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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DC136 it is the complementary color #B23EC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DC136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DC136 shade: #52C131, #63D344, #74E557, #85F76A and #96FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DC136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DC136 shade: #4DC136, #3CAF23, #2B9D10, #1A8B00 and #097900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DC136 shade: #4DBF36, #72BF36, #96BF36, #BBBF36 and #BF9D36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DC136 shade: #4DBF36, #36BF44, #36BF69, #36BF8E and #36BFB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DC136 shade matches the following richer shades: #4DBF36, #3FD322 and #32E70E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DC136 shade: #4DBF36, #5AAB4A, #67975D, #748471 and #827085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DC136 shade: #96BF36, #71BF36, #4DBF36, #36BF44 and #36BF68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DC136 shade: #337F24, #409F2D, #4DBF36, #65CE50 and #81D771

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DC136 shade: #4DC136, #36BABF and #BF3684

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DC136 shade: #4DC136, #364DBF and #BF364D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DC136 shade: #4DC136, #36BABF, #A836BF and #BF3A36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DC136 shade: #4DC136, #3691BF, #A836BF and #BF6436

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 72 / 24

HEX #4DC136

RGB 77 193 54

HSL 110.07, 0.56%, 0.48%

LAB 69.46, -57.7, 57.09

 

Complementary color

CMYK 11 / 69 / 0 / 21

HEX #B23EC9

RGB 178 62 201

HSL 290.07, 0.56%, 0.52%

LAB 48.42, 65.11, -50.07

 

CMYK 58 / 0 / 75 / 24

HEX #52C131

RGB 82 193 49

HSL 106.25, 0.6%, 0.47%

LAB 69.58, -56.83, 59.04

 

CMYK 53 / 0 / 68 / 17

HEX #63D344

RGB 99 211 68

HSL 106.99, 0.62%, 0.55%

LAB 75.86, -57.48, 58.65

 

CMYK 49 / 0 / 62 / 10

HEX #74E557

RGB 116 229 87

HSL 107.75, 0.73%, 0.62%

LAB 82.08, -57.85, 57.86

 

CMYK 46 / 0 / 57 / 3

HEX #85F76A

RGB 133 247 106

HSL 108.51, 0.9%, 0.69%

LAB 88.23, -58.04, 56.85

 

CMYK 41 / 0 / 51 / 0

HEX #96FF7D

RGB 150 255 125

HSL 108.46, 1%, 0.75%

LAB 91.45, -54.12, 52.29

 

CMYK 60 / 0 / 72 / 24

HEX #4DC136

RGB 77 193 54

HSL 110.07, 0.56%, 0.48%

LAB 69.46, -57.7, 57.09

 

CMYK 66 / 0 / 80 / 31

HEX #3CAF23

RGB 60 175 35

HSL 109.29, 0.67%, 0.41%

LAB 63.13, -56.64, 57.1

 

CMYK 73 / 0 / 90 / 38

HEX #2B9D10

RGB 43 157 16

HSL 108.51, 0.82%, 0.34%

LAB 56.75, -54.99, 55.98

 

CMYK 81 / 0 / 100 / 45

HEX #1A8B00

RGB 26 139 0

HSL 108.78, 1%, 0.27%

LAB 50.32, -52.52, 53.28

 

CMYK 93 / 0 / 100 / 53

HEX #097900

RGB 9 121 0

HSL 115.54, 1%, 0.24%

LAB 43.85, -48.88, 48.02

 

CMYK 60 / 0 / 72 / 25

HEX #4DBF36

RGB 77 191 54

HSL 109.93, 0.56%, 0.48%

LAB 68.83, -56.99, 56.44

 

CMYK 40 / 0 / 72 / 25

HEX #72BF36

RGB 114 191 54

HSL 93.72, 0.56%, 0.48%

LAB 70.25, -46.21, 58.35

 

CMYK 21 / 0 / 72 / 25

HEX #96BF36

RGB 150 191 54

HSL 77.96, 0.56%, 0.48%

LAB 72.24, -32.95, 60.99

 

CMYK 2 / 0 / 72 / 25

HEX #BBBF36

RGB 187 191 54

HSL 61.75, 0.56%, 0.48%

LAB 74.88, -17.7, 64.47

 

CMYK 0 / 18 / 72 / 25

HEX #BF9D36

RGB 191 157 54

HSL 45.11, 0.56%, 0.48%

LAB 66.1, 1.77, 55.98

 

CMYK 60 / 0 / 72 / 25

HEX #4DBF36

RGB 77 191 54

HSL 109.93, 0.56%, 0.48%

LAB 68.83, -56.99, 56.44

 

CMYK 72 / 0 / 64 / 25

HEX #36BF44

RGB 54 191 68

HSL 126.13, 0.56%, 0.48%

LAB 68.36, -60.42, 50.16

 

CMYK 72 / 0 / 45 / 25

HEX #36BF69

RGB 54 191 105

HSL 142.34, 0.56%, 0.48%

LAB 68.8, -55.29, 33.07

 

CMYK 72 / 0 / 26 / 25

HEX #36BF8E

RGB 54 191 142

HSL 158.54, 0.56%, 0.48%

LAB 69.47, -47.89, 14.4

 

CMYK 72 / 0 / 6 / 25

HEX #36BFB3

RGB 54 191 179

HSL 174.74, 0.56%, 0.48%

LAB 70.39, -38.52, -4.46

 

CMYK 60 / 0 / 72 / 25

HEX #4DBF36

RGB 77 191 54

HSL 109.93, 0.56%, 0.48%

LAB 68.83, -56.99, 56.44

 

CMYK 70 / 0 / 84 / 17

HEX #3FD322

RGB 63 211 34

HSL 110.17, 0.72%, 0.48%

LAB 74.67, -67.8, 68

 

CMYK 78 / 0 / 94 / 9

HEX #32E70E

RGB 50 231 14

HSL 110.05, 0.89%, 0.48%

LAB 80.66, -76.32, 76.41

 

CMYK 60 / 0 / 72 / 25

HEX #4DBF36

RGB 77 191 54

HSL 109.93, 0.56%, 0.48%

LAB 68.83, -56.99, 56.44

 

CMYK 47 / 0 / 57 / 33

HEX #5AAB4A

RGB 90 171 74

HSL 110.1, 0.4%, 0.48%

LAB 63.17, -43.79, 41.8

 

CMYK 32 / 0 / 38 / 41

HEX #67975D

RGB 103 151 93

HSL 109.66, 0.24%, 0.48%

LAB 57.85, -27.86, 25.54

 

CMYK 12 / 0 / 14 / 48

HEX #748471

RGB 116 132 113

HSL 110.53, 0.08%, 0.48%

LAB 53.39, -9.68, 8.31

 

CMYK 2 / 16 / 0 / 48

HEX #827085

RGB 130 112 133

HSL 291.43, 0.09%, 0.48%

LAB 49.53, 11.09, -8.92

 

CMYK 21 / 0 / 72 / 25

HEX #96BF36

RGB 150 191 54

HSL 77.96, 0.56%, 0.48%

LAB 72.24, -32.95, 60.99

 

CMYK 41 / 0 / 72 / 25

HEX #71BF36

RGB 113 191 54

HSL 94.16, 0.56%, 0.48%

LAB 70.2, -46.55, 58.28

 

CMYK 60 / 0 / 72 / 25

HEX #4DBF36

RGB 77 191 54

HSL 109.93, 0.56%, 0.48%

LAB 68.83, -56.99, 56.44

 

CMYK 72 / 0 / 64 / 25

HEX #36BF44

RGB 54 191 68

HSL 126.13, 0.56%, 0.48%

LAB 68.36, -60.42, 50.16

 

CMYK 72 / 0 / 46 / 25

HEX #36BF68

RGB 54 191 104

HSL 141.9, 0.56%, 0.48%

LAB 68.78, -55.46, 33.56

 

CMYK 60 / 0 / 72 / 50

HEX #337F24

RGB 51 127 36

HSL 110.11, 0.56%, 0.32%

LAB 46.99, -41.32, 40.65

 

CMYK 60 / 0 / 72 / 38

HEX #409F2D

RGB 64 159 45

HSL 110, 0.56%, 0.4%

LAB 58.11, -49.32, 48.71

 

CMYK 60 / 0 / 72 / 25

HEX #4DBF36

RGB 77 191 54

HSL 109.93, 0.56%, 0.48%

LAB 68.83, -56.99, 56.44

 

CMYK 51 / 0 / 61 / 19

HEX #65CE50

RGB 101 206 80

HSL 110, 0.56%, 0.56%

LAB 74.5, -53.93, 52.21

 

CMYK 40 / 0 / 47 / 16

HEX #81D771

RGB 129 215 113

HSL 110.59, 0.56%, 0.64%

LAB 78.73, -45.44, 42.15

 

CMYK 60 / 0 / 72 / 24

HEX #4DC136

RGB 77 193 54

HSL 110.07, 0.56%, 0.48%

LAB 69.46, -57.7, 57.09

 

CMYK 72 / 3 / 0 / 25

HEX #36BABF

RGB 54 186 191

HSL 182.19, 0.56%, 0.48%

LAB 69.23, -32.77, -12.76

 

CMYK 0 / 72 / 31 / 25

HEX #BF3684

RGB 191 54 132

HSL 325.84, 0.56%, 0.48%

LAB 46.15, 60.67, -12.6

 

CMYK 60 / 0 / 72 / 24

HEX #4DC136

RGB 77 193 54

HSL 110.07, 0.56%, 0.48%

LAB 69.46, -57.7, 57.09

 

CMYK 72 / 60 / 0 / 25

HEX #364DBF

RGB 54 77 191

HSL 229.93, 0.56%, 0.48%

LAB 37.58, 30.44, -62.41

 

CMYK 0 / 72 / 60 / 25

HEX #BF364D

RGB 191 54 77

HSL 349.93, 0.56%, 0.48%

LAB 44.59, 55.5, 18.99

 

CMYK 60 / 0 / 72 / 24

HEX #4DC136

RGB 77 193 54

HSL 110.07, 0.56%, 0.48%

LAB 69.46, -57.7, 57.09

 

CMYK 72 / 3 / 0 / 25

HEX #36BABF

RGB 54 186 191

HSL 182.19, 0.56%, 0.48%

LAB 69.23, -32.77, -12.76

 

CMYK 12 / 72 / 0 / 25

HEX #A836BF

RGB 168 54 191

HSL 289.93, 0.56%, 0.48%

LAB 45.25, 64.13, -49.42

 

CMYK 0 / 70 / 72 / 25

HEX #BF3A36

RGB 191 58 54

HSL 1.75, 0.56%, 0.48%

LAB 44.76, 52.67, 33.06

 

CMYK 60 / 0 / 72 / 24

HEX #4DC136

RGB 77 193 54

HSL 110.07, 0.56%, 0.48%

LAB 69.46, -57.7, 57.09

 

CMYK 72 / 24 / 0 / 25

HEX #3691BF

RGB 54 145 191

HSL 200.15, 0.56%, 0.48%

LAB 56.88, -11.61, -31.64

 

CMYK 12 / 72 / 0 / 25

HEX #A836BF

RGB 168 54 191

HSL 289.93, 0.56%, 0.48%

LAB 45.25, 64.13, -49.42

 

CMYK 0 / 48 / 72 / 25

HEX #BF6436

RGB 191 100 54

HSL 20.15, 0.56%, 0.48%

LAB 52.35, 32.89, 41.61

 

Description

Color code: HEX #4DC136 | qconv.com Color code: HEX #4DC136 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 193 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 193 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 72 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 72% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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