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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DBD38 it is the complementary color #B242C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DBD38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DBD38 shade: #52BD33, #63CF46, #74E159, #85F36C and #96FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DBD38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DBD38 shade: #4DBD38, #3CAB25, #2B9912, #1A8700 and #097500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DBD38 shade: #4DBC38, #71BC38, #94BC38, #B8BC38 and #BC9D38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DBD38 shade: #4DBC38, #38BC47, #38BC6B, #38BC8E and #38BCB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DBD38 shade matches the following richer shades: #4DBC38, #40D024 and #32E411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DBD38 shade: #4DBC38, #5BA94C, #689560, #768174 and #836D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DBD38 shade: #95BC38, #72BC38, #4EBC38, #38BC46 and #38BC69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DBD38 shade: #337D25, #409D2F, #4DBC38, #66CB53 and #82D572

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DBD38 shade: #4DBD38, #38B8BC and #BC3883

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DBD38 shade: #4DBD38, #384EBC and #BC384E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DBD38 shade: #4DBD38, #38B8BC, #A638BC and #BC3D38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DBD38 shade: #4DBD38, #3890BC, #A638BC and #BC6438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 70 / 26

HEX #4DBD38

RGB 77 189 56

HSL 110.53, 0.54%, 0.48%

LAB 68.21, -56.11, 55.05

 

Complementary color

CMYK 11 / 67 / 0 / 22

HEX #B242C7

RGB 178 66 199

HSL 290.53, 0.54%, 0.52%

LAB 48.87, 63.16, -48.21

 

CMYK 57 / 0 / 73 / 26

HEX #52BD33

RGB 82 189 51

HSL 106.52, 0.58%, 0.47%

LAB 68.33, -55.24, 57.09

 

CMYK 52 / 0 / 66 / 19

HEX #63CF46

RGB 99 207 70

HSL 107.3, 0.59%, 0.54%

LAB 74.65, -55.81, 56.56

 

CMYK 48 / 0 / 60 / 12

HEX #74E159

RGB 116 225 89

HSL 108.09, 0.69%, 0.62%

LAB 80.9, -56.13, 55.68

 

CMYK 45 / 0 / 56 / 5

HEX #85F36C

RGB 133 243 108

HSL 108.89, 0.85%, 0.69%

LAB 87.08, -56.27, 54.62

 

CMYK 41 / 0 / 50 / 0

HEX #96FF7F

RGB 150 255 127

HSL 109.22, 1%, 0.75%

LAB 91.48, -53.88, 51.4

 

CMYK 59 / 0 / 70 / 26

HEX #4DBD38

RGB 77 189 56

HSL 110.53, 0.54%, 0.48%

LAB 68.21, -56.11, 55.05

 

CMYK 65 / 0 / 78 / 33

HEX #3CAB25

RGB 60 171 37

HSL 109.7, 0.64%, 0.41%

LAB 61.84, -55.15, 55.25

 

CMYK 72 / 0 / 88 / 40

HEX #2B9912

RGB 43 153 18

HSL 108.89, 0.79%, 0.34%

LAB 55.42, -53.6, 54.41

 

CMYK 81 / 0 / 100 / 47

HEX #1A8700

RGB 26 135 0

HSL 108.44, 1%, 0.26%

LAB 48.94, -51.27, 52.19

 

CMYK 92 / 0 / 100 / 54

HEX #097500

RGB 9 117 0

HSL 115.38, 1%, 0.23%

LAB 42.43, -47.66, 46.89

 

CMYK 59 / 0 / 70 / 26

HEX #4DBC38

RGB 77 188 56

HSL 110.45, 0.54%, 0.48%

LAB 67.89, -55.75, 54.72

 

CMYK 40 / 0 / 70 / 26

HEX #71BC38

RGB 113 188 56

HSL 94.09, 0.54%, 0.48%

LAB 69.3, -45.16, 56.62

 

CMYK 21 / 0 / 70 / 26

HEX #94BC38

RGB 148 188 56

HSL 78.18, 0.54%, 0.48%

LAB 71.25, -32.23, 59.22

 

CMYK 2 / 0 / 70 / 26

HEX #B8BC38

RGB 184 188 56

HSL 61.82, 0.54%, 0.48%

LAB 73.83, -17.37, 62.65

 

CMYK 0 / 16 / 70 / 26

HEX #BC9D38

RGB 188 157 56

HSL 45.91, 0.54%, 0.48%

LAB 65.82, 0.55, 54.77

 

CMYK 59 / 0 / 70 / 26

HEX #4DBC38

RGB 77 188 56

HSL 110.45, 0.54%, 0.48%

LAB 67.89, -55.75, 54.72

 

CMYK 70 / 0 / 62 / 26

HEX #38BC47

RGB 56 188 71

HSL 126.82, 0.54%, 0.48%

LAB 67.47, -58.72, 47.87

 

CMYK 70 / 0 / 43 / 26

HEX #38BC6B

RGB 56 188 107

HSL 143.18, 0.54%, 0.48%

LAB 67.92, -53.5, 30.92

 

CMYK 70 / 0 / 24 / 26

HEX #38BC8E

RGB 56 188 142

HSL 159.09, 0.54%, 0.48%

LAB 68.58, -46.36, 13.15

 

CMYK 70 / 0 / 5 / 26

HEX #38BCB2

RGB 56 188 178

HSL 175.45, 0.54%, 0.48%

LAB 69.48, -37.17, -5.24

 

CMYK 59 / 0 / 70 / 26

HEX #4DBC38

RGB 77 188 56

HSL 110.45, 0.54%, 0.48%

LAB 67.89, -55.75, 54.72

 

CMYK 69 / 0 / 83 / 18

HEX #40D024

RGB 64 208 36

HSL 110.23, 0.7%, 0.48%

LAB 73.76, -66.58, 66.7

 

CMYK 78 / 0 / 93 / 11

HEX #32E411

RGB 50 228 17

HSL 110.62, 0.86%, 0.48%

LAB 79.73, -75.41, 75.29

 

CMYK 59 / 0 / 70 / 26

HEX #4DBC38

RGB 77 188 56

HSL 110.45, 0.54%, 0.48%

LAB 67.89, -55.75, 54.72

 

CMYK 46 / 0 / 55 / 34

HEX #5BA94C

RGB 91 169 76

HSL 110.32, 0.38%, 0.48%

LAB 62.61, -42.4, 40.18

 

CMYK 30 / 0 / 36 / 42

HEX #689560

RGB 104 149 96

HSL 110.94, 0.22%, 0.48%

LAB 57.35, -26.04, 23.25

 

CMYK 9 / 0 / 10 / 49

HEX #768174

RGB 118 129 116

HSL 110.77, 0.05%, 0.48%

LAB 52.74, -6.68, 5.66

 

CMYK 4 / 20 / 0 / 47

HEX #836D88

RGB 131 109 136

HSL 288.89, 0.11%, 0.48%

LAB 48.93, 13.86, -11.59

 

CMYK 21 / 0 / 70 / 26

HEX #95BC38

RGB 149 188 56

HSL 77.73, 0.54%, 0.48%

LAB 71.31, -31.83, 59.31

 

CMYK 39 / 0 / 70 / 26

HEX #72BC38

RGB 114 188 56

HSL 93.64, 0.54%, 0.48%

LAB 69.35, -44.82, 56.68

 

CMYK 59 / 0 / 70 / 26

HEX #4EBC38

RGB 78 188 56

HSL 110, 0.54%, 0.48%

LAB 67.93, -55.51, 54.77

 

CMYK 70 / 0 / 63 / 26

HEX #38BC46

RGB 56 188 70

HSL 126.36, 0.54%, 0.48%

LAB 67.46, -58.84, 48.3

 

CMYK 70 / 0 / 44 / 26

HEX #38BC69

RGB 56 188 105

HSL 142.27, 0.54%, 0.48%

LAB 67.89, -53.85, 31.91

 

CMYK 59 / 0 / 70 / 51

HEX #337D25

RGB 51 125 37

HSL 110.45, 0.54%, 0.32%

LAB 46.32, -40.44, 39.51

 

CMYK 59 / 0 / 70 / 38

HEX #409D2F

RGB 64 157 47

HSL 110.73, 0.54%, 0.4%

LAB 57.47, -48.4, 47.25

 

CMYK 59 / 0 / 70 / 26

HEX #4DBC38

RGB 77 188 56

HSL 110.45, 0.54%, 0.48%

LAB 67.89, -55.75, 54.72

 

CMYK 50 / 0 / 59 / 20

HEX #66CB53

RGB 102 203 83

HSL 110.5, 0.54%, 0.56%

LAB 73.65, -52.17, 49.92

 

CMYK 39 / 0 / 46 / 16

HEX #82D572

RGB 130 213 114

HSL 110.3, 0.54%, 0.64%

LAB 78.2, -44.14, 41

 

CMYK 59 / 0 / 70 / 26

HEX #4DBD38

RGB 77 189 56

HSL 110.53, 0.54%, 0.48%

LAB 68.21, -56.11, 55.05

 

CMYK 70 / 2 / 0 / 26

HEX #38B8BC

RGB 56 184 188

HSL 181.82, 0.54%, 0.48%

LAB 68.57, -32.44, -12.09

 

CMYK 0 / 70 / 30 / 26

HEX #BC3883

RGB 188 56 131

HSL 325.91, 0.54%, 0.48%

LAB 45.85, 59.02, -12.5

 

CMYK 59 / 0 / 70 / 26

HEX #4DBD38

RGB 77 189 56

HSL 110.53, 0.54%, 0.48%

LAB 68.21, -56.11, 55.05

 

CMYK 70 / 59 / 0 / 26

HEX #384EBC

RGB 56 78 188

HSL 230, 0.54%, 0.48%

LAB 37.7, 28.98, -60.45

 

CMYK 0 / 70 / 59 / 26

HEX #BC384E

RGB 188 56 78

HSL 350, 0.54%, 0.48%

LAB 44.33, 53.89, 17.93

 

CMYK 59 / 0 / 70 / 26

HEX #4DBD38

RGB 77 189 56

HSL 110.53, 0.54%, 0.48%

LAB 68.21, -56.11, 55.05

 

CMYK 70 / 2 / 0 / 26

HEX #38B8BC

RGB 56 184 188

HSL 181.82, 0.54%, 0.48%

LAB 68.57, -32.44, -12.09

 

CMYK 12 / 70 / 0 / 26

HEX #A638BC

RGB 166 56 188

HSL 290, 0.54%, 0.48%

LAB 45.03, 62.4, -48.04

 

CMYK 0 / 68 / 70 / 26

HEX #BC3D38

RGB 188 61 56

HSL 2.27, 0.54%, 0.48%

LAB 44.68, 50.57, 31.66

 

CMYK 59 / 0 / 70 / 26

HEX #4DBD38

RGB 77 189 56

HSL 110.53, 0.54%, 0.48%

LAB 68.21, -56.11, 55.05

 

CMYK 70 / 23 / 0 / 26

HEX #3890BC

RGB 56 144 188

HSL 200, 0.54%, 0.48%

LAB 56.5, -11.78, -30.52

 

CMYK 12 / 70 / 0 / 26

HEX #A638BC

RGB 166 56 188

HSL 290, 0.54%, 0.48%

LAB 45.03, 62.4, -48.04

 

CMYK 0 / 47 / 70 / 26

HEX #BC6438

RGB 188 100 56

HSL 20, 0.54%, 0.48%

LAB 51.94, 31.77, 39.99

 

Description

Color code: HEX #4DBD38 | qconv.com Color code: HEX #4DBD38 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 189 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 189 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 70 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 70% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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