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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DED51 it is the complementary color #B212AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DED51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DED51 shade: #52ED4C, #63FF5F, #74FF72, #85FF85 and #96FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DED51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DED51 shade: #4DED51, #3CDB3E, #2BC92B, #1AB718 and #09A505

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DED51 shade: #4FEE53, #76EE4F, #A0EE4F, #CBEE4F and #EEE54F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DED51 shade: #4FEE53, #4FEE7D, #4FEEA8, #4FEED3 and #4FDDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DED51 shade matches the following richer shades: #4FEE53 and #3FFD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DED51 shade: #4FEE53, #5EDE62, #6ECE70, #7EBF7F and #8DAF8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DED51 shade: #A1EE4F, #76EE4F, #4FEE51, #4FEE7C and #4FEEA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DED51 shade: #15D51A, #29EA2E, #4FEE53, #74F177 and #9AF59C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DED51 shade: #4DED51, #4FCBEE and #EE4F8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DED51 shade: #4DED51, #514FEE and #EE514F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DED51 shade: #4DED51, #4FCBEE, #EE4FEB and #EE714F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DED51 shade: #4DED51, #4F9BEE, #EE4FEB and #EEA14F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 66 / 7

HEX #4DED51

RGB 77 237 81

HSL 121.5, 0.82%, 0.62%

LAB 83.31, -70.24, 61.33

 

Complementary color

CMYK 0 / 90 / 2 / 30

HEX #B212AE

RGB 178 18 174

HSL 301.5, 0.82%, 0.38%

LAB 42.69, 72.48, -43.42

 

CMYK 65 / 0 / 68 / 7

HEX #52ED4C

RGB 82 237 76

HSL 117.76, 0.82%, 0.61%

LAB 83.38, -69.75, 63.39

 

CMYK 61 / 0 / 63 / 0

HEX #63FF5F

RGB 99 255 95

HSL 118.5, 1%, 0.69%

LAB 89.39, -70.53, 62.53

 

CMYK 55 / 0 / 55 / 0

HEX #74FF72

RGB 116 255 114

HSL 119.15, 1%, 0.72%

LAB 90.07, -64.62, 55.31

 

CMYK 48 / 0 / 48 / 0

HEX #85FF85

RGB 133 255 133

HSL 120, 1%, 0.76%

LAB 90.87, -57.92, 47.69

 

CMYK 41 / 0 / 40 / 0

HEX #96FF98

RGB 150 255 152

HSL 121.14, 1%, 0.79%

LAB 91.81, -50.55, 39.88

 

CMYK 68 / 0 / 66 / 7

HEX #4DED51

RGB 77 237 81

HSL 121.5, 0.82%, 0.62%

LAB 83.31, -70.24, 61.33

 

CMYK 73 / 0 / 72 / 14

HEX #3CDB3E

RGB 60 219 62

HSL 120.75, 0.69%, 0.55%

LAB 77.26, -69.05, 62.04

 

CMYK 79 / 0 / 79 / 21

HEX #2BC92B

RGB 43 201 43

HSL 120, 0.65%, 0.48%

LAB 71.19, -67.34, 62.23

 

CMYK 86 / 0 / 87 / 28

HEX #1AB718

RGB 26 183 24

HSL 119.25, 0.77%, 0.41%

LAB 65.08, -64.92, 61.5

 

CMYK 95 / 0 / 97 / 35

HEX #09A505

RGB 9 165 5

HSL 118.5, 0.94%, 0.33%

LAB 58.96, -61.59, 59.4

 

CMYK 67 / 0 / 65 / 7

HEX #4FEE53

RGB 79 238 83

HSL 121.51, 0.82%, 0.62%

LAB 83.67, -70.01, 60.95

 

CMYK 50 / 0 / 67 / 7

HEX #76EE4F

RGB 118 238 79

HSL 105.28, 0.82%, 0.62%

LAB 84.77, -61.38, 64.04

 

CMYK 33 / 0 / 67 / 7

HEX #A0EE4F

RGB 160 238 79

HSL 89.43, 0.82%, 0.62%

LAB 86.6, -48.29, 66.52

 

CMYK 15 / 0 / 67 / 7

HEX #CBEE4F

RGB 203 238 79

HSL 73.21, 0.82%, 0.62%

LAB 89.12, -32.39, 69.91

 

CMYK 0 / 4 / 67 / 7

HEX #EEE54F

RGB 238 229 79

HSL 56.6, 0.82%, 0.62%

LAB 89.29, -14.02, 70.92

 

CMYK 67 / 0 / 65 / 7

HEX #4FEE53

RGB 79 238 83

HSL 121.51, 0.82%, 0.62%

LAB 83.67, -70.01, 60.95

 

CMYK 67 / 0 / 47 / 7

HEX #4FEE7D

RGB 79 238 125

HSL 137.36, 0.82%, 0.62%

LAB 84.12, -64.82, 42.71

 

CMYK 67 / 0 / 29 / 7

HEX #4FEEA8

RGB 79 238 168

HSL 153.58, 0.82%, 0.62%

LAB 84.81, -57.15, 22.06

 

CMYK 67 / 0 / 11 / 7

HEX #4FEED3

RGB 79 238 211

HSL 169.81, 0.82%, 0.62%

LAB 85.76, -47.34, 1

 

CMYK 67 / 7 / 0 / 7

HEX #4FDDEE

RGB 79 221 238

HSL 186.42, 0.82%, 0.62%

LAB 81.59, -32.37, -19.46

 

CMYK 67 / 0 / 65 / 7

HEX #4FEE53

RGB 79 238 83

HSL 121.51, 0.82%, 0.62%

LAB 83.67, -70.01, 60.95

 

CMYK 75 / 0 / 73 / 1

HEX #3FFD44

RGB 63 253 68

HSL 121.58, 0.98%, 0.62%

LAB 87.84, -78.52, 70.71

 

CMYK 67 / 0 / 65 / 7

HEX #4FEE53

RGB 79 238 83

HSL 121.51, 0.82%, 0.62%

LAB 83.67, -70.01, 60.95

 

CMYK 58 / 0 / 56 / 13

HEX #5EDE62

RGB 94 222 98

HSL 121.88, 0.66%, 0.62%

LAB 79.33, -59.69, 49.67

 

CMYK 47 / 0 / 46 / 19

HEX #6ECE70

RGB 110 206 112

HSL 121.25, 0.49%, 0.62%

LAB 75.22, -47.44, 38.06

 

CMYK 34 / 0 / 34 / 25

HEX #7EBF7F

RGB 126 191 127

HSL 120.92, 0.34%, 0.62%

LAB 71.71, -33.65, 25.91

 

CMYK 19 / 0 / 19 / 31

HEX #8DAF8E

RGB 141 175 142

HSL 121.76, 0.18%, 0.62%

LAB 68.22, -18.13, 13.17

 

CMYK 32 / 0 / 67 / 7

HEX #A1EE4F

RGB 161 238 79

HSL 89.06, 0.82%, 0.62%

LAB 86.65, -47.95, 66.58

 

CMYK 50 / 0 / 67 / 7

HEX #76EE4F

RGB 118 238 79

HSL 105.28, 0.82%, 0.62%

LAB 84.77, -61.38, 64.04

 

CMYK 67 / 0 / 66 / 7

HEX #4FEE51

RGB 79 238 81

HSL 120.75, 0.82%, 0.62%

LAB 83.66, -70.2, 61.72

 

CMYK 67 / 0 / 48 / 7

HEX #4FEE7C

RGB 79 238 124

HSL 136.98, 0.82%, 0.62%

LAB 84.1, -64.97, 43.18

 

CMYK 67 / 0 / 30 / 7

HEX #4FEEA6

RGB 79 238 166

HSL 152.83, 0.82%, 0.62%

LAB 84.77, -57.56, 23.04

 

CMYK 90 / 0 / 88 / 16

HEX #15D51A

RGB 21 213 26

HSL 121.56, 0.82%, 0.46%

LAB 74.71, -73.71, 69.51

 

CMYK 82 / 0 / 80 / 8

HEX #29EA2E

RGB 41 234 46

HSL 121.55, 0.82%, 0.54%

LAB 81.57, -77.03, 71.16

 

CMYK 67 / 0 / 65 / 7

HEX #4FEE53

RGB 79 238 83

HSL 121.51, 0.82%, 0.62%

LAB 83.67, -70.01, 60.95

 

CMYK 52 / 0 / 51 / 5

HEX #74F177

RGB 116 241 119

HSL 121.44, 0.82%, 0.7%

LAB 85.98, -58.79, 48.11

 

CMYK 37 / 0 / 36 / 4

HEX #9AF59C

RGB 154 245 156

HSL 121.32, 0.82%, 0.78%

LAB 89.19, -44.54, 34.51

 

CMYK 68 / 0 / 66 / 7

HEX #4DED51

RGB 77 237 81

HSL 121.5, 0.82%, 0.62%

LAB 83.31, -70.24, 61.33

 

CMYK 67 / 15 / 0 / 7

HEX #4FCBEE

RGB 79 203 238

HSL 193.21, 0.82%, 0.62%

LAB 76.4, -23.56, -27.36

 

CMYK 0 / 67 / 41 / 7

HEX #EE4F8C

RGB 238 79 140

HSL 336.98, 0.82%, 0.62%

LAB 57.72, 65.47, 0.66

 

CMYK 68 / 0 / 66 / 7

HEX #4DED51

RGB 77 237 81

HSL 121.5, 0.82%, 0.62%

LAB 83.31, -70.24, 61.33

 

CMYK 66 / 67 / 0 / 7

HEX #514FEE

RGB 81 79 238

HSL 240.75, 0.82%, 0.62%

LAB 43.53, 48.64, -79.59

 

CMYK 0 / 66 / 67 / 7

HEX #EE514F

RGB 238 81 79

HSL 0.75, 0.82%, 0.62%

LAB 56.71, 60.08, 34.94

 

CMYK 68 / 0 / 66 / 7

HEX #4DED51

RGB 77 237 81

HSL 121.5, 0.82%, 0.62%

LAB 83.31, -70.24, 61.33

 

CMYK 67 / 15 / 0 / 7

HEX #4FCBEE

RGB 79 203 238

HSL 193.21, 0.82%, 0.62%

LAB 76.4, -23.56, -27.36

 

CMYK 0 / 67 / 1 / 7

HEX #EE4FEB

RGB 238 79 235

HSL 301.13, 0.82%, 0.62%

LAB 61.45, 77.83, -48.09

 

CMYK 0 / 53 / 67 / 7

HEX #EE714F

RGB 238 113 79

HSL 12.83, 0.82%, 0.62%

LAB 62.13, 45.82, 41.41

 

CMYK 68 / 0 / 66 / 7

HEX #4DED51

RGB 77 237 81

HSL 121.5, 0.82%, 0.62%

LAB 83.31, -70.24, 61.33

 

CMYK 67 / 35 / 0 / 7

HEX #4F9BEE

RGB 79 155 238

HSL 211.32, 0.82%, 0.62%

LAB 62.74, 2.45, -48.63

 

CMYK 0 / 67 / 1 / 7

HEX #EE4FEB

RGB 238 79 235

HSL 301.13, 0.82%, 0.62%

LAB 61.45, 77.83, -48.09

 

CMYK 0 / 32 / 67 / 7

HEX #EEA14F

RGB 238 161 79

HSL 30.94, 0.82%, 0.62%

LAB 72.38, 21.09, 53.08

 

Description

Color code: HEX #4DED51 | qconv.com Color code: HEX #4DED51 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 237 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 237 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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