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Color name
HEX #4DF315

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DF315 it is the complementary color #B20CEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DF315. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DF315 shade: #52F310, #63FF23, #74FF36, #85FF49 and #96FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DF315. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DF315 shade: #4DF315, #3CE102, #2BCF00, #1ABD00 and #09AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DF315 shade: #4EF316, #89F316, #C5F316, #F3E516 and #F3AA16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DF315 shade: #4EF316, #16F31A, #16F356, #16F391 and #16F3CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DF315 shade matches the following richer shades: #4EF316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DF315 shade: #4EF316, #58DF2A, #62CB3E, #6BB752 and #75A466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DF315 shade: #C7F316, #8CF316, #51F316, #16F316 and #16F351

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DF315 shade: #33AE09, #3ED50B, #4EF316, #6CF53E and #8AF765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DF315 shade: #4DF315, #16F3E4 and #F316A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DF315 shade: #4DF315, #1651F3 and #F31651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DF315 shade: #4DF315, #16F3E4, #B816F3 and #F31625

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DF315 shade: #4DF315, #16BFF3, #B816F3 and #F34A16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 91 / 5

HEX #4DF315

RGB 77 243 21

HSL 104.86, 0.9%, 0.52%

LAB 84.86, -75.52, 79.25

 

Complementary color

CMYK 24 / 95 / 0 / 8

HEX #B20CEA

RGB 178 12 234

HSL 284.86, 0.9%, 0.48%

LAB 46.54, 83.08, -71.98

 

CMYK 66 / 0 / 93 / 5

HEX #52F310

RGB 82 243 16

HSL 102.56, 0.9%, 0.51%

LAB 84.96, -74.68, 79.98

 

CMYK 61 / 0 / 86 / 0

HEX #63FF23

RGB 99 255 35

HSL 102.55, 1%, 0.57%

LAB 89.06, -74.42, 80.78

 

CMYK 55 / 0 / 79 / 0

HEX #74FF36

RGB 116 255 54

HSL 101.49, 1%, 0.61%

LAB 89.63, -69.59, 77.1

 

CMYK 48 / 0 / 71 / 0

HEX #85FF49

RGB 133 255 73

HSL 100.22, 1%, 0.64%

LAB 90.32, -63.9, 72.12

 

CMYK 41 / 0 / 64 / 0

HEX #96FF5C

RGB 150 255 92

HSL 98.65, 1%, 0.68%

LAB 91.13, -57.43, 66.15

 

CMYK 68 / 0 / 91 / 5

HEX #4DF315

RGB 77 243 21

HSL 104.86, 0.9%, 0.52%

LAB 84.86, -75.52, 79.25

 

CMYK 73 / 0 / 99 / 12

HEX #3CE102

RGB 60 225 2

HSL 104.39, 0.98%, 0.45%

LAB 78.93, -73.37, 76.17

 

CMYK 79 / 0 / 100 / 19

HEX #2BCF00

RGB 43 207 0

HSL 107.54, 1%, 0.41%

LAB 72.98, -70.58, 71.49

 

CMYK 86 / 0 / 100 / 26

HEX #1ABD00

RGB 26 189 0

HSL 111.75, 1%, 0.37%

LAB 66.99, -67.29, 66.61

 

CMYK 95 / 0 / 100 / 33

HEX #09AB00

RGB 9 171 0

HSL 116.84, 1%, 0.34%

LAB 60.94, -63.41, 61.72

 

CMYK 68 / 0 / 91 / 5

HEX #4EF316

RGB 78 243 22

HSL 104.8, 0.9%, 0.52%

LAB 84.88, -75.31, 79.14

 

CMYK 44 / 0 / 91 / 5

HEX #89F316

RGB 137 243 22

HSL 88.78, 0.9%, 0.52%

LAB 86.74, -60.47, 81.44

 

CMYK 19 / 0 / 91 / 5

HEX #C5F316

RGB 197 243 22

HSL 72.49, 0.9%, 0.52%

LAB 89.87, -39.13, 85.28

 

CMYK 0 / 6 / 91 / 5

HEX #F3E516

RGB 243 229 22

HSL 56.2, 0.9%, 0.52%

LAB 89.46, -13.78, 86.39

 

CMYK 0 / 30 / 91 / 5

HEX #F3AA16

RGB 243 170 22

HSL 40.18, 0.9%, 0.52%

LAB 74.74, 16.46, 75.26

 

CMYK 68 / 0 / 91 / 5

HEX #4EF316

RGB 78 243 22

HSL 104.8, 0.9%, 0.52%

LAB 84.88, -75.31, 79.14

 

CMYK 91 / 0 / 89 / 5

HEX #16F31A

RGB 22 243 26

HSL 121.09, 0.9%, 0.52%

LAB 84.15, -81.78, 77.63

 

CMYK 91 / 0 / 65 / 5

HEX #16F356

RGB 22 243 86

HSL 137.38, 0.9%, 0.52%

LAB 84.45, -77.85, 60.38

 

CMYK 91 / 0 / 40 / 5

HEX #16F391

RGB 22 243 145

HSL 153.39, 0.9%, 0.52%

LAB 85.16, -69.33, 34.08

 

CMYK 91 / 0 / 16 / 5

HEX #16F3CC

RGB 22 243 204

HSL 169.41, 0.9%, 0.52%

LAB 86.32, -56.37, 5.38

 

CMYK 68 / 0 / 91 / 5

HEX #4EF316

RGB 78 243 22

HSL 104.8, 0.9%, 0.52%

LAB 84.88, -75.31, 79.14

 

CMYK 68 / 0 / 91 / 5

HEX #4EF316

RGB 78 243 22

HSL 104.8, 0.9%, 0.52%

LAB 84.88, -75.31, 79.14

 

CMYK 61 / 0 / 81 / 13

HEX #58DF2A

RGB 88 223 42

HSL 104.75, 0.74%, 0.52%

LAB 79.05, -66.16, 70.21

 

CMYK 52 / 0 / 69 / 20

HEX #62CB3E

RGB 98 203 62

HSL 104.68, 0.58%, 0.52%

LAB 73.32, -55.26, 58.29

 

CMYK 42 / 0 / 55 / 28

HEX #6BB752

RGB 107 183 82

HSL 105.15, 0.41%, 0.52%

LAB 67.73, -42.59, 43.53

 

CMYK 29 / 0 / 38 / 36

HEX #75A466

RGB 117 164 102

HSL 105.48, 0.25%, 0.52%

LAB 62.75, -27.83, 27.25

 

CMYK 18 / 0 / 91 / 5

HEX #C7F316

RGB 199 243 22

HSL 71.95, 0.9%, 0.52%

LAB 90, -38.35, 85.43

 

CMYK 42 / 0 / 91 / 5

HEX #8CF316

RGB 140 243 22

HSL 87.96, 0.9%, 0.52%

LAB 86.87, -59.52, 81.59

 

CMYK 67 / 0 / 91 / 5

HEX #51F316

RGB 81 243 22

HSL 103.98, 0.9%, 0.52%

LAB 84.95, -74.75, 79.23

 

CMYK 91 / 0 / 91 / 5

HEX #16F316

RGB 22 243 22

HSL 120, 0.9%, 0.52%

LAB 84.14, -81.89, 78.22

 

CMYK 91 / 0 / 67 / 5

HEX #16F351

RGB 22 243 81

HSL 136.02, 0.9%, 0.52%

LAB 84.41, -78.35, 62.32

 

CMYK 71 / 0 / 95 / 32

HEX #33AE09

RGB 51 174 9

HSL 104.73, 0.9%, 0.36%

LAB 62.5, -59.17, 62.01

 

CMYK 71 / 0 / 95 / 16

HEX #3ED50B

RGB 62 213 11

HSL 104.85, 0.9%, 0.44%

LAB 75.22, -69.3, 72.34

 

CMYK 68 / 0 / 91 / 5

HEX #4EF316

RGB 78 243 22

HSL 104.8, 0.9%, 0.52%

LAB 84.88, -75.31, 79.14

 

CMYK 56 / 0 / 75 / 4

HEX #6CF53E

RGB 108 245 62

HSL 104.92, 0.9%, 0.6%

LAB 86.43, -67.71, 71.6

 

CMYK 44 / 0 / 59 / 3

HEX #8AF765

RGB 138 247 101

HSL 104.79, 0.9%, 0.68%

LAB 88.38, -57.1, 59.25

 

CMYK 68 / 0 / 91 / 5

HEX #4DF315

RGB 77 243 21

HSL 104.86, 0.9%, 0.52%

LAB 84.86, -75.52, 79.25

 

CMYK 91 / 0 / 6 / 5

HEX #16F3E4

RGB 22 243 228

HSL 175.93, 0.9%, 0.52%

LAB 86.93, -50.03, -6.28

 

CMYK 0 / 91 / 30 / 5

HEX #F316A9

RGB 243 22 169

HSL 320.09, 0.9%, 0.52%

LAB 54.55, 83.91, -21.05

 

CMYK 68 / 0 / 91 / 5

HEX #4DF315

RGB 77 243 21

HSL 104.86, 0.9%, 0.52%

LAB 84.86, -75.52, 79.25

 

CMYK 91 / 67 / 0 / 5

HEX #1651F3

RGB 22 81 243

HSL 223.98, 0.9%, 0.52%

LAB 42.04, 44.47, -84.94

 

CMYK 0 / 91 / 67 / 5

HEX #F31651

RGB 243 22 81

HSL 343.98, 0.9%, 0.52%

LAB 52.09, 77.22, 28.23

 

CMYK 68 / 0 / 91 / 5

HEX #4DF315

RGB 77 243 21

HSL 104.86, 0.9%, 0.52%

LAB 84.86, -75.52, 79.25

 

CMYK 91 / 0 / 6 / 5

HEX #16F3E4

RGB 22 243 228

HSL 175.93, 0.9%, 0.52%

LAB 86.93, -50.03, -6.28

 

CMYK 24 / 91 / 0 / 5

HEX #B816F3

RGB 184 22 243

HSL 283.98, 0.9%, 0.52%

LAB 48.56, 84.28, -73.72

 

CMYK 0 / 91 / 85 / 5

HEX #F31625

RGB 243 22 37

HSL 355.93, 0.9%, 0.52%

LAB 51.57, 75.75, 52.4

 

CMYK 68 / 0 / 91 / 5

HEX #4DF315

RGB 77 243 21

HSL 104.86, 0.9%, 0.52%

LAB 84.86, -75.52, 79.25

 

CMYK 91 / 21 / 0 / 5

HEX #16BFF3

RGB 22 191 243

HSL 194.12, 0.9%, 0.52%

LAB 72.16, -21.16, -36.67

 

CMYK 24 / 91 / 0 / 5

HEX #B816F3

RGB 184 22 243

HSL 283.98, 0.9%, 0.52%

LAB 48.56, 84.28, -73.72

 

CMYK 0 / 70 / 91 / 5

HEX #F34A16

RGB 243 74 22

HSL 14.12, 0.9%, 0.52%

LAB 56.1, 62.53, 61.9

 

Description

Color code: HEX #4DF315 | qconv.com Color code: HEX #4DF315 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 243 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 243 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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