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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DCE1A it is the complementary color #B231E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DCE1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DCE1A shade: #52CE15, #63E028, #74F23B, #85FF4E and #96FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DCE1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DCE1A shade: #4DCE1A, #3CBC07, #2BAA00, #1A9800 and #098600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DCE1A shade: #4CCC19, #7CCC19, #ADCC19, #CCBC19 and #CC8B19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DCE1A shade: #4CCC19, #1CCC19, #19CC47, #19CC77 and #19CCA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DCE1A shade matches the following richer shades: #4CCC19 and #44DF07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DCE1A shade: #4CCC19, #54BA2C, #5CA73E, #649551 and #6C8264

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DCE1A shade: #ABCC19, #7CCC19, #4CCC19, #1CCC19 and #19CC46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DCE1A shade: #318310, #3EA815, #4CCC19, #5FE52A and #7BE94F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DCE1A shade: #4DCE1A, #19CCBD and #CC1994

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DCE1A shade: #4DCE1A, #194CCC and #CC194C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DCE1A shade: #4DCE1A, #19CCBD, #9A19CC and #CC1928

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DCE1A shade: #4DCE1A, #19A5CC, #9A19CC and #CC4019

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 87 / 19

HEX #4DCE1A

RGB 77 206 26

HSL 103, 0.78%, 0.45%

LAB 73.41, -63.68, 68.74

 

Complementary color

CMYK 22 / 79 / 0 / 10

HEX #B231E5

RGB 178 49 229

HSL 283, 0.78%, 0.55%

LAB 48.66, 74.84, -65.7

 

CMYK 60 / 0 / 90 / 19

HEX #52CE15

RGB 82 206 21

HSL 100.22, 0.81%, 0.45%

LAB 73.54, -62.68, 69.81

 

CMYK 56 / 0 / 82 / 12

HEX #63E028

RGB 99 224 40

HSL 100.76, 0.75%, 0.52%

LAB 79.68, -63.91, 71.42

 

CMYK 52 / 0 / 76 / 5

HEX #74F23B

RGB 116 242 59

HSL 101.31, 0.88%, 0.59%

LAB 85.77, -64.78, 72

 

CMYK 48 / 0 / 69 / 0

HEX #85FF4E

RGB 133 255 78

HSL 101.36, 1%, 0.65%

LAB 90.35, -63.55, 70.4

 

CMYK 41 / 0 / 62 / 0

HEX #96FF61

RGB 150 255 97

HSL 99.87, 1%, 0.69%

LAB 91.17, -57, 64.19

 

CMYK 63 / 0 / 87 / 19

HEX #4DCE1A

RGB 77 206 26

HSL 103, 0.78%, 0.45%

LAB 73.41, -63.68, 68.74

 

CMYK 68 / 0 / 96 / 26

HEX #3CBC07

RGB 60 188 7

HSL 102.43, 0.93%, 0.38%

LAB 67.23, -61.94, 66.22

 

CMYK 75 / 0 / 100 / 33

HEX #2BAA00

RGB 43 170 0

HSL 104.82, 1%, 0.33%

LAB 61.01, -59.54, 61.94

 

CMYK 83 / 0 / 100 / 40

HEX #1A9800

RGB 26 152 0

HSL 109.74, 1%, 0.3%

LAB 54.74, -56.5, 56.82

 

CMYK 93 / 0 / 100 / 47

HEX #098600

RGB 9 134 0

HSL 115.97, 1%, 0.26%

LAB 48.4, -52.77, 51.67

 

CMYK 63 / 0 / 88 / 20

HEX #4CCC19

RGB 76 204 25

HSL 102.91, 0.78%, 0.45%

LAB 72.75, -63.28, 68.36

 

CMYK 39 / 0 / 88 / 20

HEX #7CCC19

RGB 124 204 25

HSL 86.82, 0.78%, 0.45%

LAB 74.53, -49.5, 70.58

 

CMYK 15 / 0 / 88 / 20

HEX #ADCC19

RGB 173 204 25

HSL 70.39, 0.78%, 0.45%

LAB 77.36, -30.88, 74.08

 

CMYK 0 / 8 / 88 / 20

HEX #CCBC19

RGB 204 188 25

HSL 54.64, 0.78%, 0.45%

LAB 75.37, -9.83, 73.48

 

CMYK 0 / 32 / 88 / 20

HEX #CC8B19

RGB 204 139 25

HSL 38.21, 0.78%, 0.45%

LAB 62.82, 16.27, 63.49

 

CMYK 63 / 0 / 88 / 20

HEX #4CCC19

RGB 76 204 25

HSL 102.91, 0.78%, 0.45%

LAB 72.75, -63.28, 68.36

 

CMYK 86 / 0 / 88 / 20

HEX #1CCC19

RGB 28 204 25

HSL 118.99, 0.78%, 0.45%

LAB 71.89, -70.72, 67.28

 

CMYK 88 / 0 / 65 / 20

HEX #19CC47

RGB 25 204 71

HSL 135.42, 0.78%, 0.45%

LAB 72.13, -67.69, 52.94

 

CMYK 88 / 0 / 42 / 20

HEX #19CC77

RGB 25 204 119

HSL 151.51, 0.78%, 0.45%

LAB 72.71, -60.64, 30.89

 

CMYK 88 / 0 / 18 / 20

HEX #19CCA8

RGB 25 204 168

HSL 167.93, 0.78%, 0.45%

LAB 73.69, -49.74, 6.28

 

CMYK 63 / 0 / 88 / 20

HEX #4CCC19

RGB 76 204 25

HSL 102.91, 0.78%, 0.45%

LAB 72.75, -63.28, 68.36

 

CMYK 70 / 0 / 97 / 13

HEX #44DF07

RGB 68 223 7

HSL 103.06, 0.94%, 0.45%

LAB 78.47, -71.34, 75.41

 

CMYK 63 / 0 / 88 / 20

HEX #4CCC19

RGB 76 204 25

HSL 102.91, 0.78%, 0.45%

LAB 72.75, -63.28, 68.36

 

CMYK 55 / 0 / 76 / 27

HEX #54BA2C

RGB 84 186 44

HSL 103.1, 0.62%, 0.45%

LAB 67.42, -54.1, 58.62

 

CMYK 45 / 0 / 63 / 35

HEX #5CA73E

RGB 92 167 62

HSL 102.86, 0.46%, 0.45%

LAB 61.88, -42.81, 45.91

 

CMYK 33 / 0 / 46 / 42

HEX #649551

RGB 100 149 81

HSL 103.24, 0.3%, 0.45%

LAB 56.88, -29.75, 30.71

 

CMYK 17 / 0 / 23 / 49

HEX #6C8264

RGB 108 130 100

HSL 104, 0.13%, 0.45%

LAB 51.92, -14.02, 13.67

 

CMYK 16 / 0 / 88 / 20

HEX #ABCC19

RGB 171 204 25

HSL 71.06, 0.78%, 0.45%

LAB 77.23, -31.7, 73.92

 

CMYK 39 / 0 / 88 / 20

HEX #7CCC19

RGB 124 204 25

HSL 86.82, 0.78%, 0.45%

LAB 74.53, -49.5, 70.58

 

CMYK 63 / 0 / 88 / 20

HEX #4CCC19

RGB 76 204 25

HSL 102.91, 0.78%, 0.45%

LAB 72.75, -63.28, 68.36

 

CMYK 86 / 0 / 88 / 20

HEX #1CCC19

RGB 28 204 25

HSL 118.99, 0.78%, 0.45%

LAB 71.89, -70.72, 67.28

 

CMYK 88 / 0 / 66 / 20

HEX #19CC46

RGB 25 204 70

HSL 135.08, 0.78%, 0.45%

LAB 72.12, -67.79, 53.35

 

CMYK 63 / 0 / 88 / 49

HEX #318310

RGB 49 131 16

HSL 102.78, 0.78%, 0.29%

LAB 48.16, -44.71, 48.54

 

CMYK 63 / 0 / 88 / 34

HEX #3EA815

RGB 62 168 21

HSL 103.27, 0.78%, 0.37%

LAB 60.86, -54.48, 58.7

 

CMYK 63 / 0 / 88 / 20

HEX #4CCC19

RGB 76 204 25

HSL 102.91, 0.78%, 0.45%

LAB 72.75, -63.28, 68.36

 

CMYK 59 / 0 / 82 / 10

HEX #5FE52A

RGB 95 229 42

HSL 102.99, 0.78%, 0.53%

LAB 81.09, -66.53, 72.15

 

CMYK 47 / 0 / 66 / 9

HEX #7BE94F

RGB 123 233 79

HSL 102.86, 0.78%, 0.61%

LAB 83.47, -58.1, 62.7

 

CMYK 63 / 0 / 87 / 19

HEX #4DCE1A

RGB 77 206 26

HSL 103, 0.78%, 0.45%

LAB 73.41, -63.68, 68.74

 

CMYK 88 / 0 / 7 / 20

HEX #19CCBD

RGB 25 204 189

HSL 174.97, 0.78%, 0.45%

LAB 74.23, -44.1, -4.27

 

CMYK 0 / 88 / 27 / 20

HEX #CC1994

RGB 204 25 148

HSL 318.77, 0.78%, 0.45%

LAB 46.54, 73.1, -21.48

 

CMYK 63 / 0 / 87 / 19

HEX #4DCE1A

RGB 77 206 26

HSL 103, 0.78%, 0.45%

LAB 73.41, -63.68, 68.74

 

CMYK 88 / 63 / 0 / 20

HEX #194CCC

RGB 25 76 204

HSL 222.91, 0.78%, 0.45%

LAB 37.36, 33.32, -70.38

 

CMYK 0 / 88 / 63 / 20

HEX #CC194C

RGB 204 25 76

HSL 342.91, 0.78%, 0.45%

LAB 44.31, 66.9, 19.69

 

CMYK 63 / 0 / 87 / 19

HEX #4DCE1A

RGB 77 206 26

HSL 103, 0.78%, 0.45%

LAB 73.41, -63.68, 68.74

 

CMYK 88 / 0 / 7 / 20

HEX #19CCBD

RGB 25 204 189

HSL 174.97, 0.78%, 0.45%

LAB 74.23, -44.1, -4.27

 

CMYK 25 / 88 / 0 / 20

HEX #9A19CC

RGB 154 25 204

HSL 283.24, 0.78%, 0.45%

LAB 41.1, 72.42, -63.81

 

CMYK 0 / 88 / 80 / 20

HEX #CC1928

RGB 204 25 40

HSL 354.97, 0.78%, 0.45%

LAB 43.78, 65.37, 40.72

 

CMYK 63 / 0 / 87 / 19

HEX #4DCE1A

RGB 77 206 26

HSL 103, 0.78%, 0.45%

LAB 73.41, -63.68, 68.74

 

CMYK 88 / 19 / 0 / 20

HEX #19A5CC

RGB 25 165 204

HSL 193.07, 0.78%, 0.45%

LAB 62.91, -20.81, -29.63

 

CMYK 25 / 88 / 0 / 20

HEX #9A19CC

RGB 154 25 204

HSL 283.24, 0.78%, 0.45%

LAB 41.1, 72.42, -63.81

 

CMYK 0 / 69 / 88 / 20

HEX #CC4019

RGB 204 64 25

HSL 13.07, 0.78%, 0.45%

LAB 47.72, 53.67, 51.54

 

Description

Color code: HEX #4DCE1A | qconv.com Color code: HEX #4DCE1A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 206 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 206 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 87 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 87% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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