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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DD33B it is the complementary color #B22CC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DD33B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DD33B shade: #52D336, #63E549, #74F75C, #85FF6F and #96FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DD33B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DD33B shade: #4DD33B, #3CC128, #2BAF15, #1A9D02 and #098B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DD33B shade: #4ED33C, #76D33C, #9FD33C, #C8D33C and #D3B53C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DD33B shade: #4ED33C, #3CD352, #3CD37B, #3CD3A4 and #3CD3CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DD33B shade matches the following richer shades: #4ED33C, #3FE628 and #30F915

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DD33B shade: #4ED33C, #5CBF4F, #6BAC62, #7A9876 and #898589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DD33B shade: #A0D33C, #78D33C, #50D33C, #3CD350 and #3CD378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DD33B shade: #319923, #3BBB2A, #4ED33C, #6CDA5D and #8BE27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DD33B shade: #4DD33B, #3CC9D3 and #D33C8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DD33B shade: #4DD33B, #3C50D3 and #D33C50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DD33B shade: #4DD33B, #3CC9D3, #BF3CD3 and #D3463C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DD33B shade: #4DD33B, #3C9BD3, #BF3CD3 and #D3733C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 72 / 17

HEX #4DD33B

RGB 77 211 59

HSL 112.89, 0.63%, 0.53%

LAB 75.13, -63.52, 61.06

 

Complementary color

CMYK 9 / 78 / 0 / 23

HEX #B22CC4

RGB 178 44 196

HSL 292.89, 0.63%, 0.47%

LAB 45.98, 70.33, -51.09

 

CMYK 61 / 0 / 74 / 17

HEX #52D336

RGB 82 211 54

HSL 109.3, 0.64%, 0.52%

LAB 75.23, -62.78, 62.94

 

CMYK 57 / 0 / 68 / 10

HEX #63E549

RGB 99 229 73

HSL 110, 0.75%, 0.59%

LAB 81.39, -63.56, 62.56

 

CMYK 53 / 0 / 63 / 3

HEX #74F75C

RGB 116 247 92

HSL 110.71, 0.91%, 0.66%

LAB 87.49, -64.04, 61.79

 

CMYK 48 / 0 / 56 / 0

HEX #85FF6F

RGB 133 255 111

HSL 110.83, 1%, 0.72%

LAB 90.62, -60.57, 57.44

 

CMYK 41 / 0 / 49 / 0

HEX #96FF82

RGB 150 255 130

HSL 110.4, 1%, 0.75%

LAB 91.51, -53.52, 50.04

 

CMYK 64 / 0 / 72 / 17

HEX #4DD33B

RGB 77 211 59

HSL 112.89, 0.63%, 0.53%

LAB 75.13, -63.52, 61.06

 

CMYK 69 / 0 / 79 / 24

HEX #3CC128

RGB 60 193 40

HSL 112.16, 0.66%, 0.46%

LAB 68.93, -62.32, 61.09

 

CMYK 75 / 0 / 88 / 31

HEX #2BAF15

RGB 43 175 21

HSL 111.43, 0.79%, 0.38%

LAB 62.7, -60.51, 60.14

 

CMYK 83 / 0 / 99 / 38

HEX #1A9D02

RGB 26 157 2

HSL 110.71, 0.97%, 0.31%

LAB 56.42, -57.95, 57.85

 

CMYK 94 / 0 / 100 / 45

HEX #098B00

RGB 9 139 0

HSL 116.12, 1%, 0.27%

LAB 50.12, -54.25, 53.05

 

CMYK 63 / 0 / 72 / 17

HEX #4ED33C

RGB 78 211 60

HSL 112.85, 0.63%, 0.53%

LAB 75.16, -63.23, 60.74

 

CMYK 44 / 0 / 72 / 17

HEX #76D33C

RGB 118 211 60

HSL 96.95, 0.63%, 0.53%

LAB 76.54, -52.56, 62.58

 

CMYK 25 / 0 / 72 / 17

HEX #9FD33C

RGB 159 211 60

HSL 80.66, 0.63%, 0.53%

LAB 78.63, -38.22, 65.36

 

CMYK 5 / 0 / 72 / 17

HEX #C8D33C

RGB 200 211 60

HSL 64.37, 0.63%, 0.53%

LAB 81.4, -21.84, 69.01

 

CMYK 0 / 14 / 72 / 17

HEX #D3B53C

RGB 211 181 60

HSL 48.08, 0.63%, 0.53%

LAB 74.33, -1.98, 62.43

 

CMYK 63 / 0 / 72 / 17

HEX #4ED33C

RGB 78 211 60

HSL 112.85, 0.63%, 0.53%

LAB 75.16, -63.23, 60.74

 

CMYK 72 / 0 / 61 / 17

HEX #3CD352

RGB 60 211 82

HSL 128.74, 0.63%, 0.53%

LAB 74.92, -64.53, 51.51

 

CMYK 72 / 0 / 42 / 17

HEX #3CD37B

RGB 60 211 123

HSL 145.03, 0.63%, 0.53%

LAB 75.44, -58.56, 32.5

 

CMYK 72 / 0 / 22 / 17

HEX #3CD3A4

RGB 60 211 164

HSL 161.32, 0.63%, 0.53%

LAB 76.21, -50.13, 12.09

 

CMYK 72 / 0 / 3 / 17

HEX #3CD3CD

RGB 60 211 205

HSL 177.62, 0.63%, 0.53%

LAB 77.26, -39.61, -8.37

 

CMYK 63 / 0 / 72 / 17

HEX #4ED33C

RGB 78 211 60

HSL 112.85, 0.63%, 0.53%

LAB 75.16, -63.23, 60.74

 

CMYK 73 / 0 / 83 / 10

HEX #3FE628

RGB 63 230 40

HSL 112.74, 0.79%, 0.53%

LAB 80.63, -73.34, 71.94

 

CMYK 81 / 0 / 92 / 2

HEX #30F915

RGB 48 249 21

HSL 112.89, 0.95%, 0.53%

LAB 86.22, -81.45, 80.19

 

CMYK 63 / 0 / 72 / 17

HEX #4ED33C

RGB 78 211 60

HSL 112.85, 0.63%, 0.53%

LAB 75.16, -63.23, 60.74

 

CMYK 52 / 0 / 59 / 25

HEX #5CBF4F

RGB 92 191 79

HSL 113.04, 0.47%, 0.53%

LAB 69.54, -50.7, 46.91

 

CMYK 38 / 0 / 43 / 33

HEX #6BAC62

RGB 107 172 98

HSL 112.7, 0.31%, 0.53%

LAB 64.57, -35.63, 31.63

 

CMYK 20 / 0 / 22 / 40

HEX #7A9876

RGB 122 152 118

HSL 112.94, 0.14%, 0.53%

LAB 59.8, -17.31, 14.52

 

CMYK 0 / 3 / 0 / 46

HEX #898589

RGB 137 133 137

HSL 300, 0.02%, 0.53%

LAB 55.99, 2.28, -1.62

 

CMYK 24 / 0 / 72 / 17

HEX #A0D33C

RGB 160 211 60

HSL 80.26, 0.63%, 0.53%

LAB 78.69, -37.84, 65.44

 

CMYK 43 / 0 / 72 / 17

HEX #78D33C

RGB 120 211 60

HSL 96.16, 0.63%, 0.53%

LAB 76.62, -51.93, 62.69

 

CMYK 62 / 0 / 72 / 17

HEX #50D33C

RGB 80 211 60

HSL 112.05, 0.63%, 0.53%

LAB 75.21, -62.79, 60.81

 

CMYK 72 / 0 / 62 / 17

HEX #3CD350

RGB 60 211 80

HSL 127.95, 0.63%, 0.53%

LAB 74.91, -64.76, 52.36

 

CMYK 72 / 0 / 43 / 17

HEX #3CD378

RGB 60 211 120

HSL 143.84, 0.63%, 0.53%

LAB 75.39, -59.08, 33.97

 

CMYK 68 / 0 / 77 / 40

HEX #319923

RGB 49 153 35

HSL 112.88, 0.63%, 0.37%

LAB 55.64, -51.44, 49.79

 

CMYK 68 / 0 / 78 / 27

HEX #3BBB2A

RGB 59 187 42

HSL 112.97, 0.63%, 0.45%

LAB 67, -60.42, 58.62

 

CMYK 63 / 0 / 72 / 17

HEX #4ED33C

RGB 78 211 60

HSL 112.85, 0.63%, 0.53%

LAB 75.16, -63.23, 60.74

 

CMYK 50 / 0 / 57 / 15

HEX #6CDA5D

RGB 108 218 93

HSL 112.8, 0.63%, 0.61%

LAB 78.53, -55.23, 51.13

 

CMYK 38 / 0 / 44 / 11

HEX #8BE27F

RGB 139 226 127

HSL 112.73, 0.63%, 0.69%

LAB 82.6, -45.15, 40.24

 

CMYK 64 / 0 / 72 / 17

HEX #4DD33B

RGB 77 211 59

HSL 112.89, 0.63%, 0.53%

LAB 75.13, -63.52, 61.06

 

CMYK 72 / 5 / 0 / 17

HEX #3CC9D3

RGB 60 201 211

HSL 183.97, 0.63%, 0.53%

LAB 74.47, -33.26, -15.78

 

CMYK 0 / 72 / 34 / 17

HEX #D33C8C

RGB 211 60 140

HSL 328.21, 0.63%, 0.53%

LAB 50.66, 64.86, -10.29

 

CMYK 64 / 0 / 72 / 17

HEX #4DD33B

RGB 77 211 59

HSL 112.89, 0.63%, 0.53%

LAB 75.13, -63.52, 61.06

 

CMYK 72 / 62 / 0 / 17

HEX #3C50D3

RGB 60 80 211

HSL 232.05, 0.63%, 0.53%

LAB 40.25, 36.42, -69.64

 

CMYK 0 / 72 / 62 / 17

HEX #D33C50

RGB 211 60 80

HSL 352.05, 0.63%, 0.53%

LAB 49.08, 59.64, 23.75

 

CMYK 64 / 0 / 72 / 17

HEX #4DD33B

RGB 77 211 59

HSL 112.89, 0.63%, 0.53%

LAB 75.13, -63.52, 61.06

 

CMYK 72 / 5 / 0 / 17

HEX #3CC9D3

RGB 60 201 211

HSL 183.97, 0.63%, 0.53%

LAB 74.47, -33.26, -15.78

 

CMYK 9 / 72 / 0 / 17

HEX #BF3CD3

RGB 191 60 211

HSL 292.05, 0.63%, 0.53%

LAB 50.7, 70.4, -52.06

 

CMYK 0 / 67 / 72 / 17

HEX #D3463C

RGB 211 70 60

HSL 3.97, 0.63%, 0.53%

LAB 50.16, 54.75, 36.79

 

CMYK 64 / 0 / 72 / 17

HEX #4DD33B

RGB 77 211 59

HSL 112.89, 0.63%, 0.53%

LAB 75.13, -63.52, 61.06

 

CMYK 72 / 27 / 0 / 17

HEX #3C9BD3

RGB 60 155 211

HSL 202.25, 0.63%, 0.53%

LAB 60.88, -9.54, -36.64

 

CMYK 9 / 72 / 0 / 17

HEX #BF3CD3

RGB 191 60 211

HSL 292.05, 0.63%, 0.53%

LAB 50.7, 70.4, -52.06

 

CMYK 0 / 45 / 72 / 17

HEX #D3733C

RGB 211 115 60

HSL 21.85, 0.63%, 0.53%

LAB 58.45, 33.37, 46.03

 

Description

Color code: HEX #4DD33B | qconv.com Color code: HEX #4DD33B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 211 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 211 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 72 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 72% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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