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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DE377 it is the complementary color #B21C88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DE377. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DE377 shade: #52E372, #63F585, #74FF98, #85FFAB and #96FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DE377. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DE377 shade: #4DE377, #3CD164, #2BBF51, #1AAD3E and #099B2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DE377 shade: #4FE378, #4FE350, #75E34F, #9DE34F and #C5E34F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DE377 shade: #4FE378, #4FE3A0, #4FE3C9, #4FD6E3 and #4FAEE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DE377 shade matches the following richer shades: #4FE378 and #3EF471

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DE377 shade: #4FE378, #5FD37F, #70C287, #80B28E and #91A195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DE377 shade: #76E34F, #4FE34F, #4FE376, #4FE39E and #4FE3C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DE377 shade: #1EC14C, #2BDE5D, #4FE378, #72E993 and #96EFAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DE377 shade: #4DE377, #4F9EE3 and #E34F62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DE377 shade: #4DE377, #764FE3 and #E3764F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DE377 shade: #4DE377, #4F9EE3, #E34FBC and #E3944F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DE377 shade: #4DE377, #4F71E3, #E34FBC and #E3C14F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 48 / 11

HEX #4DE377

RGB 77 227 119

HSL 136.8, 0.73%, 0.6%

LAB 80.65, -62.17, 41.25

 

Complementary color

CMYK 0 / 84 / 24 / 30

HEX #B21C88

RGB 178 28 136

HSL 316.8, 0.73%, 0.4%

LAB 41.33, 65.44, -22.63

 

CMYK 64 / 0 / 50 / 11

HEX #52E372

RGB 82 227 114

HSL 133.24, 0.72%, 0.61%

LAB 80.71, -61.96, 43.76

 

CMYK 60 / 0 / 46 / 4

HEX #63F585

RGB 99 245 133

HSL 133.97, 0.88%, 0.67%

LAB 86.83, -62.28, 42.38

 

CMYK 55 / 0 / 40 / 0

HEX #74FF98

RGB 116 255 152

HSL 135.54, 1%, 0.73%

LAB 90.55, -59.37, 38

 

CMYK 48 / 0 / 33 / 0

HEX #85FFAB

RGB 133 255 171

HSL 138.69, 1%, 0.76%

LAB 91.44, -52.1, 29.83

 

CMYK 41 / 0 / 25 / 0

HEX #96FFBE

RGB 150 255 190

HSL 142.86, 1%, 0.79%

LAB 92.45, -44.27, 21.71

 

CMYK 66 / 0 / 48 / 11

HEX #4DE377

RGB 77 227 119

HSL 136.8, 0.73%, 0.6%

LAB 80.65, -62.17, 41.25

 

CMYK 71 / 0 / 52 / 18

HEX #3CD164

RGB 60 209 100

HSL 136.11, 0.62%, 0.53%

LAB 74.5, -61.53, 42.72

 

CMYK 77 / 0 / 58 / 25

HEX #2BBF51

RGB 43 191 81

HSL 135.41, 0.63%, 0.46%

LAB 68.29, -60.52, 44.2

 

CMYK 85 / 0 / 64 / 32

HEX #1AAD3E

RGB 26 173 62

HSL 134.69, 0.74%, 0.39%

LAB 62.04, -58.95, 45.61

 

CMYK 94 / 0 / 72 / 39

HEX #099B2B

RGB 9 155 43

HSL 133.97, 0.89%, 0.32%

LAB 55.76, -56.61, 46.75

 

CMYK 65 / 0 / 47 / 11

HEX #4FE378

RGB 79 227 120

HSL 136.62, 0.73%, 0.6%

LAB 80.71, -61.65, 40.85

 

CMYK 65 / 0 / 65 / 11

HEX #4FE350

RGB 79 227 80

HSL 120.41, 0.73%, 0.6%

LAB 80.28, -66.65, 58.45

 

CMYK 48 / 0 / 65 / 11

HEX #75E34F

RGB 117 227 79

HSL 104.59, 0.73%, 0.6%

LAB 81.45, -57.55, 60.46

 

CMYK 31 / 0 / 65 / 11

HEX #9DE34F

RGB 157 227 79

HSL 88.38, 0.73%, 0.6%

LAB 83.27, -44.69, 62.96

 

CMYK 13 / 0 / 65 / 11

HEX #C5E34F

RGB 197 227 79

HSL 72.16, 0.73%, 0.6%

LAB 85.69, -29.63, 66.25

 

CMYK 65 / 0 / 47 / 11

HEX #4FE378

RGB 79 227 120

HSL 136.62, 0.73%, 0.6%

LAB 80.71, -61.65, 40.85

 

CMYK 65 / 0 / 30 / 11

HEX #4FE3A0

RGB 79 227 160

HSL 152.84, 0.73%, 0.6%

LAB 81.37, -54.48, 21.46

 

CMYK 65 / 0 / 11 / 11

HEX #4FE3C9

RGB 79 227 201

HSL 169.46, 0.73%, 0.6%

LAB 82.28, -45.11, 1.2

 

CMYK 65 / 6 / 0 / 11

HEX #4FD6E3

RGB 79 214 227

HSL 185.27, 0.73%, 0.6%

LAB 79.21, -32.2, -17.19

 

CMYK 65 / 23 / 0 / 11

HEX #4FAEE3

RGB 79 174 227

HSL 201.49, 0.73%, 0.6%

LAB 67.64, -11.85, -34.91

 

CMYK 65 / 0 / 47 / 11

HEX #4FE378

RGB 79 227 120

HSL 136.62, 0.73%, 0.6%

LAB 80.71, -61.65, 40.85

 

CMYK 75 / 0 / 54 / 4

HEX #3EF471

RGB 62 244 113

HSL 136.81, 0.89%, 0.6%

LAB 85.46, -71.21, 49.95

 

CMYK 65 / 0 / 47 / 11

HEX #4FE378

RGB 79 227 120

HSL 136.62, 0.73%, 0.6%

LAB 80.71, -61.65, 40.85

 

CMYK 55 / 0 / 40 / 17

HEX #5FD37F

RGB 95 211 127

HSL 136.55, 0.57%, 0.6%

LAB 76.41, -51.04, 31.9

 

CMYK 42 / 0 / 30 / 24

HEX #70C287

RGB 112 194 135

HSL 136.83, 0.4%, 0.6%

LAB 72.08, -37.91, 22.05

 

CMYK 28 / 0 / 20 / 30

HEX #80B28E

RGB 128 178 142

HSL 136.8, 0.25%, 0.6%

LAB 68.3, -24.06, 13.16

 

CMYK 10 / 0 / 7 / 37

HEX #91A195

RGB 145 161 149

HSL 135, 0.08%, 0.6%

LAB 64.71, -8.02, 4.32

 

CMYK 48 / 0 / 65 / 11

HEX #76E34F

RGB 118 227 79

HSL 104.19, 0.73%, 0.6%

LAB 81.49, -57.26, 60.52

 

CMYK 65 / 0 / 65 / 11

HEX #4FE34F

RGB 79 227 79

HSL 120, 0.73%, 0.6%

LAB 80.27, -66.75, 58.85

 

CMYK 65 / 0 / 48 / 11

HEX #4FE376

RGB 79 227 118

HSL 135.81, 0.73%, 0.6%

LAB 80.69, -61.95, 41.79

 

CMYK 65 / 0 / 30 / 11

HEX #4FE39E

RGB 79 227 158

HSL 152.03, 0.73%, 0.6%

LAB 81.33, -54.89, 22.45

 

CMYK 65 / 0 / 13 / 11

HEX #4FE3C6

RGB 79 227 198

HSL 168.24, 0.73%, 0.6%

LAB 82.21, -45.86, 2.68

 

CMYK 84 / 0 / 61 / 24

HEX #1EC14C

RGB 30 193 76

HSL 136.93, 0.73%, 0.44%

LAB 68.71, -63.27, 46.93

 

CMYK 81 / 0 / 58 / 13

HEX #2BDE5D

RGB 43 222 93

HSL 136.76, 0.73%, 0.52%

LAB 78.2, -69.05, 50.34

 

CMYK 65 / 0 / 47 / 11

HEX #4FE378

RGB 79 227 120

HSL 136.62, 0.73%, 0.6%

LAB 80.71, -61.65, 40.85

 

CMYK 51 / 0 / 37 / 9

HEX #72E993

RGB 114 233 147

HSL 136.64, 0.73%, 0.68%

LAB 83.95, -51.95, 31.79

 

CMYK 37 / 0 / 27 / 6

HEX #96EFAF

RGB 150 239 175

HSL 136.85, 0.74%, 0.76%

LAB 87.64, -39.93, 22.73

 

CMYK 66 / 0 / 48 / 11

HEX #4DE377

RGB 77 227 119

HSL 136.8, 0.73%, 0.6%

LAB 80.65, -62.17, 41.25

 

CMYK 65 / 30 / 0 / 11

HEX #4F9EE3

RGB 79 158 227

HSL 207.97, 0.73%, 0.6%

LAB 63.06, -2.96, -42.06

 

CMYK 0 / 65 / 57 / 11

HEX #E34F62

RGB 227 79 98

HSL 352.3, 0.73%, 0.6%

LAB 54.87, 58.55, 21.19

 

CMYK 66 / 0 / 48 / 11

HEX #4DE377

RGB 77 227 119

HSL 136.8, 0.73%, 0.6%

LAB 80.65, -62.17, 41.25

 

CMYK 48 / 65 / 0 / 11

HEX #764FE3

RGB 118 79 227

HSL 255.81, 0.73%, 0.6%

LAB 45.62, 51.01, -69.83

 

CMYK 0 / 48 / 65 / 11

HEX #E3764F

RGB 227 118 79

HSL 15.81, 0.73%, 0.6%

LAB 61.53, 39.18, 40.31

 

CMYK 66 / 0 / 48 / 11

HEX #4DE377

RGB 77 227 119

HSL 136.8, 0.73%, 0.6%

LAB 80.65, -62.17, 41.25

 

CMYK 65 / 30 / 0 / 11

HEX #4F9EE3

RGB 79 158 227

HSL 207.97, 0.73%, 0.6%

LAB 63.06, -2.96, -42.06

 

CMYK 0 / 65 / 17 / 11

HEX #E34FBC

RGB 227 79 188

HSL 315.81, 0.73%, 0.6%

LAB 57.61, 68.18, -27.6

 

CMYK 0 / 35 / 65 / 11

HEX #E3944F

RGB 227 148 79

HSL 27.97, 0.73%, 0.6%

LAB 68.08, 23.45, 47.9

 

CMYK 66 / 0 / 48 / 11

HEX #4DE377

RGB 77 227 119

HSL 136.8, 0.73%, 0.6%

LAB 80.65, -62.17, 41.25

 

CMYK 65 / 50 / 0 / 11

HEX #4F71E3

RGB 79 113 227

HSL 226.22, 0.73%, 0.6%

LAB 50.71, 24.02, -61.72

 

CMYK 0 / 65 / 17 / 11

HEX #E34FBC

RGB 227 79 188

HSL 315.81, 0.73%, 0.6%

LAB 57.61, 68.18, -27.6

 

CMYK 0 / 15 / 65 / 11

HEX #E3C14F

RGB 227 193 79

HSL 46.22, 0.73%, 0.6%

LAB 79.06, -0.39, 59.99

 

Description

Color code: HEX #4DE377 | qconv.com Color code: HEX #4DE377 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 227 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 227 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 48 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 48% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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