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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DC218 it is the complementary color #B23DE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DC218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DC218 shade: #52C213, #63D426, #74E639, #85F84C and #96FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DC218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DC218 shade: #4DC218, #3CB005, #2B9E00, #1A8C00 and #097A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DC218 shade: #4DC318, #7CC318, #AAC318, #C3AF18 and #C38018

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DC218 shade: #4DC318, #1FC318, #18C33F, #18C36D and #18C39B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DC218 shade matches the following richer shades: #4DC318 and #47D506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DC218 shade: #4DC318, #54B12A, #5BA03C, #618E4D and #687C5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DC218 shade: #AAC318, #7CC318, #4EC318, #21C318 and #18C33D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DC218 shade: #307A0F, #3F9E14, #4DC318, #5EE421 and #78E846

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DC218 shade: #4DC218, #18C3AF and #C31893

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DC218 shade: #4DC218, #184EC3 and #C3184E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DC218 shade: #4DC218, #18C3AF, #8D18C3 and #C3182C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DC218 shade: #4DC218, #18A4C3, #8D18C3 and #C33718

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 88 / 24

HEX #4DC218

RGB 77 194 24

HSL 101.29, 0.78%, 0.43%

LAB 69.63, -59.72, 65.87

 

Complementary color

CMYK 23 / 74 / 0 / 9

HEX #B23DE7

RGB 178 61 231

HSL 281.29, 0.78%, 0.57%

LAB 50.18, 71.23, -64.36

 

CMYK 58 / 0 / 90 / 24

HEX #52C213

RGB 82 194 19

HSL 98.4, 0.82%, 0.42%

LAB 69.77, -58.63, 66.96

 

CMYK 53 / 0 / 82 / 17

HEX #63D426

RGB 99 212 38

HSL 98.97, 0.7%, 0.49%

LAB 76, -59.77, 68.59

 

CMYK 50 / 0 / 75 / 10

HEX #74E639

RGB 116 230 57

HSL 99.54, 0.78%, 0.56%

LAB 82.16, -60.56, 69.13

 

CMYK 46 / 0 / 69 / 3

HEX #85F84C

RGB 133 248 76

HSL 100.12, 0.92%, 0.64%

LAB 88.28, -61.09, 68.99

 

CMYK 41 / 0 / 63 / 0

HEX #96FF5F

RGB 150 255 95

HSL 99.38, 1%, 0.69%

LAB 91.16, -57.18, 64.98

 

CMYK 60 / 0 / 88 / 24

HEX #4DC218

RGB 77 194 24

HSL 101.29, 0.78%, 0.43%

LAB 69.63, -59.72, 65.87

 

CMYK 66 / 0 / 97 / 31

HEX #3CB005

RGB 60 176 5

HSL 100.7, 0.94%, 0.35%

LAB 63.36, -58.08, 63.32

 

CMYK 73 / 0 / 100 / 38

HEX #2B9E00

RGB 43 158 0

HSL 103.67, 1%, 0.31%

LAB 57.04, -55.76, 58.78

 

CMYK 81 / 0 / 100 / 45

HEX #1A8C00

RGB 26 140 0

HSL 108.86, 1%, 0.27%

LAB 50.66, -52.83, 53.56

 

CMYK 93 / 0 / 100 / 52

HEX #097A00

RGB 9 122 0

HSL 115.57, 1%, 0.24%

LAB 44.2, -49.18, 48.31

 

CMYK 61 / 0 / 88 / 24

HEX #4DC318

RGB 77 195 24

HSL 101.4, 0.78%, 0.43%

LAB 69.95, -60.06, 66.14

 

CMYK 36 / 0 / 88 / 24

HEX #7CC318

RGB 124 195 24

HSL 84.91, 0.78%, 0.43%

LAB 71.81, -45.84, 68.47

 

CMYK 13 / 0 / 88 / 24

HEX #AAC318

RGB 170 195 24

HSL 68.77, 0.78%, 0.43%

LAB 74.6, -27.89, 71.92

 

CMYK 0 / 10 / 88 / 24

HEX #C3AF18

RGB 195 175 24

HSL 52.98, 0.78%, 0.43%

LAB 71.1, -7.07, 69.93

 

CMYK 0 / 34 / 88 / 24

HEX #C38018

RGB 195 128 24

HSL 36.49, 0.78%, 0.43%

LAB 59.07, 18.31, 60.32

 

CMYK 61 / 0 / 88 / 24

HEX #4DC318

RGB 77 195 24

HSL 101.4, 0.78%, 0.43%

LAB 69.95, -60.06, 66.14

 

CMYK 84 / 0 / 88 / 24

HEX #1FC318

RGB 31 195 24

HSL 117.54, 0.78%, 0.43%

LAB 69.03, -67.91, 64.99

 

CMYK 88 / 0 / 68 / 24

HEX #18C33F

RGB 24 195 63

HSL 133.68, 0.78%, 0.43%

LAB 69.17, -65.86, 53.01

 

CMYK 88 / 0 / 44 / 24

HEX #18C36D

RGB 24 195 109

HSL 149.82, 0.78%, 0.43%

LAB 69.7, -59.41, 32.1

 

CMYK 88 / 0 / 21 / 24

HEX #18C39B

RGB 24 195 155

HSL 165.96, 0.78%, 0.43%

LAB 70.59, -49.45, 8.88

 

CMYK 61 / 0 / 88 / 24

HEX #4DC318

RGB 77 195 24

HSL 101.4, 0.78%, 0.43%

LAB 69.95, -60.06, 66.14

 

CMYK 67 / 0 / 97 / 16

HEX #47D506

RGB 71 213 6

HSL 101.16, 0.95%, 0.43%

LAB 75.41, -67.69, 73.06

 

CMYK 61 / 0 / 88 / 24

HEX #4DC318

RGB 77 195 24

HSL 101.4, 0.78%, 0.43%

LAB 69.95, -60.06, 66.14

 

CMYK 53 / 0 / 76 / 31

HEX #54B12A

RGB 84 177 42

HSL 101.33, 0.62%, 0.43%

LAB 64.56, -50.86, 56.51

 

CMYK 43 / 0 / 63 / 37

HEX #5BA03C

RGB 91 160 60

HSL 101.4, 0.45%, 0.43%

LAB 59.61, -40.37, 44.26

 

CMYK 32 / 0 / 46 / 44

HEX #618E4D

RGB 97 142 77

HSL 101.54, 0.3%, 0.43%

LAB 54.47, -28.02, 29.76

 

CMYK 16 / 0 / 23 / 51

HEX #687C5F

RGB 104 124 95

HSL 101.38, 0.13%, 0.43%

LAB 49.72, -13.18, 13.46

 

CMYK 13 / 0 / 88 / 24

HEX #AAC318

RGB 170 195 24

HSL 68.77, 0.78%, 0.43%

LAB 74.6, -27.89, 71.92

 

CMYK 36 / 0 / 88 / 24

HEX #7CC318

RGB 124 195 24

HSL 84.91, 0.78%, 0.43%

LAB 71.81, -45.84, 68.47

 

CMYK 60 / 0 / 88 / 24

HEX #4EC318

RGB 78 195 24

HSL 101.05, 0.78%, 0.43%

LAB 69.98, -59.82, 66.18

 

CMYK 83 / 0 / 88 / 24

HEX #21C318

RGB 33 195 24

HSL 116.84, 0.78%, 0.43%

LAB 69.05, -67.7, 65.02

 

CMYK 88 / 0 / 69 / 24

HEX #18C33D

RGB 24 195 61

HSL 132.98, 0.78%, 0.43%

LAB 69.16, -66.06, 53.79

 

CMYK 61 / 0 / 88 / 52

HEX #307A0F

RGB 48 122 15

HSL 101.5, 0.78%, 0.27%

LAB 45.06, -41.66, 46.02

 

CMYK 60 / 0 / 87 / 38

HEX #3F9E14

RGB 63 158 20

HSL 101.3, 0.78%, 0.35%

LAB 57.62, -50.75, 56.1

 

CMYK 61 / 0 / 88 / 24

HEX #4DC318

RGB 77 195 24

HSL 101.4, 0.78%, 0.43%

LAB 69.95, -60.06, 66.14

 

CMYK 59 / 0 / 86 / 11

HEX #5EE421

RGB 94 228 33

HSL 101.23, 0.78%, 0.51%

LAB 80.73, -66.8, 73.88

 

CMYK 48 / 0 / 70 / 9

HEX #78E846

RGB 120 232 70

HSL 101.48, 0.78%, 0.59%

LAB 82.99, -59.3, 65.57

 

CMYK 60 / 0 / 88 / 24

HEX #4DC218

RGB 77 194 24

HSL 101.29, 0.78%, 0.43%

LAB 69.63, -59.72, 65.87

 

CMYK 88 / 0 / 10 / 24

HEX #18C3AF

RGB 24 195 175

HSL 172.98, 0.78%, 0.43%

LAB 71.09, -44.17, -1.28

 

CMYK 0 / 88 / 25 / 24

HEX #C31893

RGB 195 24 147

HSL 316.84, 0.78%, 0.43%

LAB 44.75, 71.24, -23.79

 

CMYK 60 / 0 / 88 / 24

HEX #4DC218

RGB 77 194 24

HSL 101.29, 0.78%, 0.43%

LAB 69.63, -59.72, 65.87

 

CMYK 88 / 60 / 0 / 24

HEX #184EC3

RGB 24 78 195

HSL 221.05, 0.78%, 0.43%

LAB 37.08, 28.49, -65.6

 

CMYK 0 / 88 / 60 / 24

HEX #C3184E

RGB 195 24 78

HSL 341.05, 0.78%, 0.43%

LAB 42.47, 64.92, 15.66

 

CMYK 60 / 0 / 88 / 24

HEX #4DC218

RGB 77 194 24

HSL 101.29, 0.78%, 0.43%

LAB 69.63, -59.72, 65.87

 

CMYK 88 / 0 / 10 / 24

HEX #18C3AF

RGB 24 195 175

HSL 172.98, 0.78%, 0.43%

LAB 71.09, -44.17, -1.28

 

CMYK 28 / 88 / 0 / 24

HEX #8D18C3

RGB 141 24 195

HSL 281.05, 0.78%, 0.43%

LAB 38.3, 69, -63.21

 

CMYK 0 / 88 / 77 / 24

HEX #C3182C

RGB 195 24 44

HSL 352.98, 0.78%, 0.43%

LAB 41.9, 63.29, 35.9

 

CMYK 60 / 0 / 88 / 24

HEX #4DC218

RGB 77 194 24

HSL 101.29, 0.78%, 0.43%

LAB 69.63, -59.72, 65.87

 

CMYK 88 / 16 / 0 / 24

HEX #18A4C3

RGB 24 164 195

HSL 190.88, 0.78%, 0.43%

LAB 62.24, -23.42, -25.64

 

CMYK 28 / 88 / 0 / 24

HEX #8D18C3

RGB 141 24 195

HSL 281.05, 0.78%, 0.43%

LAB 38.3, 69, -63.21

 

CMYK 0 / 72 / 88 / 24

HEX #C33718

RGB 195 55 24

HSL 10.88, 0.78%, 0.43%

LAB 44.8, 54.11, 48.94

 

Description

Color code: HEX #4DC218 | qconv.com Color code: HEX #4DC218 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 194 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 194 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 88 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 88% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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