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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DBE23 it is the complementary color #B241DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DBE23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DBE23 shade: #52BE1E, #63D031, #74E244, #85F457 and #96FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DBE23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DBE23 shade: #4DBE23, #3CAC10, #2B9A00, #1A8800 and #097600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DBE23 shade: #4DBE23, #76BE23, #A0BE23, #BEB123 and #BE8723

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DBE23 shade: #4DBE23, #23BE23, #23BE4C, #23BE76 and #23BEA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DBE23 shade matches the following richer shades: #4DBE23 and #44D011

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DBE23 shade: #4DBE23, #55AB35, #5D9947, #668759 and #6E756B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DBE23 shade: #A1BE23, #78BE23, #4FBE23, #25BE23 and #23BE49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DBE23 shade: #317816, #3F9B1C, #4DBE23, #5ED931 and #79E053

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DBE23 shade: #4DBE23, #23BEB1 and #BE238D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DBE23 shade: #4DBE23, #234FBE and #BE234F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DBE23 shade: #4DBE23, #23BEB1, #9223BE and #BE2330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DBE23 shade: #4DBE23, #239CBE, #9223BE and #BE4423

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

Complementary color

CMYK 19 / 70 / 0 / 14

HEX #B241DC

RGB 178 65 220

HSL 283.74, 0.69%, 0.56%

LAB 49.99, 67.57, -58.43

 

CMYK 57 / 0 / 84 / 25

HEX #52BE1E

RGB 82 190 30

HSL 100.5, 0.73%, 0.43%

LAB 68.54, -56.83, 63.65

 

CMYK 52 / 0 / 76 / 18

HEX #63D031

RGB 99 208 49

HSL 101.13, 0.63%, 0.5%

LAB 74.82, -57.75, 64.35

 

CMYK 49 / 0 / 70 / 11

HEX #74E244

RGB 116 226 68

HSL 101.77, 0.73%, 0.58%

LAB 81.03, -58.34, 64.23

 

CMYK 45 / 0 / 64 / 4

HEX #85F457

RGB 133 244 87

HSL 102.42, 0.88%, 0.65%

LAB 87.18, -58.71, 63.65

 

CMYK 41 / 0 / 58 / 0

HEX #96FF6A

RGB 150 255 106

HSL 102.28, 1%, 0.71%

LAB 91.25, -56.16, 60.51

 

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

CMYK 65 / 0 / 91 / 33

HEX #3CAC10

RGB 60 172 16

HSL 103.08, 0.83%, 0.37%

LAB 62.09, -56.48, 60.71

 

CMYK 72 / 0 / 100 / 40

HEX #2B9A00

RGB 43 154 0

HSL 103.25, 1%, 0.3%

LAB 55.71, -54.48, 57.72

 

CMYK 81 / 0 / 100 / 47

HEX #1A8800

RGB 26 136 0

HSL 108.53, 1%, 0.27%

LAB 49.29, -51.59, 52.46

 

CMYK 92 / 0 / 100 / 54

HEX #097600

RGB 9 118 0

HSL 115.42, 1%, 0.23%

LAB 42.79, -47.97, 47.17

 

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

CMYK 38 / 0 / 82 / 25

HEX #76BE23

RGB 118 190 35

HSL 87.87, 0.69%, 0.44%

LAB 70.04, -45.49, 64.27

 

CMYK 16 / 0 / 82 / 25

HEX #A0BE23

RGB 160 190 35

HSL 71.61, 0.69%, 0.44%

LAB 72.51, -29.33, 67.42

 

CMYK 0 / 7 / 82 / 25

HEX #BEB123

RGB 190 177 35

HSL 54.97, 0.69%, 0.44%

LAB 71.22, -10.02, 67.21

 

CMYK 0 / 29 / 82 / 25

HEX #BE8723

RGB 190 135 35

HSL 38.71, 0.69%, 0.44%

LAB 60.25, 12.55, 57.62

 

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

CMYK 82 / 0 / 82 / 25

HEX #23BE23

RGB 35 190 35

HSL 120, 0.69%, 0.44%

LAB 67.51, -65.5, 61.03

 

CMYK 82 / 0 / 60 / 25

HEX #23BE4C

RGB 35 190 76

HSL 135.87, 0.69%, 0.44%

LAB 67.8, -61.8, 45.91

 

CMYK 82 / 0 / 38 / 25

HEX #23BE76

RGB 35 190 118

HSL 152.13, 0.69%, 0.44%

LAB 68.38, -54.98, 25.71

 

CMYK 82 / 0 / 16 / 25

HEX #23BEA0

RGB 35 190 160

HSL 168.39, 0.69%, 0.44%

LAB 69.27, -45.27, 4.28

 

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

CMYK 67 / 0 / 92 / 18

HEX #44D011

RGB 68 208 17

HSL 103.98, 0.85%, 0.44%

LAB 73.79, -66.5, 70.48

 

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

CMYK 50 / 0 / 69 / 33

HEX #55AB35

RGB 85 171 53

HSL 103.73, 0.53%, 0.44%

LAB 62.77, -47.43, 50.63

 

CMYK 39 / 0 / 54 / 40

HEX #5D9947

RGB 93 153 71

HSL 103.9, 0.37%, 0.44%

LAB 57.62, -35.38, 36.71

 

CMYK 24 / 0 / 34 / 47

HEX #668759

RGB 102 135 89

HSL 103.04, 0.21%, 0.44%

LAB 52.81, -20.83, 21.08

 

CMYK 6 / 0 / 9 / 54

HEX #6E756B

RGB 110 117 107

HSL 102, 0.04%, 0.44%

LAB 48.38, -4.67, 4.6

 

CMYK 15 / 0 / 82 / 25

HEX #A1BE23

RGB 161 190 35

HSL 71.23, 0.69%, 0.44%

LAB 72.58, -28.91, 67.5

 

CMYK 37 / 0 / 82 / 25

HEX #78BE23

RGB 120 190 35

HSL 87.1, 0.69%, 0.44%

LAB 70.13, -44.78, 64.4

 

CMYK 58 / 0 / 82 / 25

HEX #4FBE23

RGB 79 190 35

HSL 102.97, 0.69%, 0.44%

LAB 68.47, -57.37, 62.27

 

CMYK 81 / 0 / 82 / 25

HEX #25BE23

RGB 37 190 35

HSL 119.23, 0.69%, 0.44%

LAB 67.53, -65.26, 61.06

 

CMYK 82 / 0 / 62 / 25

HEX #23BE49

RGB 35 190 73

HSL 134.71, 0.69%, 0.44%

LAB 67.77, -62.17, 47.23

 

CMYK 59 / 0 / 82 / 53

HEX #317816

RGB 49 120 22

HSL 103.47, 0.69%, 0.28%

LAB 44.44, -40.23, 43.39

 

CMYK 59 / 0 / 82 / 39

HEX #3F9B1C

RGB 63 155 28

HSL 103.46, 0.69%, 0.36%

LAB 56.67, -49.28, 53.16

 

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

CMYK 57 / 0 / 77 / 15

HEX #5ED931

RGB 94 217 49

HSL 103.93, 0.69%, 0.52%

LAB 77.42, -62.29, 66.78

 

CMYK 46 / 0 / 63 / 12

HEX #79E053

RGB 121 224 83

HSL 103.83, 0.69%, 0.6%

LAB 80.74, -54.87, 58.1

 

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

CMYK 82 / 0 / 7 / 25

HEX #23BEB1

RGB 35 190 177

HSL 174.97, 0.69%, 0.44%

LAB 69.72, -40.64, -4.37

 

CMYK 0 / 82 / 26 / 25

HEX #BE238D

RGB 190 35 141

HSL 318.97, 0.69%, 0.44%

LAB 44.34, 67.16, -20.86

 

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

CMYK 82 / 58 / 0 / 25

HEX #234FBE

RGB 35 79 190

HSL 222.97, 0.69%, 0.44%

LAB 37.24, 26.7, -62.42

 

CMYK 0 / 82 / 58 / 25

HEX #BE234F

RGB 190 35 79

HSL 342.97, 0.69%, 0.44%

LAB 42.33, 61.27, 14.67

 

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

CMYK 82 / 0 / 7 / 25

HEX #23BEB1

RGB 35 190 177

HSL 174.97, 0.69%, 0.44%

LAB 69.72, -40.64, -4.37

 

CMYK 23 / 82 / 0 / 25

HEX #9223BE

RGB 146 35 190

HSL 282.97, 0.69%, 0.44%

LAB 39.63, 66.03, -58.07

 

CMYK 0 / 82 / 75 / 25

HEX #BE2330

RGB 190 35 48

HSL 354.97, 0.69%, 0.44%

LAB 41.79, 59.62, 33.13

 

CMYK 59 / 0 / 82 / 25

HEX #4DBE23

RGB 77 190 35

HSL 103.74, 0.69%, 0.44%

LAB 68.41, -57.87, 62.19

 

CMYK 82 / 18 / 0 / 25

HEX #239CBE

RGB 35 156 190

HSL 193.16, 0.69%, 0.44%

LAB 59.75, -20.11, -26.65

 

CMYK 23 / 82 / 0 / 25

HEX #9223BE

RGB 146 35 190

HSL 282.97, 0.69%, 0.44%

LAB 39.63, 66.03, -58.07

 

CMYK 0 / 64 / 82 / 25

HEX #BE4423

RGB 190 68 35

HSL 12.77, 0.69%, 0.44%

LAB 45.91, 47.43, 44.51

 

Description

Color code: HEX #4DBE23 | qconv.com Color code: HEX #4DBE23 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 190 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 190 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 82 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 82% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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