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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DD86D it is the complementary color #B22792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DD86D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DD86D shade: #52D868, #63EA7B, #74FC8E, #85FFA1 and #96FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DD86D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DD86D shade: #4DD86D, #3CC65A, #2BB447, #1AA234 and #099021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DD86D shade: #4BD86B, #51D84B, #77D84B, #9CD84B and #C2D84B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DD86D shade: #4BD86B, #4BD891, #4BD8B7, #4BD2D8 and #4BACD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DD86D shade matches the following richer shades: #4BD86B, #39E962 and #28FB58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DD86D shade: #4BD86B, #5DC675, #6FB47F, #80A288 and #929192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DD86D shade: #78D84B, #52D84B, #4BD86A, #4BD88F and #4BD8B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DD86D shade: #25AB44, #2DCD52, #4BD86B, #6DDF87 and #8FE6A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DD86D shade: #4DD86D, #4B9DD8 and #D84B65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DD86D shade: #4DD86D, #6A4BD8 and #D86A4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DD86D shade: #4DD86D, #4B9DD8, #D84BB9 and #D8864B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DD86D shade: #4DD86D, #4B73D8, #D84BB9 and #D8B04B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 50 / 15

HEX #4DD86D

RGB 77 216 109

HSL 133.81, 0.64%, 0.57%

LAB 77.16, -59.69, 41.74

 

Complementary color

CMYK 0 / 78 / 18 / 30

HEX #B22792

RGB 178 39 146

HSL 313.81, 0.64%, 0.43%

LAB 42.75, 63.99, -26.53

 

CMYK 62 / 0 / 52 / 15

HEX #52D868

RGB 82 216 104

HSL 129.85, 0.63%, 0.58%

LAB 77.22, -59.39, 44.26

 

CMYK 58 / 0 / 47 / 8

HEX #63EA7B

RGB 99 234 123

HSL 130.67, 0.76%, 0.65%

LAB 83.4, -59.66, 42.89

 

CMYK 54 / 0 / 44 / 1

HEX #74FC8E

RGB 116 252 142

HSL 131.47, 0.96%, 0.72%

LAB 89.53, -59.76, 41.56

 

CMYK 48 / 0 / 37 / 0

HEX #85FFA1

RGB 133 255 161

HSL 133.77, 1%, 0.76%

LAB 91.27, -53.79, 34.61

 

CMYK 41 / 0 / 29 / 0

HEX #96FFB4

RGB 150 255 180

HSL 137.14, 1%, 0.79%

LAB 92.26, -46.06, 26.53

 

CMYK 64 / 0 / 50 / 15

HEX #4DD86D

RGB 77 216 109

HSL 133.81, 0.64%, 0.57%

LAB 77.16, -59.69, 41.74

 

CMYK 70 / 0 / 55 / 22

HEX #3CC65A

RGB 60 198 90

HSL 133.04, 0.55%, 0.51%

LAB 70.93, -59.1, 43.17

 

CMYK 76 / 0 / 61 / 29

HEX #2BB447

RGB 43 180 71

HSL 132.26, 0.61%, 0.44%

LAB 64.65, -58.11, 44.58

 

CMYK 84 / 0 / 68 / 36

HEX #1AA234

RGB 26 162 52

HSL 131.47, 0.72%, 0.37%

LAB 58.33, -56.54, 45.84

 

CMYK 94 / 0 / 77 / 44

HEX #099021

RGB 9 144 33

HSL 130.67, 0.88%, 0.3%

LAB 51.97, -54.11, 46.65

 

CMYK 65 / 0 / 50 / 15

HEX #4BD86B

RGB 75 216 107

HSL 133.62, 0.64%, 0.57%

LAB 77.08, -60.36, 42.6

 

CMYK 63 / 0 / 65 / 15

HEX #51D84B

RGB 81 216 75

HSL 117.45, 0.64%, 0.57%

LAB 76.9, -62.99, 56.81

 

CMYK 45 / 0 / 65 / 15

HEX #77D84B

RGB 119 216 75

HSL 101.28, 0.64%, 0.57%

LAB 78.19, -53.05, 58.59

 

CMYK 28 / 0 / 65 / 15

HEX #9CD84B

RGB 156 216 75

HSL 85.53, 0.64%, 0.57%

LAB 80, -40.57, 61.06

 

CMYK 10 / 0 / 65 / 15

HEX #C2D84B

RGB 194 216 75

HSL 69.36, 0.64%, 0.57%

LAB 82.43, -25.88, 64.35

 

CMYK 65 / 0 / 50 / 15

HEX #4BD86B

RGB 75 216 107

HSL 133.62, 0.64%, 0.57%

LAB 77.08, -60.36, 42.6

 

CMYK 65 / 0 / 33 / 15

HEX #4BD891

RGB 75 216 145

HSL 149.79, 0.64%, 0.57%

LAB 77.67, -53.86, 24.19

 

CMYK 65 / 0 / 15 / 15

HEX #4BD8B7

RGB 75 216 183

HSL 165.96, 0.64%, 0.57%

LAB 78.48, -45.45, 5.24

 

CMYK 65 / 3 / 0 / 15

HEX #4BD2D8

RGB 75 210 216

HSL 182.55, 0.64%, 0.57%

LAB 77.61, -34.03, -13.72

 

CMYK 65 / 20 / 0 / 15

HEX #4BACD8

RGB 75 172 216

HSL 198.72, 0.64%, 0.57%

LAB 66.49, -14.94, -30.66

 

CMYK 65 / 0 / 50 / 15

HEX #4BD86B

RGB 75 216 107

HSL 133.62, 0.64%, 0.57%

LAB 77.08, -60.36, 42.6

 

CMYK 76 / 0 / 58 / 9

HEX #39E962

RGB 57 233 98

HSL 133.98, 0.8%, 0.57%

LAB 81.85, -70.25, 52.43

 

CMYK 84 / 0 / 65 / 2

HEX #28FB58

RGB 40 251 88

HSL 133.65, 0.96%, 0.57%

LAB 87.07, -78.75, 62.49

 

CMYK 65 / 0 / 50 / 15

HEX #4BD86B

RGB 75 216 107

HSL 133.62, 0.64%, 0.57%

LAB 77.08, -60.36, 42.6

 

CMYK 53 / 0 / 41 / 22

HEX #5DC675

RGB 93 198 117

HSL 133.71, 0.48%, 0.57%

LAB 72.23, -47.92, 31.56

 

CMYK 38 / 0 / 29 / 29

HEX #6FB47F

RGB 111 180 127

HSL 133.91, 0.32%, 0.57%

LAB 67.69, -33.24, 20.34

 

CMYK 21 / 0 / 16 / 36

HEX #80A288

RGB 128 162 136

HSL 134.12, 0.15%, 0.57%

LAB 63.51, -17.05, 9.72

 

CMYK 0 / 1 / 0 / 43

HEX #929192

RGB 146 145 146

HSL 300, 0%, 0.57%

LAB 60.28, 0.56, -0.41

 

CMYK 44 / 0 / 65 / 15

HEX #78D84B

RGB 120 216 75

HSL 100.85, 0.64%, 0.57%

LAB 78.24, -52.75, 58.64

 

CMYK 62 / 0 / 65 / 15

HEX #52D84B

RGB 82 216 75

HSL 117.02, 0.64%, 0.57%

LAB 76.93, -62.77, 56.85

 

CMYK 65 / 0 / 51 / 15

HEX #4BD86A

RGB 75 216 106

HSL 133.19, 0.64%, 0.57%

LAB 77.07, -60.51, 43.07

 

CMYK 65 / 0 / 34 / 15

HEX #4BD88F

RGB 75 216 143

HSL 148.94, 0.64%, 0.57%

LAB 77.63, -54.26, 25.18

 

CMYK 65 / 0 / 17 / 15

HEX #4BD8B4

RGB 75 216 180

HSL 164.68, 0.64%, 0.57%

LAB 78.41, -46.18, 6.73

 

CMYK 78 / 0 / 60 / 33

HEX #25AB44

RGB 37 171 68

HSL 133.88, 0.64%, 0.41%

LAB 61.6, -56.3, 42.41

 

CMYK 78 / 0 / 60 / 20

HEX #2DCD52

RGB 45 205 82

HSL 133.88, 0.64%, 0.49%

LAB 72.78, -64.74, 48.98

 

CMYK 65 / 0 / 50 / 15

HEX #4BD86B

RGB 75 216 107

HSL 133.62, 0.64%, 0.57%

LAB 77.08, -60.36, 42.6

 

CMYK 51 / 0 / 39 / 13

HEX #6DDF87

RGB 109 223 135

HSL 133.68, 0.64%, 0.65%

LAB 80.61, -51.14, 33.44

 

CMYK 38 / 0 / 29 / 10

HEX #8FE6A3

RGB 143 230 163

HSL 133.79, 0.64%, 0.73%

LAB 84.52, -40.06, 24.59

 

CMYK 64 / 0 / 50 / 15

HEX #4DD86D

RGB 77 216 109

HSL 133.81, 0.64%, 0.57%

LAB 77.16, -59.69, 41.74

 

CMYK 65 / 27 / 0 / 15

HEX #4B9DD8

RGB 75 157 216

HSL 205.11, 0.64%, 0.57%

LAB 62.14, -6.7, -37.41

 

CMYK 0 / 65 / 53 / 15

HEX #D84B65

RGB 216 75 101

HSL 348.94, 0.64%, 0.57%

LAB 52.48, 56.92, 15.85

 

CMYK 64 / 0 / 50 / 15

HEX #4DD86D

RGB 77 216 109

HSL 133.81, 0.64%, 0.57%

LAB 77.16, -59.69, 41.74

 

CMYK 51 / 65 / 0 / 15

HEX #6A4BD8

RGB 106 75 216

HSL 253.19, 0.64%, 0.57%

LAB 42.84, 47.93, -68.13

 

CMYK 0 / 51 / 65 / 15

HEX #D86A4B

RGB 216 106 75

HSL 13.19, 0.64%, 0.57%

LAB 57.48, 40.79, 37.27

 

CMYK 64 / 0 / 50 / 15

HEX #4DD86D

RGB 77 216 109

HSL 133.81, 0.64%, 0.57%

LAB 77.16, -59.69, 41.74

 

CMYK 65 / 27 / 0 / 15

HEX #4B9DD8

RGB 75 157 216

HSL 205.11, 0.64%, 0.57%

LAB 62.14, -6.7, -37.41

 

CMYK 0 / 65 / 14 / 15

HEX #D84BB9

RGB 216 75 185

HSL 313.19, 0.64%, 0.57%

LAB 55.21, 66.48, -29.73

 

CMYK 0 / 38 / 65 / 15

HEX #D8864B

RGB 216 134 75

HSL 25.11, 0.64%, 0.57%

LAB 63.47, 26.16, 44.29

 

CMYK 64 / 0 / 50 / 15

HEX #4DD86D

RGB 77 216 109

HSL 133.81, 0.64%, 0.57%

LAB 77.16, -59.69, 41.74

 

CMYK 65 / 47 / 0 / 15

HEX #4B73D8

RGB 75 115 216

HSL 222.98, 0.64%, 0.57%

LAB 50.35, 18.31, -56.09

 

CMYK 0 / 65 / 14 / 15

HEX #D84BB9

RGB 216 75 185

HSL 313.19, 0.64%, 0.57%

LAB 55.21, 66.48, -29.73

 

CMYK 0 / 19 / 65 / 15

HEX #D8B04B

RGB 216 176 75

HSL 42.98, 0.64%, 0.57%

LAB 73.65, 3.61, 55.61

 

Description

Color code: HEX #4DD86D | qconv.com Color code: HEX #4DD86D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 216 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 216 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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