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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DF015 it is the complementary color #B20FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DF015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DF015 shade: #52F010, #63FF23, #74FF36, #85FF49 and #96FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DF015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DF015 shade: #4DF015, #3CDE02, #2BCC00, #1ABA00 and #09A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DF015 shade: #4CF014, #88F014, #C3F014, #F0E214 and #F0A614

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DF015 shade: #4CF014, #14F017, #14F052, #14F08E and #14F0C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DF015 shade matches the following richer shades: #4CF014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DF015 shade: #4CF014, #56DC28, #60C83D, #6AB351 and #749F65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DF015 shade: #C4F014, #89F014, #4FF014, #14F014 and #14F04F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DF015 shade: #33A70B, #3ECE0D, #4CF014, #6AF23B and #87F562

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DF015 shade: #4DF015, #14F0E1 and #F014A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DF015 shade: #4DF015, #144FF0 and #F0144F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DF015 shade: #4DF015, #14F0E1, #B514F0 and #F01423

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DF015 shade: #4DF015, #14BDF0, #B514F0 and #F04714

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 91 / 6

HEX #4DF015

RGB 77 240 21

HSL 104.66, 0.88%, 0.51%

LAB 83.94, -74.61, 78.48

 

Complementary color

CMYK 24 / 94 / 0 / 8

HEX #B20FEA

RGB 178 15 234

HSL 284.66, 0.88%, 0.49%

LAB 46.64, 82.77, -71.81

 

CMYK 66 / 0 / 93 / 6

HEX #52F010

RGB 82 240 16

HSL 102.32, 0.88%, 0.5%

LAB 84.04, -73.76, 79.22

 

CMYK 61 / 0 / 86 / 0

HEX #63FF23

RGB 99 255 35

HSL 102.55, 1%, 0.57%

LAB 89.06, -74.42, 80.78

 

CMYK 55 / 0 / 79 / 0

HEX #74FF36

RGB 116 255 54

HSL 101.49, 1%, 0.61%

LAB 89.63, -69.59, 77.1

 

CMYK 48 / 0 / 71 / 0

HEX #85FF49

RGB 133 255 73

HSL 100.22, 1%, 0.64%

LAB 90.32, -63.9, 72.12

 

CMYK 41 / 0 / 64 / 0

HEX #96FF5C

RGB 150 255 92

HSL 98.65, 1%, 0.68%

LAB 91.13, -57.43, 66.15

 

CMYK 68 / 0 / 91 / 6

HEX #4DF015

RGB 77 240 21

HSL 104.66, 0.88%, 0.51%

LAB 83.94, -74.61, 78.48

 

CMYK 73 / 0 / 99 / 13

HEX #3CDE02

RGB 60 222 2

HSL 104.18, 0.98%, 0.44%

LAB 78, -72.49, 75.42

 

CMYK 79 / 0 / 100 / 20

HEX #2BCC00

RGB 43 204 0

HSL 107.35, 1%, 0.4%

LAB 72.03, -69.72, 70.73

 

CMYK 86 / 0 / 100 / 27

HEX #1ABA00

RGB 26 186 0

HSL 111.61, 1%, 0.36%

LAB 66.01, -66.44, 65.83

 

CMYK 95 / 0 / 100 / 34

HEX #09A800

RGB 9 168 0

HSL 116.79, 1%, 0.33%

LAB 59.95, -62.57, 60.92

 

CMYK 68 / 0 / 92 / 6

HEX #4CF014

RGB 76 240 20

HSL 104.73, 0.88%, 0.51%

LAB 83.92, -74.82, 78.59

 

CMYK 43 / 0 / 92 / 6

HEX #88F014

RGB 136 240 20

HSL 88.36, 0.88%, 0.51%

LAB 85.81, -59.69, 80.92

 

CMYK 19 / 0 / 92 / 6

HEX #C3F014

RGB 195 240 20

HSL 72.27, 0.88%, 0.51%

LAB 88.91, -38.61, 84.71

 

CMYK 0 / 6 / 92 / 6

HEX #F0E214

RGB 240 226 20

HSL 56.18, 0.88%, 0.51%

LAB 88.43, -13.6, 85.76

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 68 / 0 / 92 / 6

HEX #4CF014

RGB 76 240 20

HSL 104.73, 0.88%, 0.51%

LAB 83.92, -74.82, 78.59

 

CMYK 92 / 0 / 90 / 6

HEX #14F017

RGB 20 240 23

HSL 120.82, 0.88%, 0.51%

LAB 83.19, -81.17, 77.28

 

CMYK 92 / 0 / 66 / 6

HEX #14F052

RGB 20 240 82

HSL 136.91, 0.88%, 0.51%

LAB 83.48, -77.49, 60.91

 

CMYK 92 / 0 / 41 / 6

HEX #14F08E

RGB 20 240 142

HSL 153.27, 0.88%, 0.51%

LAB 84.18, -68.96, 34.29

 

CMYK 92 / 0 / 16 / 6

HEX #14F0C9

RGB 20 240 201

HSL 169.36, 0.88%, 0.51%

LAB 85.35, -56.02, 5.54

 

CMYK 68 / 0 / 92 / 6

HEX #4CF014

RGB 76 240 20

HSL 104.73, 0.88%, 0.51%

LAB 83.92, -74.82, 78.59

 

CMYK 68 / 0 / 92 / 6

HEX #4CF014

RGB 76 240 20

HSL 104.73, 0.88%, 0.51%

LAB 83.92, -74.82, 78.59

 

CMYK 61 / 0 / 82 / 14

HEX #56DC28

RGB 86 220 40

HSL 104.67, 0.72%, 0.51%

LAB 78.06, -65.71, 69.8

 

CMYK 52 / 0 / 70 / 22

HEX #60C83D

RGB 96 200 61

HSL 104.89, 0.56%, 0.51%

LAB 72.32, -54.77, 57.61

 

CMYK 41 / 0 / 55 / 30

HEX #6AB351

RGB 106 179 81

HSL 104.69, 0.39%, 0.51%

LAB 66.44, -41.32, 42.48

 

CMYK 27 / 0 / 36 / 38

HEX #749F65

RGB 116 159 101

HSL 104.48, 0.23%, 0.51%

LAB 61.18, -25.89, 25.71

 

CMYK 18 / 0 / 92 / 6

HEX #C4F014

RGB 196 240 20

HSL 72, 0.88%, 0.51%

LAB 88.97, -38.22, 84.79

 

CMYK 43 / 0 / 92 / 6

HEX #89F014

RGB 137 240 20

HSL 88.09, 0.88%, 0.51%

LAB 85.85, -59.38, 80.97

 

CMYK 67 / 0 / 92 / 6

HEX #4FF014

RGB 79 240 20

HSL 103.91, 0.88%, 0.51%

LAB 83.98, -74.26, 78.67

 

CMYK 92 / 0 / 92 / 6

HEX #14F014

RGB 20 240 20

HSL 120, 0.88%, 0.51%

LAB 83.19, -81.25, 77.68

 

CMYK 92 / 0 / 67 / 6

HEX #14F04F

RGB 20 240 79

HSL 136.09, 0.88%, 0.51%

LAB 83.46, -77.78, 62.06

 

CMYK 69 / 0 / 93 / 35

HEX #33A70B

RGB 51 167 11

HSL 104.62, 0.88%, 0.35%

LAB 60.22, -56.86, 59.85

 

CMYK 70 / 0 / 94 / 19

HEX #3ECE0D

RGB 62 206 13

HSL 104.77, 0.88%, 0.43%

LAB 73.02, -67.11, 70.31

 

CMYK 68 / 0 / 92 / 6

HEX #4CF014

RGB 76 240 20

HSL 104.73, 0.88%, 0.51%

LAB 83.92, -74.82, 78.59

 

CMYK 56 / 0 / 76 / 5

HEX #6AF23B

RGB 106 242 59

HSL 104.59, 0.88%, 0.59%

LAB 85.45, -67.36, 71.57

 

CMYK 45 / 0 / 60 / 4

HEX #87F562

RGB 135 245 98

HSL 104.9, 0.88%, 0.67%

LAB 87.65, -57.5, 59.66

 

CMYK 68 / 0 / 91 / 6

HEX #4DF015

RGB 77 240 21

HSL 104.66, 0.88%, 0.51%

LAB 83.94, -74.61, 78.48

 

CMYK 92 / 0 / 6 / 6

HEX #14F0E1

RGB 20 240 225

HSL 175.91, 0.88%, 0.51%

LAB 85.96, -49.67, -6.15

 

CMYK 0 / 92 / 30 / 6

HEX #F014A7

RGB 240 20 167

HSL 319.91, 0.88%, 0.51%

LAB 53.83, 83.32, -21.02

 

CMYK 68 / 0 / 91 / 6

HEX #4DF015

RGB 77 240 21

HSL 104.66, 0.88%, 0.51%

LAB 83.94, -74.61, 78.48

 

CMYK 92 / 67 / 0 / 6

HEX #144FF0

RGB 20 79 240

HSL 223.91, 0.88%, 0.51%

LAB 41.27, 44.55, -84.53

 

CMYK 0 / 92 / 67 / 6

HEX #F0144F

RGB 240 20 79

HSL 343.91, 0.88%, 0.51%

LAB 51.37, 76.64, 28.4

 

CMYK 68 / 0 / 91 / 6

HEX #4DF015

RGB 77 240 21

HSL 104.66, 0.88%, 0.51%

LAB 83.94, -74.61, 78.48

 

CMYK 92 / 0 / 6 / 6

HEX #14F0E1

RGB 20 240 225

HSL 175.91, 0.88%, 0.51%

LAB 85.96, -49.67, -6.15

 

CMYK 25 / 92 / 0 / 6

HEX #B514F0

RGB 181 20 240

HSL 283.91, 0.88%, 0.51%

LAB 47.77, 83.62, -73.33

 

CMYK 0 / 92 / 85 / 6

HEX #F01423

RGB 240 20 35

HSL 355.91, 0.88%, 0.51%

LAB 50.86, 75.21, 52.52

 

CMYK 68 / 0 / 91 / 6

HEX #4DF015

RGB 77 240 21

HSL 104.66, 0.88%, 0.51%

LAB 83.94, -74.61, 78.48

 

CMYK 92 / 21 / 0 / 6

HEX #14BDF0

RGB 20 189 240

HSL 193.91, 0.88%, 0.51%

LAB 71.44, -21.23, -36.17

 

CMYK 25 / 92 / 0 / 6

HEX #B514F0

RGB 181 20 240

HSL 283.91, 0.88%, 0.51%

LAB 47.77, 83.62, -73.33

 

CMYK 0 / 70 / 92 / 6

HEX #F04714

RGB 240 71 20

HSL 13.91, 0.88%, 0.51%

LAB 55.16, 62.65, 61.63

 

Description

Color code: HEX #4DF015 | qconv.com Color code: HEX #4DF015 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 240 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 240 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 91 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 91% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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