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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DB49F it is the complementary color #B24B60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DB49F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DB49F shade: #52B49A, #63C6AD, #74D8C0, #85EAD3 and #96FCE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DB49F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DB49F shade: #4DB49F, #3CA28C, #2B9079, #1A7E66 and #096C53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DB49F shade: #4BB49E, #4BB482, #4BB466, #4DB44B and #69B44B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DB49F shade: #4BB49E, #4BADB4, #4B91B4, #4B75B4 and #4B58B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DB49F shade matches the following richer shades: #4BB49E, #37C8AB, #22DDB7 and #0DF2C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DB49F shade: #4BB49E, #609F92, #748B86, #89767A and #9E616E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DB49F shade: #4BB465, #4BB481, #4BB49D, #4BAFB4 and #4B93B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DB49F shade: #337A6B, #3F9785, #4BB49E, #68C0AE and #85CCBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DB49F shade: #4DB49F, #4B4DB4 and #B4734B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DB49F shade: #4DB49F, #9D4BB4 and #B49D4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DB49F shade: #4DB49F, #4B4DB4, #B44B62 and #B4B24B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DB49F shade: #4DB49F, #694BB4, #B44B62 and #96B44B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 12 / 29

HEX #4DB49F

RGB 77 180 159

HSL 167.77, 0.41%, 0.5%

LAB 67.07, -34.99, 1.75

 

Complementary color

CMYK 0 / 58 / 46 / 30

HEX #B24B60

RGB 178 75 96

HSL 347.77, 0.41%, 0.5%

LAB 46.1, 43.85, 9.05

 

CMYK 54 / 0 / 14 / 29

HEX #52B49A

RGB 82 180 154

HSL 164.08, 0.4%, 0.51%

LAB 67.1, -35.16, 4.58

 

CMYK 50 / 0 / 13 / 22

HEX #63C6AD

RGB 99 198 173

HSL 164.85, 0.46%, 0.58%

LAB 73.58, -35.13, 3.63

 

CMYK 46 / 0 / 11 / 15

HEX #74D8C0

RGB 116 216 192

HSL 165.6, 0.56%, 0.65%

LAB 79.97, -35.04, 2.76

 

CMYK 43 / 0 / 10 / 8

HEX #85EAD3

RGB 133 234 211

HSL 166.34, 0.71%, 0.72%

LAB 86.27, -34.92, 1.95

 

CMYK 40 / 0 / 9 / 1

HEX #96FCE6

RGB 150 252 230

HSL 167.06, 0.94%, 0.79%

LAB 92.49, -34.79, 1.18

 

CMYK 57 / 0 / 12 / 29

HEX #4DB49F

RGB 77 180 159

HSL 167.77, 0.41%, 0.5%

LAB 67.07, -34.99, 1.75

 

CMYK 63 / 0 / 14 / 36

HEX #3CA28C

RGB 60 162 140

HSL 167.06, 0.46%, 0.44%

LAB 60.51, -34.81, 2.76

 

CMYK 70 / 0 / 16 / 44

HEX #2B9079

RGB 43 144 121

HSL 166.34, 0.54%, 0.37%

LAB 53.86, -34.43, 3.9

 

CMYK 79 / 0 / 19 / 51

HEX #1A7E66

RGB 26 126 102

HSL 165.6, 0.66%, 0.3%

LAB 47.11, -33.74, 5.2

 

CMYK 92 / 0 / 23 / 58

HEX #096C53

RGB 9 108 83

HSL 164.85, 0.85%, 0.23%

LAB 40.26, -32.55, 6.72

 

CMYK 58 / 0 / 12 / 29

HEX #4BB49E

RGB 75 180 158

HSL 167.43, 0.41%, 0.5%

LAB 66.98, -35.64, 2.17

 

CMYK 58 / 0 / 28 / 29

HEX #4BB482

RGB 75 180 130

HSL 151.43, 0.41%, 0.5%

LAB 66.33, -42.15, 16.62

 

CMYK 58 / 0 / 43 / 29

HEX #4BB466

RGB 75 180 102

HSL 135.43, 0.41%, 0.5%

LAB 65.82, -47.47, 30.9

 

CMYK 57 / 0 / 58 / 29

HEX #4DB44B

RGB 77 180 75

HSL 118.86, 0.41%, 0.5%

LAB 65.54, -50.86, 43.97

 

CMYK 42 / 0 / 58 / 29

HEX #69B44B

RGB 105 180 75

HSL 102.86, 0.41%, 0.5%

LAB 66.64, -42.75, 45.53

 

CMYK 58 / 0 / 12 / 29

HEX #4BB49E

RGB 75 180 158

HSL 167.43, 0.41%, 0.5%

LAB 66.98, -35.64, 2.17

 

CMYK 58 / 4 / 0 / 29

HEX #4BADB4

RGB 75 173 180

HSL 184, 0.41%, 0.5%

LAB 65.5, -26.36, -12.23

 

CMYK 58 / 19 / 0 / 29

HEX #4B91B4

RGB 75 145 180

HSL 200, 0.41%, 0.5%

LAB 57.12, -11.62, -24.97

 

CMYK 58 / 35 / 0 / 29

HEX #4B75B4

RGB 75 117 180

HSL 216, 0.41%, 0.5%

LAB 48.9, 4.71, -37.78

 

CMYK 58 / 51 / 0 / 29

HEX #4B58B4

RGB 75 88 180

HSL 232.57, 0.41%, 0.5%

LAB 40.85, 22.92, -50.61

 

CMYK 58 / 0 / 12 / 29

HEX #4BB49E

RGB 75 180 158

HSL 167.43, 0.41%, 0.5%

LAB 66.98, -35.64, 2.17

 

CMYK 73 / 0 / 15 / 22

HEX #37C8AB

RGB 55 200 171

HSL 168, 0.57%, 0.5%

LAB 72.93, -44.49, 3.62

 

CMYK 85 / 0 / 17 / 13

HEX #22DDB7

RGB 34 221 183

HSL 167.81, 0.73%, 0.5%

LAB 79.31, -52.23, 6.36

 

CMYK 95 / 0 / 19 / 5

HEX #0DF2C3

RGB 13 242 195

HSL 167.69, 0.9%, 0.5%

LAB 85.77, -58.53, 9.28

 

CMYK 58 / 0 / 12 / 29

HEX #4BB49E

RGB 75 180 158

HSL 167.43, 0.41%, 0.5%

LAB 66.98, -35.64, 2.17

 

CMYK 40 / 0 / 8 / 38

HEX #609F92

RGB 96 159 146

HSL 167.62, 0.25%, 0.5%

LAB 61.1, -23.42, 0.4

 

CMYK 17 / 0 / 4 / 45

HEX #748B86

RGB 116 139 134

HSL 166.96, 0.09%, 0.5%

LAB 55.99, -9.28, -0.08

 

CMYK 0 / 14 / 11 / 46

HEX #89767A

RGB 137 118 122

HSL 347.37, 0.07%, 0.5%

LAB 51.47, 8.08, 0.52

 

CMYK 0 / 39 / 30 / 38

HEX #9E616E

RGB 158 97 110

HSL 347.21, 0.24%, 0.5%

LAB 48.19, 26.5, 3.18

 

CMYK 58 / 0 / 44 / 29

HEX #4BB465

RGB 75 180 101

HSL 134.86, 0.41%, 0.5%

LAB 65.81, -47.64, 31.4

 

CMYK 58 / 0 / 28 / 29

HEX #4BB481

RGB 75 180 129

HSL 150.86, 0.41%, 0.5%

LAB 66.31, -42.36, 17.13

 

CMYK 58 / 0 / 13 / 29

HEX #4BB49D

RGB 75 180 157

HSL 166.86, 0.41%, 0.5%

LAB 66.96, -35.89, 2.68

 

CMYK 58 / 3 / 0 / 29

HEX #4BAFB4

RGB 75 175 180

HSL 182.86, 0.41%, 0.5%

LAB 66.1, -27.35, -11.33

 

CMYK 58 / 18 / 0 / 29

HEX #4B93B4

RGB 75 147 180

HSL 198.86, 0.41%, 0.5%

LAB 57.71, -12.72, -24.06

 

CMYK 58 / 0 / 12 / 52

HEX #337A6B

RGB 51 122 107

HSL 167.32, 0.41%, 0.34%

LAB 46.56, -26.14, 1.54

 

CMYK 58 / 0 / 12 / 41

HEX #3F9785

RGB 63 151 133

HSL 167.73, 0.41%, 0.42%

LAB 56.96, -30.86, 1.59

 

CMYK 58 / 0 / 12 / 29

HEX #4BB49E

RGB 75 180 158

HSL 167.43, 0.41%, 0.5%

LAB 66.98, -35.64, 2.17

 

CMYK 46 / 0 / 9 / 25

HEX #68C0AE

RGB 104 192 174

HSL 167.73, 0.41%, 0.58%

LAB 72.03, -30.87, 0.85

 

CMYK 35 / 0 / 7 / 20

HEX #85CCBE

RGB 133 204 190

HSL 168.17, 0.41%, 0.66%

LAB 77.22, -25.35, -0.09

 

CMYK 57 / 0 / 12 / 29

HEX #4DB49F

RGB 77 180 159

HSL 167.77, 0.41%, 0.5%

LAB 67.07, -34.99, 1.75

 

CMYK 58 / 57 / 0 / 29

HEX #4B4DB4

RGB 75 77 180

HSL 238.86, 0.41%, 0.5%

LAB 38.02, 29.91, -55.18

 

CMYK 0 / 36 / 58 / 29

HEX #B4734B

RGB 180 115 75

HSL 22.86, 0.41%, 0.5%

LAB 54.53, 21.51, 32.54

 

CMYK 57 / 0 / 12 / 29

HEX #4DB49F

RGB 77 180 159

HSL 167.77, 0.41%, 0.5%

LAB 67.07, -34.99, 1.75

 

CMYK 13 / 58 / 0 / 29

HEX #9D4BB4

RGB 157 75 180

HSL 286.86, 0.41%, 0.5%

LAB 46.31, 50.34, -41.41

 

CMYK 0 / 13 / 58 / 29

HEX #B49D4B

RGB 180 157 75

HSL 46.86, 0.41%, 0.5%

LAB 65.22, -1.71, 45.26

 

CMYK 57 / 0 / 12 / 29

HEX #4DB49F

RGB 77 180 159

HSL 167.77, 0.41%, 0.5%

LAB 67.07, -34.99, 1.75

 

CMYK 58 / 57 / 0 / 29

HEX #4B4DB4

RGB 75 77 180

HSL 238.86, 0.41%, 0.5%

LAB 38.02, 29.91, -55.18

 

CMYK 0 / 58 / 46 / 29

HEX #B44B62

RGB 180 75 98

HSL 346.86, 0.41%, 0.5%

LAB 46.47, 44.75, 8.4

 

CMYK 0 / 1 / 58 / 29

HEX #B4B24B

RGB 180 178 75

HSL 58.86, 0.41%, 0.5%

LAB 70.91, -12.79, 51.67

 

CMYK 57 / 0 / 12 / 29

HEX #4DB49F

RGB 77 180 159

HSL 167.77, 0.41%, 0.5%

LAB 67.07, -34.99, 1.75

 

CMYK 42 / 58 / 0 / 29

HEX #694BB4

RGB 105 75 180

HSL 257.14, 0.41%, 0.5%

LAB 40.13, 37.43, -51.63

 

CMYK 0 / 58 / 46 / 29

HEX #B44B62

RGB 180 75 98

HSL 346.86, 0.41%, 0.5%

LAB 46.47, 44.75, 8.4

 

CMYK 17 / 0 / 58 / 29

HEX #96B44B

RGB 150 180 75

HSL 77.14, 0.41%, 0.5%

LAB 69.21, -26.21, 49.15

 

Description

Color code: HEX #4DB49F | qconv.com Color code: HEX #4DB49F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 180 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 180 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 12 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 12% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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