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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DE049 it is the complementary color #B21FB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DE049. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DE049 shade: #52E044, #63F257, #74FF6A, #85FF7D and #96FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DE049. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DE049 shade: #4DE049, #3CCE36, #2BBC23, #1AAA10 and #099800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DE049 shade: #4CE048, #75E048, #9EE048, #C7E048 and #E0D048

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DE049 shade: #4CE048, #48E06D, #48E096, #48E0BF and #48D8E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DE049 shade matches the following richer shades: #4CE048 and #3BF137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DE049 shade: #4CE048, #5CCF59, #6DBD6B, #7DAC7C and #8E9B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DE049 shade: #9EE048, #75E048, #4DE048, #48E06B and #48E094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DE049 shade: #23B61F, #2ADA25, #4CE048, #6EE66B and #91EC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DE049 shade: #4DE049, #48C7E0 and #E0488A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DE049 shade: #4DE049, #484DE0 and #E0484D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DE049 shade: #4DE049, #48C7E0, #DB48E0 and #E06148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DE049 shade: #4DE049, #4899E0, #DB48E0 and #E08F48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 67 / 12

HEX #4DE049

RGB 77 224 73

HSL 118.41, 0.71%, 0.58%

LAB 79.25, -66.7, 60.11

 

Complementary color

CMYK 2 / 83 / 0 / 29

HEX #B21FB6

RGB 178 31 182

HSL 298.41, 0.71%, 0.42%

LAB 43.98, 71.35, -46.1

 

CMYK 63 / 0 / 70 / 12

HEX #52E044

RGB 82 224 68

HSL 114.62, 0.72%, 0.57%

LAB 79.34, -66.12, 62.15

 

CMYK 59 / 0 / 64 / 5

HEX #63F257

RGB 99 242 87

HSL 115.35, 0.86%, 0.65%

LAB 85.43, -66.85, 61.4

 

CMYK 55 / 0 / 58 / 0

HEX #74FF6A

RGB 116 255 106

HSL 115.97, 1%, 0.71%

LAB 89.99, -65.52, 58.72

 

CMYK 48 / 0 / 51 / 0

HEX #85FF7D

RGB 133 255 125

HSL 116.31, 1%, 0.75%

LAB 90.77, -58.95, 51.31

 

CMYK 41 / 0 / 44 / 0

HEX #96FF90

RGB 150 255 144

HSL 116.76, 1%, 0.78%

LAB 91.69, -51.69, 43.62

 

CMYK 66 / 0 / 67 / 12

HEX #4DE049

RGB 77 224 73

HSL 118.41, 0.71%, 0.58%

LAB 79.25, -66.7, 60.11

 

CMYK 71 / 0 / 74 / 19

HEX #3CCE36

RGB 60 206 54

HSL 117.63, 0.61%, 0.51%

LAB 73.13, -65.56, 60.67

 

CMYK 77 / 0 / 81 / 26

HEX #2BBC23

RGB 43 188 35

HSL 116.86, 0.69%, 0.44%

LAB 66.98, -63.86, 60.58

 

CMYK 85 / 0 / 91 / 33

HEX #1AAA10

RGB 26 170 16

HSL 116.1, 0.83%, 0.36%

LAB 60.79, -61.41, 59.35

 

CMYK 94 / 0 / 100 / 40

HEX #099800

RGB 9 152 0

HSL 116.45, 1%, 0.3%

LAB 54.57, -58.02, 56.61

 

CMYK 66 / 0 / 68 / 12

HEX #4CE048

RGB 76 224 72

HSL 118.42, 0.71%, 0.58%

LAB 79.22, -66.99, 60.46

 

CMYK 48 / 0 / 68 / 12

HEX #75E048

RGB 117 224 72

HSL 102.24, 0.71%, 0.58%

LAB 80.49, -56.99, 62.19

 

CMYK 29 / 0 / 68 / 12

HEX #9EE048

RGB 158 224 72

HSL 86.05, 0.71%, 0.58%

LAB 82.4, -43.54, 64.78

 

CMYK 11 / 0 / 68 / 12

HEX #C7E048

RGB 199 224 72

HSL 69.87, 0.71%, 0.58%

LAB 84.96, -27.85, 68.2

 

CMYK 0 / 7 / 68 / 12

HEX #E0D048

RGB 224 208 72

HSL 53.68, 0.71%, 0.58%

LAB 82.61, -9.73, 66.45

 

CMYK 66 / 0 / 68 / 12

HEX #4CE048

RGB 76 224 72

HSL 118.42, 0.71%, 0.58%

LAB 79.22, -66.99, 60.46

 

CMYK 68 / 0 / 51 / 12

HEX #48E06D

RGB 72 224 109

HSL 134.61, 0.71%, 0.58%

LAB 79.5, -63.46, 44.6

 

CMYK 68 / 0 / 33 / 12

HEX #48E096

RGB 72 224 150

HSL 150.79, 0.71%, 0.58%

LAB 80.12, -56.49, 24.91

 

CMYK 68 / 0 / 15 / 12

HEX #48E0BF

RGB 72 224 191

HSL 166.97, 0.71%, 0.58%

LAB 80.99, -47.36, 4.6

 

CMYK 68 / 4 / 0 / 12

HEX #48D8E0

RGB 72 216 224

HSL 183.16, 0.71%, 0.58%

LAB 79.54, -35, -15.11

 

CMYK 66 / 0 / 68 / 12

HEX #4CE048

RGB 76 224 72

HSL 118.42, 0.71%, 0.58%

LAB 79.22, -66.99, 60.46

 

CMYK 76 / 0 / 77 / 5

HEX #3BF137

RGB 59 241 55

HSL 118.71, 0.87%, 0.58%

LAB 84.03, -76.39, 71.03

 

CMYK 66 / 0 / 68 / 12

HEX #4CE048

RGB 76 224 72

HSL 118.42, 0.71%, 0.58%

LAB 79.22, -66.99, 60.46

 

CMYK 56 / 0 / 57 / 19

HEX #5CCF59

RGB 92 207 89

HSL 118.47, 0.55%, 0.58%

LAB 74.59, -55.68, 48.19

 

CMYK 42 / 0 / 43 / 26

HEX #6DBD6B

RGB 109 189 107

HSL 118.54, 0.38%, 0.58%

LAB 69.97, -41.24, 33.9

 

CMYK 27 / 0 / 28 / 33

HEX #7DAC7C

RGB 125 172 124

HSL 118.75, 0.22%, 0.58%

LAB 66, -25.37, 19.78

 

CMYK 8 / 0 / 9 / 39

HEX #8E9B8D

RGB 142 155 141

HSL 115.71, 0.07%, 0.58%

LAB 62.61, -7.38, 5.75

 

CMYK 29 / 0 / 68 / 12

HEX #9EE048

RGB 158 224 72

HSL 86.05, 0.71%, 0.58%

LAB 82.4, -43.54, 64.78

 

CMYK 48 / 0 / 68 / 12

HEX #75E048

RGB 117 224 72

HSL 102.24, 0.71%, 0.58%

LAB 80.49, -56.99, 62.19

 

CMYK 66 / 0 / 68 / 12

HEX #4DE048

RGB 77 224 72

HSL 118.03, 0.71%, 0.58%

LAB 79.25, -66.79, 60.49

 

CMYK 68 / 0 / 52 / 12

HEX #48E06B

RGB 72 224 107

HSL 133.82, 0.71%, 0.58%

LAB 79.47, -63.75, 45.52

 

CMYK 68 / 0 / 34 / 12

HEX #48E094

RGB 72 224 148

HSL 150, 0.71%, 0.58%

LAB 80.08, -56.88, 25.9

 

CMYK 81 / 0 / 83 / 29

HEX #23B61F

RGB 35 182 31

HSL 118.41, 0.71%, 0.42%

LAB 64.89, -63.32, 59.69

 

CMYK 81 / 0 / 83 / 15

HEX #2ADA25

RGB 42 218 37

HSL 118.34, 0.71%, 0.5%

LAB 76.54, -72.81, 68.83

 

CMYK 66 / 0 / 68 / 12

HEX #4CE048

RGB 76 224 72

HSL 118.42, 0.71%, 0.58%

LAB 79.22, -66.99, 60.46

 

CMYK 52 / 0 / 53 / 10

HEX #6EE66B

RGB 110 230 107

HSL 118.54, 0.71%, 0.66%

LAB 82.36, -57.65, 49.27

 

CMYK 39 / 0 / 40 / 7

HEX #91EC8E

RGB 145 236 142

HSL 118.09, 0.71%, 0.74%

LAB 85.99, -45.47, 37.22

 

CMYK 66 / 0 / 67 / 12

HEX #4DE049

RGB 77 224 73

HSL 118.41, 0.71%, 0.58%

LAB 79.25, -66.7, 60.11

 

CMYK 68 / 11 / 0 / 12

HEX #48C7E0

RGB 72 199 224

HSL 189.87, 0.71%, 0.58%

LAB 74.58, -26.82, -22.62

 

CMYK 0 / 68 / 38 / 12

HEX #E0488A

RGB 224 72 138

HSL 333.95, 0.71%, 0.58%

LAB 54.36, 63.91, -3.35

 

CMYK 66 / 0 / 67 / 12

HEX #4DE049

RGB 77 224 73

HSL 118.41, 0.71%, 0.58%

LAB 79.25, -66.7, 60.11

 

CMYK 68 / 66 / 0 / 12

HEX #484DE0

RGB 72 77 224

HSL 238.03, 0.71%, 0.58%

LAB 41.32, 44.14, -75.3

 

CMYK 0 / 68 / 66 / 12

HEX #E0484D

RGB 224 72 77

HSL 358.03, 0.71%, 0.58%

LAB 52.97, 59.03, 30.94

 

CMYK 66 / 0 / 67 / 12

HEX #4DE049

RGB 77 224 73

HSL 118.41, 0.71%, 0.58%

LAB 79.25, -66.7, 60.11

 

CMYK 68 / 11 / 0 / 12

HEX #48C7E0

RGB 72 199 224

HSL 189.87, 0.71%, 0.58%

LAB 74.58, -26.82, -22.62

 

CMYK 2 / 68 / 0 / 12

HEX #DB48E0

RGB 219 72 224

HSL 298.03, 0.71%, 0.58%

LAB 57.15, 74.35, -48.92

 

CMYK 0 / 57 / 68 / 12

HEX #E06148

RGB 224 97 72

HSL 9.87, 0.71%, 0.58%

LAB 56.94, 47.97, 38.57

 

CMYK 66 / 0 / 67 / 12

HEX #4DE049

RGB 77 224 73

HSL 118.41, 0.71%, 0.58%

LAB 79.25, -66.7, 60.11

 

CMYK 68 / 32 / 0 / 12

HEX #4899E0

RGB 72 153 224

HSL 208.03, 0.71%, 0.58%

LAB 61.26, -2.23, -43.25

 

CMYK 2 / 68 / 0 / 12

HEX #DB48E0

RGB 219 72 224

HSL 298.03, 0.71%, 0.58%

LAB 57.15, 74.35, -48.92

 

CMYK 0 / 36 / 68 / 12

HEX #E08F48

RGB 224 143 72

HSL 28.03, 0.71%, 0.58%

LAB 66.49, 24.47, 49.44

 

Description

Color code: HEX #4DE049 | qconv.com Color code: HEX #4DE049 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 224 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 224 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 67 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 67% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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