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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DE292 it is the complementary color #B21D6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DE292. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DE292 shade: #52E28D, #63F4A0, #74FFB3, #85FFC6 and #96FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DE292. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DE292 shade: #4DE292, #3CD07F, #2BBE6C, #1AAC59 and #099A46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DE292 shade: #4BE291, #4BE268, #57E24B, #7FE24B and #A8E24B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DE292 shade: #4BE291, #4BE2BA, #4BE1E2, #4BB9E2 and #4B90E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DE292 shade matches the following richer shades: #4BE291 and #3AF390

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DE292 shade: #4BE291, #5CD192, #6DC093, #7EAF95 and #8F9E96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DE292 shade: #58E24B, #4BE267, #4BE28F, #4BE2B7 and #4BE2DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DE292 shade: #1FBC67, #28DC7B, #4BE291, #6FE8A7 and #92EDBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DE292 shade: #4DE292, #4B80E2 and #E2534B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DE292 shade: #4DE292, #8F4BE2 and #E28F4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DE292 shade: #4DE292, #4B80E2, #E24B9E and #E2AD4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DE292 shade: #4DE292, #4B53E2, #E24B9E and #E2DA4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 35 / 11

HEX #4DE292

RGB 77 226 146

HSL 147.79, 0.72%, 0.59%

LAB 80.76, -57.19, 27.86

 

Complementary color

CMYK 0 / 84 / 39 / 30

HEX #B21D6D

RGB 178 29 109

HSL 327.79, 0.72%, 0.41%

LAB 40.32, 62.15, -7.41

 

CMYK 64 / 0 / 38 / 11

HEX #52E28D

RGB 82 226 141

HSL 144.58, 0.71%, 0.6%

LAB 80.8, -57.21, 30.49

 

CMYK 59 / 0 / 34 / 4

HEX #63F4A0

RGB 99 244 160

HSL 145.24, 0.87%, 0.67%

LAB 86.94, -57.4, 29.14

 

CMYK 55 / 0 / 30 / 0

HEX #74FFB3

RGB 116 255 179

HSL 147.19, 1%, 0.73%

LAB 91, -54.65, 25.1

 

CMYK 48 / 0 / 22 / 0

HEX #85FFC6

RGB 133 255 198

HSL 151.97, 1%, 0.76%

LAB 91.95, -47.05, 16.81

 

CMYK 41 / 0 / 15 / 0

HEX #96FFD9

RGB 150 255 217

HSL 158.29, 1%, 0.79%

LAB 93.02, -38.95, 8.66

 

CMYK 66 / 0 / 35 / 11

HEX #4DE292

RGB 77 226 146

HSL 147.79, 0.72%, 0.59%

LAB 80.76, -57.19, 27.86

 

CMYK 71 / 0 / 39 / 18

HEX #3CD07F

RGB 60 208 127

HSL 147.16, 0.61%, 0.53%

LAB 74.57, -56.73, 29.32

 

CMYK 77 / 0 / 43 / 25

HEX #2BBE6C

RGB 43 190 108

HSL 146.53, 0.63%, 0.46%

LAB 68.33, -55.96, 30.89

 

CMYK 85 / 0 / 48 / 33

HEX #1AAC59

RGB 26 172 89

HSL 145.89, 0.74%, 0.39%

LAB 62.04, -54.75, 32.57

 

CMYK 94 / 0 / 55 / 40

HEX #099A46

RGB 9 154 70

HSL 145.24, 0.89%, 0.32%

LAB 55.7, -52.93, 34.36

 

CMYK 67 / 0 / 36 / 11

HEX #4BE291

RGB 75 226 145

HSL 147.81, 0.72%, 0.59%

LAB 80.7, -57.72, 28.28

 

CMYK 67 / 0 / 54 / 11

HEX #4BE268

RGB 75 226 104

HSL 131.52, 0.72%, 0.59%

LAB 80.12, -64.31, 47.72

 

CMYK 62 / 0 / 67 / 11

HEX #57E24B

RGB 87 226 75

HSL 115.23, 0.72%, 0.59%

LAB 80.14, -65.12, 60.35

 

CMYK 44 / 0 / 67 / 11

HEX #7FE24B

RGB 127 226 75

HSL 99.34, 0.72%, 0.59%

LAB 81.52, -54.54, 62.24

 

CMYK 26 / 0 / 67 / 11

HEX #A8E24B

RGB 168 226 75

HSL 83.05, 0.72%, 0.59%

LAB 83.56, -40.56, 65.01

 

CMYK 67 / 0 / 36 / 11

HEX #4BE291

RGB 75 226 145

HSL 147.81, 0.72%, 0.59%

LAB 80.7, -57.72, 28.28

 

CMYK 67 / 0 / 18 / 11

HEX #4BE2BA

RGB 75 226 186

HSL 164.11, 0.72%, 0.59%

LAB 81.53, -48.96, 8.03

 

CMYK 67 / 0 / 0 / 11

HEX #4BE1E2

RGB 75 225 226

HSL 180.4, 0.72%, 0.59%

LAB 82.29, -38.19, -12.05

 

CMYK 67 / 18 / 0 / 11

HEX #4BB9E2

RGB 75 185 226

HSL 196.29, 0.72%, 0.59%

LAB 70.65, -18.64, -29.71

 

CMYK 67 / 36 / 0 / 11

HEX #4B90E2

RGB 75 144 226

HSL 212.58, 0.72%, 0.59%

LAB 58.91, 4.16, -48.06

 

CMYK 67 / 0 / 36 / 11

HEX #4BE291

RGB 75 226 145

HSL 147.81, 0.72%, 0.59%

LAB 80.7, -57.72, 28.28

 

CMYK 76 / 0 / 41 / 5

HEX #3AF390

RGB 58 243 144

HSL 147.89, 0.89%, 0.59%

LAB 85.51, -66.54, 35.11

 

CMYK 67 / 0 / 36 / 11

HEX #4BE291

RGB 75 226 145

HSL 147.81, 0.72%, 0.59%

LAB 80.7, -57.72, 28.28

 

CMYK 56 / 0 / 30 / 18

HEX #5CD192

RGB 92 209 146

HSL 147.69, 0.56%, 0.59%

LAB 76.04, -47.43, 21.52

 

CMYK 43 / 0 / 23 / 25

HEX #6DC093

RGB 109 192 147

HSL 147.47, 0.4%, 0.59%

LAB 71.59, -35.53, 14.92

 

CMYK 28 / 0 / 15 / 31

HEX #7EAF95

RGB 126 175 149

HSL 148.16, 0.23%, 0.59%

LAB 67.48, -21.82, 8.13

 

CMYK 9 / 0 / 5 / 38

HEX #8F9E96

RGB 143 158 150

HSL 148, 0.07%, 0.59%

LAB 63.75, -6.91, 2.36

 

CMYK 61 / 0 / 67 / 11

HEX #58E24B

RGB 88 226 75

HSL 114.83, 0.72%, 0.59%

LAB 80.17, -64.9, 60.39

 

CMYK 67 / 0 / 54 / 11

HEX #4BE267

RGB 75 226 103

HSL 131.13, 0.72%, 0.59%

LAB 80.11, -64.44, 48.17

 

CMYK 67 / 0 / 37 / 11

HEX #4BE28F

RGB 75 226 143

HSL 147.02, 0.72%, 0.59%

LAB 80.67, -58.1, 29.26

 

CMYK 67 / 0 / 19 / 11

HEX #4BE2B7

RGB 75 226 183

HSL 162.91, 0.72%, 0.59%

LAB 81.46, -49.67, 9.52

 

CMYK 67 / 0 / 1 / 11

HEX #4BE2DF

RGB 75 226 223

HSL 178.81, 0.72%, 0.59%

LAB 82.49, -39.47, -10.15

 

CMYK 84 / 0 / 45 / 26

HEX #1FBC67

RGB 31 188 103

HSL 147.52, 0.72%, 0.43%

LAB 67.45, -57.46, 32.3

 

CMYK 82 / 0 / 44 / 14

HEX #28DC7B

RGB 40 220 123

HSL 147.67, 0.72%, 0.51%

LAB 77.91, -64.21, 35.66

 

CMYK 67 / 0 / 36 / 11

HEX #4BE291

RGB 75 226 145

HSL 147.81, 0.72%, 0.59%

LAB 80.7, -57.72, 28.28

 

CMYK 52 / 0 / 28 / 9

HEX #6FE8A7

RGB 111 232 167

HSL 147.77, 0.72%, 0.67%

LAB 83.9, -48.62, 21.47

 

CMYK 38 / 0 / 21 / 7

HEX #92EDBC

RGB 146 237 188

HSL 147.69, 0.72%, 0.75%

LAB 87.15, -37.74, 15.3

 

CMYK 66 / 0 / 35 / 11

HEX #4DE292

RGB 77 226 146

HSL 147.79, 0.72%, 0.59%

LAB 80.76, -57.19, 27.86

 

CMYK 67 / 43 / 0 / 11

HEX #4B80E2

RGB 75 128 226

HSL 218.94, 0.72%, 0.59%

LAB 54.48, 13.78, -55.12

 

CMYK 0 / 63 / 67 / 11

HEX #E2534B

RGB 226 83 75

HSL 3.18, 0.72%, 0.59%

LAB 54.93, 55.11, 34.58

 

CMYK 66 / 0 / 35 / 11

HEX #4DE292

RGB 77 226 146

HSL 147.79, 0.72%, 0.59%

LAB 80.76, -57.19, 27.86

 

CMYK 37 / 67 / 0 / 11

HEX #8F4BE2

RGB 143 75 226

HSL 267.02, 0.72%, 0.59%

LAB 47.45, 57.51, -66.18

 

CMYK 0 / 37 / 67 / 11

HEX #E28F4B

RGB 226 143 75

HSL 27.02, 0.72%, 0.59%

LAB 66.76, 25.47, 48.35

 

CMYK 66 / 0 / 35 / 11

HEX #4DE292

RGB 77 226 146

HSL 147.79, 0.72%, 0.59%

LAB 80.76, -57.19, 27.86

 

CMYK 67 / 43 / 0 / 11

HEX #4B80E2

RGB 75 128 226

HSL 218.94, 0.72%, 0.59%

LAB 54.48, 13.78, -55.12

 

CMYK 0 / 67 / 30 / 11

HEX #E24B9E

RGB 226 75 158

HSL 327.02, 0.72%, 0.59%

LAB 55.76, 65.57, -13.03

 

CMYK 0 / 23 / 67 / 11

HEX #E2AD4B

RGB 226 173 75

HSL 38.94, 0.72%, 0.59%

LAB 73.91, 9.46, 56.19

 

CMYK 66 / 0 / 35 / 11

HEX #4DE292

RGB 77 226 146

HSL 147.79, 0.72%, 0.59%

LAB 80.76, -57.19, 27.86

 

CMYK 67 / 63 / 0 / 11

HEX #4B53E2

RGB 75 83 226

HSL 236.82, 0.72%, 0.59%

LAB 43.02, 41.6, -73.64

 

CMYK 0 / 67 / 30 / 11

HEX #E24B9E

RGB 226 75 158

HSL 327.02, 0.72%, 0.59%

LAB 55.76, 65.57, -13.03

 

CMYK 0 / 4 / 67 / 11

HEX #E2DA4B

RGB 226 218 75

HSL 56.82, 0.72%, 0.59%

LAB 85.41, -13.74, 68.19

 

Description

Color code: HEX #4DE292 | qconv.com Color code: HEX #4DE292 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 226 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 226 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 35 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 35% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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