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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DE7DB it is the complementary color #B21824. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DE7DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DE7DB shade: #52E7D6, #63F9E9, #74FFFC, #85FFFF and #96FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DE7DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DE7DB shade: #4DE7DB, #3CD5C8, #2BC3B5, #1AB1A2 and #099F8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DE7DB shade: #4BE7DA, #4BE7B1, #4BE787, #4BE75D and #64E74B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DE7DB shade: #4BE7DA, #4BC9E7, #4B9FE7, #4B75E7 and #4B4BE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DE7DB shade matches the following richer shades: #4BE7DA and #3BF7E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DE7DB shade: #4BE7DA, #5CD6CC, #6CC6BF, #7DB5B1 and #8DA5A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DE7DB shade: #4BE787, #4BE7B0, #4BE7DA, #4BCAE7 and #4BA1E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DE7DB shade: #1BC5B7, #27E2D3, #4BE7DA, #70EBE2 and #94F0E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DE7DB shade: #4DE7DB, #5E4BE7 and #E79C4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DE7DB shade: #4DE7DB, #DA4BE7 and #E7DA4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DE7DB shade: #4DE7DB, #5E4BE7, #E74B58 and #D4E74B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DE7DB shade: #4DE7DB, #8C4BE7, #E74B58 and #A6E74B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 5 / 9

HEX #4DE7DB

RGB 77 231 219

HSL 175.32, 0.76%, 0.6%

LAB 83.88, -42.51, -5.97

 

Complementary color

CMYK 0 / 87 / 80 / 30

HEX #B21824

RGB 178 24 36

HSL 355.32, 0.76%, 0.4%

LAB 38.28, 58.42, 35.66

 

CMYK 65 / 0 / 7 / 9

HEX #52E7D6

RGB 82 231 214

HSL 173.15, 0.76%, 0.61%

LAB 83.86, -43.08, -3.35

 

CMYK 60 / 0 / 6 / 2

HEX #63F9E9

RGB 99 249 233

HSL 173.6, 0.93%, 0.68%

LAB 89.99, -43.44, -4.24

 

CMYK 55 / 0 / 1 / 0

HEX #74FFFC

RGB 116 255 252

HSL 178.71, 1%, 0.73%

LAB 92.69, -38.31, -10.06

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 67 / 0 / 5 / 9

HEX #4DE7DB

RGB 77 231 219

HSL 175.32, 0.76%, 0.6%

LAB 83.88, -42.51, -5.97

 

CMYK 72 / 0 / 6 / 16

HEX #3CD5C8

RGB 60 213 200

HSL 174.9, 0.65%, 0.54%

LAB 77.71, -41.88, -5.02

 

CMYK 78 / 0 / 7 / 24

HEX #2BC3B5

RGB 43 195 181

HSL 174.47, 0.64%, 0.47%

LAB 71.47, -41.01, -3.97

 

CMYK 85 / 0 / 8 / 31

HEX #1AB1A2

RGB 26 177 162

HSL 174.04, 0.74%, 0.4%

LAB 65.18, -39.83, -2.8

 

CMYK 94 / 0 / 10 / 38

HEX #099F8F

RGB 9 159 143

HSL 173.6, 0.89%, 0.33%

LAB 58.82, -38.24, -1.49

 

CMYK 68 / 0 / 6 / 9

HEX #4BE7DA

RGB 75 231 218

HSL 175, 0.76%, 0.6%

LAB 83.81, -43.06, -5.55

 

CMYK 68 / 0 / 23 / 9

HEX #4BE7B1

RGB 75 231 177

HSL 159.23, 0.76%, 0.6%

LAB 82.82, -53.09, 14.6

 

CMYK 68 / 0 / 42 / 9

HEX #4BE787

RGB 75 231 135

HSL 143.08, 0.76%, 0.6%

LAB 82.05, -61.38, 35.14

 

CMYK 68 / 0 / 60 / 9

HEX #4BE75D

RGB 75 231 93

HSL 126.92, 0.76%, 0.6%

LAB 81.53, -67.37, 54.34

 

CMYK 57 / 0 / 68 / 9

HEX #64E74B

RGB 100 231 75

HSL 110.38, 0.76%, 0.6%

LAB 82.04, -63.85, 62.49

 

CMYK 68 / 0 / 6 / 9

HEX #4BE7DA

RGB 75 231 218

HSL 175, 0.76%, 0.6%

LAB 83.81, -43.06, -5.55

 

CMYK 68 / 13 / 0 / 9

HEX #4BC9E7

RGB 75 201 231

HSL 191.54, 0.76%, 0.6%

LAB 75.48, -25.26, -25.02

 

CMYK 68 / 31 / 0 / 9

HEX #4B9FE7

RGB 75 159 231

HSL 207.69, 0.76%, 0.6%

LAB 63.39, -2.83, -43.75

 

CMYK 68 / 49 / 0 / 9

HEX #4B75E7

RGB 75 117 231

HSL 223.85, 0.76%, 0.6%

LAB 51.82, 22.31, -62.18

 

CMYK 68 / 68 / 0 / 9

HEX #4B4BE7

RGB 75 75 231

HSL 240, 0.76%, 0.6%

LAB 41.69, 47.96, -78.67

 

CMYK 68 / 0 / 6 / 9

HEX #4BE7DA

RGB 75 231 218

HSL 175, 0.76%, 0.6%

LAB 83.81, -43.06, -5.55

 

CMYK 76 / 0 / 6 / 3

HEX #3BF7E8

RGB 59 247 232

HSL 175.21, 0.92%, 0.6%

LAB 88.58, -48.15, -5.9

 

CMYK 68 / 0 / 6 / 9

HEX #4BE7DA

RGB 75 231 218

HSL 175, 0.76%, 0.6%

LAB 83.81, -43.06, -5.55

 

CMYK 57 / 0 / 5 / 16

HEX #5CD6CC

RGB 92 214 204

HSL 175.08, 0.6%, 0.6%

LAB 78.88, -36.3, -5.34

 

CMYK 45 / 0 / 4 / 22

HEX #6CC6BF

RGB 108 198 191

HSL 175.33, 0.44%, 0.6%

LAB 74.41, -28.65, -4.88

 

CMYK 31 / 0 / 2 / 29

HEX #7DB5B1

RGB 125 181 177

HSL 175.71, 0.27%, 0.6%

LAB 69.88, -19.05, -3.82

 

CMYK 15 / 0 / 1 / 35

HEX #8DA5A3

RGB 141 165 163

HSL 175, 0.12%, 0.6%

LAB 65.92, -8.73, -1.78

 

CMYK 68 / 0 / 42 / 9

HEX #4BE787

RGB 75 231 135

HSL 143.08, 0.76%, 0.6%

LAB 82.05, -61.38, 35.14

 

CMYK 68 / 0 / 24 / 9

HEX #4BE7B0

RGB 75 231 176

HSL 158.85, 0.76%, 0.6%

LAB 82.8, -53.31, 15.09

 

CMYK 68 / 0 / 6 / 9

HEX #4BE7DA

RGB 75 231 218

HSL 175, 0.76%, 0.6%

LAB 83.81, -43.06, -5.55

 

CMYK 68 / 13 / 0 / 9

HEX #4BCAE7

RGB 75 202 231

HSL 191.15, 0.76%, 0.6%

LAB 75.77, -25.76, -24.58

 

CMYK 68 / 30 / 0 / 9

HEX #4BA1E7

RGB 75 161 231

HSL 206.92, 0.76%, 0.6%

LAB 63.96, -3.97, -42.86

 

CMYK 86 / 0 / 7 / 23

HEX #1BC5B7

RGB 27 197 183

HSL 175.06, 0.76%, 0.44%

LAB 71.95, -42.62, -4.38

 

CMYK 83 / 0 / 7 / 11

HEX #27E2D3

RGB 39 226 211

HSL 175.19, 0.76%, 0.52%

LAB 81.58, -46.57, -5.21

 

CMYK 68 / 0 / 6 / 9

HEX #4BE7DA

RGB 75 231 218

HSL 175, 0.76%, 0.6%

LAB 83.81, -43.06, -5.55

 

CMYK 52 / 0 / 4 / 8

HEX #70EBE2

RGB 112 235 226

HSL 175.61, 0.75%, 0.68%

LAB 86.18, -36.5, -6.16

 

CMYK 38 / 0 / 3 / 6

HEX #94F0E9

RGB 148 240 233

HSL 175.43, 0.75%, 0.76%

LAB 89.16, -28.97, -5.28

 

CMYK 67 / 0 / 5 / 9

HEX #4DE7DB

RGB 77 231 219

HSL 175.32, 0.76%, 0.6%

LAB 83.88, -42.51, -5.97

 

CMYK 59 / 68 / 0 / 9

HEX #5E4BE7

RGB 94 75 231

HSL 247.31, 0.76%, 0.6%

LAB 43.04, 50.45, -76.41

 

CMYK 0 / 32 / 68 / 9

HEX #E79C4B

RGB 231 156 75

HSL 31.15, 0.76%, 0.6%

LAB 70.37, 20.61, 52.51

 

CMYK 67 / 0 / 5 / 9

HEX #4DE7DB

RGB 77 231 219

HSL 175.32, 0.76%, 0.6%

LAB 83.88, -42.51, -5.97

 

CMYK 6 / 68 / 0 / 9

HEX #DA4BE7

RGB 218 75 231

HSL 295, 0.76%, 0.6%

LAB 57.76, 74.22, -51.9

 

CMYK 0 / 6 / 68 / 9

HEX #E7DA4B

RGB 231 218 75

HSL 55, 0.76%, 0.6%

LAB 85.83, -11.67, 68.75

 

CMYK 67 / 0 / 5 / 9

HEX #4DE7DB

RGB 77 231 219

HSL 175.32, 0.76%, 0.6%

LAB 83.88, -42.51, -5.97

 

CMYK 59 / 68 / 0 / 9

HEX #5E4BE7

RGB 94 75 231

HSL 247.31, 0.76%, 0.6%

LAB 43.04, 50.45, -76.41

 

CMYK 0 / 68 / 62 / 9

HEX #E74B58

RGB 231 75 88

HSL 355, 0.76%, 0.6%

LAB 54.79, 60.72, 27.08

 

CMYK 8 / 0 / 68 / 9

HEX #D4E74B

RGB 212 231 75

HSL 67.31, 0.76%, 0.6%

LAB 87.8, -25.79, 70.26

 

CMYK 67 / 0 / 5 / 9

HEX #4DE7DB

RGB 77 231 219

HSL 175.32, 0.76%, 0.6%

LAB 83.88, -42.51, -5.97

 

CMYK 39 / 68 / 0 / 9

HEX #8C4BE7

RGB 140 75 231

HSL 265, 0.76%, 0.6%

LAB 47.47, 58.16, -68.99

 

CMYK 0 / 68 / 62 / 9

HEX #E74B58

RGB 231 75 88

HSL 355, 0.76%, 0.6%

LAB 54.79, 60.72, 27.08

 

CMYK 28 / 0 / 68 / 9

HEX #A6E74B

RGB 166 231 75

HSL 85, 0.76%, 0.6%

LAB 84.88, -43.47, 66.34

 

Description

Color code: HEX #4DE7DB | qconv.com Color code: HEX #4DE7DB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 231 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 231 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 5 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 5% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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