64%

LAB 64.03, 47.73, 43.45

 

CMYK 69 / 0 / 67 / 3

HEX #4DF751

RGB 77 247 81

HSL 121.41, 0.91%, 0.64%

LAB 86.35, -73.46, 64.61

 

CMYK 68 / 35 / 0 / 3

HEX #50A0F7

RGB 80 160 247

HSL 211.26, 0.91%, 0.64%

LAB 64.61, 2.76, -50.6

 

CMYK 0 / 68 / 1 / 3

HEX #F750F4

RGB 247 80 244

HSL 301.08, 0.91%, 0.64%

LAB 63.38, 80.86, -49.96

 

CMYK 0 / 33 / 68 / 3

HEX #F7A650

RGB 247 166 80

HSL 30.9, 0.91%, 0.64%

LAB 74.59, 22.22, 55.32

 

Description

Color code: HEX #4DF751 | qconv.com Color code: HEX #4DF751 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 247 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 247 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 67 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 67% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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