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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DD015 it is the complementary color #B22FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DD015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DD015 shade: #52D010, #63E223, #74F436, #85FF49 and #96FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DD015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DD015 shade: #4DD015, #3CBE02, #2BAC00, #1A9A00 and #098800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DD015 shade: #4DD115, #80D115, #B3D115, #D1BC15 and #D18A15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DD015 shade: #4DD115, #1AD115, #15D142, #15D175 and #15D1A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DD015 shade matches the following richer shades: #4DD115 and #46E302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DD015 shade: #4DD115, #54BE27, #5CAC3A, #63994C and #6B875F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DD015 shade: #B1D115, #7FD115, #4DD115, #1BD115 and #15D141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DD015 shade: #31860D, #3FAB11, #4DD115, #60E925 and #7BED4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DD015 shade: #4DD015, #15D1BE and #D11598

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DD015 shade: #4DD015, #154DD1 and #D1154D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DD015 shade: #4DD015, #15D1BE, #9815D1 and #D11527

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DD015 shade: #4DD015, #15ABD1, #9815D1 and #D13A15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 90 / 18

HEX #4DD015

RGB 77 208 21

HSL 102.03, 0.82%, 0.45%

LAB 74.03, -64.5, 70.16

 

Complementary color

CMYK 24 / 80 / 0 / 8

HEX #B22FEA

RGB 178 47 234

HSL 282.03, 0.82%, 0.55%

LAB 48.81, 76.38, -68.28

 

CMYK 61 / 0 / 92 / 18

HEX #52D010

RGB 82 208 16

HSL 99.38, 0.86%, 0.44%

LAB 74.15, -63.48, 71.07

 

CMYK 56 / 0 / 85 / 11

HEX #63E223

RGB 99 226 35

HSL 99.9, 0.77%, 0.51%

LAB 80.27, -64.81, 73.11

 

CMYK 52 / 0 / 78 / 4

HEX #74F436

RGB 116 244 54

HSL 100.42, 0.9%, 0.58%

LAB 86.35, -65.77, 74.03

 

CMYK 48 / 0 / 71 / 0

HEX #85FF49

RGB 133 255 73

HSL 100.22, 1%, 0.64%

LAB 90.32, -63.9, 72.12

 

CMYK 41 / 0 / 64 / 0

HEX #96FF5C

RGB 150 255 92

HSL 98.65, 1%, 0.68%

LAB 91.13, -57.43, 66.15

 

CMYK 63 / 0 / 90 / 18

HEX #4DD015

RGB 77 208 21

HSL 102.03, 0.82%, 0.45%

LAB 74.03, -64.5, 70.16

 

CMYK 68 / 0 / 99 / 25

HEX #3CBE02

RGB 60 190 2

HSL 101.49, 0.98%, 0.38%

LAB 67.87, -62.68, 67.31

 

CMYK 75 / 0 / 100 / 33

HEX #2BAC00

RGB 43 172 0

HSL 105, 1%, 0.34%

LAB 61.67, -60.16, 62.47

 

CMYK 83 / 0 / 100 / 40

HEX #1A9A00

RGB 26 154 0

HSL 109.87, 1%, 0.3%

LAB 55.41, -57.1, 57.36

 

CMYK 93 / 0 / 100 / 47

HEX #098800

RGB 9 136 0

HSL 116.03, 1%, 0.27%

LAB 49.09, -53.36, 52.22

 

CMYK 63 / 0 / 90 / 18

HEX #4DD115

RGB 77 209 21

HSL 102.13, 0.82%, 0.45%

LAB 74.34, -64.83, 70.43

 

CMYK 39 / 0 / 90 / 18

HEX #80D115

RGB 128 209 21

HSL 85.85, 0.82%, 0.45%

LAB 76.22, -50.25, 72.76

 

CMYK 14 / 0 / 90 / 18

HEX #B3D115

RGB 179 209 21

HSL 69.57, 0.82%, 0.45%

LAB 79.18, -30.85, 76.39

 

CMYK 0 / 10 / 90 / 18

HEX #D1BC15

RGB 209 188 21

HSL 53.3, 0.82%, 0.45%

LAB 75.81, -7.73, 74.74

 

CMYK 0 / 34 / 90 / 18

HEX #D18A15

RGB 209 138 21

HSL 37.34, 0.82%, 0.45%

LAB 63.17, 18.91, 65

 

CMYK 63 / 0 / 90 / 18

HEX #4DD115

RGB 77 209 21

HSL 102.13, 0.82%, 0.45%

LAB 74.34, -64.83, 70.43

 

CMYK 88 / 0 / 90 / 18

HEX #1AD115

RGB 26 209 21

HSL 118.4, 0.82%, 0.45%

LAB 73.46, -72.42, 69.34

 

CMYK 90 / 0 / 68 / 18

HEX #15D142

RGB 21 209 66

HSL 134.36, 0.82%, 0.45%

LAB 73.65, -69.96, 56.6

 

CMYK 90 / 0 / 44 / 18

HEX #15D175

RGB 21 209 117

HSL 150.64, 0.82%, 0.45%

LAB 74.22, -62.97, 33.86

 

CMYK 90 / 0 / 20 / 18

HEX #15D1A7

RGB 21 209 167

HSL 166.6, 0.82%, 0.45%

LAB 75.17, -52.22, 8.94

 

CMYK 63 / 0 / 90 / 18

HEX #4DD115

RGB 77 209 21

HSL 102.13, 0.82%, 0.45%

LAB 74.34, -64.83, 70.43

 

CMYK 69 / 0 / 99 / 11

HEX #46E302

RGB 70 227 2

HSL 101.87, 0.98%, 0.45%

LAB 79.75, -72.27, 76.91

 

CMYK 63 / 0 / 90 / 18

HEX #4DD115

RGB 77 209 21

HSL 102.13, 0.82%, 0.45%

LAB 74.34, -64.83, 70.43

 

CMYK 56 / 0 / 79 / 25

HEX #54BE27

RGB 84 190 39

HSL 102.12, 0.66%, 0.45%

LAB 68.65, -55.85, 61.36

 

CMYK 47 / 0 / 66 / 33

HEX #5CAC3A

RGB 92 172 58

HSL 102.11, 0.5%, 0.45%

LAB 63.41, -45.25, 49.33

 

CMYK 35 / 0 / 50 / 40

HEX #63994C

RGB 99 153 76

HSL 102.08, 0.34%, 0.45%

LAB 58, -32.66, 34.69

 

CMYK 21 / 0 / 30 / 47

HEX #6B875F

RGB 107 135 95

HSL 102, 0.17%, 0.45%

LAB 53.25, -17.95, 18.34

 

CMYK 15 / 0 / 90 / 18

HEX #B1D115

RGB 177 209 21

HSL 70.21, 0.82%, 0.45%

LAB 79.04, -31.67, 76.23

 

CMYK 39 / 0 / 90 / 18

HEX #7FD115

RGB 127 209 21

HSL 86.17, 0.82%, 0.45%

LAB 76.17, -50.59, 72.7

 

CMYK 63 / 0 / 90 / 18

HEX #4DD115

RGB 77 209 21

HSL 102.13, 0.82%, 0.45%

LAB 74.34, -64.83, 70.43

 

CMYK 87 / 0 / 90 / 18

HEX #1BD115

RGB 27 209 21

HSL 118.09, 0.82%, 0.45%

LAB 73.47, -72.34, 69.35

 

CMYK 90 / 0 / 69 / 18

HEX #15D141

RGB 21 209 65

HSL 134.04, 0.82%, 0.45%

LAB 73.64, -70.06, 56.99

 

CMYK 63 / 0 / 90 / 47

HEX #31860D

RGB 49 134 13

HSL 102.15, 0.82%, 0.29%

LAB 49.17, -45.93, 50.11

 

CMYK 63 / 0 / 90 / 33

HEX #3FAB11

RGB 63 171 17

HSL 102.08, 0.82%, 0.37%

LAB 61.85, -55.42, 60.36

 

CMYK 63 / 0 / 90 / 18

HEX #4DD115

RGB 77 209 21

HSL 102.13, 0.82%, 0.45%

LAB 74.34, -64.83, 70.43

 

CMYK 59 / 0 / 84 / 9

HEX #60E925

RGB 96 233 37

HSL 101.94, 0.82%, 0.53%

LAB 82.32, -67.84, 74.45

 

CMYK 48 / 0 / 68 / 7

HEX #7BED4B

RGB 123 237 75

HSL 102.22, 0.82%, 0.61%

LAB 84.63, -59.93, 65.46

 

CMYK 63 / 0 / 90 / 18

HEX #4DD015

RGB 77 208 21

HSL 102.03, 0.82%, 0.45%

LAB 74.03, -64.5, 70.16

 

CMYK 90 / 0 / 9 / 18

HEX #15D1BE

RGB 21 209 190

HSL 173.94, 0.82%, 0.45%

LAB 75.75, -46.17, -2.58

 

CMYK 0 / 90 / 27 / 18

HEX #D11598

RGB 209 21 152

HSL 318.19, 0.82%, 0.45%

LAB 47.44, 75.21, -22.42

 

CMYK 63 / 0 / 90 / 18

HEX #4DD015

RGB 77 208 21

HSL 102.03, 0.82%, 0.45%

LAB 74.03, -64.5, 70.16

 

CMYK 90 / 63 / 0 / 18

HEX #154DD1

RGB 21 77 209

HSL 222.13, 0.82%, 0.45%

LAB 37.97, 34.37, -72.28

 

CMYK 0 / 90 / 63 / 18

HEX #D1154D

RGB 209 21 77

HSL 342.13, 0.82%, 0.45%

LAB 45.12, 68.86, 20.33

 

CMYK 63 / 0 / 90 / 18

HEX #4DD015

RGB 77 208 21

HSL 102.03, 0.82%, 0.45%

LAB 74.03, -64.5, 70.16

 

CMYK 90 / 0 / 9 / 18

HEX #15D1BE

RGB 21 209 190

HSL 173.94, 0.82%, 0.45%

LAB 75.75, -46.17, -2.58

 

CMYK 27 / 90 / 0 / 18

HEX #9815D1

RGB 152 21 209

HSL 281.81, 0.82%, 0.45%

LAB 40.92, 73.83, -67

 

CMYK 0 / 90 / 81 / 18

HEX #D11527

RGB 209 21 39

HSL 354.26, 0.82%, 0.45%

LAB 44.57, 67.31, 42.41

 

CMYK 63 / 0 / 90 / 18

HEX #4DD015

RGB 77 208 21

HSL 102.03, 0.82%, 0.45%

LAB 74.03, -64.5, 70.16

 

CMYK 90 / 18 / 0 / 18

HEX #15ABD1

RGB 21 171 209

HSL 192.13, 0.82%, 0.45%

LAB 64.87, -22.44, -29.37

 

CMYK 27 / 90 / 0 / 18

HEX #9815D1

RGB 152 21 209

HSL 281.81, 0.82%, 0.45%

LAB 40.92, 73.83, -67

 

CMYK 0 / 72 / 90 / 18

HEX #D13A15

RGB 209 58 21

HSL 11.81, 0.82%, 0.45%

LAB 47.8, 57.48, 53.55

 

Description

Color code: HEX #4DD015 | qconv.com Color code: HEX #4DD015 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 208 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 208 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 90 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 90% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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