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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DDB7C it is the complementary color #B22483. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DDB7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DDB7C shade: #52DB77, #63ED8A, #74FF9D, #85FFB0 and #96FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DDB7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DDB7C shade: #4DDB7C, #3CC969, #2BB756, #1AA543 and #099330

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DDB7C shade: #4DDB7C, #4DDB56, #6BDB4D, #91DB4D and #B7DB4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DDB7C shade: #4DDB7C, #4DDBA2, #4DDBC8, #4DC7DB and #4DA1DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DDB7C shade matches the following richer shades: #4DDB7C, #3CEC76 and #2BFD70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DDB7C shade: #4DDB7C, #5FC982, #70B888, #81A78E and #939593

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DDB7C shade: #6CDB4D, #4DDB54, #4DDB7A, #4DDBA0 and #4DDBC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DDB7C shade: #24B153, #2BD363, #4DDB7C, #6FE295 and #92E9AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DDB7C shade: #4DDB7C, #4D92DB and #DB4D59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DDB7C shade: #4DDB7C, #7A4DDB and #DB7A4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DDB7C shade: #4DDB7C, #4D92DB, #DB4DAE and #DB964D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DDB7C shade: #4DDB7C, #4D67DB, #DB4DAE and #DBC14D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

Complementary color

CMYK 0 / 80 / 26 / 30

HEX #B22483

RGB 178 36 131

HSL 319.86, 0.66%, 0.42%

LAB 41.79, 62.87, -18.85

 

CMYK 63 / 0 / 46 / 14

HEX #52DB77

RGB 82 219 119

HSL 136.2, 0.66%, 0.59%

LAB 78.34, -58.29, 38.35

 

CMYK 58 / 0 / 42 / 7

HEX #63ED8A

RGB 99 237 138

HSL 136.96, 0.79%, 0.66%

LAB 84.51, -58.5, 36.96

 

CMYK 55 / 0 / 38 / 0

HEX #74FF9D

RGB 116 255 157

HSL 137.7, 1%, 0.73%

LAB 90.63, -58.55, 35.64

 

CMYK 48 / 0 / 31 / 0

HEX #85FFB0

RGB 133 255 176

HSL 141.15, 1%, 0.76%

LAB 91.52, -51.22, 27.43

 

CMYK 41 / 0 / 24 / 0

HEX #96FFC3

RGB 150 255 195

HSL 145.71, 1%, 0.79%

LAB 92.55, -43.33, 19.29

 

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

CMYK 70 / 0 / 48 / 21

HEX #3CC969

RGB 60 201 105

HSL 139.15, 0.57%, 0.51%

LAB 72.06, -57.95, 37.25

 

CMYK 77 / 0 / 53 / 28

HEX #2BB756

RGB 43 183 86

HSL 138.43, 0.62%, 0.44%

LAB 65.79, -57.09, 38.8

 

CMYK 84 / 0 / 59 / 35

HEX #1AA543

RGB 26 165 67

HSL 137.7, 0.73%, 0.37%

LAB 59.47, -55.72, 40.36

 

CMYK 94 / 0 / 67 / 42

HEX #099330

RGB 9 147 48

HSL 136.96, 0.88%, 0.31%

LAB 53.1, -53.6, 41.82

 

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

CMYK 65 / 0 / 61 / 14

HEX #4DDB56

RGB 77 219 86

HSL 123.8, 0.66%, 0.58%

LAB 77.82, -63.71, 53.16

 

CMYK 51 / 0 / 65 / 14

HEX #6BDB4D

RGB 107 219 77

HSL 107.32, 0.66%, 0.58%

LAB 78.65, -57.5, 58.13

 

CMYK 34 / 0 / 65 / 14

HEX #91DB4D

RGB 145 219 77

HSL 91.27, 0.66%, 0.58%

LAB 80.3, -45.63, 60.4

 

CMYK 16 / 0 / 65 / 14

HEX #B7DB4D

RGB 183 219 77

HSL 75.21, 0.66%, 0.58%

LAB 82.52, -31.53, 63.43

 

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

CMYK 65 / 0 / 26 / 14

HEX #4DDBA2

RGB 77 219 162

HSL 155.92, 0.66%, 0.58%

LAB 78.95, -51.2, 17.06

 

CMYK 65 / 0 / 9 / 14

HEX #4DDBC8

RGB 77 219 200

HSL 171.97, 0.66%, 0.58%

LAB 79.85, -42.17, -1.83

 

CMYK 65 / 9 / 0 / 14

HEX #4DC7DB

RGB 77 199 219

HSL 188.45, 0.66%, 0.58%

LAB 74.53, -27.56, -19.97

 

CMYK 65 / 26 / 0 / 14

HEX #4DA1DB

RGB 77 161 219

HSL 204.51, 0.66%, 0.58%

LAB 63.49, -7.62, -36.96

 

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

CMYK 75 / 0 / 50 / 7

HEX #3CEC76

RGB 60 236 118

HSL 139.77, 0.82%, 0.58%

LAB 83.05, -68.12, 44.66

 

CMYK 83 / 0 / 56 / 1

HEX #2BFD70

RGB 43 253 112

HSL 139.71, 0.98%, 0.58%

LAB 87.94, -76.31, 53.31

 

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

CMYK 53 / 0 / 35 / 21

HEX #5FC982

RGB 95 201 130

HSL 139.81, 0.5%, 0.58%

LAB 73.43, -46.42, 26.4

 

CMYK 39 / 0 / 26 / 28

HEX #70B888

RGB 112 184 136

HSL 140, 0.34%, 0.58%

LAB 69.11, -33.13, 17.44

 

CMYK 23 / 0 / 15 / 35

HEX #81A78E

RGB 129 167 142

HSL 140.53, 0.18%, 0.58%

LAB 65.17, -18.14, 8.74

 

CMYK 1 / 0 / 1 / 42

HEX #939593

RGB 147 149 147

HSL 120, 0.01%, 0.58%

LAB 61.49, -1.11, 0.79

 

CMYK 51 / 0 / 65 / 14

HEX #6CDB4D

RGB 108 219 77

HSL 106.9, 0.66%, 0.58%

LAB 78.69, -57.23, 58.18

 

CMYK 65 / 0 / 62 / 14

HEX #4DDB54

RGB 77 219 84

HSL 122.96, 0.66%, 0.58%

LAB 77.8, -63.93, 54.01

 

CMYK 65 / 0 / 44 / 14

HEX #4DDB7A

RGB 77 219 122

HSL 139.01, 0.66%, 0.58%

LAB 78.25, -58.78, 36.73

 

CMYK 65 / 0 / 27 / 14

HEX #4DDBA0

RGB 77 219 160

HSL 155.07, 0.66%, 0.58%

LAB 78.91, -51.63, 18.06

 

CMYK 65 / 0 / 10 / 14

HEX #4DDBC5

RGB 77 219 197

HSL 170.7, 0.66%, 0.58%

LAB 79.77, -42.94, -0.35

 

CMYK 80 / 0 / 53 / 31

HEX #24B153

RGB 36 177 83

HSL 140, 0.66%, 0.42%

LAB 63.71, -56.38, 37.71

 

CMYK 80 / 0 / 53 / 17

HEX #2BD363

RGB 43 211 99

HSL 140, 0.66%, 0.5%

LAB 74.83, -64.68, 43.54

 

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

CMYK 51 / 0 / 34 / 11

HEX #6FE295

RGB 111 226 149

HSL 139.83, 0.66%, 0.66%

LAB 81.81, -49.47, 27.9

 

CMYK 37 / 0 / 25 / 9

HEX #92E9AE

RGB 146 233 174

HSL 139.31, 0.66%, 0.74%

LAB 85.73, -38.57, 20.58

 

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

CMYK 65 / 33 / 0 / 14

HEX #4D92DB

RGB 77 146 219

HSL 210.85, 0.66%, 0.58%

LAB 59.21, 0.94, -43.69

 

CMYK 0 / 65 / 59 / 14

HEX #DB4D59

RGB 219 77 89

HSL 354.93, 0.66%, 0.58%

LAB 53.05, 56.17, 23.84

 

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

CMYK 44 / 65 / 0 / 14

HEX #7A4DDB

RGB 122 77 219

HSL 259.01, 0.66%, 0.58%

LAB 45.03, 50.63, -66.23

 

CMYK 0 / 44 / 65 / 14

HEX #DB7A4D

RGB 219 122 77

HSL 19.01, 0.66%, 0.58%

LAB 61.23, 33.86, 40.75

 

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

CMYK 65 / 33 / 0 / 14

HEX #4D92DB

RGB 77 146 219

HSL 210.85, 0.66%, 0.58%

LAB 59.21, 0.94, -43.69

 

CMYK 0 / 65 / 21 / 14

HEX #DB4DAE

RGB 219 77 174

HSL 319.01, 0.66%, 0.58%

LAB 55.51, 64.93, -22.86

 

CMYK 0 / 32 / 65 / 14

HEX #DB964D

RGB 219 150 77

HSL 30.85, 0.66%, 0.58%

LAB 67.58, 18.93, 48.07

 

CMYK 65 / 0 / 43 / 14

HEX #4DDB7C

RGB 77 219 124

HSL 139.86, 0.66%, 0.58%

LAB 78.28, -58.45, 35.76

 

CMYK 65 / 53 / 0 / 14

HEX #4D67DB

RGB 77 103 219

HSL 229.01, 0.66%, 0.58%

LAB 47.49, 27.17, -62.41

 

CMYK 0 / 65 / 21 / 14

HEX #DB4DAE

RGB 219 77 174

HSL 319.01, 0.66%, 0.58%

LAB 55.51, 64.93, -22.86

 

CMYK 0 / 12 / 65 / 14

HEX #DBC14D

RGB 219 193 77

HSL 49.01, 0.66%, 0.58%

LAB 78.31, -3.89, 59.82

 

Description

Color code: HEX #4DDB7C | qconv.com Color code: HEX #4DDB7C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 219 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 219 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 43 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 43% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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