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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DF094 it is the complementary color #B20F6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DF094. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DF094 shade: #52F08F, #63FFA2, #74FFB5, #85FFC8 and #96FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DF094. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DF094 shade: #4DF094, #3CDE81, #2BCC6E, #1ABA5B and #09A848

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DF094 shade: #4DEF94, #4DEF68, #5EEF4D, #8AEF4D and #B5EF4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DF094 shade: #4DEF94, #4DEFBF, #4DEFEB, #4DC8EF and #4D9CEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DF094 shade matches the following richer shades: #4DEF94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DF094 shade: #4DEF94, #5CE096, #6CD098, #7CC09A and #8BB19C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DF094 shade: #5DEF4D, #4DEF68, #4DEF93, #4DEFBF and #4DEFEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DF094 shade: #13D768, #27EC7D, #4DEF94, #73F3AA and #99F6C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DF094 shade: #4DF094, #4D88EF and #EF524D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DF094 shade: #4DF094, #934DEF and #EF934D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DF094 shade: #4DF094, #4D88EF, #EF4DA9 and #EFB44D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DF094 shade: #4DF094, #4D58EF, #EF4DA9 and #EFE54D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 38 / 6

HEX #4DF094

RGB 77 240 148

HSL 146.13, 0.84%, 0.62%

LAB 85.01, -62.07, 32.52

 

Complementary color

CMYK 0 / 92 / 40 / 30

HEX #B20F6B

RGB 178 15 107

HSL 326.13, 0.84%, 0.38%

LAB 39.36, 64.55, -7.6

 

CMYK 66 / 0 / 40 / 6

HEX #52F08F

RGB 82 240 143

HSL 143.16, 0.84%, 0.63%

LAB 85.05, -62.11, 35.08

 

CMYK 61 / 0 / 36 / 0

HEX #63FFA2

RGB 99 255 162

HSL 144.23, 1%, 0.69%

LAB 90.22, -61.27, 32.52

 

CMYK 55 / 0 / 29 / 0

HEX #74FFB5

RGB 116 255 181

HSL 148.06, 1%, 0.73%

LAB 91.04, -54.27, 24.14

 

CMYK 48 / 0 / 22 / 0

HEX #85FFC8

RGB 133 255 200

HSL 152.95, 1%, 0.76%

LAB 91.99, -46.65, 15.84

 

CMYK 41 / 0 / 14 / 0

HEX #96FFDB

RGB 150 255 219

HSL 159.43, 1%, 0.79%

LAB 93.07, -38.53, 7.7

 

CMYK 68 / 0 / 38 / 6

HEX #4DF094

RGB 77 240 148

HSL 146.13, 0.84%, 0.62%

LAB 85.01, -62.07, 32.52

 

CMYK 73 / 0 / 42 / 13

HEX #3CDE81

RGB 60 222 129

HSL 145.56, 0.71%, 0.55%

LAB 78.92, -61.49, 34

 

CMYK 79 / 0 / 46 / 20

HEX #2BCC6E

RGB 43 204 110

HSL 144.97, 0.65%, 0.48%

LAB 72.78, -60.58, 35.59

 

CMYK 86 / 0 / 51 / 27

HEX #1ABA5B

RGB 26 186 91

HSL 144.38, 0.75%, 0.42%

LAB 66.59, -59.23, 37.26

 

CMYK 95 / 0 / 57 / 34

HEX #09A848

RGB 9 168 72

HSL 143.77, 0.9%, 0.35%

LAB 60.37, -57.26, 38.99

 

CMYK 68 / 0 / 38 / 6

HEX #4DEF94

RGB 77 239 148

HSL 146.3, 0.84%, 0.62%

LAB 84.71, -61.71, 32.12

 

CMYK 68 / 0 / 56 / 6

HEX #4DEF68

RGB 77 239 104

HSL 130, 0.84%, 0.62%

LAB 84.13, -68.4, 52.51

 

CMYK 61 / 0 / 68 / 6

HEX #5EEF4D

RGB 94 239 77

HSL 113.7, 0.84%, 0.62%

LAB 84.3, -67.84, 64.07

 

CMYK 42 / 0 / 68 / 6

HEX #8AEF4D

RGB 138 239 77

HSL 97.41, 0.84%, 0.62%

LAB 85.84, -56.07, 66.16

 

CMYK 24 / 0 / 68 / 6

HEX #B5EF4D

RGB 181 239 77

HSL 81.48, 0.84%, 0.62%

LAB 88.01, -41.34, 69.09

 

CMYK 68 / 0 / 38 / 6

HEX #4DEF94

RGB 77 239 148

HSL 146.3, 0.84%, 0.62%

LAB 84.71, -61.71, 32.12

 

CMYK 68 / 0 / 20 / 6

HEX #4DEFBF

RGB 77 239 191

HSL 162.22, 0.84%, 0.62%

LAB 85.54, -52.86, 11.14

 

CMYK 68 / 0 / 2 / 6

HEX #4DEFEB

RGB 77 239 235

HSL 178.52, 0.84%, 0.62%

LAB 86.66, -41.78, -10.28

 

CMYK 68 / 16 / 0 / 6

HEX #4DC8EF

RGB 77 200 239

HSL 194.44, 0.84%, 0.62%

LAB 75.52, -22.02, -29.25

 

CMYK 68 / 35 / 0 / 6

HEX #4D9CEF

RGB 77 156 239

HSL 210.74, 0.84%, 0.62%

LAB 63, 1.91, -48.77

 

CMYK 68 / 0 / 38 / 6

HEX #4DEF94

RGB 77 239 148

HSL 146.3, 0.84%, 0.62%

LAB 84.71, -61.71, 32.12

 

CMYK 68 / 0 / 38 / 6

HEX #4DEF94

RGB 77 239 148

HSL 146.3, 0.84%, 0.62%

LAB 84.71, -61.71, 32.12

 

CMYK 59 / 0 / 33 / 12

HEX #5CE096

RGB 92 224 150

HSL 146.36, 0.68%, 0.62%

LAB 80.62, -52.79, 25.68

 

CMYK 48 / 0 / 27 / 18

HEX #6CD098

RGB 108 208 152

HSL 146.4, 0.52%, 0.62%

LAB 76.42, -42, 18.96

 

CMYK 35 / 0 / 20 / 25

HEX #7CC09A

RGB 124 192 154

HSL 146.47, 0.35%, 0.62%

LAB 72.44, -29.81, 12.43

 

CMYK 21 / 0 / 12 / 31

HEX #8BB19C

RGB 139 177 156

HSL 146.84, 0.2%, 0.62%

LAB 68.99, -17.17, 6.55

 

CMYK 61 / 0 / 68 / 6

HEX #5DEF4D

RGB 93 239 77

HSL 114.07, 0.84%, 0.62%

LAB 84.28, -68.06, 64.04

 

CMYK 68 / 0 / 56 / 6

HEX #4DEF68

RGB 77 239 104

HSL 130, 0.84%, 0.62%

LAB 84.13, -68.4, 52.51

 

CMYK 68 / 0 / 38 / 6

HEX #4DEF93

RGB 77 239 147

HSL 145.93, 0.84%, 0.62%

LAB 84.7, -61.89, 32.6

 

CMYK 68 / 0 / 20 / 6

HEX #4DEFBF

RGB 77 239 191

HSL 162.22, 0.84%, 0.62%

LAB 85.54, -52.86, 11.14

 

CMYK 68 / 0 / 2 / 6

HEX #4DEFEA

RGB 77 239 234

HSL 178.15, 0.84%, 0.62%

LAB 86.63, -42.05, -9.8

 

CMYK 91 / 0 / 52 / 16

HEX #13D768

RGB 19 215 104

HSL 146.02, 0.84%, 0.46%

LAB 75.91, -67.2, 42.42

 

CMYK 83 / 0 / 47 / 7

HEX #27EC7D

RGB 39 236 125

HSL 146.19, 0.84%, 0.54%

LAB 82.86, -69.34, 40.99

 

CMYK 68 / 0 / 38 / 6

HEX #4DEF94

RGB 77 239 148

HSL 146.3, 0.84%, 0.62%

LAB 84.71, -61.71, 32.12

 

CMYK 53 / 0 / 30 / 5

HEX #73F3AA

RGB 115 243 170

HSL 145.78, 0.84%, 0.7%

LAB 87.31, -51.69, 24.63

 

CMYK 38 / 0 / 22 / 4

HEX #99F6C1

RGB 153 246 193

HSL 145.81, 0.84%, 0.78%

LAB 90.11, -38.89, 16.92

 

CMYK 68 / 0 / 38 / 6

HEX #4DF094

RGB 77 240 148

HSL 146.13, 0.84%, 0.62%

LAB 85.01, -62.07, 32.52

 

CMYK 68 / 43 / 0 / 6

HEX #4D88EF

RGB 77 136 239

HSL 218.15, 0.84%, 0.62%

LAB 57.48, 13.75, -57.55

 

CMYK 0 / 66 / 68 / 6

HEX #EF524D

RGB 239 82 77

HSL 1.85, 0.84%, 0.62%

LAB 57, 59.9, 36.46

 

CMYK 68 / 0 / 38 / 6

HEX #4DF094

RGB 77 240 148

HSL 146.13, 0.84%, 0.62%

LAB 85.01, -62.07, 32.52

 

CMYK 38 / 68 / 0 / 6

HEX #934DEF

RGB 147 77 239

HSL 265.93, 0.84%, 0.62%

LAB 49.18, 60.48, -70.67

 

CMYK 0 / 38 / 68 / 6

HEX #EF934D

RGB 239 147 77

HSL 25.93, 0.84%, 0.62%

LAB 69.29, 28.78, 50.65

 

CMYK 68 / 0 / 38 / 6

HEX #4DF094

RGB 77 240 148

HSL 146.13, 0.84%, 0.62%

LAB 85.01, -62.07, 32.52

 

CMYK 68 / 43 / 0 / 6

HEX #4D88EF

RGB 77 136 239

HSL 218.15, 0.84%, 0.62%

LAB 57.48, 13.75, -57.55

 

CMYK 0 / 68 / 29 / 6

HEX #EF4DA9

RGB 239 77 169

HSL 325.93, 0.84%, 0.62%

LAB 58.53, 69.63, -15.05

 

CMYK 0 / 25 / 68 / 6

HEX #EFB44D

RGB 239 180 77

HSL 38.15, 0.84%, 0.62%

LAB 77, 11.35, 59.01

 

CMYK 68 / 0 / 38 / 6

HEX #4DF094

RGB 77 240 148

HSL 146.13, 0.84%, 0.62%

LAB 85.01, -62.07, 32.52

 

CMYK 68 / 63 / 0 / 6

HEX #4D58EF

RGB 77 88 239

HSL 235.93, 0.84%, 0.62%

LAB 45.34, 43.19, -77.19

 

CMYK 0 / 68 / 29 / 6

HEX #EF4DA9

RGB 239 77 169

HSL 325.93, 0.84%, 0.62%

LAB 58.53, 69.63, -15.05

 

CMYK 0 / 4 / 68 / 6

HEX #EFE54D

RGB 239 229 77

HSL 56.3, 0.84%, 0.62%

LAB 89.36, -13.71, 71.76

 

Description

Color code: HEX #4DF094 | qconv.com Color code: HEX #4DF094 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 240 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 240 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 38 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 38% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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